• Source: 1600 in music

The year 1600 in music involved some significant events.




Events


Start of Artusi–Monteverdi controversy, with publication of Artusi's treatise, L'Artusi Ovvero delle Imperfettioni della moderna musica.




Publications


Agostino Agazzari – First book of madrigals for five voices (Venice: Angelo Gardano)
Giovanni Francesco Anerio – Dialogo pastorale al presepio di nostro signore (Rome: Simone Verovio)
Giammateo Asola
Divinae Dei laudes for two voices (Venice: Ricciardo Amadino)
Sacro sanctae dei laudes for eight voices (Venice: Ricciardo Amadino)
Adriano Banchieri – Il studio dilettevole (Milan: Giovanni Francesco Besozzi & Co.), the third book of canzonettas for three voices
Giulio Belli – First book of Sacrae cantiones for four, five, six, eight, and twelve voices (Venice: Angelo Gardano)
Valerio Bona – Psalmi omnes ad vesperas per totum annum (Psalms for all Vespers for the whole year) (Venice: Giacomo Vincenti)
Giulio Caccini – Euridice (Florence: Giorgio Marescotti), not premiered until 1602
Christoph Demantius – Tympanum militare for six voices (Nuremberg: Catharina Dieterich)
John Dowland – The Second Booke of Songs or Ayres of 2, 4. and 5. parts, including Flow my Tears (London: Thomas East for Thomas Morley)
Giovanni Dragoni – First book of motets for five voices (Rome: Nicolo Mutii), published posthumously
Johannes Eccard
Epithalamion (Wo Christus wird geladen) for five voices (Königsberg: Georg Osterberger), a wedding song
Hochzeits Lied (Nechst Gott auff dieser Erden) for five voices (Königsberg: Georg Osterberger), a wedding song
Thomas Elsbeth – Selectissimae & novae cantiones sacrae for six voices (Frankfurt an der Oder: Friedrich Hartmann)
Christian Erbach – Mode sacri sive cantus musici, Liber Primus for four, five, six, seven, eight, and more voices (Augsburg: Johannes Praetorius)
Bartholomäus Gesius – Psalmodia choralis (Frankfurt an der Oder: Friedrich Hartmann), a collection of antiphons, responsories, hymns, introits and other mass music
Jakob Hassler – Madrigals for six voices (Nuremberg: Paul Kaffmann)
Orlande de Lassus – Prophetiae Sibyllarum for four voices (Munich: Nicolaus Heinrich), published posthumously
Tiburtio Massaino – First book of masses for eight voices (Venice: Ricciardo Amadino)
Simone Molinaro – Second book of canzonettas for three voices (Venice: Ricciardo Amadino)
Philippe de Monte
Seventh book of motets for five voices (Venice: Angelo Gardano)
Musica sopra Il pastor fido for six voices (Venice: Angelo Gardano), a collection of canzoni and madrigals
Thomas Morley – The first booke of ayres (London: William Barley)
Giovanni Pierluigi da Palestrina (posthumous publications)
Tenth book of masses
Eleventh book of masses
Litaniae deiparae Virginis...
Benedetto Pallavicino — Sixth book of madrigals for five voices (Venice: Angelo Gardano)
Orfeo Vecchi
Hymni totius anni (Hymns for the whole year) for five voices (Milan: heirs of Simon Tini & Giovanni Francesco Besozzi)
Falsi bordoni figurati sopra gli otto toni ecclesiastici for four, five, and eight voices (Milan: heirs of Simon Tini & Giovanni Francesco Besozzi), a collection of canticles, hymns, and litanies
Thomas Weelkes – Madrigals Of 5. and 6. parts, apt for the Viols and voices




Classical music


Emilio de' Cavalieri – Rappresentatione di Anima, et di Corpo, the first oratorio (produced in Rome in February)




Opera


Giulio Caccini – Il Rapimento di Cefalo, premièred October 8
Jacopo Peri – Euridice (believed to be the earliest work of modern opera surviving to the present day), produced by Emilio de' Cavalieri for the wedding of Henry IV of France and Maria de' Medici in Florence, premièred October 6




Births


date unknown
Carlo Farina, Italian violinist and composer (died 1639)
Pietro Paolo Sabbatini, composer and conductor (died 1657)
probable – Etienne Moulinié, French composer (died 1669)




Deaths


April – Thomas Deloney, balladeer (b. 1543)
September – Claude Le Jeune, French composer
November 25 – Ginés Pérez de la Parra, composer (b. c. 1548)

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