• Source: Patroclus

In Greek mythology, Patroclus (generally pronounced ; Ancient Greek: Πάτροκλος, romanized: Pátroklos, lit. 'glory of the father') was a Greek hero of the Trojan War and an important character in Homer's Iliad. Born in Opus, Patroclus was the son of the Argonaut Menoetius. When he was a child, he was exiled from his hometown and was adopted by Peleus, king of Phthia. There, he was raised alongside Peleus' son, Achilles, a childhood friend, who became a close wartime companion. When the tide of the war turned against the Achaeans, Patroclus, disguised as Achilles and defying his orders to retreat in time, led the Myrmidons in battle against the Trojans and was eventually killed by the Trojan prince, Hector. Enraged by Patroclus's death, Achilles ended his refusal to fight, resulting in significant Greek victories.




Name


The Latinized name Patroclus derives from the Ancient Greek Pátroklos (Πάτροκλος), meaning "glory of his father," from πατήρ (patḗr, "father" stem pátr-) and κλέος (kléos, "glory"). A variation of the name with the same components in different order is Kleópatros, while the feminine form of the name is Cleopatra.
There are at least three pronunciations of the name 'Patroclus' in English. Because the penultimate syllable is light in Latin prose (pă′.trŏ.clŭs), the antepenult was stressed in Latin and would normally be stressed in English as well, for (analogous to 'Sophocles'). However, this pronunciation is seldom encountered: for metrical convenience, Alexander Pope had made the 'o' long, and thus stressed, in his translation of Homer, following a convention of Greek and Latin verse, and that pronunciation – of Latin pa.trō′.clus – has stuck, for English .
Moreover, because in prose, a penultimate Greco-Latin short o (omicron) would only be stressed in a closed syllable, the penult has sometimes been misanalysed as being closed (*pă.trŏc′.lŭs), which would change the English o to a short vowel: .




Description and family


In the account of Dares the Phrygian, Patroclus was illustrated as "... handsome and powerfully built. His eyes were gray. He was modest, dependable, wise, a man richly endowed."
Patroclus was the son of Menoetius (hence called Menoetiades Μενοιτιάδης, meaning "son of Menoetius") by either Philomela or Polymele, Sthenele, Periopis, or lastly Damocrateia. His only sibling was Myrto, mother of Eucleia by Heracles. Homer also references Menoetius as the individual who gave Patroclus to Peleus. Menoetius was the son of Actor, king of Opus in Locris, by Aegina, daughter of Asopus. Patroclus was Achilles's first cousin once removed through their paternal family connection to Aegina, as Achilles was the son of Peleus and grandson of Aeacus, son of Aegina by Zeus.




Mythology






= Early days

=

During his childhood, Patroclus had, in anger, killed his playmate Clysonymus over a game of dice. As a result, he was exiled from his home, Opus, with Menoetius sending him to Peleus, king of Phthia and father of Achilles. Peleus named Patroclus Achilles's "squire", as they both grew up together and became close friends. Patroclus acted as a male role model for Achilles, being both kinder than him as well as wiser regarding counsel. Patroclus's early life, including his flight to the house of Peleus, is narrated later in the Iliad, when his ghost appears to Achilles reminding him about his past and giving him advice about his burial.
According to Photius, Ptolemy Hephaestion (probably referring to Ptolemy Chennus) wrote that Patroclus was also loved by the sea god Poseidon, who taught him the art of riding horses.




= Trojan War

=

According to the Iliad, when the tide of the Trojan War had turned against the Greeks and the Trojans were threatening their ships, Patroclus convinced Achilles to let him lead the Myrmidons into combat. Achilles consented, giving Patroclus the armor Achilles had received from his father in order for Patroclus to impersonate Achilles. Achilles then told Patroclus to return after beating the Trojans back from their ships.: 353 book 16, lines 64–87 
Patroclus defied Achilles's order and pursued the Trojans back to the gates of Troy. Patroclus killed many Trojans and Trojan allies, including a son of Zeus, Sarpedon.: p. 363, book 16, line 460  While fighting, Patroclus's wits were removed by Apollo, after which the spear of Euphorbos hit Patroclus. Hector then kills Patroclus by stabbing him in the stomach with a spear.: p. 373, book 16, lines 804–822 

Achilles retrieved his body, which had been stripped of armor by Hector and protected on the battlefield by Menelaus and Ajax. Achilles did not allow the burial of Patroclus's body until the ghost of Patroclus appeared and demanded his burial in order to pass into Hades.: p. 474, book 23, lines 69–71 
Patroclus was then cremated on a funeral pyre, which was covered in the hair of his sorrowful companions. As the cutting of hair was a sign of grief while also acting as a sign of the separation of the living and the dead, this points to how well-liked Patroclus had been.: 561  The ashes of Achilles were said to have been buried in a golden urn along with those of Patroclus by the Hellespont.




Relationship with Achilles



Although there is no explicit sexual relationship between Achilles and Patroclus in the Homeric tradition, a few later Greek authors wrote about what they saw as implied in the text regarding their relationship. Aeschylus and Phaedrus, for example, state there was a clear relationship between them. Aeschylus refers to Achilles as the erastes, while Phaedrus refers to Achilles as the eromenos of the relationship. Morales and Mariscal state, "There is a polemical tradition concerning the nature of the relationship between the two heroes."

According to Ledbetter (1993), there is a train of thought that Patroclus could have been a representation of the compassionate side of Achilles, who was known for his rage, mentioned in the first line of Homer's Iliad. Ledbetter connects the way that Achilles and his mother, Thetis, communicate to the link between Achilles and Patroclus. Ledbetter does so by comparing how Thetis comforts the weeping Achilles in Book 1 of the Iliad to how Achilles comforts Patroclus as he weeps in Book 16. Achilles uses a simile containing a young girl tearfully looking at her mother to complete the comparison. Ledbetter believes this puts Patroclus into a subordinate role to that of Achilles. However, as Patroclus is explicitly stated to be the elder of the two characters, this is not evidence of their ages or social relation to each other.
James Hooker describes the literary reasons for Patroclus's character within the Iliad. He states that another character could have filled the role of confidant for Achilles and that it was only through Patroclus that we have a worthy reason for Achilles's wrath. Hooker claims that without the death of Patroclus, an event that weighed heavily upon him, Achilles's following act of compliance to fight would have disrupted the balance of the Iliad.
Hooker describes the necessity of Patroclus sharing a deep affection with Achilles within the Iliad. According to his theory, this affection allows an even more profound tragedy to occur. Hooker argues that the greater the love, the greater the loss. Hooker continues to negate Ledbetter's theory that Patroclus is in some way a surrogate for Achilles; rather, Hooker views Patroclus's character as a counterpart to that of Achilles. Hooker reminds us that it is Patroclus who pushes the Trojans back, which Hooker claims makes Patroclus a hero, as well as foreshadowing what Achilles is to do.
Achilles and Patroclus grew up together after Menoitios gave Patroclus to Achilles's father, Peleus. During this time, Peleus made Patroclus one of Achilles's "henchmen." While Homer's Iliad never explicitly stated that Achilles and Patroclus were lovers, this concept was propounded by some later authors.

Aeschines asserts that there was no need to explicitly state the relationship as a romantic one, for such "is manifest to such of his hearers as are educated men." In later Greek writings, such as Plato's Symposium, the relationship between Patroclus and Achilles is discussed as a model of romantic love. However, Xenophon, in his Symposium, had Socrates argue that it was inaccurate to label their relationship as romantic. Nevertheless, their relationship is said to have inspired Alexander the Great in his own close relationship with his life-long companion Hephaestion.
In the Iliad, Achilles was younger than Patroclus. This reinforces Dowden's explanation of the relationship between an eromenos, a youth in transition, and an erastes, an older male who had recently made the same transition.:  112  Dowden also notes the common occurrence of such relationships as a form of initiation.:  114  However, Statius in the Achilleid states that the two were either within the same age group or acted as if they were.
Patroclus is a character in William Shakespeare's play Troilus and Cressida. In the play, Achilles, who has become lazy, is besotted with Patroclus, and the other characters complain that Achilles and Patroclus are too busy having sex to fight in the war.




Footnotes






References






Bibliography


Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, Massachusetts, Harvard University Press; London, William Heinemann Ltd., 1921. ISBN 0-674-99135-4. Online version at the Perseus Digital Library.
Homer, The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, Massachusetts, Harvard University Press; London, William Heinemann, Ltd., 1924. Online version at the Perseus Digital Library.
Plato (1925). Symposium. Plato in Twelve Volumes. Vol. 9. Translated by Fowler, Harold N. Cambridge, MA; London, UK: Harvard University Press; William Heinemann Ltd."Online version". Perseus Digital Library.
Tzetzes, John, Allegories of the Iliad translated by Goldwyn, Adam J. and Kokkini, Dimitra. Dumbarton Oaks Medieval Library, Harvard University Press, 2015. ISBN 978-0-674-96785-4




Further reading


Evslin, Bernard (2006). Gods, Demigods and Demons. London, UK: I. Tauris.
Michelakis, Pantelis (2007). Achilles in Greek Tragedy. Cambridge, UK: Cambridge University Press.
Kerenyi, Karl (1959). The Heroes of the Greeks. London, UK: Thames and Hudson. pp. 57–61, et passim.
Sergent, Bernard (1986). Homosexuality in Greek Myth. Boston, MA: Beacon Press.
Miller, Madeline (2011). The Song of Achilles. London, UK: Bloomsbury.




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