- Source: Ferdinand Burgdorff
Ferdinand Burgdorff, (November 29, 1881 – May 12, 1975), also known as Ferdy, was an American etcher, painter, and printmaker. He was nationally known for his role as a landscape painter of the Monterey Peninsula, Yosemite, and the desert Southwest. He was one of the earliest artists that came to the art colony in Carmel-by-the-Sea. He was an illustrator for Sunset Magazine. His works can be found in the permanent collections of the Naval Postgraduate School, De Young Museum, Monterey Museum of Art, and the Cleveland Museum of Art.
Early life
Burgdorff was born on November 29, 1881, in Cleveland, Ohio. His father, Frederick Burgdorff, was a watchmaker from Hamburg, Germany, while his mother Ida Burgdorff, was of Prussian descent. He attended the Cleveland School of Art in Ohio. While in school, his interest was in all things related to art and nature, with a particular focus on Western American Art. He admired the work of painter Frederic Remington and the South Western landscapes by Fernand Lungren. Influenced by their work, he left Cleveland to explore the Southwest. He traveled and painted across Arizona and New Mexico.
Burgdorff underwent military training in Marin County for the U.S. Army during World War I. However, he never served on the active front lines. Throughout World War II, he donated numerous canvases to the USO, Red Cross nurses' quarters, and various hospitals. Additionally, he donated his painting of the Yosemite Valley to the destroyer tender U.S.S. Yosemite.
Career
Burgdorff worked as an illustrator for the newly established Sunset magazine. From 1908 to 1924, his designs were on the cover of what became a national magazine.
Between 1906 and 1908, Burgdorff traveled through Arizona, Europe, and California, painting landscape. On March 14, 1909, Lucy B. Jerome, a critic from The San Francisco Call wrote a review of Burgdorff's art: The work of Ferdinand Burgdorff, a young Cleveland painter, is compelling interest and attention from the local art world in a marked degree. Burgdorff is in his early twenties, but the three exquisitely toned water colors displayed at the exhibition of the Bohemian Club last week evince mature qualities. These three pictures were readily sold, and the 20 or more which the artist intends taking to Portland this week to place on exhibition give indications of rare talent. Under the guidance of Charles S. Aiken, editor of Sunset magazine, Burgdorff exhibited forty to fifty canvases in Portland, Oregon, garnering considerable attention. The Pines, Point Lobos entry found a buyer, praised as "an exquisite fantasy picturing a dark, witchlike tree on the edge of a gloomy mass of hill with a fairy glow of yellow suffusing tree, hill and sea." That August he exhibited at the Schussler Brothers Gallery of San Francisco. Lucy Jerome from The San Francisco Call stated: "six most fairylike and charming small paintings, three water colors and three oils. The one picturing Carmel bay on a starlight night is one of the most charming things seen in a long while."
Two months later, Burgdorff exhibited eight oils at the Vickery, Atkins & Torrey's Gallery in San Francisco. In November 1909, his artwork was exhibited at the Newton J. Tharp Memorial Exhibition (honoring Newton J. Tharp) at the California Club in San Francisco. In early 1910, Burgdorff presented consecutive solo exhibitions at two San Francisco galleries, Rabjohn & Morcom and Vickery's. A string of reviews by Margaret Doyle in The San Francisco Call expressed her enthusiasm. The first review on January 2 had a positive reception: A number of delightfully delicate and ethereal water colors and oils in the softest of tones and colorings, the work of Ferdinand Burgdorff, have been sent from Pacific Grove and are on view--Burgdorff is doing excellent work that promises big and interesting things for the future. Moreover, it is absolutely original, and is seen and painted with the truest appreciation of the beauties of nature in her tenderest moods.
There is a fresco in the Herrmann Hall's Tower Room at the Naval Postgraduate School (the old Hotel Del Monte), called The Witch Tree. The tree is part of a small grove of native cypress trees that includes the Ghost Tree and the Lone Cypress. He did Cypress Through Fog in 1923, which is in the permanent collection at the Cleveland Museum of Art.
Travels
In 1924, he painted Spanish Caravelle which is in the permanent collection at the De Young Museum.
In 1907, Burgdorff traveled to Santa Fe, New Mexico, aspiring to specialize as a painter of desert landscapes over the more conventional aspen and adobe themes that were popular at the time. Burgdorff was commissioned by the Santa Fe Railroad company to make an oil painting of San Francisco Peaks in north central Arizona. He also painted near Albuquerque within the Sandia Mountains.
One of his first paintings was Pueblo Indian done in 1908.
In February 1910, The San Francisco Examiner reported Burgdorff's return from his outdoor ventures in the desert and seaside. He prepared to exhibit thirty new paintings from the Arizona's desert to the shores along Monterey Bay. The exhibition was slated for Vickery's gallery in San Francisco, scheduled from March 1 to March 15, 1910. The San Francisco Examiner said: "The canvases show much progress in technique since the picturesque artist first invaded the realism of Bohemia: but he has not abated in his daring color tones or in the broad sweep of his effects."
Katherine C. Prosser, the art critic at the San Francisco Call. Burgdorff's work is growing; with each new output there is an added quality, and he is one of the coming great painters.
"At Sunrise" is among the most beautiful of the lot. Looking across the Rio Grande river, one sees the Manzano Mountains silhouetted against the early morning sky. The rich purple of the hills is brought out with clean cut distinctness against the golden glow which foretells the approach of dawn.
= Two-year global expedition (1911-1913)
=By 1911, Burgdorff returned to his native Cleveland, showcasing an exhibition of his desert-themed paintings. The show was so successful the proceeds financed an extensive two-year global expedition encompassing France, Italy, Egypt, Greece, and the Philippines. Commencing in Paris, he studied under French painter Émile-René Ménard and American painter Florence Esté, followed by his exploration of Italy and three months in Greece. His travels took him through Egypt and onward to Asia, spending six months in the Philippines before journeying through China and Japan on his homeward route. One of his main objectives was to see the ancient desert landscapes of Greece and Egypt.
In November 1913, while in Manila, he faced financial constraints and resorted to taking on the role of a night watchman aboard the United States Army transport ship USAT Thomas to navigate his way back to San Francisco.
In April 1914, Burgdorff made his way back to San Francisco for a showcase at Vickery's, as noted by Michael Williams from The San Francisco Examiner. Greece, Italy, Egypt and California are the lands from which the artist has taken his scenes--These pictures are all new most of them being the product of a recent trip about the world--this present exhibition some of the finest work--and it is very fine at its best--are the pictures of Greece, especially The Temple of Nike.
= Grand Canyon and Hopi Reservation in Arizona (1907-1924)
=Between 1907 and 1924, Burgdorff embarked on numerous painting expeditions to the Grand Canyon and the Hopi Reservation in Arizona. He was the first painter to create copper etchings of the Grand Canyon and was also the first to fly over the canyon by airplane.
In 1924, accompanied by cartoonist Jimmy Swinnerton, he attended the snake dance at the Hopi Villages in Walpi and Oraibi. Subsequently, they resided at Grandview in the Grand Canyon for a duration of three months.
In August 1925, Burgdorff went with painters Ray Strong, Ira Remsen, and Frank Van Sloun for a two-month sketching trip to Grand Canyon, Kayenta and Flagstaff, Arizona. There they met printmaker Ernest Haskell and the landscape painter Jimmy Swinnerton.
= Yosemite (1917-1966)
=Between 1917 and 1934, Burgdorff made several trips to Yosemite National Park. In 1934, he accepted a commission to paint the dioramas backgrounds illustrating six life zones at the Yosemite Museum. Collaborating with the museum's preparator's group in Berkeley, he worked under the guidance of Park Naturalist Ansel Hall.
Between 1932 and 1936, Burgdorff dedicated part of the summer and autumn seasons to painting in the Valley. Additionally, he painted Tioga Pass during winter, capturing the High Sierra peaks set against a blue sky. Other spots he painted were Winter Scene, Tuolumne Meadows (1934).
Burgdorff traveled from his home in Pebble Beach to Yosemite in October 1941. He made several paintings of the area including Yosemite Chapel (1945), Yosemite Falls (1947), Rapids on Merced River (1948), Sentinel Peak (1966), and 'Sentinel Rock (1947).
Carmel Highlands, Mill Valley, Pebble Beach
In 1922, he built his home and studio on Ronda Road in Pebble Beach that was designed by architect Bernard Maybeck. The residence had tall ceilings, a spacious north-facing window, and a stone fireplace. He shared this home with his sister Sophie for the remainder of his days.
Later years (1934-1965)
In 1934, Jo Mora and Burgdorff shared quarters at San Francisco's Canterbury Hotel, dedicating seven months to designing and painting seven lobby panels inspired by themes from Chaucer's The Canterbury Tales.
Death and legacy
Burgdorff remained an actively engaged artist until his death on May 12, 1975, at the age of 94. At the time of his death, Burgdorff was the eldest active artist on the Monterey Peninsula.
See also
Timeline of Carmel-by-the-Sea, California
External links
Ferdinand Burgdorff interviewed by Betty Hoag McGlynn
Carmel Art Association