- Source: Andrew Bujalski
Andrew Bujalski (; born April 29, 1977) is an American film director, screenwriter and actor, who has been called the "godfather of mumblecore."
Life and career
Bujalski, born in Boston in 1977, is the son of artist-turned-businesswoman Sheila Dubman and businessman Edmund Bujalski. His father is Catholic and his mother is Jewish. He grew up in Newton, Massachusetts, where he attended the same high school as Beeswax collaborator Alex Karpovsky (although the two didn't know each other at the time). Bujalski studied film at Harvard's Department of Visual and Environmental Studies, where the Belgian filmmaker Chantal Akerman was his thesis advisor.
He shot his first feature, Funny Ha Ha, in 2002 and followed it with Mutual Appreciation in 2003. They received theatrical distribution in 2005 and 2006, respectively. Bujalski wrote both screenplays and appears as an actor, playing a major role in both films. In 2006 he appeared as an actor and contributed to the screenplay of the Joe Swanberg film Hannah Takes the Stairs.
Beeswax and Computer Chess, Bujalski's third and fourth films, were filmed in Austin, where the director lives. Beeswax was released in summer 2009. While making it Bujalski wrote a screenplay adaptation of Benjamin Kunkel's 2005 novel Indecision for Paramount Pictures.
His fourth feature, Computer Chess, is a period film set at a computer programming tournament in 1980. It premiered at the 2013 Sundance Film Festival and won the Alfred Sloan Feature Film Prize. It is his first feature edited digitally and the only feature film shot almost exclusively with original Sony 1968 AVC-3260 B&W video cameras.
Bujalski married Karen Olsson in 2009. They have two children.
Bujalski also has worked as a writer on several studio projects, including, most recently, the live-action remake of Disney’s Lady and the Tramp.
Style and content
Bujalski's rough-edged, realistic films are often compared to the works of directors John Cassavetes, Maurice Pialat and Mike Leigh. All of his feature films were photographed by Austrian cinematographer Matthias Grunsky. The first three are shot on hand-held 16mm, have a sometimes decidedly "lo-fi" feel (reinforced by Funny Ha Ha's distorted mono sound), and are often classified as mumblecore. The actors are non-professionals, many drawn from other media, including animator Kate Dollenmayer as the lead in Funny Ha Ha, musician Justin Rice as the lead in Mutual Appreciation and experimental filmmaker Bill Morrison in a supporting role in the same film. Funny Ha Ha featured a cast and crew of Harvard alumni.
Though his films often appear improvised, they are for the most part scripted; the dialogue is often noted for its drawn-out, awkward nature, and characters frequently evade key topics. Many of the films seem to start and end in medias res, giving the films a "slice of life" feeling that suggests a larger narrative or world that the audience is looking in on.
The characters in Bujalski's films are mostly middle-class. The desire for stability is a recurring theme, and many characters rush headlong into attempts at a more controlled existence; one of the main characters in Funny Ha Ha elopes with his ex-girlfriend.
Filmography
= As director, writer, and editor
== As actor
=Awards
Alfred Sloan Feature Film Prize, 2013 – Sundance Film Festival
Best Director, 2005 – Sidewalk Moving Picture Festival
Best Screenplay, 2005 – Newport International Film Festival
Someone to Watch Award, 2004 – IFP
References
External links
Andrew Bujalski at IMDb
Funny Ha Ha Official Site
Mutual Appreciation Official Site
Beeswax Official Site
Computer Chess Official Site
"Young Intellectuals Making Movies", essay on Andrew Bujalski and Noah Baumbach in Dissent, Summer 2006.
Video Interview Berlinale 2009 Cargo Film Magazine
Don't Say "Mumblecore" to Bujalski, article and video, Sept 17, 2009
Andrew Bujalski performs and is interviewed on Radio Happy Hour
A conversation with Andrew Bujalski on The Marketplace of Ideas
In Conversation: Straight Talk: Andrew Bujalski, In Conversation with Paul Felten, The Brooklyn Rail