• Source: Kim Hyesoon

Kim Hyesoon (Korean: 김혜순) is a South Korean poet. She was the first woman poet to receive the Kim Su-yeong Literature Award, Midang Literary Award, Contemporary Poetry Award, and Daesan Literary Awards. She has also received the Griffin Poetry Prize (2019), the Cikada Prize, the Samsung Ho-Am Prize in the Arts (2022), U.K Royal Society of Literature International writer (2022), and National Book Critics Circle Award for Poetry. She is the first foreign poet laureate to win the award.




Life


Kim Hyesoon was born in Uljin County, North Gyeongsang Province. She was raised by her grandmother and had tuberculous pleurisy as a child. She received her Ph.D. in Korean literature from Konkuk University and began her career as a poet in 1979 with the publication of the poem "Dead body Smoking a Cigarette" along with four other of her poems in the literary magazine Literature and Intellect (Munhak-kwa Jiseong). Kim Hyesoon is Poet, essayist, and critic. She is one of the most prominent and influential contemporary poets of South Korea. She has published fourteen poetry books and four books on poetics. Kim is an most important contemporary poet in South Korea, and she lives in Seoul and teaches creative writing at the Seoul Institute of the Arts. Kim was in the forefront of women published in Literature and Intellect.




Work


Kim started to receive critical acclaim in the 1990s. Her own belief is that her work was recognized at that time in no small part because the 1990s in South Korea were noted for a generally strong wave of women poets and women's poetry.
Kim is the recipient of multiple literary prizes including the Kim Su-yeong Literature Award (1996) for her poem "A Poor Love Machine", the Sowol Poetry Prize (2000), and the Midang Literary Award (2006), which are named after three renowned contemporary Korean poets. Kim was the first woman poet to receive the Kim Su-yeong Literature Award, Midang Literary Award, Contemporary Poetry Award, and Daesan Literary Award. More recently she has also received the Lee Hyoung-Gi Literary Award (2019), the Griffin Poetry Prize (2019), the Cikada Prize, the Samsung Ho-Am Prize in the Arts (2022), U.K Royal Society of Literature International writer (2022), and National Book Critics Circle Award for Poetry (2023, she is the first foreign poet laureate who won the award).
Kim Hyesoon was named the T.S. Eliot Memorial Reader at Harvard University Library (2023).
Her poetry collecton Phantompain Wings was named poetry book of the year(2023) by the New York Times and Washington Post, The Poetry Society(U.K), among others.
Her poems have been translated into many languages (Swedish, French, German, Polish, Persian, Japanese, Chinese, Spanish, Danish, etc).
Kim's profile appeared in The New Yorker, and her poems have appeared in The New York Times, Guernica, The Paris Review, The Nation, The Poetry Foundation, The Boston Review, The European Review poetryinternationalweb, and Tricycle.
Kim's poetry collections include: From another star (1981), Father's scarecrow (1985), The Hell of a certain star (1987), Our negative picture (1991), My Upanishad, Seoul (1994), A Poor Love Machine (1997), To the Calendar Factory Manager (2000), A Glass of Red Mirror (2004), Your First (2008), Sorrowtoothpaste Mirrorcream (2011), Blossom, Pig (2016), Autobiography of Death (2016), and Wing Phantom Pain (2019). After Earth Dies, who will Moon Orbit?(2022).
Kim has participated in readings at poetry festivals all over the world.
Kim Hyesoon's poetry was used for Jenny Holzer's exhibit at the Korean National Museum of Modern contemporary Art.
Kim's skill as a writer resides in her facility at combining poetic images with experimental language while simultaneously grounding her work in ‘feminine writing’ drawn from female experiences. Her language is violent and linguistically agile, appropriate for her topics which often center on death and/or injustice. A landmark feminist poet and critic in her native South Korea, Kim Hyesoon's surreal, dagger-sharp poetry has spread from hemisphere to hemisphere in the past ten years, her works translated to Chinese, Swedish, English, French, German, Dutch, Danish and beyond. Kim Hyesoon raises a glass to the reader in the form of a series of riddles, poems conjuring the you inside the me, the night inside the day, the outside inside the inside, the ocean inside the tear. Kim's radical, paradoxical intimacies entail sites of pain as well as wonder, opening onto impossible—which is to say, visionary—vistas. Again and again, in these poems as across her career, Kim unlocks a horizon inside the vanishing point.

The birdlike Kim weaves a pattern of poems, so strangely compelling and curious, and utterly unlike anything I had heard before. —Sasha Dugdale




= Works in English

=
Phantom Pain Wings New Directions Publishing, translated by Don Mee Choi ISBN 978-0811231718
A Drink of Red Mirror Action Books ISBN 978-0900575808
The Autobiography of Death New Directions Publishing, translated by Don Mee Choi ISBN 978-0811227346 (the 2019 Griffin Poetry Prize)
Poor Love Machine Action Books ISBN 978-0-900575-75-4
I'm O.K, I'm Pig Bloodaxe Books ISBN 978-1-78037-102-3
Sorrowtoothpaste Mirrorcream Action Books ISBN 978-0-9898048-1-3
Mommy Must be a Fountain of Feathers Action Books ISBN 0979975514
Anxiety of Words (Collection with other authors) Zephyr Press ISBN 0939010879
All the Garbage of the World, Unite! Action Books ISBN 0983148015
When the Plug Gets Unplugged
Princess Abandoned (essays), (Tinfish, 2012)
Trilingual Renshi Vagabond Press ISBN 978-1-922181-44-2
Added to The &NOW Awards 2: The Best Innovative Writing (&NOW Books, 2013)




= Works in Korean

=
From Another Star, Munhak kwa chisŏng sa, Seoul, 1981
Father's Scarecrow, Munhak kwa chisŏng sa, Seoul, 1985
The Hell of a Certain Star, Ch’ŏngha Seoul, 1988. Reprinted by Munhakdongnae, 1997
Our Negative Picture, Munhak kwa chisŏng sa, Seoul, 1991
My Upanishad, Seoul, Munhak kwa chisŏng sa, Seoul, 1994
A Poor Love Machine, Munhak kwa chisŏng sa, Seoul, 1997
To the Calendar Factory Manager, Munhak kwa chisŏng sa, Seoul, 2000
A Glass of Red Mirror, Munhak kwa chisŏng sa, Seoul, 2004
Your First, Munhak kwa chisŏng sa, Seoul, 2008
Sorrowtoothpaste Mirrorcream, Munhak kwa chisŏng sa, Seoul 2011
Blossom, Pig, Munhak kwa chisŏng sa, Seoul 2016
The Autobiography of Death, Munhaksilheomsil, Seoul 2016
Phantom Pain of wings, Munhak kwa chisŏng sa, Seoul 2019
After Earth Dies, who will Moon Orbit?, Munhak kwa chisŏng sa, Seoul 2022




= Essays

=
To Write as a Woman: Lover, Patient, Poet, and You (Seoul: Munhakdongnae, 2002) - Essay on Poetry
Thus Spoke No (Proems) (Seoul: Munhakdongane, 2016)
Women, Do Poetry (Seoul: Munhak kwa chisŏng sa, 2017)
Do Womananimalasia (Seoul: Munhak kwa chisŏng sa, 2019)
Kim Hyesoon's Words (Seoul: Maumsanchaek, 2023, Interview Book)




= Interview

=
Williams, Ruth (2010). ""Female Poet" as Revolutionary Grotesque: Feminist Transgression in the Poetry of Ch'oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju". Tulsa Studies in Women's Literature. 29 (2): 395–415. doi:10.1353/tsw.2010.a461384. JSTOR 41337285. S2CID 161895782.
https://www.kln.or.kr/frames/interviewsView.do?bbsIdx=387




Awards


Kim Suyeong Literary Award (1997)
Sowol Poetry Award (2000)
Contemporary Poetry Award (2000)
Korea Culture and Arts Foundation 'This Year's' Art Prize (2004)
Midang Literature Award (2006)
Daesan Literature Award (2008)
Lee Hyoung-Gi Literary Award (2019)
Korea Culture & Art Prize (2019)
Griffin Poetry Prize (2019)
Cikada Prize (2021, Sweden)
Ho-Am Prize in the Arts (2022)
U.K. Royal Society of Literature International writer (2022)
National Book Critics Circle Award for Poetry (2023)




See also


List of Korean-language poets
List of Korean female writers




References






External links


[1]
Tarpaulin Sky Press: Kim Hyesoon’s A Drink of Red Mirror
Korean Literature Now: A Note on Kim Hyesoon's Autobiography of Death
Korean Literature Now: A Singularity. Kim Hyesoon
rain taxi: Autobiography of Death
The Poetry Society: Book Review: Midnight Sun
Tarpaulin Sky Press: Kim Hyesoon, A Drink of Red Mirror
The Oprah Magazine: 17 of the Best Poetry Books, as Recommended by Acclaimed Writers for National Poetry Month
Three Percent: The 2019 Best Translated Book Award Longlists
Secret Feminist Agenda: episode 3.23 Pain
Kenyon review: March 2019 Micro Reviews
Rumpus: Painful Celebrations: Five Books for National Poetry Monty
Yellow Rabbits: 63 A Drink of Red Mirror by Kim Hyesoon
A Medium Corporation: The Home inside the Body: Real Chaos Astrology vol.13
International Examiner: Autobiography of Death: Forty-Nine Poems to Guide You to the Afterlife
HTMLGIANT / Kim Hyesoon
Forty-nine days of the spirit: Autobiography of Death by Kim Hyesoon roughghosts.com
"I Refuse to Review": Literary Criticism and Kim Hyesoon's Autobiography of Death Ploughshares at Emerson College
Autobiography of Death by Kim Hyesoon Galatea Resurrects 2018
Autobiography of Death The Arkansas International
Four Poems from Kim Hyesoon's 'Autobiography of Death' Cordite Poetry Review
Review of Kim Hyesoon’s poetry as well as the poetry written by her translator Don Mee Choi.
The Salt Dress inside Me Hong Kong Review of Books
Autobiography of Death Publishers Weekly
Poor Love Machine Publishers Weekly
Souvenirs du Livre des morts tibétain En Attendant Nadeau
The Toxic & the Lyric II: Hearing and Hell; Inversion as Subversion; Everyone, or, the Dead; the Child-Migrant Fanzine
The Politics of Translation, Part 1 Center for the Art of Translation
Poet and Pig[usurped] The Oxonian Review
Poor Love Machine Angel City Review
The Vanishing Point: Writers Speak to Kim Hyesoon’s Poetry in Translation Asian American Writer's Workshop
What's New in Translation? June 2016 Asymptote
Kim Hyesoon's Sorrowtoothpaste Mirrorcream" reviewed by Lisa A. Flowers Tarpaulin Sky Press
Out of Unison: An AfFormation Ephemera Dance Company
Et la vie même se retourne comme un gant, nous dit Kim Hyesoon Mediapart
Unleashing Her Tongue: Poor Love Machine by Kim Hyesoon Korean Literature Now
Kim Hyesoon - Goodness, I didn't Know there were Such Repulsive Holes! Zoran Rosko Vacuum Cleaner
Ch'oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju, Anxiety of Words: Contemporary Poetry by Korean Women, Zephyr Press, 2006 Diagram 15.5
HTMLGIANT / 25 Points: All the Garbage of the World Unite! HTMLGINAT
Meme is a lone tree that got planted in a bed Jacket 2
Contagious Poetry Jacket 2
An Expelled Tongue: Translating Kim Hyesoon Asian American Writer's Workshop
Sorrowtoothpaste Mirrorcream by Kim Hyesoon Project Muse
Poetry or Letter To the Other of My Inside-Outside: Poet Kim Hyesoon Archived 2019-03-06 at the Wayback Machine Korean Literature Now
The Sick World of Kim Hyesoon Hyperallergic
Mommy must be a Fountain of Feathers by Kim Hyesoon, translated by Don Mee Choi Bookslut
A Feminist Ontology of Ooziness: On Kim Hyesoon The Critical Flame
All the Garbage of the World Unite! by Kim Hyesoon The Quarterly Conversation
Eyeful: Kim Hyesoon's Poetics & Poetry Hinging the Spirit's Experience Poetry Foundation
American Art Need More Holes Vice
This is the Ek-Static City: Thoughts on Kim Hyesoon's Poetry and Poetics HTMLGIANT
Interview with Kim Hyesoon in Guernica
Interview with Kim Hyesoon at KTLIT
Holey Holey Holey: Reading Kim Hyesoon Southerly Journal
Sorrowtoothpaste Mirrorcream by Kim Hyesoon The Collagist
The Gurlesque Deformation Zone: Kim Hyesoon, Maria Margarete Österholm Montevidayo
Boo Review: All the Garbage of the World, Unite! Alchemy: Journal of Translation
Toward a Sensationalistic Theory of Translation The Volta
Three books by Kim Hyesoon, Translated by Don Mee Choi Galatea Resurrects #20
Poetry round-up: From letters of war to questions of faith and sex Independent
Even after winning acclaim, poet still struggles with gender, label Yonhap News
Sorrowtoothpast Mirrocream Today's Book of Poetry by Michael Dennis
Review: I'm Ok, I'm Pig! by Kim Hyesoon Poetry Wales
Kim Hyesoon: Som poet lever jag alltid i sorg SVT Nyeheter
Kim Hyesoon: The Female Grotesque Guernica
Interview with Poet Kim Hyesoon Korean Literature in Translation
Mommy Must Be a Fountain of Feathers Archived 2012-02-16 at the Wayback Machine Constant Critic
Puke Silk: Rihanna and Kim Hyesoon Montevidayo

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