• Source: Roger Woodward

Roger Robert Woodward (born 20 December 1942) is an Australian classical pianist, composer, conductor, teacher and human rights activist. He is widely regarded as a leading advocate of contemporary music.




Early life


Roger Woodward was born in Sydney where he received his first piano lessons from Winifred Pope. Early studies of Bach organ works with Peter Verco were followed by a training in church music with Kenneth R. Long, organist and master of the choristers at St Andrew's Cathedral, Sydney. He performed for the papal organist Fernando Germani and Sir Eugene Goossens, after which he entered the Sydney Conservatorium in the piano class of Alexander Sverjensky and the composition class of Raymond Hanson.
While still a student, in 1963 he founded the city's international piano competition with widespread community support. He graduated the same year. In 1964, he won the Commonwealth Finals of the Australian Broadcasting Corporation's Instrumental and Vocal Competition, the prize for which was to perform throughout Australia with the six ABC state radio orchestras and in multiple radio and television broadcasts.From 1965 to 1969, he pursued postgraduate studies at the Chopin University of Music, with Zbigniew Drzewiecki.
During summer breaks he spent most of his time in London with Arthur Hedley and his library of original Chopin manuscripts. He began performing recitals at the Wigmore Hall and South Bank. During this period he performed throughout Poland at the Twenty-Third International Chopin Festival, Duszniki-Zdrój (1968), at Żelazowa Wola, at the Kraków Spring Festival (1968), at the Ostrowski Palace; with the Warsaw National Philarmonic Orchestra, with regional orchestras, and for Polish Radio and Television.
By 1969 he had built a considerable repertoire of 20th-century compositions and performed Tōru Takemitsu's Uninterrupted Rests to the composer, who dedicated the work to him. Two further dedications followed in 1973, For Away and Corona (London version). In 1969–70, Woodward toured widely with the Wiener Trio and was artist in residence at the Casa de las Américas before performing at UNESCO 's Jeunesses Musicales where Yehudi Menuhin was jury member. The following year he made his debut with the Royal Philharmonic Orchestra at the Royal Festival Hall and, on Menuhin's recommendation, his first four recordings for EMI.

In 1971, Woodward performed his first recital at London's Queen Elizabeth Hall with works by Richard Meale, Ross Edwards, Leo Brouwer, Takemitsu and Barraqué, after which he was invited to co-found a series of new music concerts known as the London Music Digest at the Roundhouse. Digest performances of Barraqué's Sonate pour piano were followed by the recording at EMI's Abbey Road Studios. During the same period, Woodward worked with David Tudor and John Cage for the British premiere of HPSCHD at the International Carnival of Experimental Sound and the BBC Proms. Further collaborations were undertaken with Karlheinz Stockhausen at the Royal Festival Hall and with Tōru Takemitsu at the Music Today Festival, Tokyo. A series of performances followed with Pierre Boulez and the BBC Symphony Orchestra.




Middle years


In 1972, Woodward made his American debuts with the brass players of the Los Angeles Philharmonic, Olivier Messiaen and Zubin Mehta, with whom he subsequently performed in Tel Aviv, Jerusalem, New York and Paris. The following year, Woodward worked with Stockhausen on Mantra. In 1973 he participated in the inaugural celebrations of the Sydney Opera House as a part of tours for the Australian Broadcasting Commission and Musica Viva which included first performances of works by Peter Sculthorpe, Ross Edwards, Barry Conyngham and Anne Boyd. A collaboration began with Iannis Xenakis (1973–96) in France, the UK, Austria, Italy and the United States, during which the composer dedicated three works to Woodward: Mists for solo piano, Keqrops for piano and orchestra and Paille in the Wind for piano and cello.

In 1974, Witold Rowicki invited Woodward on an extensive tour of the US with the Warsaw Philharmonic Orchestra, during which he made his debut at Carnegie Hall. That year, Woodward founded Music Rostrum Australia at the Sydney Opera House where he collaborated with Richard Meale, Luciano Berio, Cathy Berberian, David Gulpilil and Yūji Takahashi. He began performing with the Cleveland Orchestra directed by Lorin Maazel, and appeared regularly at the Festival d'automne à Paris, BBC Promenade Concerts, La Biennale di Venezia, the Warszawska Jesień, Festival Internacional Cervantino, Wien Modern at the invitation of Claudio Abbado, at the New York Piano Festival, Festival de la Roque d'Anthéron and at the Ferme de Meslay, Touraine, at the invitation of its artistic director, Sviatoslav Richter. In 1975 he premiered Morton Feldman's Piano and Orchestra with the Saarbrücken Rundfunkorchester at the Metz Festival directed by Hans Zender. In the same year he made the first complete recording in the West of Dmitri Shostakovich's 24 Preludes and Fugues, Op. 87, and became Membre correspondant of the Fryderyk Chopin Institute, Warsaw.
In 1976–80, he began working with Kurt Masur and the Gewandhaus Orchestra. In 1977, he premiered Feldman's solo work Piano, commissioned Elisabeth Lutyens's Nox, Op.118, and performed at the Valldemosa Chopin Festival. From 1978 to 1988, he performed the complete Beethoven concertos, three cycles of which were directed by Georg Tintner, and the cycle of Beethoven's 32 piano sonatas in 12 cities.
In 1980 he was recipient of the Order of the British Empire and performed the premiere of Xenakis's Mists in Edinburgh. In 1981 he performed for Queen Elizabeth II and, at London's Institute of Contemporary Arts ,the premiere of Morton Feldman's Triadic Memories In 1982 he premiered Conyngham's Double Concerto "Southern Cross" with the Polish violinist Wanda Wiłkomirska and the Melbourne Symphony Orchestra. Four years later, he premiered Xenakis' Keqrops, at the Lincoln Center, with the New York Philharmonic Orchestra under Zubin Mehta, and in 1987 he premiered Áskell Másson's piano concerto in Reykjavik. The following year he directed 25 performances of Xenakis's ballet Kraanerg at the Sydney Opera House in collaboration with Graeme Murphy and the Sydney Dance Company to celebrate the memory of Charter 77 and the ongoing struggle of Poland's Solidarność Movement. In 1989, Woodward was commissioned by the Festival d'automne à Paris for the bicentennial celebrations of the French Revolution when he premiered his work for two pianos and live electronics—Sound by Sound. In the same year he founded the Sydney Spring International Festival of New Music (1989–2001) and Alpha Centauri, a new-music ensemble of 23 soloists, which had presented and recorded Kraanerg. In the same year he premiered Rolf Gehlhaar's Diagonal Flying in Geneva with the composer.

In 1991, Woodward was recipient of the Diapason d'or and Ritmo Prize and the following year became Companion of the Order of Australia. He toured Italy, France and the UK with Alpha Centauri during which he premiered Donatoni’s Sincronie. In 1993, Lech Wałęsa, president of a free Poland, conferred the Order of Merit upon him. During the 1990s, Woodward toured Estonia, Latvia and China, co-founded and directed the Kötschach-Mauthner Musikfest (1993–97), and in 1992, directed an all-Xenakis program at Scala di Milano. He performed at the Hollywood Bowl, Gulbenkian Garden, the Odéon of Herodes Atticus, and in traditions pioneered by Nellie Melba and Percy Grainger, he performed throughout Central and Regional Australia. He commissioned a series of piano concertos from Larry Sitsky, the first of which was premiered at the 1994 Sydney Spring International Festival of New Music and cited by the UNESCO International Rostrum of Composers (1995). In 1996, Woodward composed Five Songs In Memoriam Takemitsu [2] for unaccompanied cello which was performed by Nathan Waks at the Seventh Sydney Spring.
Woodward was voted a National Living Treasure by the National Trust of Australia in 1997. During that year he performed at Théâtre Marigny (home to Boulez’s Domaine musical) for the Festival d’automne and worked with Arvo Pärt, Gehlhaar, Rădulescu, Chris Dench and James Dillon, for the premiere of the first part of The Book of Elements in London and subsequently, at the Sydney Spring. In the same year he founded the Joie et Lumière chamber music festival at Le Château de Bagnols (1997–2004), to celebrate the life and work of Sviatoslav Richter. He completed the degree of Doctor of Music at the University of Sydney in 1999 and was recipient of four doctorates honoris causa from 1992 to 1998.

In 2001, Woodward was awarded Australia's Centenary Medal; in 2004 the Ordre des Arts et des Lettres Republic of France and in 2005, the Polish Medal z okazji 25. rocznicy podpisania Porozumień Sierpniowych i powstania NSZZ "Solidarność". From 2000–2001, he was chair of music at the University of New England (Australia) and in 2002, chair of the School of Music, San Francisco State University. During 2002–2018 he toured with SFSU colleagues—the Alexander String Quartet—in the United States and Germany where he recorded works of Beethoven, Chopin, Shostakovich and Robert Greenberg. Between 2006 and 2023, he recorded seventeen projects for the Celestial Harmonies label. His performances of J. S. Bach's The Well-Tempered Clavier, Hans Otte's Stundenbuch, Shostakovich's 24 Preludes and Fugues Op.87, Debussy's Préludes, Prokofiev's Piano Music 1908–38 and Horațiu Rădulescu piano sonatas were highly praised. His performances of J. S. Bach's Partitas BWV 826, 830 and Chromatische Fantasie und Fuge, BWV 903, were awarded the Preis der deutschen Schallplattenkritik (2007). In 2011 he performed works of Xenakis with L' orchestre national de Lille, the cellist Rohan de Saram and JACK Quartet, at Les flâneries musicales de Reims. In the same year he was awarded Poland's Gloria Artis (gold class). He performed at the Canberra International Festival in 2018, when he also toured in Germany.




Legacy


Woodward is a pianist with a powerful virtuoso technique and his performances are renowned for their precision, insight, and depth of interpretation, although sometimes reviewed as unorthodox for their modernity. He has received wide critical acclaim as a leading interpreter of avant-garde works of the second half of the 20th century, including those of: Boyd, Feldman, Gehlhaar, Másson,Takemitsu, Qu Xia-Song, Rădulescu, Xenakis, and recordings with Boulez, Barraqué, Stockhausen, Bussotti, Fariñas, Brouwer, Conyngham, Edwards, Peter Michael Hamel, Lutyens, Rands and Cage.

Steeped in church music and traditional repertoire, Woodward trained throughout his early life to perform established works side by side with more recent music as part of a belief that music was the essential expression of an experimental process. Most of his concerts reflected this belief even though such programming was considered unorthodox for the time. In recital, he often programmed traditional 18th and 19th century repertoire with new, little known, or neglected works such as those he championed by experimental fin de siècle Russian, Ukrainian and early Soviet composers (Alexander Scriabin, Alexander Mosolov, Nikolai Roslavets, Ivan Vyshnegradsky, Nikolai Obukhov, Aleksei Stanchinsky).Woodward worked with the New York, Los Angeles, Beijing, brass players of the Israel Philharmonic Orchestra, the Cleveland Orchestra, the five London orchestras, the Hallé Orchestra, London Sinfonietta, London Mozart Players, London Brass, the Royal Scottish National Orchestra, the Leipzig Gewandhaus Orchestra, Royal Danish Orchestra, L'orchestre National de Paris, the Gustav Mahler Jugendorchester, EEC Youth Orchestra and the Budapest and Prague Chamber Orchestras.
Notable conductors with whom he worked include: Mehta, Abbado, Boulez, Charles Dutoit, Lorin Maazel, Edo de Waart, Charles Mackerras, Kurt Masur, Paavo Berglund, Georg Tintner, Tan Lihua, Erich Leinsdorf, Walter Susskind, Georges Tzipine, Paul Terracini and Péter Eötvös. As a conductor, some of Woodward's performances include: the Xenakis ballet Kraanerg at the Sydney Opera House; working with the Shanghai Conservatory Orchestra, the Adelaide Chamber Orchestra and with the Alpha Centauri Ensemble at Scala di Milano, for BBC2 Television, the Festival d'automne à Paris [fr], the Academia Santa Cecilia, Biblioteca Salaborsa, and for the Sydney Spring International Festival of New Music.
He performed with the Arditti, Tokyo, JACK and Alexander String Quartets, with the harpsichordist George Malcolm; jazz pianist Cecil Taylor in Lisbon, Paris, for the Patras Festival, and for extensive tours of the UK Contemporary Music Network from 1986 to 1994. He worked with musicologists Charles Rosen, Paul Griffiths, H. C. Robbins-Landon, Richard Toop, Paul M. Ellison, Nouritza Matossian and Sharon Kanach; violinists Philippe Hirschhorn and Ivry Gitlis; violist James Creitz [de]; cellists Rohan de Saram and Nathan Waks; flautist Pierre Yves- Artaud; pianists: Yuji Takahashi, David Tudor, Alexander Gavrylyuk and Robert Curry; with James Morrison, the ceremonial dancer David Gulpilil (Dalaithngu), with the composers Frank Zappa and Phillippe Sarde.
He is published by Greenway Press, N.Y., Pendragon Press, NY, Praeger E. R. P. Musikverlag, Berlin. In 2015, HarperCollins and Kindle published his autobiography Beyond Black And White–My Life in Music. He is a Fellow of the Australian Academy of the Humanities and a member of the Australian Republic Movement.




Human rights and activism


Early encounters with Holocaust victims impacted Woodward's personal development. He believes that the creative artist is a bulwark for society on matters of cultural diversity, injustice and human rights. He was acknowledged by the Scarman Report and the London Metropolitan Police after the 1981 Brixton riots and by the city of Darwin following Australia's Cyclone Tracy. Throughout the 1980s he dedicated himself to the Polish Solidarność Movement with performances of the complete works of Chopin to raise awareness of the importance of Poland's freedom struggle.




Principal awards and honours


1980: Officer of the Most Excellent Order of the British Empire, UK
1988: Ancient Order of Bréifne
1992: Companion of the Order of Australia
1993: Commander Cross, Order of Merit, Republic of Poland
1997: National Living Treasure, National Trust of Australia
1998: Doctor of Laws, honoris causa, University of Alberta, Canada
2001: Centenary Medal, Australia
2004: Chevalier dans l'ordre des arts et des lettres, Republic of France
2011: Gloria Artis (gold class) medal, Republic of Poland




Principal recordings and publications



Woodward's principal recordings were issued by ABC Classics (Australia), Accord (France), Artworks (Australia), BMG, Col Legno (Munich), CPO, Decca, Deutsche Grammophon, EMI, Etcetera Records BV, Explore Records, Foghorn Classics (San Francisco), JB (Australia), Polskie Nagrania, Sipario Dischi (Milano), Unicorn (UK), Universal, Warner and RCA Red Seal (UK) for whom Woodward made the first complete recording (in the West) of Dmitry Shostakovich's Twenty-four Preludes and Fugues, Op. 87, rereleased by Celestial Harmonies (2010).
Woodward's live concerts were recorded for ABC Radio/TV, BBC Radio/TV, Radio NZ, RAI, Radio France, Radio/TV Cuba, Hong Kong Radio, Radio China, Radio/TV Japan, Polish Radio/TV, RTE (Dublin), multiple German radio stations including Radio Berlin; Hilversum Radio (Netherlands), and for the UNESCO Rostrum/Paris. Video recordings have been issued by Allied Artists (UK), BBC TV Productions, Chanan Productions (UK), Foghorn Classics (San Francisco), Kultur (China), Polygram (Australia), Smith Street Films (Australia), Endeavour Film Productions (Australia) and the Sydney Dance Company.

Three Celestial Harmonies compact disc recordings were named "Record of the Month" by MusicWeb International: Debussy Préludes Books 1 and 2 (March 2010); Roger Woodward In Concert (October 2013) and Prokofiev Works for Solo Piano 1908-1938 (April 2013), which was nominated Best Classical Album at Australia's 1992 Aria awards. A recording for Etcetera BV of Scriabin's Piano Works was "Record of the Month" on Musicweb International (July 2002).The Etcetera BV release (1989) of Xenakis' Kraanerg with the Alpha Centauri Ensemble directed by Roger Woodward was selected by the music critics of The Sunday Times, UK, as one of the most outstanding releases of that year. In 1991, Woodward shared the Diapason d'Or with fellow Australian and senior ABC recording producer Ralph Lane, for their recording of Morton Feldman's solo piano music (ABC Classics). This recording was record of the month in April 1991 (Télérama, Paris).
Woodward was the recipient of the Preis der Deutschen Schallplattenkritik (2007), for performances of J. S. Bach's Partitas BWV 826 and 830, and Chromatische Fantasie und Fuge BWV 903. This recording was also named one of the finest of the year by MusicWeb International (2008) and nominated Best Classical Album at Australia's 1993 Aria awards. His performances of J. S. Bach's Well-Tempered-Clavier was editor's choice for The Gramophone, UK (February 2010).
In 1991, Woodward shared the Diapason d'Or with fellow Australian and senior ABC recording producer Ralph Lane, for their recording of Morton Feldman's piano music (ABC Classics). This recording was record of the month in April 1991 (Télérama, Paris).
Ralph Lane recorded a wide range of live and studio projects with Woodward (1988–2018) some of which were named record of the month, including the aforementioned Prokofiev, Scriabin and Xenakis recordings. In 1991, he was recipient of the Ritmo Prize (Spain) for his Etcetera BV recording of Takemitsu's piano music (also produced by Lane). In January 1991, the same recording was record of the month (Télérama, Paris). In 2008, his recording of The Music of Frédéric Chopin was nominated Best Classical Album at Australia's Aria Awards. In 2015, ABC Classics/Universal released A Concerto Collection comprising ten live and four studio concerto performances of J. S. Bach, Beethoven, Chopin, Rachmaninoff, Scriabin, Prokofiev, Schoenberg, Larry Sitsky, Barry Conyngham, Qu Xiao-Song and his direction of the Xenakis ballet Kraanerg.




Personal life


Woodward has three children; Asmira Woodward-Page who is a concert violinist, Benjamin Woodward who is director of Academy Tennis in Sydney and foster son Elroy Palmer.




Works


Woodward, Roger (May 1971). "Penderecki in London". In Music & Musicians. London: Hansom Books Press.
Woodward, Roger (1998). "Music and Change: Some Considerations of Beethoven's Sonata quasi una Fantasia in C sharp minor Op 27 no 2 (Moonlight)'". Literature and Aesthetics. 8. ISSN 1036-9368.
Woodward, Roger (2001). "Jean Barraqué". Matters of the Mind. ISBN 1864873620.
Woodward, Roger (2002b). "Preparation for Xenakis and 'Keqrops', Xenakis Studies: In Memoriam". Contemporary Music Review. 21: 109–120. doi:10.1080/07494460216660. S2CID 191181966.
Woodward, Roger (2005). "Sitsky's Keyboard Music: Si Yeoo Ki". In Sitsky, Larry (ed.). Australian Piano Music of The Twentieth Century. Praeger. pp. 129–155. ISBN 9780313322860.
Woodward, Roger (2006). Fryderyck Chopin: The Complete Nocturnes (cover note). Celestial Harmonies.
Woodward, Roger (2007). J.S. Bach: Chromatic Fantasia and Fugue, Partitas no. 2 and 6 (cover note). Celestial Harmonies.
Woodward, Roger (2007). Chopin Piano Concerto no. 2 in F minor, Beethoven in C major Piano Quartet (cover note). Celestial Harmonies.
Woodward, Roger (2008). J.S. Bach: Das Wohltemperierte Clavier (cover note). Celestial Harmonies.
Woodward, Roger (2009). Dmitry Shostakovich – 24 Preludes and Fugues Op. 87 (cover note). Celestial Harmonies.
Woodward, Roger (2009). Music of the Russian Avant Garde 1905–1926 (cover note). Celestial Harmonies.
Woodward, Roger (2012). Two Cadenzas: 1. for the Allegro maestoso of Mozart's Piano Concerto no. 25 in C major, KV 503. 2. For the Allegro con brio of Beethoven's Piano Concerto no. 1 in C major, Op. 15. ERP Musikverlag.
Woodward, Roger (2012). Sergei Prokofiev – Works for Piano 1908–1938 (cover note). Celestial Harmonies.
Woodward, Roger (2012). Roger Woodward in Concert (cover note). Celestial Harmonies.
Woodward, Roger (2014). Jean Barraqué Sonate pour piano (cover note). Celestial Harmonies.
Woodward, Roger (2024). "Begegnungen Mit Toru Takemitsu". In Bandur, Markus; Schmusch, Rainer (eds.). Tōru Takemitsu Globalisiertes Komponieren – Text, Kontext, Deutung. Munich: Edition text+kritik. ISBN 9783869168180.




See also


List of Roger Woodward's principal first performances, recordings, and publications




Endnotes






Notes






References


Anther, Eric (1986). ""Mi-homme, mi dragon" par Iannis Xenakis" (PDF). Le monde de la musique. France: Le monde and Telerama.
Boyd, Anne (2021). "Anne Boyd". Australian Music Centre. Retrieved 28 December 2021.
Burt, Peter (2001). The Music of Tōru Takemitsu. Cambridge University Press.
Feldman, Morton (1975). Piano and Orchestra. Universal Edition. ISBN 9783702426606. UE16076.
Feldman, Morton (1977). Piano. Universal Edition. ISBN 9783702419875. UE16516.
Gill, Dominic (2001). Meher-Homji, Cyrus; Ellison, Paul (eds.). "Woodward, Roger". Grove Music Online. doi:10.1093/gmo/9781561592630.article.30558. ISBN 9781561592630. Retrieved 14 June 2023.
Hodeir, André (1961). Since Debussy: A View of Contemporary Music. Translated by Burch, Noël. Grove Press. LCCN 3761813864.
Janzen, Rose-Marie; Jack, Adrian (1989). "A Biographical Chronology of Jean Barraqué". Perspectives of New Music. 27 (1): 234–245. doi:10.2307/833269. JSTOR 833269.
Jobling, Lee (2001). Matters of the Mind: Poems, essays and interviews in Honour of Dame Leonie Kramer. The University of Sydney. ISBN 9781864873627.
Lutyens, Elisabeth (1977). Nox Op.118. University of York Music Press. ISMN 9790570204861.
Machart, Renaud (10 October 1997). "Les griffures du silence de Morton Feldman". Le Monde. p. 29.
Matossian, Nouritza (2005). Xenakis. Moufflon Publications. ISBN 9963642225.
Monsaingeon, Bruno (1998). Richter, Écrits, conversations. Éditions Van de Velde /Actes Sud/ Arté Éditions. ISBN 2858682550.
Ohtake, Noriko (1998). Creative Sources for the Music of Toru Takemitsu. Ashgate. ISBN 0859679543.
Rands, Bernard (1972). "Mésalliance". Music of Bernard Rands (CD). Retrieved 7 June 2024.
Stockhausen, Karlheinz (1973). Lecture 7 [Part 1/3] Karlheinz Stockhausen – MANTRA (1973) British Lectures (Video). Archived from the original on 21 December 2021.
University of New England Handbook. New South Wales, Australia: McPherson. 2001. ISSN 1320-873X.
Woodward, Roger (2002a). "Jean Barraqué (1928-1973)". In Sitsky, Larry (ed.). Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook. Greenwood Press. pp. 31–42. ISBN 9780313296895.
Woodward, Roger (2015). Beyond Black and White – My Life in Music. HarperCollins. ISBN 9780733323034.
Woodward, Roger (March 2018). "Papers of Roger Woodward, 1960-2017". NLA 709124925.
Woodward, Roger (2010). "Conquering Goliath: Preparing and Performing Xenakis' Keqrops". In Kanach, Sharon (ed.). Performing Xenakis. Pendragon. pp. 129–155. ISBN 9781576471913.




Further reading


"Artist: Roger Woodward". ABC Music. Retrieved 4 August 2021.
Barraqué, Jean (2019). Sonate pour piano. Bärenreiter Urtext. ISMN 9790006567607.
Barraqué, Jean (1973). Jean Barraqué's public statement about Roger Woodward March 20 1973 (PDF).
Beaumont, Damien (23 May 2022). "Roger Woodward plays Scriabin at the 10th Sydney Spring Festival in 1999". ABC Classic.
Boyd, Anne (1973). As it Leaves the Bell. Faber. ISBN 9780571555536.
Boyd, Anne (1975). As I Crossed a Bridge of Dreams. Faber. ISBN 978-0-571-50529-6.
Boyd, Anne (1976). Angklung. Faber. ISBN 9780571501137.
Boyd, Anne (1981). The Book of Bells. Faber. ISBN 9780571552481.
Boyd, Anne (1996). Meditations on a Chinese Character. UYMP.
Boyd, Anne (2011). Kabarli Meditation (Dawn). UYMP.
Bussotti, Sylvano (10 March 1973). "About Pour Clavier and Per tre sul recordings" (PDF) (in Italian). Letter to Roger Woodward.
Bussotti, Sylvano (1 February 1974). "Bussotti's acknowledgements to Roger Woodward about his recording of Pour Clavier and Per Tre sul piano and the essay on Pieces de Chair II" (PDF) (in Italian). Letter to Roger Woodward.
Chanan, Michael (1972). The Politics of Music.
Feldman, Morton (2000). Give My Regards To Eighth Street – Collected Writings of Morton Feldman. Exact Change. ISBN 1878972316.
Feldman, Morton (1981). Triadic Memories | UE21448. Universal Edition. ISMN 9790008079092.
Gallasch, Keith (1 December 2001). "Celebrating old growth and new". RealTime. p. 35.
Griffiths, Paul (2003). The Sea on Fire. Bärenreiter. ISBN 3761813864.
Heribert, Henrich (1997). Das Werk Jean Barraqués: Genese und Faktur. Bärenreiter. ISBN 3761813864.
Kraus, Clara (1987). The Colours of War. Ten Uncertain Years, 1935-45. Spectrum Publications. ISBN 0867861223.
Kraus, Paul (2015). Fear No Evil. Ark House Press. ISBN 9780994194145.
Kraus, Peter (2020). Slow Train to Auschwitz. Memoirs of a Life in War and Peace. Ginninderra Press. ISBN 9781760418700.
"London Diary for February". The Musical Times. 120 (1631): 93–96. 1 January 1979. JSTOR 957947.
Miller, Gretchen (1 December 2001). "Celebrating old growth and new". RealTime. p. 35.
Miller, Gretchen (1 December 2001). "Celebrating old growth and new". RealTime. p. 35.
"Premios Ritmo 1991". Ritmo. Spain: Lira Editorial. 1 January 1992.
"Prom 23". BBC. Retrieved 28 December 2021.
"From the archive – Soundcapsule #5: Ensemble Offspring, Thembi Soddell, Lawrence English, Eugene Carchesio". RealTime. 18 September 2011.
"Robert Greenberg". 2018. Retrieved 28 December 2021.
Service, Tom (19 August 2015). "A post-Nils Frahm playlist". The Guardian.
Stewart, Michael (1992). "Scriabin Piano Works". Gramophone.
Service, Tom (4 January 2022). "Roger Woodward, Music Theatre in Britain". Music Matters (Podcast). BBC 3. Event occurs at 07:00. Retrieved 4 January 2022.
"Sydney Spring Festival of New Music". Retrieved 14 May 2022.
"Sydney Spring Gallery". Retrieved 14 May 2022.
Takemitsu, Toru; Gill, Dominic (1974). Booklet of Corona(London version) For Away/Piano-Distance Undisturbed Rest LP (PDF). DECCA.
Varga, Bálint András (1996). Conversations with Iannis Xenakis. Faber and Faber. ISBN 0571179592.
Woodward, Roger (2024). "Begegnungen Mit Toru Takemitsu". In Bandur, Markus; Schmusch, Rainer (eds.). Tōru Takemitsu Globalisiertes Komponieren – Text, Kontext, Deutung. Munich: Edition text+kritik. ISBN 9783869168180.
Pro Villamonte, Luis (13 October 2022). "Luis Pro Villamonte in Conversation with Roger Woodward". Parnassus Music Society.




External links


Official website
Article about Woodward on ABC Classic's website
Woodward's official YouTube channel
Spotify profile

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