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- List of Yugoslav films - Wikipedia
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- Cinema of Former Yugoslavia - Harvard Library Guides
- Yugoslavia & Former Yugoslav Republics - Film Studies: National Cinemas ...
- Category:Cinema of Yugoslavia - Wikipedia
- An Incomplete Guide to (Post)Yugoslav Cinema - Remembering Yugoslavia
- Liberated cinema : the Yugoslav experience, 1945-2001
- 25 Best Movies From Yugoslavia: A Journey Through Yugoslav Cinema
- Yugoslav and Post-Yugoslav Cinema - Cinema and Media …
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The Cinema of Yugoslavia refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s. Yugoslavia was a multi-ethnic, socialist state, and its cinema reflected the diversity of its population, as well as the political and cultural shifts that occurred during its existence.
Overview
The Socialist Federal Republic of Yugoslavia had an internationally acclaimed film industry. Yugoslavia submitted many films to the Academy Award for Best Foreign Language Film, six of which were nominated. Film companies included Jadran Film from Zagreb, SR Croatia; Avala Film from Belgrade, SR Serbia; Sutjeska film and Studio film from Sarajevo, SR Bosnia and Herzegovina; Zeta film from Budva, SR Montenegro; Vardar film and Makedonija film from Skopje, SR Macedonia, Triglav Film from Ljubljana, SR Slovenia and others.
The dominant movement in Yugoslav cinema of the post war era was Socialist Realism. Which typically dealt with themes such as modernity, and the importance of building the new socialist republic. This was a movement popular in most eastern bloc countries. As the early Yugoslavian state moved away from the Soviet bloc, and received a more open door into western capitalist societies. The cinema started to change to reflect this more liberal approach to socialism. The Yugoslav Black wave which was started by young filmmakers in 1960’s reflected this change by taking elements of socialist realism, American and Italian cinema. To create films that more openly criticized the problems of liberalization. These films usually turned a lens onto the bigger issues of ethnicity, gender and class in Yugoslav society and were often seen as pessimistic by critics.
Prominent male actors included Danilo Stojković, Ljuba Tadić, Bekim Fehmiu, Fabijan Šovagović, Mustafa Nadarević, Bata Živojinović, Boris Dvornik, Ljubiša Samardžić, Dragan Nikolić and Rade Šerbedžija, while Milena Dravić, Neda Arnerić, Mira Furlan and Ena Begović were notable actresses. Acclaimed film directors included: Emir Kusturica, Dušan Makavejev, Goran Marković, Lordan Zafranović, Goran Paskaljević, Živojin Pavlović and Hajrudin Krvavac. Many Yugoslav films featured eminent foreign actors such as Orson Welles and Yul Brynner in the Academy Award nominated The Battle of Neretva, and Richard Burton in Sutjeska. Also, many foreign films were shot on locations in Yugoslavia including domestic crews, such as Force 10 from Navarone starring Harrison Ford, Robert Shaw and Franco Nero, Armour of God starring Jackie Chan, as well as Escape from Sobibor starring Alan Arkin, Joanna Pacuła and Rutger Hauer.
Pula Film Festival was a notable film festival.
Partisan film is a subgenre of war films, made in Yugoslavia during the 1960s, 1970s and 1980s. In the broadest sense, main characteristics of partisan films are that they are set in Yugoslavia during World War II and have partisans as main protagonists, while antagonists are Axis forces and their collaborators. Outside Yugoslavia, Partisan films were especially popular in China.
The Yugoslav Film Archive was a founding member of the International Federation of Film Archives and was the national film library of the former Yugoslavia, founded in 1949 in Belgrade.
Films
Battle of Neretva
Battle of Sutjeska
Walter Defends Sarajevo
Do You Remember Dolly Bell?
Ko to tamo peva
The Bridge (1969 film)
Lude godine
The Marathon Family
Time of the Gypsies
Tko pjeva zlo ne misli
When Father Was Away on Business
I Even Met Happy Gypsies
Co-production:
Kelly's Heroes
Captain America (1990 film)
Armour of God
A Corpse Hangs in the Web
Le Prix du Danger
High Road to China
Transylvania 6-5000 (1985 film)
Genghis Khan (1965 film)
The Trial (1962 film)
W.R.: Mysteries of the Organism
The Long Ships (film)
Taras Bulba (1962 film)
Escape from Sobibor
Score (1974 film)
Old Shatterhand (film)
Winnetou film series
Kapò
Man and Beast
Destination Death
Television
Top lista nadrealista
See also
Lists of Yugoslav films
Cinema of Bosnia and Herzegovina
Cinema of Croatia
Cinema of Montenegro
Cinema of North Macedonia
Cinema of Serbia
Cinema of Slovenia
Further reading
Daniel J. Goulding (2002). Liberated Cinema: The Yugoslav Experience, 1945-2001. Indiana University Press. ISBN 0-253-34210-4.
Anikó Imre (7 August 2012). A Companion to Eastern European Cinemas. John Wiley & Sons. pp. 220–. ISBN 978-1-118-29435-2.
Jugoslovenska kinoteka: 1949-1964. Jugoslovenska kinoteka. 1964.
Savez filmskih radnika Jugoslavije (1966). Dvadeset 20 godina jugoslovenskog filma 1945-1965. Festival jugoslovenskog filma.
Yugoslav Films. Películas Yugoslavas. Jugoslawische Filme.
Janevski, Ana. "'We can't promise to do more than experiment.'" (PDF). Quaderns portàtils. Archived from the original (PDF) on 2019-05-14. Retrieved 2019-05-14.
External links
"Jugoslovenska kinoteka" (in Serbian). Kinoteka.
Kata Kunci Pencarian:
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cinema of yugoslavia
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Cinema of Yugoslavia - Wikipedia
The Cinema of Yugoslavia refers to the film industry and cinematic output of the former Socialist Federal Republic of Yugoslavia, which existed from 1945 until it disintegrated into several independent nations in the early 1990s.
List of Yugoslav films - Wikipedia
This is a list of the most notable Yugoslav cinema films. Sjećaš li se Dolly Bell?
20 Essential Films for an Introduction to Yugoslavian Cinema
Dec 27, 2015 · The films produced in the former Yugoslavia, both before and after its violent breakup in the 90s amidst escalating nationalist tensions from within and political stagnation and confusion across the rest of Europe and beyond, remain fascinating for anyone interested in the country or in films.
Cinema of Former Yugoslavia - Harvard Library Guides
Cinema of Former Yugoslavia; Slavic and East European Film Collection at Harvard. A guide to the Slavic Film Collection at Harvard. Table of Contents . Welcome! ... Yugoslav Cinema between Two Wars, 1945-1995. Bradford Studies on South Eastern Europe, No. 3. Bradford]: Research Unit in South East European Studies, University of Bradford, 1997. ...
Yugoslavia & Former Yugoslav Republics - Film Studies: National Cinemas ...
Nov 21, 2024 · Yugoslav cinema was in its nascent form in the early parts of the 20th century (in what was then the Kingdom of Yugoslavia) and received its most ambitious development during the socialist period after the end of World War II.
Category:Cinema of Yugoslavia - Wikipedia
Pages in category "Cinema of Yugoslavia" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes.
An Incomplete Guide to (Post)Yugoslav Cinema - Remembering Yugoslavia
(Post)Yugoslav cinema is a port window projecting the region’s cultures and history. From Gibanica to Kraut Westerns, from Black Wave to Prague School...and beyond.
Liberated cinema : the Yugoslav experience, 1945-2001
Jun 8, 2023 · Establishment and Evolution of a National Cinema, 1945-1950 -- Decentralization and Breaking the Mold, 1951-1960 -- New Film and Republican Ascendancy, 1961-1972 -- Confrontation with the Revolutionary Past -- Contemporary Reality: Critical Visions -- Accommodation and Resurgence: The New Yugoslav Cinema, 1973-1990 -- The Breakup of …
25 Best Movies From Yugoslavia: A Journey Through Yugoslav Cinema
From the post-World War II era to the dissolution of Yugoslavia in the 1990s, Yugoslavian cinema produced a wide array of films that reflect the social, political, and cultural context of the region.
Yugoslav and Post-Yugoslav Cinema - Cinema and Media …
A detailed history of Yugoslav and post-Yugoslav narrative cinema (up to 2001), the monograph offers an insightful account of the development of Yugoslavia’s film industry in the aftermath of World War II, as well as its fragmentation with the emergence of Yugoslav successor states in …