• Source: List of compositions by Benjamin Britten

This list of compositions includes all the published works by English composer Benjamin Britten with opus number.




By genre






= Operas

=
Paul Bunyan, Op. 17:

Operetta in two acts, 114'.
Libretto by W. H. Auden, after the American folktale.
Premiered on 5 May 1941 at Brander Matthews Hall, New York.
Published by Faber Music.
Peter Grimes, Op. 33:

Opera in a prologue and three acts, 147'.
Libretto by Montagu Slater, after the poem The Borough by George Crabbe.
Premiered on 7 June 1945 at Sadler's Wells, London.
Published by Boosey & Hawkes.
The Rape of Lucretia, Op. 37:

Opera in two acts, 107'.
Libretto by Ronald Duncan, after the play Le Viol de Lucrèce by André Obey.
Premiered on 12 July 1946 at Glyndebourne.
Published by Boosey & Hawkes.
Albert Herring, Op. 39:

Comic opera in three acts, 137'.
Libretto by Eric Crozier, loosely after the short story Le Rosier de Mme. Husson by Guy de Maupassant.
Premiered on 20 June 1947 at Glyndebourne.
Published by Boosey & Hawkes.
The Beggar's Opera, Op. 43:

Ballad opera, 108'.
Libretto after the ballad opera by John Gay.
Premiered on 24 May 1948 at the Cambridge Arts Theatre.
Published by Boosey & Hawkes.
Let's Make an Opera (The Little Sweep), Op. 45:

An Entertainment for Young People, 130'.
Libretto by Eric Crozier.
Premiered on 14 June 1949 at Jubilee Hall, Aldeburgh Festival.
Published by Boosey & Hawkes.
Billy Budd, Op. 50:

Opera in four acts, 162'.
Libretto by E. M. Forster and Eric Crozier, after the novella by Herman Melville.
Premiered on 1 December 1951 at the Royal Opera House, London.
Published by Boosey & Hawkes.
Billy Budd (revised):

Opera in two acts, 158'.
Premiered on 9 January 1964 at the Royal Opera House, London.
Published by Boosey & Hawkes.
Gloriana, Op. 53:

Opera in three acts, 148'.
Libretto by William Plomer, after Elizabeth and Essex by Lytton Strachey.
Premiered on 8 June 1953 at the Royal Opera House, London.
Published by Boosey & Hawkes.
The Turn of the Screw, Op. 54:

Opera in a prologue and two acts, 101'.
Libretto by Myfanwy Piper, after the novella by Henry James.
Premiered on 14 September 1954 at Teatro La Fenice, Venice.
Published by Boosey & Hawkes.
Noye's Fludde, Op. 59:

Music-theatre for community performance, 50'.
Libretto after the Chester Miracle Play as published in English Miracle Plays, Moralities and Interludes
Premiered on 18 June 1958 at Orford Church, Aldeburgh Festival.
Published by Boosey & Hawkes.
A Midsummer Night's Dream, Op. 64:

Opera in three acts, 144'.
Libretto by the composer and Peter Pears, after the play by Shakespeare.
Premiered on 11 June 1960 at Jubilee Hall, Aldeburgh Festival.
Published by Boosey & Hawkes.
Owen Wingrave, Op. 85:

Opera for television in two acts, 106'.
Libretto by Myfanwy Piper, after the short story by Henry James.
Premiered on 16 May 1971 in a BBC2 TV broadcast. First staged on 10 May 1973 at the Royal Opera House, London.
Published by Faber Music.
Death in Venice, Op. 88:

Opera in two acts, 145'.
Libretto by Myfanwy Piper, after the novella by Thomas Mann.
Premiered on 16 June 1973, Snape Maltings, Aldeburgh Festival.
Published by Faber Music.




= Church parables

=
Curlew River (Op. 71; 1964), based on a Japanese Noh play
The Burning Fiery Furnace (Op. 77; 1966), after the Book of Daniel, Chapter 3
The Prodigal Son (Op. 81; 1968), after the Gospel of Luke, Chapter 15




= Ballets

=
Plymouth Town (ballet for small orchestra; 1931)
The Prince of the Pagodas (Op. 57; 1956)
Les Sylphides after Chopin (1940)




= Orchestral

=
"Two Portraits" for string orchestra (1930). No. 2 is subtitled "E.B.B" – his own initials, and thus a self-portrait (also arr. for viola and strings). No. 3 was unrealised.
Sinfonietta, Op. 1, for five winds and five strings (1932), revised for chamber orchestra (1936)
Simple Symphony, Op. 4, for string orchestra (1934)
Soirées musicales, Op. 9, after Rossini (1936)
Russian Funeral (1936)
King Arthur (suite for orchestra, arranged from incidental music for a BBC Radio production by Paul Hindmarsh, 1937/ 2005)
Variations on a Theme of Frank Bridge, Op. 10, for string orchestra (1937)
Mont Juic, Op. 12, a suite of Catalan Dances, jointly composed with Lennox Berkeley (1937)
Canadian Carnival, Op. 19, (1939)
Sinfonia da Requiem, Op. 20, (1940)
Matinées musicales, Op. 24, after Rossini (1941)
An American Overture, Op. 27, (1941)
Prelude and Fugue for 18 Strings, Op. 29, (1943)
Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33a & 33b, for orchestra (1945)
The Young Person's Guide to the Orchestra, Op. 34, (1946)
Occasional Overture, Op. 38, (1946)
Men of Goodwill – variations on a Christmas carol (1947)
Variations on an Elizabethan Theme, jointly composed with Lennox Berkeley, Arthur Oldham, Humphrey Searle, Michael Tippett and William Walton (1953)
Symphonic Suite from Gloriana, Op. 53a, (1954)
Suite on English Folk Tunes, A Time There Was..., Op. 90, for chamber orchestra (1966/1974)




= Concertante

=
Rondo Concertante for piano and strings (1930)
Double Concerto for Violin, Viola and Orchestra (1932). "Instrumentation...virtually 100% Britten" (Matthews, Erato sleeve note, 1999 – Colin Matthews realised the orchestration).
Piano Concerto, Op. 13, (1938; rev. 1945, the original third movement – Recitative and Aria – replaced by an Impromptu)
Violin Concerto, Op. 15, (1939; rev. 1958)
Young Apollo, Op. 16, for piano, string quartet and string orchestra (1939)
Diversions for Piano Left Hand and Orchestra, Op. 21, (1940; rev. 1954)
Scottish Ballad, Op. 26, for two pianos and orchestra (1941)
Clarinet Concerto (incomplete: 1st movement only, 1942/3, orch. by Colin Matthews, who later added two further movements from 1940s Britten sketches, incl. Sonata for Orchestra; resulting work, Movements for a Clarinet Concerto, first published 2008)
In memoriam Dennis Brain (c. 1958), unfinished sketch for four horns and orchestra.
Cello Symphony, Op. 68, (1963)




= Vocal/choral orchestral

=
Quatre Chansons Françaises for soprano and orchestra (1928)
Two Psalms for chorus and orchestra (1931)
Our Hunting Fathers, Op. 8, for soprano or tenor and orchestra (words by W. H. Auden and others; 1936)
The Company of Heaven for speakers, soloists, chorus and orchestra (BBC, September 1937, not performed again until 1989)
The World of the Spirit for speakers, SATB soloists, chorus and orchestra (BBC, May 1938)
Ballad of Heroes, Op. 14, for tenor or soprano, chorus and orchestra (words by W. H. Auden and Randall Swingler; 1939)
Les Illuminations, Op. 18, for soprano or tenor and strings (words by Arthur Rimbaud) (1939; three further songs, not included in the cycle, also exist — another setting also called 'Phrase', and 'Aube' and 'A une raison'; they have been orchestrated by Colin Matthews; there also exists a sketch for a further Rimbaud setting)
Serenade for Tenor, Horn and Strings, Op. 31, (1943)
The Ballad of Little Musgrave and Lady Barnard for male voice choir and piano (1943)
The Rescue of Penelope for voices and orchestra (1943)
Saint Nicolas, Op. 42, for tenor soloist, children's chorus, chorus, and orchestra (1948)
Spring Symphony, Op. 44, for soprano, contralto, and tenor soloists, mixed chorus, boys' choir and orchestra (1949)
Nocturne, Op. 60, for tenor, seven obbligato instruments and strings (1958)
Cantata academica, Op. 62, for soloists, chorus and orchestra (1959)
War Requiem, Op. 66, for soprano, tenor and baritone soloists, chamber ensemble, boys' chorus, mixed chorus, and orchestra (1961)
Cantata misericordium, Op. 69, for tenor and baritone soloists, small chorus, string quartet, string orchestra, piano, harp, timpani (1963)
Phaedra, Op. 93, for mezzo-soprano, cello, harpsichord, percussion, and string orchestra (words by Robert Lowell; after Jean Racine's Phèdre; 1975)
Praise we great men for soloists, chorus and orchestra (words by Edith Sitwell; 1976. Completed by Colin Matthews, 1985)
Welcome Ode, Op. 95, for young people's voices and orchestra (1976)




= Vocal

=
Beware! Three Early Songs for voice and piano (1) "Beware!" (words by Henry Wadsworth Longfellow; 1922) (2) "O that I had ne'er been Married" (words by Robert Burns; 1922) (3) "Epitaph: The Clerk" (words by Herbert Asquith; 1926; rev. 1968, published 1985
Tit for Tat for voice and piano (words by Walter de la Mare; 1928–31; (1) "A Song of Enchantment" (2) "Autumn" (3) "Silver" (4) "Vigil" (5) "Tit for Tat"; rev. and published 1969; premiered by John Shirley-Quirk and the composer at the 1969 Aldeburgh Festival)
The Birds (Belloc; 1929, rev. 1934)
On this Island, Op. 11, for high voice and piano (1937) (words by W. H. Auden)
Fish in the Unruffled Lakes (1937-1947) (words by W. H. Auden – includes songs originally intended for, but ultimate not used in, On this Island)
Cabaret Songs for medium voice and piano (words by W. H. Auden: "Tell Me the Truth About Love", "Funeral Blues", "Johnny", and "Calypso"; 1940)
Seven Sonnets of Michelangelo, Op. 22, for tenor and piano (1940)
The Holy Sonnets of John Donne, Op. 35, for tenor and piano (1945)
Canticle I: My beloved is mine and I am his, Op. 40, for high voice and piano (one of the Canticles; 1947)
A Charm of Lullabies, Op. 41, for mezzo-soprano and piano (1947)
Canticle II: Abraham and Isaac, Op. 51, for alto (or countertenor), tenor, and piano (one of the Canticles; 1952)
Canticle III: Still falls the rain, Op. 55, for tenor, horn and piano (words by Edith Sitwell; one of the Canticles; 1954)
Winter Words, Op. 52, for tenor and piano, poetry by Thomas Hardy (1954)
The Heart of the Matter for narrator, tenor, horn, and piano (1956)
Songs from the Chinese, Op. 58, for soprano or tenor and guitar, Op. 58 (translations by Arthur Waley; 1957)
Sechs Hölderlin-Fragmente, Op. 61, for tenor and piano (1958)
Songs and Proverbs of William Blake, Op. 74, for baritone and piano (1965)
The Poet's Echo, Op. 76, for soprano or tenor and piano (words by Alexander Pushkin; 1965)
Who Are These Children?, Op. 84, for tenor and piano (words by William Soutar; 1969)
Canticle IV: The Journey of the Magi, Op. 86, for countertenor, tenor, baritone, and piano (one of the Canticles; 1971)
Canticle V: The Death of Saint Narcissus, Op. 89, for tenor and harp (one of the Canticles; 1974)
A Birthday Hansel, Op. 92, for high voice and harp (1975)
Eight books of Folksong Arrangements from the British Isles and France, for voice and piano, guitar and harp
Britten's Purcell Realizations, many realizations of songs by Henry Purcell for voice(s) and piano




= Choral

=
A Hymn to the Virgin for chorus and soli (1930; revised 1934)
Christ's Nativity for unaccompanied chorus (1931)
A Boy Was Born, Op. 3, for children's chorus and mixed choir (1933; revised 1955)
Jubilate Deo in E-flat for chorus and organ (published posthumously; 1934)
Te Deum in C for treble solo, chorus, trumpet, and organ (1934)
Friday Afternoons, Op. 7, for children's voices and piano (1935)
Advance Democracy for unaccompanied choir (1938)
A.M.D.G. (Ad Majorem Dei Gloriam), seven settings of Gerard Manley Hopkins for unaccompanied SATB (1939)
Hymn to St Cecilia, Op. 27, for unaccompanied choir (poem by W. H. Auden; 1942)
A Ceremony of Carols, Op. 28, for treble voices and harp (1942); an alternative arrangement for mixed voices and harp (or piano) is popular as well
Rejoice in the Lamb, Op. 30, for four soloists, choir, and organ (text by Christopher Smart; 1943)
Festival Te Deum, Op. 32, in E for chorus and organ (1944)
A Wedding anthem 'Amo Ergo Sum' , Op. 46, for soprano, tenor, SATB and organ (1949)
Five Flower Songs, Op. 47, for SATB (1950)
Hymn to St Peter, Op. 56a, for treble soloist, SATB and organ (1955)
Antiphon, Op. 56b, for SATB and organ, (1955)
Missa Brevis, Op. 63, for boys' voices and organ (1959)
Jubilate Deo for chorus and organ (1961)
A Hymn of St Columba for chorus and organ (1962)
Voices for Today, Op. 75, for children's chorus, chorus and organ ad lib, (1965)
The Golden Vanity, Op. 78, for five boy soloists, treble chorus and piano (1966)
The Building of the House, Op. 79, for chorus or organ or brass and orchestra (1967)
Children's Crusade, Op. 82, for nine boy soloists and chorus, percussion, organ and two pianos (text by Bertolt Brecht, trans. Hans Keller; 1968)
Sacred and Profane, Op. 91, for SSATB (1974–5)




= Chamber/instrumental

=



Solo piano

Five Waltzes, for piano (1923–25, rev. 1969)
Three Character Pieces, for piano (1930)
Twelve variations on a theme, for piano (1930)
Holiday Diary, Op. 5, for piano (1934)
Sonatina romantica for piano (rejected by the composer; 1940)
Night-Piece (Notturno) for piano (written for Leeds International Pianoforte Competition; 1963)
Variations for piano (1965)



Two pianos

Two Lullabies for two pianos (1936)
Introduction and Rondo alla burlesca, Op. 23/1, for two pianos (1940)
Mazurka elegiaca, Op. 23/2, for two pianos (written as part of the collaborative album Homage to Paderewski; 1941)



Organ

Prelude and Fugue on a Theme of Vittoria for organ (1946)



String quartet

String Quartet in F major (1928)
Rhapsody (1929)
Quartettino (1930)
String Quartet in D major (1931, revised 1974)
Alla Marcia (1933)
Three Divertimenti, for string quartet (1933, revised 1936): March, Waltz, Burlesque
String Quartet No. 1, Op. 25, in D major (1941)
String Quartet No. 2, Op. 36, in C major (1945)
String Quartet No. 3, Op. 94, in G major (1975)



Violin and piano

Suite for Violin and Piano, Op. 6, (1935)
Reveille, Concert Study (1937, published 1983)



Viola and piano

Reflection for viola and piano (1930)
Lachrymae, Op. 48, for viola and piano, after "If my complaints could passions move" by John Dowland; for William Primrose; 1950)
arranged for viola and string orchestra, Op. 48a, (for Cecil Aronowitz; 1976)
There is a willow grows aslant a brook (1932), an arrangement of the orchestral poem by Frank Bridge. The title is taken from Shakespeare, and the arrangement by Britten is dedicated to Bridge.



Violin, viola and piano

Two Pieces (1929; first performance 2003)



Solo viola

Etude (1929)
Elegy (1930)



Cello and piano

Cello Sonata, Op. 65, in C major (1961)



Solo cello

Cello Suite No. 1, Op. 72, (1964)
Cello Suite No. 2, Op. 80, (1967)
Cello Suite No. 3, Op. 87, (1972)
Tema "Sacher" for cello solo (1976)



Oboe and piano

Two Insect Pieces for oboe and piano (1935)
Temporal Variations for oboe and piano (1936)



Oboe and strings

Phantasy Quartet, Op. 2, for oboe, violin, viola, and cello (1932)



Solo oboe

Six Metamorphoses after Ovid, Op. 49, for solo oboe (1951), with quotations from Ovid's poem Metamorphoses



Flute, violin and piano 4-hands

Gemini Variations, Op. 73, for flute, violin, and piano four hands (1965)



Solo timpani

Timpani Piece for Jimmy, timpani solo (1955) for James Blades



Three trumpets

Fanfare for St Edmundsbury, short antiphonal and polytonal piece for three trumpets (1959)



Guitar

Nocturnal after John Dowland, Op. 70, for guitar (1963)



Harp

Suite for Solo Harp, Op. 83, (1969)




= Film & drama music

=
Night Mail (1936), with words by W. H. Auden
The Agamemnon of Aeschylus (1936), play by Louis MacNeice
Love from a Stranger (1937), film directed by Rowland V. Lee
Out of the Picture (1937), play by Louis MacNeice
The Sword In The Stone (1939), six-part radio drama
The Dark Tower (1946), radio play by Louis MacNeice




By opus number


Op. 1, Sinfonietta, for five winds and five strings 1932, revised for chamber orchestra 1936
Op. 2, Phantasy Quartet, oboe quartet, 1932
Op. 3, A Boy was Born for mixed chorus with organ ad lib, 1933, revised 1955
Op. 4, Simple Symphony for strings, 1934 (+ also version for string quartet)
Op. 5, Holiday Diary for piano, 1934
Op. 6, Suite for violin and piano, 1935
Op. 7, Friday Afternoons for children's voices and piano, 1935
Op. 8, Our Hunting Fathers for soprano or tenor and orchestra (words by W. H. Auden), 1936
Op. 9, Soirées musicales for orchestra (after Rossini), 1936
Op. 10, Variations on a Theme of Frank Bridge for string orchestra, 1937
Op. 11, On this Island for soprano or tenor and piano (words by W. H. Auden), 1937
Op. 12, Mont Juic, suite of Catalan dances, with Lennox Berkeley, 1937
Op. 13, Piano Concerto, 1938, revised 1945
Op. 14, Ballad of Heroes for tenor or soprano, chorus and orchestra (words by W. H. Auden and Randall Swingler), 1939
Op. 15, Violin Concerto, 1939, revised 1958
Op. 16, Young Apollo for piano and strings, 1939 (withdrawn, published 1982)
Op. 17, Paul Bunyan, opera (libretto by W. H. Auden), 1941, revised 1976
Op. 18, Les Illuminations, for soprano or tenor and strings (words by Arthur Rimbaud), 1939
Op. 19, Canadian Carnival overture, 1939
Op. 20, Sinfonia da Requiem, 1940
Op. 21, Diversions for Piano Left Hand and Orchestra, 1940, revised 1954
Op. 22, Seven Sonnets of Michelangelo for tenor and piano, 1940
Op. 23 2 Pieces for 2 Pianos, 1940-1941
No. 1, Introduction and Rondo alla burlesca for two pianos, 1940
No. 2, Mazurka elegiaca for two pianos, 1941
Op. 24, Matinées musicales for orchestra (after Rossini), 1941
Op. 25, String Quartet No. 1, 1941
Op. 26, Scottish Ballad for two pianos and orchestra, 1941
Op. 27, Occasional Overture, 1941; retitled An American Overture when first performed, 1983
Op. 27, Hymn to St Cecilia for SSATB, 1942 (replaced Occasional Overture as Op. 27)
Op. 28, A Ceremony of Carols for trebles and harp, 1942
Op. 29, Prelude and Fugue for 18 strings, 1943
Op. 30, Rejoice in the Lamb for soloists, chorus and organ, 1943
Op. 31, Serenade for Tenor, Horn and Strings, song cycle, 1943
Op. 32, Festival Te Deum for chorus and organ, 1945
Op. 33, Peter Grimes, opera (libretto by Montagu Slater, after George Crabbe), 1945
Op. 33a, Four Sea Interludes from Peter Grimes
Op. 33b, Passacaglia from Peter Grimes
Op. 34, Variations and Fugue on a Theme of Henry Purcell (The Young Person's Guide to the Orchestra), 1946
Op. 35, The Holy Sonnets of John Donne for soprano or tenor and piano, 1945
Op. 36, String Quartet No. 2, 1945
Op. 37, The Rape of Lucretia, opera (libretto by Ronald Duncan, after André Obey), 1946, revised 1947
Op. 38, Occasional Overture, 1946 (withdrawn, published 1984)
Op. 39, Albert Herring, opera (libretto by Eric Crozier, after Guy de Maupassant), 1947
Op. 40, My beloved is mine (Canticle I) for soprano or tenor and piano (words by Francis Quarles), 1947
Op. 41, A Charm of Lullabies for mezzo soprano and piano, 1947
Op. 42, Saint Nicolas for soloists, chorus, strings, piano (4 hands), percussion and organ, 1948
Op. 43, The Beggar's Opera after John Gay, 1948
Op. 44, Spring Symphony for soloists, mixed choir, children's choir and orchestra, 1949
Op. 45, The Little Sweep, opera (libretto by Eric Crozier), 1949
Op. 46, A Wedding anthem Amo Ergo Sum for soprano, tenor, SATB and organ (words by Ronald Duncan), 1949
Op. 47, Five Flower Songs for SATB, 1950
Op. 48, Lachrymae for viola and piano, 1950
Op. 48a, Lachrymae for viola and strings, 1976
Op. 49, Six Metamorphoses after Ovid for oboe, 1951
Op. 50, Billy Budd, opera (libretto by E. M. Forster and Eric Crozier, after Herman Melville), 1951, revised 1960
Op. 51, Abraham and Isaac (Canticle II) for alto, tenor and piano (Chester miracle play), 1952
Op. 52, Winter Words for soprano or tenor and piano (words by Thomas Hardy), 1953
Op. 53, Gloriana, opera (libretto by William Plomer, after Lytton Strachey), 1953
Op. 53a, Symphonic Suite "Gloriana" for tenor or oboe and orchestra, 1954
Op. 54, The Turn of the Screw, opera (libretto by Myfanwy Piper, after Henry James), 1954
Op. 55, Still Falls the Rain (Canticle III) for tenor, horn and piano (words Edith Sitwell), 1954
Op. 56a, Hymn to St Peter for treble, SATB and organ, 1955
Op. 56b, Antiphon for SATB and organ, 1955
Op. 57, The Prince of the Pagodas, ballet, 1956
Op. 57a, Pas de six from The Prince of the Pagodas
Op. 58, Songs from the Chinese for soprano or tenor and guitar, 1957
Op. 59, Noye's Fludde, opera (Chester mystery play), 1957
Op. 60, Nocturne for tenor, 7 obbligato instruments and string orchestra, song cycle, 1958
Op. 61, Sechs Hölderlin-Fragmente for voice and piano, 1958
Op. 62, Cantata academica, 1959
Op. 63, Missa brevis for boys' voices and organ, 1959
Op. 64, A Midsummer Night's Dream, opera (libretto by Benjamin Britten and Peter Pears, after William Shakespeare), 1960
Op. 65, Sonata for cello and piano, 1961
Op. 66, War Requiem, 1961
Op. 67, Psalm CL for children's chorus and instruments, 1962
Op. 68, Cello Symphony, 1963
Op. 69, Cantata misericordium, 1963
Op. 70, Nocturnal after John Dowland for guitar, 1963
Op. 71, Curlew River, church parable (libretto by William Plomer, after Noh), 1964
Op. 72, Cello Suite No. 1, 1964
Op. 73, Gemini Variations for flute, violin and piano four hands, 1965
Op. 74, Songs and Proverbs of William Blake for baritone and piano, 1965
Op. 75, Voices for Today for boys' voices, chorus and organ ad lib, 1965
Op. 76, The Poet's Echo for soprano or tenor and piano (words by Alexander Pushkin), 1965
Op. 77, The Burning Fiery Furnace, church parable (libretto by William Plomer, after the Book of Daniel), 1966
Op. 78, The Golden Vanity for boys' voices and piano (words by Colin Graham), 1966
Op. 79, The Building of the House overture, for chorus or organ or brass and orchestra, 1967
Op. 80, Cello Suite No. 2, 1967
Op. 81, The Prodigal Son, church parable (libretto by William Plomer, after the Gospel of Luke), 1968
Op. 82, Children's Crusade (words Bertolt Brecht/Hans Keller), 1968
Op. 83, Suite for Harp, 1969
Op. 84, Who Are These Children? for tenor and piano (words by William Soutar), 1969
Op. 85, Owen Wingrave, opera (libretto by Myfanwy Piper, based on Henry James), 1970
Op. 86, The Journey of the Magi (Canticle IV) for countertenor, tenor, baritone and piano (words by T. S. Eliot), 1971
Op. 87, Cello Suite No. 3, 1971
Op. 88, Death in Venice, opera (libretto by Myfanwy Piper, based on Thomas Mann), 1973
Op. 89, The Death of Saint Narcissus (Canticle V) for tenor and harp (words by T. S. Eliot), 1974
Op. 90, A Suite on English Folk Tunes "A Time There Was" for chamber orchestra, 1974
Op. 91, Sacred and Profane for five voices (SSATB), 1975
Op. 92, A Birthday Hansel for high voice and harp (words by Robert Burns), 1975
Op. 93, Phaedra, cantata (words by Robert Lowell, after Jean Racine), 1975
Op. 94, String Quartet No. 3, 1975
Op. 95, Welcome Ode for young people's voices and orchestra, 1976




Notes






References






Sources


Diane McVeagh, ed. (1986). English Masters. New Grove Composer Biography. Grove Publications. ISBN 0-333-40241-3.
Oliver, Michael (1996). Benjamin Britten. Phaidon 20th Century Composers. Phaidon. ISBN 0714832774.
Britten Thematic Catalogue

Kata Kunci Pencarian:

• List of compositions by Benjamin Britten
• Benjamin Britten
• Britten's Purcell realizations
• Cello suites (Britten)
• Tit for Tat (disambiguation)
• Canticle V: The Death of Saint Narcissus
• List of compositions by Imogen Holst
• War Requiem
• A Boy Was Born
• Fanfare for St Edmundsbury