• Source: Blue Train (album)

Blue Train is a studio album by the jazz saxophonist and composer John Coltrane. It was released through Blue Note Records in January 1958. It is Coltrane's only session as leader for Blue Note. The recording took place at Rudy Van Gelder's studio on September 15, 1957.
Coltrane wrote four of the record's five tracks. His playing exhibits early elements of the signature style for which he later became known. Blue Train attained a gold sales certification by the Recording Industry Association of America in 2001.




Background


The album was recorded in the midst of Coltrane's residency at the Five Spot as a member of the Thelonious Monk quartet. The personnel include Coltrane's Miles Davis bandmates, Paul Chambers on bass and Philly Joe Jones on drums, both of whom had worked before with pianist Kenny Drew. Both trumpeter Lee Morgan and trombonist Curtis Fuller were up-and-coming jazz musicians, and both were members of Art Blakey's Jazz Messengers in due course. Unlike his previous label, Blue Note paid the musicians to rehearse the music for a couple of days before the recording session.




= Composition

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All of the compositions were written by Coltrane, with the exception of the standard "I'm Old Fashioned". Though at this point his compositions used conventional diatonic harmonies, they were set in unconventional ways. The title track is a bluesy song with a quasi-minor (Eb7#9) theme. "Locomotion" is also a blues riff tune, in forty-four-bar form. "Lazy Bird" is in part a transposition into the key of "G" of the Tadd Dameron composition "Lady Bird".




= Style

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Coltrane's playing exhibits the move toward what would become his signature style. His solos are more harmonic or "vertical" and lines arpeggiated. His timing was often apart from or over the beat, rather than playing on or behind it. During a 1960 interview, Coltrane described Blue Train as his favorite album of his own up to that point.
John Coltrane's next major album, Giant Steps, recorded in 1959, would break new melodic and harmonic ground in jazz, whereas Blue Train adheres to the hard bop style of the era. Musicologist Lewis Porter has also demonstrated a harmonic relationship between Coltrane's "Lazy Bird" and Tadd Dameron's "Lady Bird".

While on Joe Vella's podcast "Traneumentary", Michael Cuscuna, the reissue producer at Blue Note, commented:We’re listening to Blue Train, which to me is one of the most beautiful pieces on one of the most beautiful records that Coltrane recorded in the fifties. It’s his first real mature statement and he wrote all but one of the tunes on this album which was very rare in the fifties and each one is a gem, particularly the title tune Blue Train. And while it’s kind of easy to play the blues, this has a suspended and haunting kind of quality to it.




= Reissues and certification

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It had sold more than half a million copies by April 2001 and was thus certified with a gold sales certification by the RIAA the following year.
In 1997, The Ultimate Blue Train was released, adding two alternate takes and enhanced content, and in 1999 a 24bit 192 kHz DVD-Audio version was issued. In 2003, both a Super Audio Compact Disc version was released, as well as a remastered compact disc as part of Blue Note's Rudy Van Gelder series.
In 2015, Blue Note/Universal released a Blu-ray audio edition of the album with four bonus tracks, one of which is a previously unreleased take of "Lazy Bird". Alternate takes of "Moment's Notice" were released on Blue Train: The Complete Masters, in 2022.




Reception


In 2000 it was voted number 339 in Colin Larkin's All Time Top 1000 Albums. He stated "Coltrane may have made more important albums, but none swung as effectively as this one.




Track listing


All tracks written by John Coltrane except where noted.
Side one

"Blue Train" – 10:43
"Moment's Notice" – 9:10
Side 2

"Locomotion" – 7:14
"I'm Old Fashioned" (Johnny Mercer, Jerome Kern) – 7:58
"Lazy Bird" – 7:00




Personnel






= Musicians

=
John Coltrane – tenor saxophone
Lee Morgan – trumpet
Curtis Fuller – trombone
Kenny Drew – piano
Paul Chambers – bass
Philly Joe Jones – drums




= Technical personnel

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Alfred Lion – producer
Rudy Van Gelder – recording engineer, mastering
Reid Miles – design
Francis Wolff – photography
Robert Levin – liner notes




Charts






Certifications






References

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