- Source: Fearless (Taylor Swift song)
"Fearless" is a song by the American singer-songwriter Taylor Swift. She wrote it with Liz Rose and Hillary Lindsey while touring to promote her first album Taylor Swift (2006), and she produced the track with Nathan Chapman. Lyrically, "Fearless" sees Swift's character embracing the romantic drive of a thrilling first date, allowing herself to live true to her heart. She picked it as the title track for her 2008 studio album Fearless because she thought it encapsulates the album's overarching theme of being fearlessly oneself.
A country pop and pop rock song, "Fearless" is instrumented by booming drums and chiming guitars. The track was released to US country radio as the album's fifth and final single on January 4, 2010, by Big Machine Records. Music critics generally praised the production as catchy and engaging and the lyrics for portraying earnest adolescent sentiments. In the United States, "Fearless" peaked at number nine on the Billboard Hot 100 and number 10 on Hot Country Songs, and it was certified platinum by the Recording Industry Association of America. The song also charted in Canada and Spain.
Swift included "Fearless" in the set list to her first headlining tour, the Fearless Tour (2009–2010); footage from the tour were used in the song's music video. She later included it in the set lists of the Speak Now World Tour (2011–2012) and the Eras Tour (2023–2024). After a 2019 dispute regarding the ownership of Swift's back catalog, she re-recorded the song and released it as "Fearless (Taylor's Version)" for her 2021 re-recorded album Fearless (Taylor's Version).
Background and writing
Taylor Swift wrote songs for her second studio album, Fearless, while touring as an opening act for other country musicians during 2007–2008, when she was 17–18 years old; she was promoting her first album, Taylor Swift (2006). Continuing the romantic themes of her first album, Swift wrote songs about love and personal experiences from the perspective of a teenage girl to ensure her fans could relate to Fearless. As such, Swift said that nearly every album track had a "face" that she associated with it. The end product is a collection of songs about the challenges of love with prominent high-school and fairy-tale lyrical imagery. Swift and the producer Nathan Chapman recorded over 50 songs for Fearless, and "Fearless" was one of the 13 tracks that made the final cut.
Swift wrote "Fearless" with Liz Rose and Hillary Lindsey. She first conceived the track while touring, when she was unattached romantically: "I wasn't even in the beginning stages of dating anybody." She imagined what could happen during an ideal first date—an idea that developed into the final track. Summarizing the song's theme as "the best first date [she hasn't] had yet", Swift described "Fearless" as an aspirational song that deviated from love songs about real-time feelings or experiences.
Music and lyrics
"Fearless" is four minutes and one second long. Swift and Chapman produced the track, which was recorded by Chad Carlson and mixed by Justin Niebank at Blackbird Studios in Nashville. "Fearless" a country pop and pop rock song. Its arrangement consists of booming drums and chiming guitars alongside mandolin and fiddle; the bridge incorporates a key change. The musicologist James E. Perone writes that there are "unexpected musical influences" evoking diverse styles of country, pop, folk, and alternative rock in the drums, guitars, and other instruments' "tone colors". Larry Rodgers of The Arizona Republic categorized the song as "rootsy pop".
Lyrically, the song narrates Swift's imagination of an ideal first date: her character embraces the romantic drive and the thrilling sentiments. She pays attention to the details, such as how the pavement glistens in the moonlight after a rain, how her date "runs [his] hand through [his] hair", and how she gets excited and nervous anticipating a first kiss. The couple have an impromptu dance in a parking lot and frolic in the rain before giving each other a passionate kiss. She relinquishes her pretense, allowing herself to live true to her heart ("I don't know why, but with you I'd dance in as storm in my best dress").
The song uses many of the imagery commonly used in Swift's other songs, such as dancing in the rain in one's best dress and concealing one's timidity. Swift described the song's greater concept as "the fearlessness of falling in love": "[No] matter how many times you get hurt, you will always fall in love again." Rob Sheffield, writing for Blender, opined that the lyric mentioning Swift's character getting caught in a storm "in my best dress" showed that she "likes to make a scene". For Annie Zaleski, the track encapsulates the excitement of a wonderful date that one wishes "would last forever". Amanda Ash of the Edmonton Journal, meanwhile, thought that there is a sense of uncertainty under those thrilling moments.
Release and commercial performance
"Fearless" was first released as a promotional single from the album on October 14, 2008, as part of "Countdown to Fearless", an exclusive campaign by the iTunes Store. On the Billboard Hot 100 chart dated November 1, 2008, the track debuted and peaked at number nine on the Billboard Hot 100, selling 162,000 digital downloads within its first week of release. It made Swift the first female artist since Madonna in 1998 to have two top-10 debuts in one calendar year. The song is one of the 13 tracks from Fearless to chart within the top 40 of the Billboard Hot 100, breaking the record for the most top-40 entries from a single album.
Big Machine Records released Fearless on November 11, 2008. Swift chose "Fearless" as the title track because she felt it represented the overarching theme of the album about fearlessly being oneself; "fearless doesn't mean you're completely unafraid and it doesn't mean that you're bulletproof. It means that you have a lot of fears, but you jump anyway." The song was released as the fifth and final single from Fearless to US country radio on January 4, 2010. It peaked at number 10 on the Hot Country Songs chart and number 18 on the Pop 100 chart. The Recording Industry Association of America certified "Fearless" platinum on October 23, 2012, and the single had sold one million copies in the United States by November 2017.
In Canada, "Fearless" peaked at number 69 on the Canadian Hot 100 and number 7 on the Canada Country chart. The single peaked at number 32 in Spain and number 111 in the United Kingdom. The single received a platinum certification in Australia.
Critical reception
In reviews of Fearless, critics generally praised the title track for its catchy production. Those who picked it as an album highlight included the Hartford Courant's Thomas Kintner, who wrote that its "juicy jangling" production "keeps [Swift] ahead of the game", and The Baltimore Sun's Rashod D. Ollison, who described the sound as "breezy". Jody Rosen of Rolling Stone highlighted the loud guitars and dynamic refrains, and Jim Abbott of the Orlando Sentinel found the track suitable for "arena sing-alongs".
Others complimented the lyrics for portraying universal feelings evoked by love that appealed to a broad audience, such as Alice Fisher of The Guardian and Jim Harrington of The San Jose Mercury News. In USA Today, Elysa Gardner appreciated the storytelling lyrics and the earnest "innocence and wonder" that the track portrayed. Ash thought that "Fearless" set the overall tone for the album and found it to incorporate a sense of maturity to the obvious teenage sentiments. On a less enthusiastic side, Jonathan Keefe of Slant Magazine wrote that the song demonstrated a lack of refinement in Swift's songwriting in how the meter "emphasizes the incorrect syllables of words".
Retrospective opinions on "Fearless" have remained generally positive. Zaleski described the production as "easygoing" but also bold, Swift's vocals "forceful", and the key change "epic". She also found the lyrical details vivid and specific, which evaluated the impact of Swift's songwriting. Several critics have ranked the track highly among all songs in Swift's discography. Sheffield, in his 2024 ranking of Swift's 274 songs, placed "Fearless" at number 42. He praised how the lyrics incorporated many of the familiar tropes of her songwriting and the production "builds up to a swoon". Nate Jones of Vulture (2024) ranked the song 29th out of 245, hailing the way Swift channeled the thrilling emotions despite the lyrics using familiar themes.
"Fearless" was ranked among the 20 best songs by Swift by Billboard's Jason Lipshutz (2017), Paste's Jane Song (2020), Exclaim!'s Alex Hudson and Megan LaPierre (2024), and Variety's Chris Willman (2024). Lipshutz selected the opening lines ("There’s something 'bout the way/ The street looks when it's just rained/ There's a glow off the pavement") as an example of Swift's abilities to conjecture romantic whimsy that not many artists could. Willman contended that the title track was as enduring as other dramatized Fearless songs thanks to its "simpler ambitions" and "typically great melodic line". The Guardian's Alexis Petridis was not as welcoming, writing that while it was not a bad song, it lacked the "sucker-punch power" of other singles like "Love Story".
Live performances and music video
During promotion of Fearless, Swift performed the title track on Late Show with David Letterman on November 10, 2008, and as part of her concerts for the festivals and events that she headlined in 2009, including the Houston Livestock Show and Rodeo and the Florida Strawberry Festival in March, and Craven Country Jamboree in July. She also performed it at the 2010 Summer Sonic Festival in Japan. Swift included "Fearless" in the set list of her first headlining concert tour, the Fearless Tour (2009–2010). She sang the song donning a silver sparkly cocktail dress and black cowboy boots, playing a rhinestoned acoustic guitar, and twirling onstage. Recordings from the Fearless Tour were used to comprise a music video for "Fearless", directed by Todd Cassetty. It intermingles Swift's performances of other songs and behind-the-scene footage.
On the Speak Now World Tour (2011–2012), Swift performed "Fearless" as part of an acoustic mashup with Jason Mraz's "I'm Yours" and Train's "Hey Soul Sister", on ukulele. She sang the song as a "surprise" number outside the regular set lists of her later tours. On the Red Tour, she sang it at the shows in Houston (May 2013), Chicago (August 2013), and London (February 2014). She performed an acoustic version of "Fearless" during the San Diego show of the 1989 World Tour (August 2015) and the East Rutherford show of the Reputation Stadium Tour (July 2018). The song was included as part of the regular set list for her sixth headlining concert tour, the Eras Tour (2023–2024). She performed the track donning a golden fringe dress and playing a rhinestoned guitar, which evoked her fashion in the 2008 Fearless days.
Personnel
Adapted from the liner notes of Fearless
Chad Carlson – recording
Nathan Chapman – producer
Taylor Swift – producer, lead vocals
Justin Nieback – mixing
Drew Bollman – mixing assistant
Charts
Certifications
"Fearless (Taylor's Version)"
After signing a new contract with Republic Records, Swift began re-recording her first six studio albums, including Fearless, in November 2020. The decision came after a 2019 public dispute between Swift and the talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums the label had released. By re-recording her catalog, Swift had full ownership of the new masters, including the copyright licensing of her songs. In doing so, she would benefit from the financial gains over the Big Machine–owned masters.
Swift released the re-recorded version of Fearless, titled Fearless (Taylor's Version), on April 9, 2021, via Republic; all re-recorded tracks contain the additional "Taylor's Version" moniker. A day prior to the album's release, a snippet of "Fearless (Taylor's Version)", the re-recording of the title track, premiered on Good Morning America. Swift and Christopher Rowe produced "Fearless (Taylor's Version)", which was recorded by David Payne at Blackbird and Prime Recording Studios in Nashville. Rowe recorded Swift's vocals at her home studio in London, and Serban Ghenea mixed the track at MixStar Studios in Virginia Beach, Virginia.
= Reception
="Fearless (Taylor's Version)" has the same arrangement as its original counterpart, leading The New York Times' Joe Coscarelli to comment that the re-recorded version "[sounds] more remastered than rerecorded". There are subtle alterations in the details; The New York Times' Jon Pareles wrote that the re-recording omits the organ note 10 seconds into the song, and the commercial music professor identified how the electric guitar is louder, most particularly in the fade-out at the 3:53 mark. According to Pareles, the alternations are so slight that fans who were used to the original album would not tell the difference. Hannah Mylrea of NME deemed the instrumentation more refined while making the song retain its "starry-eyed lyricism" and "stellar instrumental arrangements", and Sheffield and Clash's Lucy Harbron highlighted Swift's matured vocals.
"Fearless (Taylor's Version)" peaked at number 53 on the Billboard Global 200. It charted in Canada (46) and Singapore (26). In the United States, the track peaked at number 71 on the Billboard Hot 100 and number 14 on Hot Country Songs. In Australia, "Fearless (Taylor's Version)" peaked at number 54 on the ARIA Singles Chart and was certified platinum. It was certified silver in the United Kingdom, where it peaked at number 99 on the UK Streaming Chart.
= Personnel
=Adapted from the liner notes of Fearless (Taylor's Version)
= Chart performance
== Certifications
=References
= Cited literature
=Spencer, Liv (2010). Taylor Swift: Every Day Is a Fairytale – The Unofficial Story. ECW Press. ISBN 978-1550229318.
Perone, James E. (2017). "Becoming Fearless". The Words and Music of Taylor Swift. The Praeger Singer-Songwriter Collection. ABC-Clio. pp. 5–25. ISBN 978-1-44-085294-7.
Zaleski, Annie (2024). "The Fearless Era". Taylor Swift: The Stories Behind the Songs. Thunder Bay Press. pp. 27–52. ISBN 978-1-6672-0845-9.
Kata Kunci Pencarian:
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- The Eras Tour
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