- Source: Kodavatiganti Kutumbarao
Kodavatiganti Kutumba Rao (28 October 1909 – 17 August 1980), also known as Ko Ku, was an exponent of the Telugu literature in the 20th century. He believed that literature which criticises and enriches human life and ultimately reforms the human thought of its time is the only relevant form of literature.
Life
Kodavatiganti Kutumbarao was born in to a middle-class family in Tenali, Guntur district. His schooling until 1925 was in Tenali. He lost his father in 1914 and his mother in 1920, and grew up with his uncle. He was very familiar with village life.
His elder brother Venkatasubbiah (out of touch since 1921) was a poet-writer and he was introduced to the literary community early through him. He was introduced to western literature too during this time. His early experiments, at the age of thirteen, included an unfinished thriller and poetry, which he would soon abandon. He married eleven-year-old Padmavati in 1924, before he graduated from high school.
After Intermediate education (1925 to 1927) at A C college, Guntur, he studied for Bachelors Physics at Vijayanagaram Maharajah college. He started his serious attempts in writing during this time. Towards the end of his undergraduate education, he also became an atheist. He went to the Benaras Hindu University for his Masters in Physics. During this time, he published his first works: an essay called Cinema (1930) in the oriental weekly and Pranadhikam (1931), which won him the first prize in Gruhalakshmi. His masters was cut short in the second year due to the economic depression.
Later, he worked in several places from Shimla to Bombay to Madras, in such positions as a clerk, teacher, factory foreman and a film writer (including music direction for a film), before settling down in the field of journalism. After a stint in some papers, a few of which he founded himself, he was with Chandamama, a popular children's magazine, as its editor in 1952 until he died in 1980.
The era when he was born and grown was the time when there were reforms in Telugu society and also in India. His elder brother Kodavatiganti Venkatasubbaya was also a great essayist, and was also a member of 'Sahiti Samiti' because of which he was familiar with literature.
Works
= Novels
=Varasatvam
Chaduvu
Aishwaryam
Endamavulu
Arunodayam
Jeevitam
Gaddu Rojulu
Anubhavam
Savati Talli
Panchakalyani
Anamika
Aadajanma
Neekem kavali
Preminchina Manishi
Kuroopi
Bedirina Manushulu
Bratuku Bhayam
Bakasura
Sahasam
Graha Shakalm
Chaduvu
Kulam Leni Manishi
Saritadevi Diary
Saroja Diary
Kotta Alludu
Kotta Kodalu
Maaru Perlu
Taara
Timingalam Veta
Maarina Jeevitam
= Short stories
=Ampakalu
Kotta Paddhatulu
Peeda Katha
Niridyogam
Adde kompa
Daivaadinapu Jeevitam
Kalisi Ravali
Attadugu
Sadyogam
Nuvvulu – Telakapindi
Ashta Kashtaalu
Udyogam
Nirudyogam
Manamu memu
Manushulaku Gala Swechchha
Shavukaru Subbaiah
Paiki vacchi
Sheela Parisheelana
Parishodhana Buddhi
Bahukudu
Panakam Lo Peechu
Kotta Jeevitam
Sri Krishna Parabrhmanenamaha
Paapa Phalam
Pudigundalu
Piriki Dayyam
Sadyogam
Out
Cinema Sarada
"Aada Bratuke Madhuram"
Tallileni pilla
Adde Kompa
Nijamaina Apachaaram
Mitra Droham
'Nee Kaalu Mokkutaa! Nee Baanchanni!
Chedina Pelli
Peddavaadi Praapakam
= Nonfiction
=Cinema vyasaalu (Essays on Cinema)
Science vyasaalu (Essays Science)
Charitra vyasaalu (Essays on history)
Samskruti vyasaalu (Cultural essays)
Tatvika vyasaalu (Philosophical essays)
Samajika vyasaalu (Social essays)
Philosophy
Kodavatiganti Kutumbarao believed in the power of scientific method and materialism in solving the problems of humanity. The essence of his thought may be seen in a short story published in 1942 with the title, 'God and Satan'.
Quotes
The 'attempts' to save people from literature, literature from politics and politics from people amuse me much
It is foolish to say that only the politicians, but not the artists, have the right to express themselves clear opinions on dictators, unemployment, lock-outs, wars, etc. Exploitation-mongers encourage such stupidity
That which cannot reveal the secrets of nature is no science; that which cannot alleviate the drudgery of life is no 'invention'; that which cannot illuminate every nook and corner of life is no literature
We need to create our literature for our own times ... Fixation to the literary standards of the bygone ages is nothing but deceit
References
External links
Official site of Kodavatiganti.
English translations of a few Ko.Ku stories