• Source: Kopernikus (Vivier)
  • Kopernikus (sub. Rituel de mort; translated as Ritual of Death) is a 1979 opera in two acts by Canadian composer Claude Vivier, inspired by the astronomer of the same name. It is the only opera of three that Vivier completed prior to his death in 1983. A typical performance lasts around seventy minutes.


    History


    The opera was completed on 14 May 1979, and first premiered only in its musical form on 8 May 1980 at the Théâtre du Monument National in Montréal, under the conductor Lorraine Vaillancourt. Vivier dedicated the piece to his "maître and friend" Gilles Tremblay, whom he had studied composition with for four years.


    Composition




    = Analysis

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    The libretto of Kopernikus, written entirely by Vivier, is composed of sections in German, French, and Vivier's langue inventées — an example of his preoccupation with linguistics and musical multilingualism.


    = Program notes

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    The notes given by Vivier in the finished manuscript, with English translation below:

    Le personnage central est Agni; autour d’elle gravitent des êtres mythiques (représentés par les six autres chanteurs) tirés de l'histoire: Lewis Carroll, Merlin, une sorcière, la Reine de la nuit, un aveugle prophète, un vieux moine, Tristan et Isolde, Mozart, le Maître des eaux, Copernic et sa mère. Ces personnages sont peut-être les rêves d'Agni qui l'accompagnent dans son initiation et finalement dans sa dématérialisation.The main character is Agni; mystical beings borrowed from stories (represented by the other six singers) gravitate around her: Lewis Carroll, Merlin, a witch, the Queen of the Night, a blind prophet, an old monk, Tristan and Isolde, Mozart, the Master of the Waters, Copernicus and his mother. These characters could be Agni's dreams that follow her during her initiation and finally into her dematerialization.


    = Instrumentation

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    The opera is in a smaller scale compared to other classical operas. It is scored for seven vocalists who double as percussionists (similar to the chamber compositions of George Crumb), and pre-recorded tape.


    Synopsis and structure




    References




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