Based on the plot of Euripides’ Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman. Medea (1970)
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Life and career
Medea Amiranashvili was born on 10 October 1930, in the village of Shorapani (now in Imereti, Georgia) (according to other sources, in Tbilisi) in a family of opera singers, USSR People's Artist and singer Peter Amiranashvili (1907–1976) and singer and teacher Nadezhda Tsomaia (1904–1973). In 1953, she graduated from the Sarajishvili Tbilisi State Conservatoire, where she had studied under Alexander Inashvili and Olga Bakhutashvili-Shulgina, the latter of whom had also taught both her parents. From 1951 to 1954 she was a soloist of the opera studio at the Conservatory, and from 1954 onwards, soloist of Tbilisi Opera and Ballet Theatre.= Singer
= She made her debut as a soloist in 1954 as Margarita in Gounod's Faust. Her roles included leading characters of a wide vocal range, such as lead roles in Zacharia Paliashvili's Abesalom da Eteri and Daisi (Twilight), the title role in Revaz Lagidze's Lela, Tatiana in Tchaikovsky's Eugene Onegin, Zemfira in Rachmaninoff's Aleko, Verdi's Leonora in Il trovatore, the title role of La traviata, and Desdemona in Otello, Elsa in Wagner's Lohengrin, Puccini's Mimi in La bohème and the title role of Madama Butterfly. She sang the main characters in three operatic films, Daisi, Abesalom da Eteri, and Christina. She was credited with portraying her characters with "fierce inner expression". Amiranashvili also performed in concerts and recitals. She won the Glinka International Vocal Competition in 1960. She toured Poland, Czechoslovakia, Romania, East Germany, Hungary, Bulgaria, Australia, New Zealand, France and Canada. In 1970 in Japan she won a competition as best Cio-Cio-San.= Teaching and other functions
= From 1967 to 1970, Amiranashvili was a deputy of the Supreme Soviet of the Georgian Soviet Socialist Republic, 7th Convocation. From 1972 onwards, she taught at the Conservatory of Tbilisi, from 1982 as a professor. She was artistic director of the Kutaisi opera house from 1991 to 2006.= Awards
= Amiranashvili was an honorary citizen of Kutaisi. She was awarded the Order of the Badge of Honour, the Order of Friendship of Peoples, and the Medal "For Distinguished Labour". She was awarded People's Artist of the Georgian SSR in 1965, and People's Artist of the USSR in 1976. She was awarded the Order of Queen Tamara in 2021 by the President of Georgia, Salome Zourabichvili, for her special personal contribution to the development and popularization of Georgian opera" in 2021.= Personal life
= Amiranashvili was married to the sculptor Otar Parulava; they had a daughter, Marine Parulava, who also became a singer. Medea Amiranashvili died on 2 December 2023, at age 93. Georgia's Prime Minister, Irakli Garibashvili, sent a message of condolence, calling her "an unrivaled performer of Georgian and European opera and a dedicated champion of Georgian music". A civil funeral was held at the Tbilisi Opera and Ballet Theater, where Thea Tsulukiani, Minister of Culture, Sports and Youth, acknowledged the merits of the "legendary soprano".Notes
References
External links
Medea Amiranashvili discography at Discogs Medea Amiranashvili at IMDbArtikel Terkait "Medea"
Medea Analysis - eNotes.com
Medea is a strong, depressing, fearsome drama in which Euripides presents his stark vision of life. Places Discussed. PDF Cite Share *Corinth *Corinth. Rich and powerful city in ancient Greece ...
Medea Summary - eNotes.com
Medea Summary. M edea is a play by Euripides in which Medea enacts revenge against her husband, Jason, after he deserts her and marries another woman.. When Medea's husband, …
Medea Themes: Heroism - eNotes.com
Medea's role as a tragic heroine in Euripides' play is complex. While she exhibits traits of a tragic hero, such as a noble status and a tragic flaw—her intense passion—her actions and lack of ...
Medea Themes - eNotes.com
Medea Themes. T he main themes in Medea are revenge, passion, gender, and power.. Revenge: Medea's revenge is cruel and excessive, and she pays a heavy personal price to …
Medea Characters - eNotes.com
Medea Characters. T he main characters in Medea are Medea, Jason, Glauce, Creon, Aegeus, and Medea and Jason's sons. Medea is the princess of Colchis, who kills her own children …
Medea Essays and Criticism - eNotes.com
Euripides's psychologically realistic portrayal of Medea, who indulges in an excessive form of revenge-the murder of her own children. This is a fascinating study of motivation, yet it is a …
Medea Summary (Lucius Annaeus Seneca) - eNotes.com
Seneca’s Medea has its Greek forerunner in a surviving play by Euripides of the same name, yet its brusque style and emphasis on Medea’s passionate revenge make it thoroughly his own …
Medea Questions and Answers - eNotes.com
Medea and Odysseus have a lot in common. They are both very cunning and independent. Medea is an extremely cunning woman who was able to help Jason complete the tasks he had …
Medea - eNotes.com
Aug 22, 2024 · Medea expresses the classical unities of time, action, and place by following a single plot driven by Medea's need for revenge, occurring within one day, and set primarily in …
Why is Jason the tragic hero in Euripides' Medea, and how does …
Aug 22, 2024 · This results in Medea's revenge, killing Glauce, her father, and their children, leading to Jason's realization of his tragic mistakes and ultimate loss. characters: Jason. …
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