• Source: Music of Pakistan

The Music of Pakistan (Urdu: موسیقی پاکستان, romanized: Musiqi-ye Pakistan) is a fusion of Turko-Persian, Arab, Hindustani (North Indian), and contemporary Western influences, creating a distinct musical tradition often referred to as "Pakistani Music." The genre has adapted and evolved over time in response to shifting cultural norms and global influences. It has also been deeply shaped by Pakistan's tumultuous political and geopolitical landscape. The Islamization policies of the 1980s, which sought to align Pakistani culture with conservative ideals of Wahhabism, imposed strict censorship on music and musical expression. This period of repression was further fueled by the ongoing Soviet occupation of Afghanistan, during which Wahhabism was aggressively promoted with backing from the United States and Saudi Arabia as part of efforts to counter Soviet influence.

Although Pakistan as a nation emerged in 1947, the region it occupies has served as a historical crossroads for millennia. The Persian Empire, Turko-Persian dynasties, the Afghan Empire, Arab Caliphates, Indian dynasties, and British colonial rule, each era left defining imprints on the country's musical traditions, leading to classical forms like qawwali and ghazal, as well as vibrant folk music reflecting the country’s ethnic diversity—Punjabis, Pashtuns, Balti, Baloch, Hazaras, Sindhis, Wakhi, Shina and more.
In the late 20th century and beyond, globalization significantly influenced Pakistani music, with elements of Western popular music merging with local traditions to create contemporary genres. Diaspora Pakistanis in the West, such as Nazia Hassan, Zayn Malik (One Direction), Nadia Ali, and Annie Khalid, played a crucial role in introducing modern music to the Pakistani music scene. Their music resonated with younger Pakistani audiences, who saw in their success a representation of their own identity on the global stage, particularly at a time when that identity was under threat during the period of Islamization in Pakistan.
As of 2015, EMI Pakistan is the country's biggest record label, holding the licenses of some 60,000 Pakistani artists and around 70% of the total music of the country, while streaming service Patari has the largest independent digital collection, with some 3,000 artists and 50,000 songs.




Pre-history



Pakistan boasts a rich and ancient history of music, with some of the earliest evidence traced back to the Indus Valley civilisation (c. 3300–1300 BCE), one of the world's oldest urban cultures. Among the notable artifacts from this period is the Dancing Girl of Mohenjo-daro (2300–1751 BC), a bronze sculpture discovered in the ancient city of Mohenjo-daro, located in present-day Pakistan. The sculpture, depicting a young female figure poised mid-motion, is widely believed by scholars to symbolize ritualistic or celebratory dance, likely performed to the accompaniment of music.
Other archaeological findings, including seals depicting musical instruments like flutes, drums, and stringed instruments, indicate that the Indus Valley people likely had a rich musical tradition. The legacy of this early musical culture continued to evolve through various dynasties and empires that ruled the region.




Traditional music


Pakistan, located in South-Central Asia, is home to a wide array of ethnic, linguistic, and cultural groups. The country’s traditional music reflects this diversity, with each ethnic group contributing unique styles and forms. At the same time, Pakistan's music scene has also seen the development of musical forms born from the fusion of various influences, such as Qawwali and Ghazal, which blend traditional, regional, and Sufi elements.




= Folk Music

=
Pakistan has diverse folk traditions, with each region reflecting its local culture and language through its musical traditions. These folk traditions are passed down through generations and often form the core of community events, rituals, and festivals, typically celebrating themes of village life, nature, bravery, spirituality, love, longing and separation. Some of the famous folk singers/bands of Pakistan include Zarsanga, Sanam Marvi, Nazia Iqbal, Gul Panra, Raheem Shah, Saieen Zahoor, Abida Parveen, Ghazala Javed, Tina Sani, Musarrat Nazir, Tahira Syed, Laila Khan, Naheed Akhtar, Zeb Bangash, Suraiya Multanikar, Allan Fakir, Alam Lohar, Hadiqa Kiani, Ali Zafar, Haroon Bacha, and Khumarian.
In Pakistan's rural areas and ethnic communities, bards continue to perform traditional folk music, preserving ancient songs and cultural customs. In the Pashtun community, ashiqs or barkhurdars are traditional bards who sing epic tales of Pashtunwali (the Pashtun code of honor), recounting historical battles, and the lives of famous warriors. In Balochistan, Ghazaks (Balochi bards) perform songs about historical figures, social struggles, and regional issues, often accompanied by the dambura, a stringed instrument. Similarly, in Sindh, bards continue to preserve and perform the poetry of Shah Abdul Latif Bhitai and other Sufi mystics, traveling between shrines and festivals.
Some of the major folk traditions of Pakistan include:



Pashto music


Pashto music is predominantly found in the Khyber Pakhtunkhwa province and in major urban centers of Pakistan, including Peshawar, Islamabad, Rawalpindi, Lahore, and Karachi. There is a long oral tradition of Pashto folk music, which includes genres such as the Tappa, Charbeta, Neemkai, Loba, Shaan and Badala.
The Tappa is considered one of the oldest forms of Pashto poetry, consisting of two unequal meters, with the second being longer than the first. Charbeta is another highly popular form of Pashto poetry, often epic in nature, focusing on heroic figures and events. It is typically performed at a fast tempo by two or more singers. Neemkai is a type of folk song usually composed by Pashto women, expressing themes drawn from daily life and personal experiences.
Loba is a dramatic form of Pashto folk song, often a dialogue that tells romantic stories or allegorical tales. Shaan is a celebratory song performed during significant life events, such as marriages or the birth of a child. Badala, is an epic poem set to music and accompanied by instruments like the harmonium, drums, and tabla. Although it is a form of folk music, it is typically performed by professional musicians.



Sindhi music


Sindhi music is traditionally performed in two primary styles: Baits and Waee. The Baits style is a form of vocal music, characterized by two variations: Sanhoon (low voice) and Graham (high voice). On the other hand, Waee is primarily instrumental and often involves the use of string instruments. Waee music is also referred to as Kafi and is widely found in the surrounding regions of Balochistan and Punjab. Common instruments used in Sindhi regional music include the Yaktaro (a one-string instrument), Narr (a type of flute), and Naghara (a drum). The themes in Sindhi music often center around Sufism and mysticism.



Balti music

According to Balti folklore, Mughal princess Gul Khatoon (known in Baltistan as Mindoq Gialmo—Flower Queen) brought musicians and artisans with her into the region and they propagated Mughal music and art under her patronage. Musical instruments such as the surnai, karnai, dhol and chang were introduced into Baltistan. Classical and other dances are classified as sword dances, broqchhos and Yakkha and ghazal dances. Chhogho Prasul commemorates a victory by the Maqpon rajas. As a mark of respect, the musician who plays the drum (dang) plays for a long time. A Maqpon princess would occasionally dance to this tune. Gasho-Pa, also known as Ghbus-La-Khorba, is a sword dance associated with the Gasho Dynasty of Purik (Kargil). Sneopa, the marriage-procession dance by pachones (twelve wazirs who accompany the bride), is performed at the marriage of a raja.



Balochi music


Balochi music, primarily found in the Pakistani province of Balochistan, is a diverse and rich tradition shaped by the region's variety of languages, including Balochi, Persian, Pashto, Brahui, Sindhi, Dari and Saraiki. Common instruments used in Balochi music include the sarod, doneli, and benju. Notable musical forms in Balochi culture include Sepad, Shabtagi, Vazbad, Lullaby, and Zayirak, which are performed in various rituals, such as those following the birth of a child, while lullabies are sung to soothe infants and children.



Shina music

Shina is the predominant language found in Pakistan's northern areas of Gilgit and Baltistan. The language has an extensive oral history which dates back several thousand years. With the increase in tourism to the northern areas and increased domestic as well as international awareness of the local folk music, the Shina folk traditions have managed to stay alive and vibrant. Folk music in this region has remained relatively pure and unscathed by modern influences due to the relative isolation of this area. The arrival of many refugees from the adjacent Nuristan province of Afghanistan and the subsequent increase in commercial activity in Chitrali bazaars allowed this local form of music to furthernflourish in the past few decades.



Punjabi music


Folk music from the Punjab province is rich and varied, showcasing a range of instruments such as the dhol (a large drum), flute, dholak (a smaller drum), and tumbi (a single-stringed instrument). The folk music invokes the traditions and tells stories of agricultural life, love, and joy. Famous folklores, such as that of Sassi Punnu set in the historic city of Bhanbhore (Sindh) and the coastal regions of Makran (Balochistan), are often the poetic content of Punjabi folk music.




= Qawwali

=

One of the most notable genres of traditional Pakistani music is Qawwali (Urdu: قوّالی, Persian: قوالی, Pashto: قاووالی), a devotional musical form primarily performed in Urdu, Persian, or Punjabi. A key characteristic of Qawwali is its emphasis on improvisation and lyrics derived from Sufi poetry, often expressing themes of divine love, longing, and spiritual devotion. In recent decades, however, Qawwali has increasingly incorporated secular themes into its repertoire.
Amir Khusrau, a prominent figure of the Chisti order of Sufis, is credited with creating Qawwali by blending Turkish, Persian, Arabic, and Hindustani musical traditions in the late 13th century. The word "Qawwali" is derived from the Arabic term "Qawl" (Arabic: قول), meaning "saying" or "utterance." A session of Qawwali is formally referred to as "Mehfil-e-Sama," as it is considered a form of Sama (Turkish: Sema; Persian, Urdu and Persian: سَماع, romanized: samā‘un), a Sufi tradition performed as part of the meditation and prayer practice known as dhikr. In Central Asia and Turkey, the word "Sama" is used (or is preferred) for musical forms that closely resemble Qawwali.
Qawwali music is performed by a group of about nine musicians, called Humnawa (Urdu: ہم نوا, lit. 'one who sings in harmony with') led by a principal singer. The performance incorporates various musical instruments alongside hand clapping by the singers. Common instruments used in Qawwali include the Harmonium, Tabla, Rubab, Sitar, Sarangi, and Tanpura.
Qawwali gained international acclaim through the legendary artist Nusrat Fateh Ali Khan, often hailed as "Shahenshah-e-Qawwali" (Urdu: شهنشاهِ قوالی, lit. 'The King of Qawwali'). In 2016, LA Weekly ranked Khan as the fourth greatest singer of all time. One of his most celebrated albums, Night Song, produced in collaboration with Michael Brook, reached number 4 on the Billboard Top World Music Albums chart in 1996 and was nominated for a Grammy Award for Best World Music Album in 1997.




= Ghazal

=

The ghazal (Urdu: غزل, Persian: غزل) is a form of poetry consisting of couplets which share a rhyme and a refrain, with both lines of the opening couplet and the second line of each subsequent couplet adhering to the same meter. Etymologically, the word "ghazal" (Arabic: غَزَل, romanized: ġazal) originates from Arabic, where it means "to flirt," and often denotes themes of love and longing in Arabic poetry. In the Persianate world, the term acquired additional symbolic meaning, being associated with the "mortal cry of a gazelle"—based on the Persian word "ghazāl" (Persian: غزال), from which the English word "gazelle" stems. The cry of a gazelle when hunted became a metaphor for the pain, separation, and yearning central to the ghazal's themes. The name ghazal encapsulates its dual essence: the tender, often melancholic exploration of love, loss, and existential musings, alongside its lyrical and rhythmic beauty, evoking the elegance and grace of the gazelle.While traditionally rooted in poetry, the ghazal in Pakistan has evolved to become closely associated with music. This transformation began in the early 20th century when the recording industry played a key role in popularizing the musical adaptation of Urdu and Persian ghazals, making the works of renowned poets like Rumi, Hafez, Mirza Ghalib, Allama Muhammad Iqbal, Faiz Ahmed Faiz, Ahmed Faraz, and Parveen Shakir accessible to a wider audience. Ghazal music originally adhered to the Hindustani (North Indian) classical tradition, employing ragas (melodic modes) and talas (rhythmic cycles), typically at a slow, contemplative tempo. In modern times, however, ghazals have seen a fusion with genres such as light classical, jazz, rock, or pop music, resulting in a more contemporary sound that retains the lyrical beauty of its origins.




Popular music


The song "Ko Ko Korina" (Urdu: کوکوکورینا) sung by Ahmed Rushdi in 1966 is considered to be the first pop song of Pakistan. Rushdi was born in present day India in 1934, where he started his musical career, but later migrated to Pakistan in 1954. Pop music in Pakistan truly gained momentum during the 1980s with the brother-sister duo Nazia and Zoheb Hassan. Their debut album, Disco Deewane (Urdu: دسکو دیوانے, lit. 'disco lovers'), released in 1981, broke sales records in Pakistan and became the best-selling Asian pop album at the time. It topped charts in India, Russia, South Africa, Latin America, and Philippines, and earned international acclaim.
Another popular act of the 1980s was the pop and rock band Vital Signs, with Junaid Jamshed as the vocalist and Rohail Hyatt as the keyboardist. From the 1980s to the 1990s, they produced many of their highly successful and critically praised albums. Their song "Dil Dil Pakistan" was voted as the third most popular song of all time by BBC World.
However, the 1980s were also the time of rapid political change in Pakistan, driven by the Islamization policies of President Muhammad Zia Ul Haq, who came to power through a coup d'état in 1977. Under the banner of Nizam-e-Mustafa (Urdu: نظام مصطفی, lit. 'Order of the Prophet'), Zia's regime sought to implement a conservative Islamic agenda, which came with strict bans and restrictions on musical expression across the country. Even the song "Dil Dil Pakistan" by Vital Signs, despite being a patriotic anthem—typically the kind of music that thrives under autocratic regimes—got censored for showing young men in Western clothing. President Zia Ul Haq had strongly denounced "western ideas" such as jeans and rock music. The regime also banned music for reasons such as "endorsing alcohol consumption" if lyrics mentioned alcohol, or "obscenity" if a male and female were shown standing close or dancing. This period also saw the closure of all bars, nightclubs, and theater halls in the country, depriving aspiring musicians and bands of venues to perform and earn a living.
The Islamization regime of Zia Ul Haq in Pakistan coincided with the broader rise of conservative movements across the Greater Middle East, including the Islamic Revolution (1979) in neighboring Iran, the Soviet invasion of neighboring Afghanistan (1979), and the Lebanese Civil War (1975-1990)—all of which strengthened the role of the clergy and fueled sectarian tensions throughout the region. Of particular relevance to Pakistan was the Soviet-Afghan War, in which Pakistan played a direct role as an ally in the U.S.-led Operation Cyclone to expel Soviet forces from Afghanistan. As part of this operation, Saudi Arabia arranged the transport of thousands of young, indoctrinated volunteers, known as "Afghan Arabs," from across the Middle East to Pakistan. There, they were trained and equipped with U.S.-provided arms before being sent into Afghanistan to fight against Soviet forces. Additionally, Saudi Arabia funded the establishment of thousands of madrassahs in Pakistan, with their number growing from about 900 in 1971 to over 33,000 in 1988. These madrassahs promoted Wahhabi ideology, seeking to radicalize Afghan refugees and impoverished local populations to join the "jihad" (Arabic: جهاد, lit. 'struggle, fight') against the Soviets in Afghanistan. However, these radicalized youths also launched a campaign inside Pakistan against music, which is considered impermissible under Wahhabi doctrine. Many musicians were threatened with violence unless they abandoned their craft or left the country. This fervor escalated into acts of violence, including the burning of record shops and attacks on art exhibitions and musical performances.




= Pop music

=
Despite the crackdown on music during the Islamization regime, Pakistani music continued to evolve, often thriving in underground performances, through the efforts of diaspora communities, particularly in the United Kingdom and the United States, and through artists at home who continued to defy the regime. In the 1980s and 1990s, pop acts like Nazia Hassan, Zoheb Hassan, Vital Signs, Strings, and Nermin Niazi gained widespread popularity, defining a new era of Pakistani pop music. The 1990s also saw the rise of rock and fusion bands such as Junoon, Aaroh, and Noori, which became household names and enjoyed immense popularity. By the early 2000s, a fresh wave of pop acts has emerged, including Ali Zafar, Momina Mustehsan, Zoe Viccaji, Hadiqa Kiani, Aima Baig, Awaz (Haroon, Faakhir Mehmood), and Jal.




= Rock music

=

The rise of rock music in Pakistan began in the 1980s when cassettes first came into Pakistan bringing in a wave of Western rock music, particularly groups such as Pink Floyd, Led Zeppelin, Van Halen, and AC/DC. Western-influenced rock music began to feature in underground concerts all across the country. In the 1980s, rock bands Vital Signs and Strings rose in defiance of the authoritarian regime and gained immense popularity amongst the youth. Vital Signs is widely regarded as Pakistan's first and most successful pop rock band. Their single "Dil Dil Pakistan" was voted the third most popular song of all time in a BBC World poll in 2003. Despite being active since the late 80s, Strings achieved widespread popularity after the release of their second album in 1992. The band went on to sell over 25 million albums worldwide. Junoon, Aaroh, and Noori followed suit in the 1990s.

Junoon pioneered the genre of Sufi rock, combining the poetry of famous Sufi poets such as Rumi, Hafez, and Bulleh Shah with the hard rock brand of Led Zeppelin and Santana and South Asian percussion such as the tabla. Junoon is one of Pakistan's and South Asia's most successful bands with over 30 million albums sold worldwide; the New York Times called Junoon "the U2 of Pakistan" and Q magazine dubbed them as "One of the biggest bands in the world". Junoon became the first rock band to perform at the United Nations General Assembly Hall and only the second Pakistani act to perform at a Nobel Peace Prize Concert.
The early 2000s saw the arrival of progressive metal, progressive rock, and psychedelic rock with bands such as Entity Paradigm and Mizraab. Mekaal Hasan Band, Call, Karavan, Jal, Roxen, Mizmaar, and Qayaas also exploded onto the music scene with different brands of rock including alternative and soft rock. The television series Pepsi Battle of the Bands was instrumental in launching Entity Paradigm, Aaroh, and the Mekaal Hasan Band, all of whom competed in the inaugural edition of the show in 2002.
The resumption of the Pepsi Battle of the Bands in 2017 after almost 15 years, heralded the resurgence of Pakistani rock with the rise of Kashmir, Bayaan, and Badnaam.
Although the heavy metal genre began to rise in popularity after the 1997 general elections, Pakistani heavy metal music can be traced back to the new wave of British heavy metal of the 1980s and 1990s with bands such as Black Warrant (band), Final Cut, and Barbarians. In recent years, numerous heavy and black metal bands including Overload, Saturn, Saakin, Karakoram, Burq - The Band, Taarma, The Nuke, and Aag have amassed followings in this niche rock music in Pakistan.




= Hip hop music

=

Pakistani hip hop is a blend of traditional Pakistani musical elements with modern hip hop music.




= Filmi music

=

Pakistan's film industry known as "Lollywood" is based in Lahore and Karachi.




Loss of Musical Identity



In the decades following the Islamization regime, restrictions on music in Pakistan eased somewhat, and the rise of the internet opened new avenues for sharing and accessing music. This shift has contributed to a considerable resurgence in the country’s domestic music scene. However, many feel that the music of today diverges significantly from its pre-Islamization roots, with much of Pakistan’s distinctive musical identity—a fusion of Turko-Persian, Western, Hindustani, and Arab influences—now largely absent.
The erosion of this identity began during the Islamization period, when local music industries were systematically dismantled. This created a cultural void that foreign music sought to fill. However, at the same time, music industries throughout the Greater Middle East, particularly in Iran, Lebanon, and Afghanistan, were also being dismantled by Islamization movements and ongoing conflicts, leaving these industries unable to fill the gap. Meanwhile, Western music was heavily censored to prevent the spread of Western values, which left the Pakistani music market wide open for India’s rapidly growing Bollywood industry to dominate.
With limited exposure to other musical traditions, generations of Pakistanis grew up immersed largely in Bollywood’s melodies, leading to a gradual cultural shift. By the 2000s, as Pakistan’s domestic music industry began to reemerge, it found itself catering to an audience attuned to Bollywood's sound and style. As a result, many Pakistani artists and studios embraced a process of “Bollywood-ification” to remain relevant, often at the expense of the rich musical heritage that once defined the country’s unique sound.




Notable artists






= Singers

=
Haroon Bacha - Pashtun singer, musician, and composer
Zeek Afridi - pop singer
Arooj Aftab - singer and composer
Salman Ahmed - pop music performer
Naheed Akhtar - film playback singer
Gulzar Alam - folk and ghazal singer
Alamgir - singer-songwriter
Ghulam Ali - composer and performer
Sajjad Ali - composer, singer-songwriter and performer
Waqar Ali - film and TV composer
Khawaja Khurshid Anwar - film music composer, musicologist
Humaira Arshad - singer
Shani Arshad - TV and film composer
M Ashraf - film music composer
Atif Aslam - pop singer and performer
Rasheed Attre - film music composer
Fareed Ayaz - qawwali music performers
Ali Azmat - rock singer, formed Junoon band with Salman Ahmad
Qawwal Bahauddin - qawwal singer
Aima Baig - singer and performer
Qurat-ul-Ain Balouch - pop singer, performer
Iqbal Bano - composer, semi-classical music performer
Javed Bashir - qawwali and folk music performer
Gulnar Begum - Pashto singer
Munni Begum - ghazal composer and performer
Roshan Ara Begum - classical and semi-classical composer, ghazal singer and performer
Amjad Bobby - film music composer
Sabri Brothers - qawwali music composers and performers
Humaira Channa - female singer
Attaullah Khan Esakhelvi - classical folk singer
Sara Haider - singer
Mehdi Hassan - playback singer, composer and performer
Nazia Hassan - singer and composer
Zoheb Hassan - singer and composer
Farhad Humayun - singer and composer
Rohail Hyatt - pop musician, performer
Junaid Jamshed - singer-songwriter
Noor Jehan - playback singer
Faisal Kapadia - rock/pop singer, and performer with Bilal Maqsood
Amanat Ali Khan - classical vocalist and ghazal singer
Asad Amanat Ali Khan - classical vocalist and ghazal singer
Hamid Ali Khan - classical vocalist and ghazal singer
Shafqat Amanat Ali Khan - pop, classical, and playback singer
Badar Ali Khan - (Badar Miandad) - qawwali singer and performer
Barkat Ali Khan - composer and performer of semi-classical ghazals
Nusrat Fateh Ali Khan - qawwali and ghazal composer and performer
Rahat Fateh Ali Khan - qawwali composer, performer, popular playback singer
Farida Khanum - classical vocalist and ghazal singer
Tassawar Khanum - film and non-film playback singer
Bakhtiar Khattak - pop and classical singer
Hadiqa Kiani - composer, singer and writer
Runa Laila - film playback singer
Alam Lohar - Punjabi folk singer
Arif Lohar - Punjabi folk singer
Sanam Marvi - Sindhi Sufi singer
Aziz Mian - qawwali music composer and performer
Sher Miandad - qawwali music performer
Habib Wali Mohammad - performer and ghazal singer
Khyal Muhammad - ghazal, classical, and semi-classical singer
Goher Mumtaz - formed the band 'Jal' with Atif Aslam
Momina Mustehsan - singer-songwriter, musician, and social activist
Nayyara Noor - film and non-film playback singer
Gul Panra (Pashto pop singer)
Abida Parveen - Queen of Sufi music
Fariha Pervez - singer-songwriter and music producer
Malika Pukhraj - folk songs composer and performer
Abdullah Qureshi (singer) - singer-songwriter and composer
Munshi Raziuddin - qawwali composer and performer
Ahmed Rushdi - film playback singer
Amjad Sabri - qawwal singer
Farhan Saeed - actor, and performer and a playback singer
Tina Sani - TV performer
Ali Sethi - singer, composer and writer
Mohammad Aizaz Sohail - classical singer
Tahira Syed - film and TV playback singer
Sardar Ali Takkar - Pashto singer
Zoe Viccaji - singer-songwriter
Ali Zafar - pop singer and performer
Mustafa Zahid - pop singer, formed band Roxen
Ustad Badar uz Zaman - classical and semi-classical music composer and ghazal performer
Zarsanga - Pashto singer
Abrar-ul-Haq - Punjabi singer




= Bands

=
Aag (band)
Noori
Overload
Jal
Mizmaar
Leo Twins
Mughal-e-Funk
Call (band)
Awaz
Strings
Junoon (band)
Vital Signs (band)
Roxen
Fuzön
Aaroh
Mekaal Hasan Band
Bayaan
Badnaam (band)
Black Hour
Kashmir (Pakistani band)
Jupiters
The Milestones
Mizraab
Rushk
Young Stunners
The Benjamin Sisters
Laal (band)
Sounds of Kolachi
Khumariyaan
Josh (band)




= Composers

=
Master Abdullah (1932–1994)
Khalil Ahmed (1936–1997)
Ghulam Ali
Waqar Ali - TV music composer
Khwaja Khurshid Anwar (1912–1984)
Shani Arshad
M. Ashraf (1938–2007)
Rasheed Attre (1919–1967)
Sahir Ali Bagga
Nisar Bazmi (1925–2007)
Amjad Bobby (1942–2005)
Ghulam Ahmed Chishti (Baba Chishti) (1905–1994)
Robin Ghosh (1939–2016)
Ghulam Haider (1908–1953)
Shuja Haider
Mehdi Hassan
Zoheb Hassan - TV performer
Haroon
Rohail Hyatt
Nusrat Fateh Ali Khan (1948–1997)
Zulfiqar Jabbar Khan
Shoaib Mansoor
Bilal Maqsood
Faakhir Mehmood
Goher Mumtaz- 'Jal' (2002–present)
Nashad (1923–1981)
Wajid Nashad (1953–2008) - film and TV music composer
Sohail Rana - film and TV composer
Bilal Saeed
Ustad Tafu - film music composer
Aamir Zaki (1968–2017)




Producers



Badar uz Zaman – originally a classical singer yet worked a lot in the fusion of old music with new one.
Mekaal Hasan – member of the Meekal Hasan Band who has produced songs like "Aadat" for Jal The Band, "Sampooran" and "Andohlan" for his own band.
Rohail Hyatt – member of Vital Signs who produced all the Vital Signs albums and albums for various artists like Awaz, Rahat Fateh Ali Khan, Ali Azmat. Also known as a prominent member, producer and musician of Coke Studio.
Zeeshan Parwez – produces artists.
Kashan Admani – produces music and runs a music facility Dream Station Productions. He is also the producer of Pakistan's first music web series Acoustic Station.
Emad ur Rahman – member of Kaya Band who produced and recorded well known artists /solo and in bands in his 'High End Studios' like "Najam Sheraz", "Junoon", Ali Azmat", "Zoheb Hassan", Hadiqa Kiyani, Shafqat Amanat Ali and many more.
Nizar Lalani – Pakistani music producer having produced some iconic albums by Junoon, Hadiqa Kiani, Strings, and more.




Music journalism



Music journalism in Pakistan has grown over the years and most newspapers and TV channels have their own reporters and critics on music of Pakistan. Besides the newspapers, many news websites have also started giving coverage to Music in Pakistan. MangoBaaz, Musicians of Pakistan, and VeryFilmi are common examples.




See also


Coke Studio
Culture of Pakistan
Filmi pop
History of Pakistani pop music
Karachi: The Musical
List of Pakistani musicians
List of Pakistani film singers
List of Pakistani folk singers
List of Pakistani ghazal singers
List of Pakistani qawwali singers
List of Pakistani music bands
List of songs about Pakistan
National Academy of Performing Arts
Nescafé Basement
Pakistani hip hop
Uth Records
List of most-viewed Pakistani music videos on YouTube




References






External links



BBC Radio 3 Audio (45 minutes): The Nizamuddin shrine in Delhi
BBC Radio 3 Audio (45 minutes): A mahfil Sufi gathering in Karachi
BBC Radio 3 Audio (60 minutes): Music from the Sufi Shrines of Pakistan

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