• Source: Abashiri Prison (film)

Abashiri Prison (Japanese: 網走番外地, Hepburn: Abashiri Bangaichi, lit. 'Off-the-Grid in Abashiri'), also known as A Man from Abashiri Prison, is a 1965 Japanese film written and directed by Teruo Ishii. Based on the 1956 novel of the same name by Hajime Itō, Ishii wrote the script as a remake of the 1958 American film The Defiant Ones. The film is the first entry in Toei Company's Abashiri Prison series, which stars Ken Takakura. Highly successful, it was the first hit in the yakuza film genre. Abashiri Prison made Takakura a star and was followed by 17 sequels.




Synopsis


In Hokkaido's Abashiri Prison, Shinichi Tachibana, model prisoner with six months remaining in his sentence is handcuffed to Gonda, a hardened criminal. When Gonda and other inmates escape from the prison, Tachibana must go along.




Cast






Production



Hajime Itō wrote the 1956 novel Abashiri Bangaichi based on his experience incarcerated at the real Abashiri Prison in the early 1950s. The book was previously adapted into a film by Nikkatsu in 1959. Director Teruo Ishii modeled his version on the 1958 American film The Defiant Ones, which he had wanted to make a Japanese version of ever since he first saw the film. When Ishii was offered to adapt Abashiri Bangaichi, he did not want to do it after reading the novel; "the story was too cheesy—it was just a melodrama." However, Toei Company agreed to allow him to change the story and approved of remaking The Defiant Ones.
Ishii said the script was written quickly, but was done without any location scouting, which caused problems when they actually got to Hokkaido. It took a whole month just to find a railroad to shoot the handcar escape scene. They finally found one in Shintoku, but the small town had no inns, and the crew had to stay at a dormitory in the mountains. The winter climate also made things difficult, as the engines in the crew's cars would freeze overnight.
Abashiri Prison is known for its titular theme song sung by its lead, Ken Takakura. A traditional folk song sung by prisoners, Ishii had first heard it played by former yakuza in a television documentary. He quickly grabbed a tape recorder and recorded it, and then had the TV station identify it for him. He first used the song in his film Kaoyaku, which was released earlier in 1965, where it was also sung by Takakura.




Release


According to Tony Rayns, Abashiri Prison was released by Toei in 1965 as the B movie of a double feature.
Eureka Entertainment released Abashiri Prison in the United Kingdom and North America in a Blu-ray set that also includes the second and third films in the series, Another Abashiri Prison Story and Abashiri Prison: Saga of Homesickness, as part of the Masters of Cinema series on May 27, 2024.




Reception


The success of Abashiri Prison made Takakura a top star and gave Ishii prestige as a director. Stuart Galbraith IV praised the performances of the film's cast overall, with the exception of Koji Nanbara, whom he found "more than a little over-the-top". He felt its monochrome lensing added "immeasurably to the harsh, snowy environment", something lost on the later films in the franchise due to them being in color. In a review of Eureka's release of the first three films, Dillon Gonzales of Geek Vibes Nation cited the original as his favorite. He called Takakura an excellent lead, and highly recommended the box set.




Sequels


Toei produced 17 sequels in the Abashiri Prison film series between 1965 and 1972, all starring Ken Takakura and scored by Masao Yagi, and with Ishii returning to direct the first nine. The final eight installments were released under the title New Abashiri Prison, with Masahiro Makino directing the first two, Kiyoshi Saeki the third, and Yasuo Furuhata handling the last five.
Mark Schilling writes that Japanese critics and fans widely regard the third installment, Abashiri Prison: Saga of Homesickness (1965), as the best in the franchise. Rayns also cited it as his favorite in the series. Ishii chose the first film as his personal favorite as he said that is the one he worked the hardest on. After that, he said the studio forced him to make them one after the other and it became "routine". When asked why the third film was set in Kyushu, Ishii explained that when he told Toei he could not make another installment in the series yet because it was not winter, they remarked that it did not matter and he could shoot anything as long as the theme song was on the soundtrack. Galbraith IV wrote that the second, third and fourth entries in the franchise all reached the top 10 of domestic films at the Japanese box office of 1965, ranking sixth, fourth and second, respectively. The following year, the fifth, sixth and seventh films also made the top 10, ranking ninth, third and first, respectively.




References






External links






= English

=
Abashiri Bangaichi at AllMovie
"Abashiri Bangaichi". Complete Index to World Film. Retrieved 2009-08-07.
Abashiri Bangaichi at IMDb




= Japanese

=
網走番外地(1965) (in Japanese). allcinema.net. Retrieved 2009-05-08.
"網走番外地". Japanese Cinema Database (Agency for Cultural Affairs). Archived from the original on 2011-10-08. Retrieved 2009-08-05.
網走番外地 (in Japanese). Japanese Movie Database. Retrieved 2009-08-07.

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