- Source: Ultra Panavision 70
Ultra Panavision 70 dan MGM Camera 65, dari 1957 sampai 1966, adalah merek pemasaran yang mengidentifikasikan film-film yang difoto dengan lensa-lensa kamera film anamorfik Panavision. Alat film 70 mm biasanya memakai layar film 65 mm dalam kamera untuk menangkap gambar-gambar dalam pemprosesan mereka.
Lihat pula
Super Technirama 70
Referensi
Daftar pustaka
Altman, Rick. Sound Theory, Sound Practice. Florence, Ky.: Psychology Press, 1992.
Balio, Tino. United Artists: The Company That Changed the Film Industry. Madison, Wisc.: University of Wisconsin Press, 1987.
Belton, John. Widescreen Cinema. Cambridge, Mass.: Harvard University Press, 1992.
Block, Alex Ben and Wilson, Lucy Autrey. George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies, Including Untold Secrets of Their Financial and Cultural Success. New York: HarperCollins, 2010.
Burum, Stephen H. American Cinematographer Manual. Hollywood, Calif.: ASC Press, 2007.
Cameron, James Ross. Cameron's Encyclopedia on Sound Motion Pictures. Manhattan Beach, N.Y.: Cameron Pub. Co., 1930.
Casper, Drew. Postwar Hollywood, 1946-1962. Malden, Mass.: Blackwell, 2007.
Carr, Robert E. and Hayes, R.M. Wide Screen Movies. Jefferson, NC: McFarland, 1988.
Clark, Al. The Film Year Book 1984. New York: Grove Press, 1983.
Eldridge, David. Hollywood's History Films. London: Tauris, 2006.
Enticknap, Leo. Moving Image Technology: From Zoetrope to Digital. London: Wallflower, 2005.
Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930. New York: Simon and Schuster, 1997.
Haines, Richard W. Technicolor Movies: The History of Dye Transfer Printing. Jefferson, N.C.: McFarland, 1993.
Hall, Sheldon and Neale, Stephen. Epics, Spectacles, and Blockbusters: A Hollywood History. Detroit: Wayne State University Press, 2010.
Hughes, Howard. When Eagles Dared: The Filmgoers' History of World War II. London: I.B. Tauris, 2011.
Hutchison, David. Film Magic: The Art and Science of Special Effects. New York: Prentice-Hall, 1987.
IMAGO. Making Pictures: A Century of European Cinematography. New York: Abrams, 2003.
Lev, Peter. Transforming the Screen: 1950-1959. Berkeley, Calif.: University of California Press, 2003.
Lightman, Herb A. "Why MGM Chose Camera 65." American Cinematographer. March 1960.
McGhee, Richard D. John Wayne: Actor, Artist, Hero. Jefferson, N.C.: McFarland & Co., 1990.
Reid, John Howard. 20th Century-Fox: CinemaScope. Morrisville, N.C.: Lulu Press, 2009.
Samuelson, David W. Panaflex Users' Manual. Boston: Focal Press, 1996.
Sklar, Robert. Film: An International History of the Medium. New York: Prentice Hall 1993.
Tibbetts, John C. American Classic Screen Features. Lanham, Md.: Scarecrow Press, 2010.
Ward, Peter. Picture Composition for Film and Television. Oxford, UK: Focal, 2003.
Kata Kunci Pencarian:
- Ultra Panavision 70
- Panavision
- Rogue One
- Ultra Panavision 70
- Super Panavision 70
- 70 mm film
- List of 70 mm films
- Panavision
- Negative pulldown
- Panavision cameras
- Super Technirama 70
- It's a Mad, Mad, Mad, Mad World
- The Hateful Eight