- Source: Emak
- Source: E.M.A.K.
Emak is an Italian manufacturer and distributor of machines, components and accessories for gardening, agriculture, forestry and industrial applications. Emak's brands are: Efco, Oleo-Mac, Bertolini and Nibbi.
The product range comprises more than 250 models of chainsaws, brushcutters, lawnmowers, garden tractors, hedgetrimmers, rotary tillers, rotary cultivators, flail mowers, cutterbar mowers, transporters and similar products.
History
Emak was incorporated in 1992 by the merger of Oleo-Mac and Efco, two companies specialised in the production of gardening and forestry machines, both of which had been active since the 1970s in the province of Reggio Emilia (Italy). The combination of the manufacturing and managerial resources of the two companies soon allowed the new industrial complex to achieve a competitive position on the international market.
In 1996 Emak secured ISO 9001 certification and from June 1998 it has been listed on the Milan Stock Exchange, forming an international group thanks to the acquisition of 9 companies.
In 2008, following the acquisition of Bertolini S.p.A., Emak extended its product range to include the agricultural and gardening machines distributed under the Bertolini and Nibbi brand names. In the same year, newer models of petrol engineering replaced the old models. For example, gasoline-powered saws, such as the Efco 137S, Efco 143 and MT 442 have become more powerful and productive. Their weight was significantly reduced, for the possibility of long hard work. Also, the concern has released a new line of gasoline brushcutters, this is Efco Stark 30 TR, Efco Stark 35 IC and Efco Stark 40 TWIN.
Between 2005 and 2006, the group expanded its international presence by purchasing a Polish distributor and the creation of its US subsidiary.
In 2016, the budget line of EFCO chainsaws was released, these are models MTH 510, MTH 560. These models are made specifically for third world countries with low economic indicators. They are a farm series (domestic) and have piston systems from the Chinese manufacturer Kamo, and carburetors from the Chinese manufacturer Walbro. These saws are made of plastic of the middle segment, so they can be used only for domestic purposes. Officially delivered to countries such as Moldova, Pakistan, Lebanon and others.
In 2017, new models are produced for more developed countries, these are Efco 149, Efco 154, Efco MT 640 and MT 770, which are professional and industrial class and have a high motor resource of engines under prolonged loads under severe conditions. They already have Emak piston systems with Burn Right technologies and carburetors of the Japanese office of Walbro 7 series, which are equipped with four-channel fuel supply, which is a high-tech component in gas equipment.
Sites
Emak has four production plants (in Italy) and seven branches in France, UK, Spain, Poland, Ukraine, China and Brazil. These markets account for over half of the Group's total turnover with more than 5000 dealers served directly.
Brands and applications
Oleo-Mac ed Efco are the brands for the company's gardening and forestry machines. For the general agricultural sector the reference brands are Bertolini and Nibbi, which are distributed also by agricultural machinery and tractor dealerships.
Product range
The product range includes lines for home users (garden maintenance, firewood cutting, general DIY jobs), and for professional users (maintenance of large open spaces in urban and rural locations, machines for clearing, pruning, cutting firewood, forestry work and tidying of overgrown areas and undergrowth).
Certifications
Emak has achieved certifications in the fundamental areas of corporate sustainability: Environment and Quality.
See also
References
External links
Official site
E.M.A.K, or Elektronische Musik Aus: Köln (with "Köln" sometimes rendered as "Koeln" on album covers), was a German band and production collective based in Cologne in the 1980s. It produced experimental minimalist electronic dance and ambient pop music.
Members
The group was founded in 1981 in a small 8-track studio known as "Originalton West," run by Matthias Becker in the basement of the Cologne music store Hört-Hört. In January 1982 Becker released the first E.M.A.K. record, E.M.A.K. on the Originalton West record label.
Besides Becker, the members of E.M.A.K. included Michael Filz (who left after the release of E.M.A.K.), Kurt Mill (who left after the release of E.M.A.K. 2), Klaus Stühlen, and later Michael Peschko. In its initial form, E.M.A.K. was very much a collective of individuals, with Filz and Stühlen working on tracks alone, while Becker and Mill worked more collaboratively in the studio, and also acted as producers and final mixers on all E.M.A.K. tracks. Later, for the Vintage Synths releases, E.M.A.K. became a project led more firmly by Becker, with significant compositional help from Stühlen.
Musical style and influences
E.M.A.K.’s influences include Kraftwerk, Neu!, Klaus Schulze, Tangerine Dream, Neue Musik and musique concrète, as well as Pink Floyd and the White Noise project associated with the BBC Radiophonic Workshop. Much of E.M.A.K.'s musical style was directly formed from experimentation with various instruments. These included analogue synthesizers such as a Mini-Moog and a Synthanorma Sequencer (a German sequencer built by Hajo Wiechers of Matthen & Wiechers/ Bonn similar to the sequencer of the large Moog system), a Fender Rhodes piano (customized by Stühlen with external treatments such as distortion, echo chambers, and improvised effects), and a Roland TR-808 drum machine. E.M.AK. and E.M.A.K. 2 were released pre-sampler and pre-midi and so took a manual tape-based approach to looping and musique concrète parts. E.M.A.K. 3 used the AKAI S612 midi sampler and a Commodore 64.
Although a critical part of the general history of German electronic music, E.M.A.K.’s location in Cologne during the 1980s meant they could pursue their own musical interests, relatively undisturbed by the demands of markets or fashions. Becker felt that E.M.A.K. fell between generations, even when those generations worked in Cologne. E.M.A.K.'s music was influenced by older German electronic music, from that of Karlheinz Stockhausen to Can, both based in or near Cologne, but was also deliberately different, the band's name even cocking a deliberate snook at Stockhausen's self-appropriation of elektronische Musik. The later E.M.A.K. project, Vintage Synths, would represent a further recasting of the history of electronic music, away from the focus on personalities such as Stockhausen and firmly onto the music machines themselves. Becker also felt little connection with Neue Deutsche Welle bands such as Nena or D.A.F., although he admired the production work of the Cologne-based Conny Plank for some of these.
E.M.A.K. were part of the club scene in Cologne, and their own music often involved atmospheric extended pulsating rhythms. Only very rarely did E.M.A.K.’s music include vocals. The track “Filmmusik” from E.M.A.K. was a local club hit in Cologne, although Becker himself preferred not to dance.
Vintage synthesizers
In 1987 Becker began writing a column for a German music magazine called “Synthesizer von Gestern”. This developed into the Vintage Synths project. Three Vintage Synths albums were released. These albums collected compositions for various specific synthesizers, each piece produced using only one particular synth. The albums were also accompanied by 2 books with historical and photographic studies of the various synthesizers.
Album covers
The first three E.M.A.K. albums feature distinctively simple covers, which arrange the words of the group’s name in uppercase letters against a monochrome background to form the letter ‘E’. This was deliberate tribute to the early album covers of Neu! And Kraftwerk.
The Originalton West label
Initially set up to release Becker’s and E.M.A.K.’s music, the Originalton West label also released music by other German electroacoustic and experimentalist musicians such as Oskar Sala, Claus Brüse, Camera Obscura (the German band), and Michael Peters, as well as Greek Rebetiko and African music.
Discography
= Albums
=E.M.A.K. (Originalton West, 1982)
E.M.A.K. 2 (Originalton West, 1983)
E.M.A.K. 3 (Originalton West, 1985)
Vintage Synths Vol. 1 (Originalton West, 1990)
Vintage Synths Vol. 2 (Originalton West, 1992)
Vintage Synths Vol. 3 (Originalton West, 1994)
= Singles
="Sunken Galleons and Pirate Pictures" (1986)
"Tanz in den Himmel" (Soul Jazz Records, 2011)
= Compilations
=Best of E.M.A.K.: Vol. 1-3 (Originalton West, 1994)
A Synthetic History of E.M.A.K. 1982-88 (Soul Jazz Records, 2011)
References
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