• Source: List of works by Sam Gilliam

American artist Sam Gilliam (November 30, 1933 – June 25, 2022) produced thousands of paintings, sculptures, prints, and works of art in various mediums throughout his career. Below are chronological, though incomplete, lists of works by Gilliam.
Gilliam's artistic practice encompassed and often blurred the lines between painting, sculpture, printmaking, and installation art. Many of Gilliam's key artistic achievements and styles are premised on combining elements of painting and sculpture in particular, including his Drape paintings on canvas that are often installed like free-hanging fabric sculptures, his Slice paintings on canvas displayed on sculptured stretcher bars that extend the paintings several inches off the wall, and his extensive series of painted wood and metal constructions. As such, it can be difficult to neatly categorize works by Gilliam into these distinct branches of visual art; these lists do not attempt to divide Gilliam's practice between sculpture and painting, instead sorting painted and sculptural works into categories according to the base material of the work (e.g., painted canvas, painted metal, etc.), along with the installation method (e.g., stretched, mounted, etc.). Works primarily created with printmaking techniques are listed separately. Non-extant works or works presumed to be destroyed - including several of Gilliam's site-responsive Drape installations - are also listed in a separate section at the end of these lists. Maquettes are listed directly below the work they were modeled for, regardless of medium.
Descriptions of mediums and work dimensions are primarily sourced from the print or digital museum and gallery catalogues of Gilliam's exhibitions and public collection databases of museums and galleries that own his works. When discrepancies exist between a collection's description of an individual work's materials or size and a published catalogue's description of the materials or size, this article defers to the collection's description. Public collections are listed where known; works in unknown or private collections are listed without collections and may be owned by the artist's estate.




Painting and painted sculpture






= Unstretched and unmounted painted canvas

=
Includes unstretched painted canvas and canvas alternatives (e.g., nylon, fabric, etc.), and unstretched canvas installed with physical objects, including sawhorses, metal beams, and stones.



1960s

Bow Form Construction (1968); Acrylic and enamel on draped canvas; Overall: 119 7/16 × 332 5/16 in (303.4 × 844.1 cm) [irreg.]; Whitney Museum, New York
Carousel State (1968); Acrylic and aluminum powder on canvas; Overall: 119.13 × 846.22 in (302.6 × 2149.4 cm), 157 × 264 in (398.8 × 670.6 cm) [irreg.]; Metropolitan Museum of Art, New York
Double Merge (Carousel I and Carousel II) (1968); Acrylic on canvas; Left panel: 122 × 800 1/2 in (309.9 × 2033.3 cm), right panel: 118 5/8 × 862 1/2 in (301.3 × 2190.8 cm); Museum of Fine Arts, Houston, and Dia Art Foundation, New York (jointly owned)
Niagara (1968); Acrylic on canvas; 120 × 528 in (304.8 × 1341.1 cm)
Relative (1968); Acrylic on canvas; Overall: 120 × 528 in (304.8 × 1341.1 cm), installed: 120 × 162 in (304.8 × 411.48 cm) [irreg.]; National Gallery of Art, Washington, D.C.
Swing Sketch (1968); Acrylic on canvas with leather cord; 73 3/4 × 89 3/4 × 9 in (187.3 × 228 × 22.9 cm), dimensions vary with installation
10/27/69 (1969); Acrylic on canvas; 140 × 185 × 16 in (355.6 × 469.9 × 40.6 cm); Museum of Modern Art, New York
Carousel Form II (1969); Acrylic on canvas; 120 × 900 in (303.8 × 720.1 cm); Speed Art Museum, Louisville, Kentucky
Combustion (1969); Acrylic on canvas; 133 1/2 × 151 1/4 × 15 in (339.1 × 384.2 × 38.1 cm), dimensions vary with installation
Cut (1969); Acrylic on raw canvas with rawhide; 68 × 97.5 × 6 in (172.7 × 247.7 × 15.2 cm)
Dakar I (1969); Acrylic on canvas; 113 × 59 × 14 in (287 × 149.9 × 35.6 cm); Philadelphia Museum of Art
Genghis (1969); Acrylic on raw canvas, rawhide, acrylic on wood ball; 62 × 120 × 9 in (157.5 × 304.8 × 22.9 cm)
Light Depth (1969); Acrylic on canvas; 120 × 900 in (304.8 × 2286 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Swing (1969); Acrylic and aluminum on canvas; 119 5/8 × 283 1/2 in (303.8 × 720.1 cm); Smithsonian American Art Museum, Washington, D.C.



1970s

Arc II (1970); Acrylic on unstretched canvas; 47 × 90 in (119.4 × 228.6 cm); Museum of Fine Arts, Houston
Balance (1970); Acrylic on canvas with cowhide strips; 69 × 72 × 12 in (175.3 × 182.9 × 30.5 cm); Museum of Fine Arts, Boston
Basque 1 Range (1970); Acrylic and aluminum on canvas; 67 × 118 in (170.2 × 299.7 cm); Pérez Art Museum Miami
Carousel (1970); Acrylic on unstretched canvas; 118 × 805 in (199.72 × 2044.7 cm); Madison Museum of Contemporary Art, Madison, Wisconsin
Carousel Change (1970); Acrylic on canvas and leather; Installed: 140.1 × 283.4 in (356 × 720 cm); Tate, London
Change (1970); Acrylic on canvas; 75.98 × 118.11 in (193 × 300 cm); Mumok, Vienna, Austria
Cloud Kilimanjaro (1970); Acrylic on canvas; 65 × 65 × 16 in (165.1 × 165.1 × 40.6 cm); High Museum of Art, Atlanta
Dakar (1970); Acrylic on canvas; 109 × 98 in (276.86 × 248.92 cm) [full canvas]
Drape (1970); Acrylic on canvas; 90 × 68 × 14 in (228.6 × 172.72 × 35.56 cm)
Drape Work (formerly Untitled) (1970); Acrylic on canvas; 108 × 108 in; Ogden Museum of Southern Art, New Orleans
Half Circle, Green (1970); Acrylic on canvas; 30 × 66 × 7 1/2 in (76.2 × 167.64 × 19 cm)
Idylls (1970); Acrylic, metallic paint, traces of crayon, and rawhide on canvas; 76 × 61 in (193 × 154.9 cm)
Leaf (1970); Acrylic on canvas; 121 3/4 × 186 × 12 1/2 in (309.25 × 472.44 × 31.75 cm); Dallas Museum of Art
Mazda (1970); Acrylic on canvas; Installed: 135 × 90 in (342.9 × 228.6 cm); Crystal Bridges Museum of American Art, Bentonville, Arkansas
One (1970); Acrylic on unstretched canvas; Installed: 92 × 67 in (233.7 × 170.2 cm), unfolded: 116 1/4 × 67 1/4 in (295.3 × 170.8 cm); Mary and Leigh Block Museum of Art, Evanston, Illinois
One On (1970); Acrylic on canvas; 123 × 93 × 13 in (312.4 × 236.2 × 33 cm), dimensions vary with installation
Quadrille (1970); Acrylic on cutout canvas with leather tongs; 86 × 86 in (218.44 × 218.44 cm)
Red Register (1970); Acrylic on canvas; 89 × 37 × 6 in (226.1 × 94 × 15.3 cm)
Rio (1970); Acrylic on canvas; Dimensions variable; Honolulu Museum of Art
Rite (1970); Acrylic on canvas; 100 × 74 × 20 in (254 × 188 × 50.8 cm), dimensions vary with installation
Simmering (1970); Acrylic on canvas and leather string; 85 × 53.27 in (215.9 × 135.3 cm); Tate, London
Street (1970); Acrylic on canvas; 104 × 73 × 16 in (264.2 × 185.4 × 40.6 cm); San Francisco Museum of Modern Art
Three Point (1970); Acrylic on canvas; 296 × 118 in (751.8 × 299.7 cm); Dayton Art Institute, Dayton, Ohio
Untitled (1970); Acrylic on canvas; 125 1/2 × 123 1/2 × 14 in (318.8 × 313.7 × 35.6 cm), dimensions vary with installation
Arch (1971); Acrylic with fabric dyes on canvas; When flat: 108 × 108 in (274.3 × 274.3 cm); Cincinnati Art Museum
Carousel Merge (1971); Acrylic on canvas; Installed: 120 × 900 in (304.8 × 2286 cm); Walker Art Center, Minneapolis
Carousel Merge 2 (1971); Acrylic on canvas; 186 × 102 in (472.44 × 259.08 cm); Milwaukee Art Museum
Little Dude (1971); Acrylic on draped canvas; Flat: 66 × 66 in (167.6 × 167.6 cm), Installed: 57 × 55 in (144.5 × 139.7 cm) [variable]
Maya (1971); Acrylic on canvas; 92 × 50 × 9 in (233.68 × 127 × 22.86 cm)
Rondo (1971); Acrylic on canvas with oak beams; 103 × 144 × 78 in (261.6 × 365.8 × 198.1); Kunstmuseum Basel, Switzerland
Whisk (1971); 96 × 36 × 10 in (243.8 × 91.4 × 25.4 cm), dimensions vary with installation
Situation VI - Pisces 4 (c 1972); Synthetic polymer paint on polypropylene fabric; Unfolded: 185 3/4 × 496 1/4 in (471.8 × 1260.5 cm); Williams College Museum of Art, Williamstown, Massachusetts
Flipping (1972); Acrylic on canvas; 80 × 66 × 6 in (203.2 × 167.64 × 15.24 cm)
Idle Twist (1972); Acrylic on canvas; Flat: 67 × 65 in (170.18 × 165.1 cm), installed: 48 × 60 × 12 in (121.92 × 152.4 × 30.48 cm), dimensions variable
Ruby Light (1972); Acrylic on canvas; 80 × 57 × 12 in (203.2 × 144.7 × 30.7 cm) [approx.], dimensions vary with installation; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Wall Circle I (1972); Acrylic on draped and folded canvas; 108 × 46 in (274.3 × 116.8 cm); Asheville Art Museum, Asheville, North Carolina
"A" and the Carpenter I (1973); Acrylic and canvas draped over wooden sawhorses; Installed: 96 × 132 in (243.84 × 335.28 cm) [floor], dimensions vary with installation; Art Institute of Chicago
Crystal (1973); 92 3/4 × 29 3/4 × 7 1/2 in (235.6 × 75.6 × 19.1 cm), dimensions vary with installation
Fan Craze (1973); Acrylic on canvas; 61 × 58 5/8 × 9 1/2 in (154.9 × 148.9 × 24.1 cm), dimensions vary with installation
Gram (1973); Acrylic on canvas; Diameter: 60 in (152.4 cm), depth: 1/16 in (0.2 cm); Detroit Institute of Arts
Length Fanned (1973); Acrylic on canvas; 76 × 72 × 13 in (193 × 182.88 × 33.02 cm)
Red Cowl (1973); Acrylic on draped canvas; Flat: 103 3/4 × 43 in (263.5 × 109.2 cm), Installed: 96 × 43 in (243.8 × 109.2 cm) [variable]
Softly Still (1973); Acrylic, latex and dyes on polypropylene, ponderosa pine sawhorse; Painting: 182 × 119 in (462.3 × 302.3 cm), sawhorse: 30 1/4 × 36 × 13 in (76.8 × 91.4 × 33 cm); Allen Memorial Art Museum, Oberlin, Ohio
Stand (1973); Mixed media on canvas; 85 1/2 × 118 1/4 in (217.2 × 300 cm)
U.S.A. (1973); Acrylic on canvas; 86 1/2 × 30 × 10 in (219.7 × 76.2 × 25.4 cm), dimensions vary with installation
Wall Circle III (1973); Acrylic on canvas with sewn felt and woven fabric swatches; Flat: 113 × 43 1/2 in (287.02 × 110.49 cm), installed: 83 × 24 1/2 × 8 in (210.82 × 62.23 × 20.32 cm), dimensions variable
Whole Lot of Shaking (1973); Acrylic on canvas; 59 4/5 × 63 1/10 in (152 × 160.5 cm); Museum Boijmans Van Beuningen, Rotterdam
Half Circle Red (1975); Acrylic on canvas; 78 × 33 × 6 in (198.1 × 83.8 × 15.2 cm); Saint Louis Art Museum
Art Ramp Angle Brown (1978); Acrylic and oil enamel on canvas and nylon; 35 7/8 × 242 1/2 in (91.0 × 616.0 cm); Smithsonian American Art Museum, Washington, D.C.
Eiler Blues (1978); Oil on stitched and unstretched awning canvas with grommets and objects; Installed: 300 × 84 × 192 in (118 × 33 × 75.5 cm) [approx.]; Madison Museum of Contemporary Art, Madison, Wisconsin
Untitled (1978); Acrylic on polypropylene canvas; 3 × 11 1/2 × 11 1/2 in (7.6 × 29.2 × 29.2 cm); Allen Memorial Art Museum, Oberlin, Ohio
Triple Variants (1979); Acrylic and oil with aluminum powder on canvas, aluminum beam, stones; Dimensions vary with installation; Richard B. Russell Federal Building, Atlanta (collection of General Services Administration)
Maquette: Campus Center View (1967-1977); Painted fiber and paper, wood, stone, fabric, and plastic assembled on wood base in plexiglass case; 18 7/8 × 38 1/8 × 29 1/8 in (47.9 × 96.7 × 74.0 cm); Smithsonian American Art Museum, Washington, D.C.



1980s




1990s

Chinese (1990); Acrylic on shaped canvas; Dimensions variable; Washington and Lee University Museums, Lexington, Virginia
All Cats Are Grey at Night (1996); Acrylic on canvas; 65 × 44 × 8 in (165.1 × 111.76 × 20.32 cm), dimensions variable
Norfolk Keels (1998); Acrylic on canvas; Section A: 312 × 164 in (792.5 × 416.6 cm), section B: 301 × 115 in (764.5 × 292.1 cm), section C: 463 × 101 in (1176 × 256.5 cm), section D: 322 × 164 in (817.9 × 416.6 cm), section E: 336 × 82 in (853.4 × 208.3 cm), section F: 412 × 98 in (1046.5 × 248.9 cm); Chrysler Museum of Art, Norfolk, Virginia
Beyond the Blue Door (1999); Acrylic on nylon; El Paso Art Museum, El Paso, Texas



2000s

Chair Key (2002); Acrylic on cotton duck; 240 × 60 in (609.6 × 152.4 cm); Philander Smith College, Little Rock, Arkansas
The Illustrious Kites Made in Boxing Styles (2004); Acrylic on flag bunting; 600 × 180 in (1524 × 457.2 cm); Mint Museum, Charlotte, North Carolina
Rotunda Unwound (2005); Acrylic on IFR muslin; 108 × 44 × 36 in (274.32 × 111.76 × 91.44 cm); Currier Museum of Art, Manchester, New Hampshire
Mali (2006); Acrylic polyester muslin; Dimensions variable; Embassy of the United States, Bamako (Collection of United States Department of State)
Alber's Chains (2008); Acrylic on nylon; Part 1: 242 × 94 1/4 in (614.68 × 239.4 cm), part 2: 94 1/4 × 47 3/4 in (239.4 × 121.29 cm), part 3: 94 1/4 × 242 in (239.4 × 614.68 cm); University of Michigan Museum of Art, Ann Arbor, Michigan
Dance Me, Dance You 2, #1-3 (2009); Acrylic on polyester; Installed: 52 × 42 × 35 in (132.1 × 106.7 × 88.9 cm) [three parts]; Museum of Contemporary Art San Diego



2010s

Tempo Series: #1 (2009/2010); Acrylic on canvas; 70 × 38 × 11 in (177.8 × 96.5 × 27.9 cm) [approx.]
Tempo Series: #2 (2009/2010); Acrylic on canvas; 72 × 36 × 11.5 in (182.8 × 91.44 × 29.2 cm) [approx.]
Tempo Series: #3 (2009/2010); Acrylic on canvas; 67 × 32 × 13 in (170.1 × 81.28 × 33 cm) [approx.]
Tempo Series: #4 (2009/2010); Acrylic on canvas; 60 × 36 × 10 in (152.4 × 91.44 × 24.4 cm) [approx.]
Tinkerbell's Bookcase (2010/2011); Acrylic on canvas; 72 × 46 × 10 in (182.8 × 116.8 × 25.4 cm)
Linger (2011); Acrylic on canvas; 54 × 60 × 8.5 in (137.1 × 152.4 × 21.6 cm)
Untitled (2011); Acrylic on polypropylene; 121 × 71 1/4 × 66 1/2 in (307.3 × 181 × 168.9 cm), dimensions vary with installation
Untitled (2011); Acrylic on polypropylene; 178 × 51 × 47.5 in (452.1 × 129.5 × 120.7 cm), dimensions vary with installation
Sac I (2012); Acrylic on nylon; 42 × 39 × 13 in (106.68 × 99 × 33 cm)
Sac II (2012); Acrylic on nylon; 22 × 22 × 9 in (55.88 × 55.88 × 22.86 cm)
Untitled (2018); Acrylic on Cerex nylon; 286 1/2 × 118 in (727.7 × 299.7 cm); Memorial Art Gallery, Rochester, New York
Untitled (2018); Acrylic on Cerex nylon; 304 × 114 1/2 in (772.2 × 290.8 cm); Memorial Art Gallery, Rochester, New York
Untitled (2018); Acrylic on Cerex nylon; 118 1/2 × 33 × 21 in (301 × 83.8 × 53.5 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 146 × 124 × 110 in (370.8 × 315 × 279.4 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 119 × 33 × 15 in (302.3 × 83.8 × 38.1 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 52 × 32 × 32 in (386.1 × 81.3 × 813 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 131 × 75 × 37 in (332.7 × 190.5 × 94 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 135 × 26 × 26 in (342.9 × 66 × 66 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 111 × 39 × 16 in (281.9 × 99.1 × 40.6 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 132 × 50 × 29 in (335.3 × 127 × 73.7 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 156 × 26 × 26 in (396.2 × 66 × 66 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 134 × 28 × 28 in (340.4 × 71.1 × 71.1 cm), dimensions vary with installation
Untitled (2018); Acrylic on Cerex nylon; 159 × 29 × 29 in (403.9 × 73.7 × 73.7 cm), dimensions vary with installation



2020s

"A" and the Carpenter II (2022); Acrylic on polypropylene, wood, and leather string; Overall: 48 × 132 × 192 in (121.9 × 335.3 × 487.7 cm), sawhorse: 48 × 28 1/2 × 55 in (121.9 × 72.4 × 139.7 cm), dimensions vary with installation




= Mounted or stretched painted canvas

=
Includes paintings on canvas with individual mixed media elements, including metal, fabric, and collage.



1960s

Figure in Still-life Group (self-portrait) (1961); Oil on masonite; 22 1/8 × 27 7/8 in (56.2 × 70.8 cm); University of Louisville Art Collection; Louisville, Kentucky
First Season (1962); Oil on cotton canvas; 38 × 28 in (96.52 × 71.12 cm)
Diamas #9 (1964); Acrylic on canvas; 80.25 × 80.50 in (203.84 × 204.47 cm)
Swing 64 (1964); Acrylic on canvas; 35 3/4 × 36 1/8 in (90.8 × 91.76 cm)
Blue Let (1965); Acrylic on canvas; 71 3/8 × 47 1/8 × 3/4 in (181.3 × 119.7 × 1.9 cm)
Coronet (1965); Acrylic on canvas; 70 11/16 × 48 15/16 × 1 1/2 in (179.5 × 124.3 × 3.8 cm)
Dual Rod (1965); Acrylic on canvas; 47 7/8 × 47 9/16 × 1 1/2 in (121.6 × 120.8 × 3.8 cm)
Helles (1965); Acrylic on canvas; 71 3/4 × 71 5/16 × 1 1/2 in (182.2 × 181.1 × 3.8 cm)
Herald (1965); Acrylic on canvas; 72 × 72 in (182.9 × 182.9 cm)
Khufu (1965); Acrylic on canvas; 72 × 72 in (182.9 × 182.9 cm); Oklahoma City Museum of Art
Koa (1965); Acrylic on canvas; 24 × 24 in (60.96 × 60.96 cm); Phillips Collection, Washington, D.C.
Long Green (1965); Acrylic on canvas; 72 1/4 × 24 × 7/8 in (183.5 × 61 × 2.2 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.
Muse I (1965); Acrylic on canvas; 36 1/8 × 36 1/16 × 7/8 in (91.7 × 91.6 × 2.2 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.
Nok (1965); Acrylic on canvas; 70 5/8 × 83 1/8 × 1 1/2 in (179.4 × 211.1 × 3.8 cm)
Shoot Six (1965); Acrylic on canvas; 56 × 56 in (142.24 × 142.24 cm); National Gallery of Art, Washington, D.C.
Stems (1965); Acrylic on canvas; 69 × 50 × 1 1/2 in (175.3 × 127 × 3.8 cm)
Raw Meat (1965); Acrylic on canvas; 55.50 × 53.25 in (140.97 × 135.26 cm)
Tempo (1965); Acrylic on canvas; 56 × 56 in (142.24 × 142.24 cm)
Theme of Five I (1965); Acrylic on canvas; 70 × 83 × 1 1/2 in (177.8 × 210.8 × 3.8 cm)
Least Rivers (1966); Acrylic on canvas; 42.13 × 43.88 in (107 × 111.44 cm)
Light Fan (1966); Acrylic on canvas; 36 1/4 × 36 in (92.1 × 91.4 cm); Smithsonian American Art Museum, Washington, D.C.
Medley (1966); Acrylic on canvas; 81 × 80 in (205.7 × 203.2 cm); Baltimore Museum of Art
Saturday (1966); Acrylic wash on cotton duck canvas; 94 1/4 × 12 1/2 in (239.4 × 31.8 cm); Tacoma Art Museum, Tacoma, Washington
Sky Chord (1966); Acrylic on canvas; 86 1/4 × 86 in (219.1 × 218.4 cm); Oklahoma City Museum of Art
They Sail (1966); Acrylic on canvas; 56 × 24 in (142.24 × 60.96 cm); Phillips Collection, Washington, D.C.
Tumble II (1966); Acrylic on canvas; 78 1/2 × 78 5/8 in (199.39 × 199.71 cm)
Blue and Red (And Again) (1967); Acrylic on canvas; 90 × 40 in (228.6 × 101.6 cm); Rollins Museum of Art, Winter Park, Florida
Bounce (1967); Acrylic on canvas; 92 1/4 × 40 1/4 in (234.3 × 102.2 cm); Fralin Museum of Art, Charlottesville, Virginia
Breeze 1967 (1967); Acrylic on canvas; 111 × 90 3/16 in (282 × 229 cm); Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey
Clear (1967); Acrylic on canvas; 48 × 92 in (121.92 × 233.68 cm)
Cluster (1967); Acrylic, dye pigments, and bronze and aluminum powder on canvas; 86 × 22 1/2 × 2 in (218.4 × 57.1 × 5.1 cm)
Green Web (1967); Acrylic on canvas; 90 1/2 × 39 3/4 in (230.0 × 101.0 cm); Smithsonian American Art Museum, Washington, D.C.
Member (1967); Acrylic, due pigments, and aluminum powder on canvas; 90 × 43 3/4 × 1 in (228.6 × 111.1 × 5.1 cm)
Red Petals (1967); Acrylic on canvas; 88 × 93 in (223.52 × 236.22 cm); Phillips Collection, Washington, D.C.
Scope (1967); Acrylic on canvas; 89 3/8 × 48 1/4 × 2 1/2 in (227 × 122.6 × 6.4 cm)
Slide (1967); Acrylic on canvas; 94 × 88 in (238.76 × 223.52 cm)
Thrust (1967); Acrylic on canvas with beveled edge; 83 × 44 in (210.8 × 111.8 cm)
Vertical (1967); Oil on canvas; 43 3/4 × 23 3/4 in (111.1 × 60.3 cm); Herbert F. Johnson Museum of Art, Ithaca, New York
With Blue (1967); Aluminum with acrylic medium on canvas; 104 1/2 × 40 in (265.43 × 101.60 cm); George Washington University Art Collection, Washington, D.C.
Alphabet I, II, and III (1968); Acrylic on canvas; 70 × 90 in (177.8 × 228.6 cm); Fralin Museum of Art, Charlottesville, Virginia
April 4 (Part III) (1968); Acrylic on canvas; 114 × 21 × 4 in (289.6 × 53.3 × 10.2 cm); Studio Museum in Harlem, New York
Born Again (Homage) (1968); Magna and acrylic on canvas with aluminum powder; 119 × 176 in (302.26 × 447.04 cm); Virginia Museum of Fine Arts, Richmond, Virginia
In Seconds (1968); Acrylic on canvas; 107 × 131 in (271.78 × 332.74 cm)
Restore (1968); Magna and acrylic on canvas with aluminum powder; 108 3/4 × 152 3/4 in (276.2 × 388 cm); Speed Art Museum, Louisville, Kentucky
Rose Rising (1968); Acrylic on canvas; 97 × 132 × 3 7/8 in (246.4 × 335.3 × 9.8 cm)
Rouge (1968); Acrylic on canvas; 65 × 52 1/4 × 1 7/8 in (165.1 × 132.7 × 4.8 cm)
Snakebite (1968); Acrylic on canvas; 114 × 43 × 2 1/4 in (289.6 × 109.2 × 5.7 cm)
Through Expanses (1968); Acrylic on canvas; 111 × 87.4 in (282 × 222 cm); Kunstmuseum Basel, Switzerland
Along (1969); Acrylic on canvas; 111 × 144 × 2 in (281.9 × 365.8 × 5.1 cm); National Gallery of Canada, Ottawa
Alphabet II (1969); Acrylic on canvas; 78 × 51 × 2 in (198.1 × 129.5 × 5.1 cm); Howard University Gallery of Art, Washington, D.C.
April 4 (1969); Acrylic on canvas; 110 × 179 3/4 in (279.4 × 456.6 cm); Smithsonian American Art Museum, Washington, D.C.
Atmosphere I (1969); Acrylic on canvas; 105 3/4 × 195 3/4 × 3 7/8 in (268.6 × 497.2 × 9.8 cm)
Cape (1969); Acrylic on canvas; 110 × 110 in (558.8 × 558.8 cm); Kreeger Museum, Washington, D.C.
Dark Felled (1969); Acrylic on canvas; Sidwell Friends School, Washington, D.C.
Green April (1969); Acrylic on canvas; 98 × 271 × 3 7/8 in (248.9 × 688.5 × 9.85 cm); Kunstmuseum Basel, Switzerland
Minor Grids (1969); Acrylic on canvas; 70 × 30 in (177.80 × 76.20 cm); George Washington University Art Collection, Washington, D.C.
Misty (1969); Acrylic and dye pigments on canvas with beveled edge; 53 1/4 × 66 1/2 in (135.3 × 168.9 cm)
Out (1969); Acrylic on canvas; 113 1/2 × 152 1/2 × 2 in (288.3 × 387.4 × 5.1 cm)
Parallel (1969); Oil stained shaped canvas; 54 1/4 × 30 1/4 × 2 in (137.8 × 76.8 × 5.1 cm); Allen Memorial Art Museum, Oberlin, Ohio
Pink Flutter (1969); Acrylic on canvas; 107 × 86 in (271.8 × 218.44 cm); Chazen Museum of Art, Madison, Wisconsin
Red Glide (1969); Acrylic on canvas; 125 × 245 in (317.5 × 622.3 cm)
Red Stanza (1969); Acrylic on canvas; 54 3/4 × 118 3/8 × 1 7/8 in (139.1 × 300.7 × 4.8 cm)



1970s

Back (1970); Acrylic on canvas; 103 × 144 × 3 7/8 in (261.6 × 365.8 × 9.8 cm)
Cape III (1970); Acrylic on canvas; Columbia Museum of Art, Columbia, South Carolina
Change (1970); Acrylic on canvas; 112 1/8 × 112 1/8 × 1 7/8 in (284.8 × 284.8 × 4.8 cm); Louisiana Museum of Modern Art, Humlebæk, Denmark
Elephanta (1970); Acrylic on canvas; 54 5/16 × 113 × 1 7/8 in (138 × 287 × 4.7 cm); Princeton University Art Museum, Princeton, New Jersey
Exist (1970); Acrylic on canvas; 51 × 79 × 2 in (129.5 × 200.7 × 5.1 cm)
Light Red Clay (1970); Acrylic on canvas; 45.1 × 50 × 2.2 in (114.6 × 127.0 × 5.7 cm)
Ray II (1970); Acrylic on canvas; 49 × 107 3/8 × 2 in (124.5 × 272.7 × 5.1 cm)
Ray VII (1970); Acrylic on canvas; 51 1/4 × 108 × 3 in (130.2 × 274.3 × 7.6 cm)
Red April (1970); Acrylic on canvas; 116 1/2 × 161 × 3 in (295.91 × 408.94 × 7.62 cm); University of Iowa Stanley Museum of Art, Iowa City, Iowa
Temple Fire (1970); Acrylic on canvas with beveled edge; 50 × 110 in (127 × 279.4 cm)
Untitled (1970); Acrylic on canvas with beveled edge; 55 × 110 in (139.7 × 279.4 cm)
Whirlirama (1970); Acrylic on canvas; 111 1/4 × 115 in (282.6 × 293.4 cm); Metropolitan Museum of Art, New York
Inlana (1969–1971); Oil and acrylic on canvas; 45 × 70 × 2 in (114.3 × 177.8 × 5.1 cm); Telfair Museums, Savannah, Georgia
April (1971); Acrylic on canvas; 60 × 60 × 2 1/2 in (152.4 × 152.4 × 6.3 cm); Phillips Collection, Washington, D.C.
Atmosphere IV (1971); Acrylic on canvas; 120 × 245 in (304.8 × 622.3 cm)
Bay (1971); Acrylic on canvas; 74 × 71 in (187.96 × 180.34 cm)
Blue Edge (1971); Acrylic on canvas; 71 7/8 × 71 3/4 in (182.6 × 182.2 cm); Baltimore Museum of Art
Blue Twirl (1971); Acrylic on canvas; 72 × 72 × 2 1/2 in (182.9 × 182.9 × 6.4 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.
Day Tripper (1971); Acrylic on canvas; 110 × 110 1/4 × 2 1/4 in (279.40 × 280.04 × 5.71 cm); Carnegie Museum of Art, Pittsburgh
Lady Day (1971); Acrylic on canvas; 120 × 245 in (304.8 × 622.3 cm)
Lady Day II (1971); Acrylic on canvas; 110 × 245 in (279.4 × 622.3 cm)
Repeat (1971); Acrylic on canvas; 72.0 × 71.9 × 3.0 in (182.9 × 182.6 × 7.6 cm)
After Glow (1972); Acrylic and dye pigments on canvas; 62 1/4 × 100 1/4 × 2 in. (188.6 × 254.6 × S.1 cm)
April 4 (1972); Acrylic on canvas; 72 1/2 × 48 in (184.2 × 121.9 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.
Asking (1972); Acrylic on canvas; 81 × 75 in (205.7 × 190.5 cm); Hyde Collection, Glens Falls, New York
Bursting (1972); Acrylic on canvas; 77 × 73 × 2 in (195.6 × 185.4 × 5.1 cm)
Butterfly, Feeling (1972); 60 × 60 × 2 1/8 in (152.4 × 152.4 × 5.4 cm)
Certain (1972); Acrylic on canvas; 74 × 84 in (187.96 × 213.36 cm); National Gallery of Art, Washington, D.C.
Cordial I (1972); Oil on canvas; 76 × 73 in (193 × 185.4 cm); Nova Southeastern University Art Museum, Fort Lauderdale, Florida
Crosstown (1972); Acrylic on canvas; 69 3/4 × 85 × 2 1/2 in (177.2 × 215.9 × 6.4 cm)
Haystack (1972); Acrylic on canvas; 73 7/8 × 75 3/4 × 1 7/8 in (187.64 × 192.41 × 4.76 cm); Yale University Art Gallery, New Haven, Connecticut
May III (1972); Acrylic on canvas; 54 × 109.9 × 2.2 in (137.2 × 279.1 × 5.7 cm)
On Seven (1972); Oil on canvas; 14 × 115 in (35.56 × 292.10 cm); George Washington University Art Collection; Washington, D.C.
Scatter (1972); Acrylic on canvas; 60 × 60 in (152.4 × 152.4 cm); Indianapolis Museum of Art
Spring Thaw (1972); Acrylic on canvas with beveled edge; 72 × 72 inches (182.9 × 182.9 cm)
Starting I (1972); 40 1/2 × 71 1/2 × 2 in (102.9 × 181.6 × 5.1 cm)
Untitled (1972); 100 × 120 × 2 1/4 in (254 × 304.8 × 5.7 cm)
Wide Narrow (1972); Acrylic on canvas; 110 1/4 × 112 × 2 1/8 in (280.04 × 284.48 × 5.4 cm); Rose Art Museum, Waltham, Massachusetts
Yellow Edge (1972); Acrylic on canvas; 55 × 45 in (139.7 × 114.3 cm); National Gallery of Art, Washington, D.C.
Adolph Queequeg Slumber (1973); Oil and oil pastel on canvas; 29 1/4 × 58 1/4 in (74.29 × 147.95 cm)
Clear Arounds (1973); 52 × 48 × 3 in (132.1 × 121.9 × 7.6 cm)
Frost I (1973); Acrylic on canvas with beveled edge; 48 3/4 × 51 in (123.8 × 129.5 cm)
Frost II (1973); Acrylic on canvas; 49 × 51 × 2 in (124.5 × 104.1 × 5.1 cm); Dayton Art Institute, Dayton, Ohio
Green Lizzie (1973); Acrylic on canvas; 58 × 54 in (147.3 × 137.2 cm); McNay Art Museum, San Antonio
Last September IV (1973); Acrylic on canvas; 57 × 71 1/2 × 2 1/4 in (144.8 × 181.6 × 5.7 cm); North Carolina Museum of Art, Raleigh, North Carolina
Leah Lathers (1973); 51 × 49 × 1 1/2 in (129.5 × 124.5 × 3.8 cm)
A Little I (1973); Acrylic on canvas; 55 × 51 × 2 in (139.7 × 129.5 × 5.1 cm)
Skate Zing Orange (1973); Acrylic on canvas; 61 × 73 in (155 × 185.5 cm); Baltimore Museum of Art
Spread (1973); Acrylic on canvas; 69 × 113 1/2 × 1 3/4 in (175.3 × 288.3 × 4.4 cm)
Tinsel (1973); Acrylic on canvas; 51 × 48 in (129.5 × 121.9 cm)
Bacchus (1974–1975); Acrylic, oil and dye pigments on collaged, flat, mounted canvas; 51 × 96 in (129.54 × 243.84 cm)
Darted Again (1974–1975); Acrylic, oil and dye pigments on collaged, flat, mounted canvas; 51 × 96 in (129.54 × 243.84 cm); Miami-Dade County Department of Cultural Affairs, Miami
For Day One (1974–1975); Acrylic on canvas with collage; 49 × 49 in (124.46 × 124.46 cm); Speed Art Museum, Louisville, Kentucky
Over (1975-1975); Acrylic, oil, and dye pigments on collaged, flat, mounted canvas; Diameter: 45 1/2 in (115.57 cm)
[Untitled] (c. 1975); Acrylic on canvas; 30 × 30 in (76.2 × 76.2 cm); Brooklyn Museum, New York
Baptistry Senior II (1975); Acrylic and wood on canvas with collage; 57 × 45 in (144.78 × 114.3 cm)
Element (1975); Acrylic on canvas; 38 × 60 in (96.5 × 152.4 cm); University of Louisville Art Collection, Louisville, Kentucky
Spin/Arrest (1975); Oil on canvas; 75 × 60 in (190.5 × 152.4 cm); University of Maryland Global Campus Arts Program, Adelphi, Maryland
Untitled (1975); Acrylic on canvas with collage; 32 3/4 × 32 3/4 × 2 in (83.2 × 83.2 × 5.1 cm)
Double River (1976); Acrylic on canvas with collage; 90 1/2 × 181 × 3 in (229.9 × 459.7 × 7.6 cm)
For Brass (1976); Acrylic on canvas; 62 3/8 × 84 3/8 in (158.4 × 214.3 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Scrub (1976); Acrylic on canvas with collage; 72 × 132 in (182.88 × 335.28 cm); National Gallery of Art, Washington, D.C.
Weighed Anchor (1976); Acrylic on canvas with collage; 84 1/2 × 62 1/4 × 2 1/2 in (214.6 × 158.1 × 6.3 cm)
Abacus Sliding (1977); Polymer pigment on canvas; 90 1/4 × 120 1/2 × 1 3/4 in (229.2 × 306 × 4.4 cm); Denver Art Museum
Azure (1977); Acrylic with collage on canvas; 90 × 120 in (228.6 × 304.8 cm); Memphis Brooks Museum of Art, Memphis, Tennessee
Coffee Thyme (1977); Acrylic and cut canvas on canvas; 90 1/2 × 110 in (229.7 × 279.3 cm); Museum of Modern Art, New York
Earth Element (1977); Acrylic on canvas with collage; 60 × 84 1/2 × 2 3/8 in (152.4 × 214.6 × 6 cm)
Firefly Blacktop (1977); Oil and acrylic on canvas; 90 × 120 1/2 in (228.6 × 306 cm); High Museum of Art, Atlanta
Rail (1977); Acrylic and canvas on canvas; 90 3/4 × 180 3/4 in (230.5 × 459.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Station (1977); Acrylic collage on canvas on beveled stretcher; 30 × 30 in (76.2 × 76.2 cm)
Union (1977); Acrylic on canvas; 55 × 65 1/2 in (139.7 × 166.4 cm); Seattle Art Museum
Untitled (Black) (1978); Acrylic, yarn, and cut canvas on stained canvas; 89 3/4 × 120 1/2 in (228 × 306.1 cm); Whitney Museum, New York
Loving Lightly (1978–1979); Acrylic, mixed media, and collage on canvas; 40 × 70 in (101.6 × 177.8 cm); North Carolina Museum of Art, Raleigh, North Carolina
Cozy (diptych) (1979); Acrylic on canvas; Spelman College Museum of Fine Art, Atlanta
Leah's Renoir (1979); Acrylic on canvas with collage sections; 80 × 195 in. (203.2 × 495.3 cm); Metropolitan Museum of Art, New York
Luck (1979); Acrylic on canvas, diptych; Each panel: 80 × 45 in (203.2 × 114.3 cm); Oklahoma City Museum of Art
Mirror II (1979); Acrylic on shaped canvas; 80 × 80 in (203.2 × 203.2 cm); Phillips Collection, Washington, D.C.
Of Cities American (1979); Acrylic on canvas; 80 × 140 in (203.2 × 355.6 cm); Virginia Museum of Fine Arts, Richmond, Virginia
Open Cylinder (1979); Oil on canvas; Part A: 81 × 35 1/2 in (205.7 × 90.2 cm), part B: 80 3/4 × 46 in (205.1 × 116.7 cm); Smithsonian American Art Museum, Washington, D.C.
Tequila (1979); Acrylic and mixed media on canvas; 40 × 70 × 3 1/8 in (101.6 × 177.8 × 7.9 cm); Cincinnati Art Museum
Treasures Measures (1979); Acrylic on canvas collage; 40 1/3 × 70 1/2 in (102.5 × 179 cm); Art Gallery of Nova Scotia, Halifax, Nova Scotia



1980s

Brown Reed (c. 1980); Oil on canvas; 78 × 30 in (198.12 × 76.2 cm); Virginia Museum of Fine Arts, Richmond, Virginia
Architectural Notions for a New Nursery (1980); Acrylic on canvas; 79 × 121 in (200.7 × 207.3 cm)
Box Cars Grand (1980); Acrylic on cut and layered canvas; Dimensions vary with installation; Patrick V. McNamara Federal Building, Detroit (collection of General Services Administration)
Irish Spring Here (1980); Acrylic and rhoplex on canvas; 80 × 195 1/2 in (203.2 × 496.57 cm); Madison Museum of Contemporary Art, Madison, Wisconsin
Patchwork/Terry (1980); Acrylic on canvas; 40 × 34 1/2 × 3 in (101.6 × 87.6 × 7.6 cm); Georgia Museum of Art, Athens, Georgia
Purpled (1980), from the Chasers series; Acrylic on canvas; 80 × 90 × 4 3/4 in (203.2 × 228.6 × 12.07 cm); Virginia Museum of Fine Arts, Richmond, Virginia
To Repin, To Repin (1980), from the Chasers series; 79 × 90 7/8 × 3 1/2 in (200.7 × 230.8 × 8.9 cm); Telfair Museums, Savannah, Georgia
Robbin' Peter (1980); Acrylic on canvas; 80 × 90 in (203.2 × 228.6 cm); San Francisco Museum of Modern Art
White Sand Isolate (1980); Oil, acrylic, sand on shaped canvas; 80 × 118 in (203.20 × 299.72 cm); George Washington University Art Collection, Washington, D.C.
The Arc Maker I & II (1981); Acrylic on canvas with collage; Overall: 75 × 213 × 1 1/2 in (190.5 × 541 × 3.8 cm), large panels: 75 × 80 1/4 × 1 1/2 in (190.5 × 203.8 × 3.8 cm) each, narrow panels: 72 1/4 × 26 1/4 × 1 1/2 in (183.5 × 66.7 × 3.8 cm) each; Detroit Institute of Arts
Cartouche (1981); Acrylic on canvas with collage; 118 1/2 × 83 4/5 × 2 3/10 in (301 × 213 × 6 cm)
Double Rouge (1981); Acrylic on canvas; 56 × 73 in (142.24 × 185.42 cm); George Washington University Art Collection, Washington, D.C.
Elm (1981); Acrylic on canvas with collage; 70 × 171 1/4 × 1 1/2 in (178 × 435 × 4 cm)
Lion's Rock Arc (1981); Acrylic on canvas; 72 1/2 × 190 1/2 in (184.2 × 483.9 cm); Studio Museum in Harlem, New York
Master Builder Pieces and Eagles (1981); Acrylic on canvas, in four pieces; Overall: 160 × 75 in (406.4 × 190.5 cm), panel A: 75 × 81 in (190.5 × 205.7 cm), panel B: 75 × 25 in (190.5 × 63.5 cm), panel C: 72 × 40 in (182.9 × 101.6 cm), panel D: 73 × 14 in (185.4 × 35.6 cm); Studio Museum in Harlem, New York
Red & Black (formerly Raven #3 / B #4, Raven #I / Solo #I, Eagle 4/2 / Solo #II, Raven #2 / Eagle 4/1) (1981); Acrylic on canvas with collage; Panel A: 75 1/8 × 40 1/2 in, panel B: 72 × 13 1/4 in, panel C: 75 1/8 × 40 1/2 in, panel D: 72 × 13 1/4 in, panel E: 75 1/8 × 40 1/2 in, panel F: 72 × 13 1/4 in, panel G: 75 1/8 × 40 1/2 in, panel H: 72 × 13 1/4 in, panel I: 72 × 13 1/4 in, panel J: 75 1/8 × 40 1/2 in; Indianapolis Museum of Art
Rites of Passage (1981); Acrylic on canvas; 39 1/2 × 49 3/4 in (100.33 × 126.36 cm); Castellani Art Museum, Lewiston, New York
Composition Around Violet (1982); Acrylic and collage on canvas; 52.5 × 44.5 in (133.35 × 113.03 cm); Mint Museum, Charlotte, North Carolina
Composition for I-75 (1982); Acrylic on shaped canvas; 80 × 80 in (203.2 × 203.2 cm); Spencer Museum of Art, Lawrence, Kansas
Composition for Louisville (1982); Acrylic on canvas; 80 × 80 in (203.2 × 203.2 cm); University of Louisville Art Collection, Louisville, Kentucky
The Muse #5 (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)
The Muse #6 (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)
Red Vase, Blue Element (1982); Acrylic on canvas; 80 × 80 in (203.2 × 203.2 cm); University of Louisville Art Collection, Louisville, Kentucky
Rendezvous of the Chauffeurs (1982); Acrylic on canvas; 54 × 83 in (137.2 × 210.8 cm); Dayton Art Institute, Dayton, Ohio
Screen (1982); Acrylic on canvas; 58 × 66 in (147.3 × 167.6 cm)
Tholos Revisited VI (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm); David C. Driskell Center, College Park, Maryland
Tholos Revisited VII (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)
Tholos Revisited VIII (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)
Tholos Revisited IX (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)
Tholos Revisited X (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)
Tholos Revisited XI (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)
To Braque for Mantelpieces (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/2 × 2 in (185.4 × 75 × 5.1 cm); Cleveland Museum of Art
To Braque and Flowing Birds (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/4 × 2 in (185.42 × 74.29 × 5.08 cm)
To Braque with Cartouché (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/4 × 2 in (185.42 × 74.29 × 5.08 cm)
To Miro - To Birds (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)
Black (1984); Acrylic polypropylene racked with paint and acrylic hardener on shaped canvas; 55 1/2 × 49 × 10 in (141 × 124.5 × 25.4 cm); Birmingham Museum of Art, Birmingham, Alabama
Leah's Other Rabbit (1986); Acrylic and enamel on canvas and metal forms; 70 1/2 × 52 × 10 in (179 × 132 x 25.4 cm); Jule Collins Smith Museum of Fine Art, Auburn, Alabama



1990s

Little Rock (1993); Acrylic on canvas; Tubman Museum, Macon, Georgia



2000s




2010s




2020s

For John Lewis (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)
Any Minute Now (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)
Heroines, Beyoncé, Serena and Althea (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)
The Mississippi "Shake Rag" (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)
A New Generation (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)
Nikki Giovanni (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)
October 18 (2020); Acrylic on canvas; 96 × 240 × 3 3/4 in (243.8 × 609.6 × 9.52 cm)
Purple Orpheus (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)
They Dance and Sail Away (2020); Acrylic on canvas; 96 × 240 × 3 3/4 in (243.8 × 609.6 × 9.52 cm)
Waiting for "Dutchman" (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)
Aaron's Duchamp (2021); Acrylic, copper chop, aluminum granules, encaustic, paper collage element, sawdust and flocking; 96 × 96 × 4 in (243.8 × 243.8 × 10.8 cm)
April 5 (2021); Acrylic, aluminum shavings, aluminum, wood, flocking, and sawdust on canvas; 96 × 240 × 4 1/2 in (243.8 × 609.6 × 11.4 cm)
Brew (2021); Acrylic on canvas; 48 × 48 × 3 1/4 in (121.9 × 121.9 × 8.3 cm)
Butterflies-Butterflies (2021); Acrylic, copper chop, aluminum granules, tin shot, encaustic medium, sawdust and clocking paper collage on canvas; 72 × 96 × 4 in (182.9 × 243.8 × 10.2 cm)
Composition for Now (2021); Acrylic on canvas, bevel-edge; 96 × 96 × 4 in (143.9 × 243.8 × 10.2 cm)
Foggy (2021); Acrylic, aluminum granules, copper chop, sawdust and flocking, encaustic medium, paper collage element on canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)
For "The Friend" (2021); Acrylic on beveled-edge canvas; 96 × 240 × 4 in (243.8 × 609.6 × 10.2 cm)
Gold Mine (2021); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)
Green Goes (2021); Acrylic on canvas, bevel-edge; 96 × 96 × 3 3/4 in (243.8 × 243.8 × 9.5 cm)
In Now (2021); Acrylic on canvas, bevel-edge; 48 × 72 × 4 in (121.9 × 182.9 × 10.2 cm)
Into the Night (2021); Acrylic, tin shot, aluminum granules, copper chop, wood, socks, paper, fabric, flocking, sawdust, and wax on canvas; 96 × 240 × 4 1/2 in (243.8 × 609.6 × 11.4 cm)
Like Snow (2021); Tin shot, paper collage element, acylic and latex on canvas, marine-ply bevel-edge stretcher; 72 × 72 × 3 3/4 in (182.9 × 182.9 × 9.5 cm)
Long White Moment (2021); Acrylic with sawdust, wax, mica flake, and aluminum on beveled-edge canvas; 96 × 240 × 4 in (243.8 × 609.6 × 10.2 cm)
A Lovely Blue And ! (2021); Acrylic and mixed media on canvas; 96 × 240 × 3.75 in (243.8 × 609.6 × 9.5 cm); Johns Hopkins University Bloomberg Center, Washington, D.C.
Oak, Net and This! (2021); Acrylic with sawdust, flocking, and sand on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)
River Walk (2021); Acrylic, tin shot, and wood on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)
Spin and Splash (2021); Acrylic on canvas, bevel-edge; 72 × 72 × 3 3/4 in (182.9 × 182.9 × 9.5 cm)
Spring Is (2021); Acrylic on canvas, bevel-edge; 72 × 72 × 4 in (182.9 × 182.9 × 10.2 cm)
Spring This Time (2021); Acrylic on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 4572 × 10.2 cm)
Sweetheart (2021); Acrylic, aluminum granules, wood, flocking, and sawdust on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)
Team (2021); Acrylic on canvas, bevel-edge; 48 × 72 × 3 3/4 in (121.9 × 182.9 × 9.5 cm)
Turtle (2021); Acrylic, aluminum granules, wood, flocking, and sawdust on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)
What! (2021); Acrylic with polypropylene on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 4572 × 10.2 cm)
Arne (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)
Beyoncé (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)
The Business (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (2438 × 243.8 × 10.2 cm)
Downpatrick Head (2022);
Irish, County Mayo (2022); Acrylic with copper chop on beveled-edge canvas; 72 × 60 × 4 in (182.9 × 152.4 × 10.2 cm)
Lilly (2022); Acrylic with sawdust, encaustic, and polypropylene beveled-edge canvas; 72 × 72 × 6 in (182.9 × 182.9 × 15.2 cm)
Nina's Buffalo (2022); Acrylic on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 457.2 × 10.2 cm)
Up Sally (2022); Acrylic with sawdust, flocking, and sand on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)




= Painted metal, plastic, wood, and mixed media

=
Includes works with painted canvas collaged or mounted to metal, plastic, or wood, as well as freestanding or wall-based 3-dimensional painted constructions of all sizes, stained wood sculptures, and mosaic tile work. One work on this list - Library Stars/Library Obelisk - comprises an unpainted, patinated metal sculpture.



1960s

Jail Jungle I (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)
Jail Jungle II (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)
Jail Jungle III (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)



1970s

Composed (formerly Dark as I Am) (1968–1974); Acrylic, clothing, backpack, painter's tools, wooden closet pole on wood door; 87 × 47 × 3 1/2 in (221 × 119.4 × 8.9 cm); Menil Collection, Houston



1980s

Round Work (1980); Painted metal, canvas; 50 × 35 × 10 in (127 × 88.9 × 25.4 cm); High Museum of Art, Atlanta
Sculpture with a D (1980–1983); Painted aluminum; 187 × 538 in (474.98 × 1366.52 cm); Davis station, Massachusetts Bay Transportation Authority, Boston
Pantheon II (1983); Acrylic on canvas and polyurethane enamel on aluminum; 81 × 58 1/4 in (205.8 × 148 cm); Blanton Museum of Art, Austin, Texas
Plantagenets Golden (1984); Acrylic on canvas and enamel on aluminum; 56 1/2 × 68 × 4 1/8 in (143.51 × 172.72 × 10.48 cm)
The Saint of Moritz Outside Mondrian (1984); Acrylic on canvas and metal; 59 × 63 1/2 × 5 in (149.9 × 161.3 × 12.7 cm), Menil Collection, Houston
On the Back of the Wind (1985); Acrylic on canvas on aluminum; 57 × 57 in (145 × 145 cm); Museum of Fine Arts, Budapest
Procession for a Princess (1986); Acrylic on canvas and acrylic and enamel on aluminum; 91 × 109 × 16 in (231.14 × 276.86 × 40.64 cm)
Solar Canopy (1986); Painted aluminum; York College, City University of New York
Streak of Lightning (1986); Acrylic, enamel, and metal on canvas; 68 × 89 in (172.7 × 226.1 cm)
Uguisu (1986); Acrylic on canvas on board plus aluminum sculptural pieces; 101 1/2 × 134 × 9 in (257.81 × 340.36 × 22.86 cm); George Washington University Art Collection, Washington, D.C.
New River Rises (1987); Acrylic on canvas and acrylic enamel on aluminum; Broward County Cultural Division, Broward County, Florida
Red Hot New Haven (1987); Acrylic on canvas and acrylic and enamel on aluminum; 72 7/8 × 52 3/4 × 9 3/4 in (185.1 × 134.0 × 24.8 cm); Smithsonian American Art Museum, Washington, D.C.
Ain't More Than Music (1988); Acrylic on canvas and acrylic and enamel on aluminum; 60 × 62 × 15 1/4 in (152.4 × 157.48 × 38.73 cm)
Buena Vista (1988); Acrylic on canvas mounted on panel with anodized aluminum frame; 26 5/16 × 26 3/8 in (66.8 × 67.1 cm); Museum of Fine Arts, Houston
Sparta (1988); Acrylic on canvas with epoxy enamel on aluminum; Diameter: 42 1/2 in (108 cm); Museum of Fine Arts, Boston
Untitled (1988); Acrylic on canvas and metal, mounted to plywood; 28 1/4 × 30 1/4 × 10 1/4 in (71.76 × 76.84 × 26.04 cm); Virginia Museum of Fine Arts, Richmond, Virginia
Fine as a Cobweb (1989); Acrylic on canvas and primed aluminum, with plywood support structure; 60 × 61 × 17 in (152.4 × 154.94 × 43.18 cm); Pennsylvania Academy of the Fine Arts, Philadelphia
The Generation Below Them (1989); Acrylic on canvas and primed aluminum and plywood; 80 × 96 × 13 in (203.2 × 243.84 × 33.02 cm); Chazen Museum of Art, Madison, Wisconsin
Waking Up (1989); Acrylic on canvas and enamel on aluminum with plywood support structure; 72 × 95 × 12 in (182.88 × 241.3 × 30.48 cm)



1990s

The Petition (1990); Mixed media, assembled; 96 × 60 × 32 in (243.8 × 152.4 × 81.3 cm); Smithsonian American Art Museum, Washington, D.C.
With Violet (1990); Acrylic on canvas and acrylic and enamel on aluminum; 54 × 66 × 14 in (137.2 × 167.6 × 35.6 cm)
Yellow Light Ellison (1990); Mixed media; Sidwell Friends School, Washington, D.C.
Jamaica Center Station Riders, Blue (1991); Painted aluminum; Jamaica Center–Parsons/Archer station, Metropolitan Transportation Authority, New York
Northwest Wind (1992); Acrylic on synthetic fabric mounted on wood; 30 × 63 in (76.2 × 160 cm); Studio Museum in Harlem, New York
The Awning Set (1992–1993); Mixed media; Studio Museum in Harlem, New York
Higher Windows (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 47 in (223.52 × 119.38 cm); Smith College Museum of Art, Northampton, Massachusetts
Uli Montage (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 44 in (223.52 × 111.76 cm); Smith College Museum of Art, Northampton, Massachusetts
You Come Flying (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 45 in (223.52 × 114.3 cm); Smith College Museum of Art, Northampton, Massachusetts
Folded Cottage I (1993); Acrylic & collage on synthetic fabric on polypropylene; 38 × 9 1/4 in (96.5 × 23.5 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland
Folded Cottage III (1993); Acrylic & collage on synthetic fabric on polypropylene; 37 × 14 1/2 in (94 × 37 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland
Folded Cottage IV (1993); Acrylic & collage on synthetic fabric on polypropylene; 39 × 13 in (99.1 × 33 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland
Back-Lit Awning (Bikers Move Like Swallows) (1994); Acrylic on polypropylene and birch plywood construction with aluminum frames; 69 1/4 × 94 1/2 in (175.89 × 240.03 cm)
Level One (1994); Acrylic on board; 24 × 48 × 2 in (61 × 121.9 × 5.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Reading Across (1994); Mixed media on board; 48 × 48 in (121.9 × 121.9 cm)
Blankets of Fir (1995); Mixed media; 26 3/4 × 35 1/2 in (67.94 × 90.17 cm); James E. Lewis Museum of Art, Morgan State University, Baltimore
Scarcely Blue (1995); Acrylic on moveable wood panels; 31 × 47 × 3 in (78.74 × 119.38 × 7.62 cm); David C. Driskell Center, College Park, Maryland
Black and Golden Door (1996); Acrylic on birch plywood with aluminum construction and piano-hinged door; 35 3/4 × 35 7/8 × 1 1/2 in (90.8 × 91.1 × 3.8 cm); Crystal Bridges Museum of American Art, Bentonville, Arkansas
Easy Siders Series (1996); Mixed media on handmade paper and polypropylene mounted to birch plywood; 47 × 48 in (119.38 × 121.92 cm); Phillips Collection, Washington, D.C.
Gondola (1996); Acrylic on polypropylene and birch plywood construction with piano hinges; 68 × 105 × 21 7/8 in (172.72 × 266.7 × 55.56 cm)
Reds, Towering Stack (1996); 60 × 30 × 4 in (152.4 × 76.2 × 10.1 cm); Lauren Rogers Museum of Art, Laurel, Mississippi
Electric (1997); Acrylic on wood; 47 1/2 × 47 1/2 × 8 1/2 in (120.7 × 120.7 × 21.6 cm); Telfair Museums, Savannah, Georgia
Fishing Well (1997); Acrylic on birch; 94 × 48 1/2 in (238.8 × 123.2 cm); Memorial Art Gallery, Rochester, New York
Steps and Folds (1997); Acrylic on wood panel; 57 × 48 × 4 in (144.8 × 121.9 × 10.2 cm); DC Commission on the Arts and Humanities, Washington, D.C.
A and the Kitty (1998); Acrylic on birch plywood construction; 72 × 90 × 47 1/2 in (182.88 × 228.6 × 120.65 cm)
Beam (1998); Acrylic and paper on birch plywood with hinges; 96 × 24 × 10 in (243.8 × 60.9 × 25.4 cm); Kreeger Museum, Washington, D.C.
Color of Medals (1998); Acrylic, polypropylene, aluminum, and computer scanned images on plywood; 214 × 118 × 24 in (543.6 × 299.7 × 61 cm); United States Department of Veterans Affairs Regional Office, Philadelphia (collection of General Services Administration)
Daily Red (1998); Acrylic on wood and metal; 86 1/4 × 52 3/8 × 12 3/16 in (219 × 133 × 31 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.
Graining (1998); Acrylic and paper on birch plywood with hinges; 89 × 46 1/2 × 12 in (226 × 118.11 × 30.48 cm); Kreeger Museum, Washington, D.C.
Rainbows Near (1998); Acrylic on sculptured wood panels; 29 3/4 × 72 in (75.57 × 182.88 cm); National Gallery of Art, Washington, D.C.
The Real Blue (1998); Acrylic on birch plywood; 4 parts; University of Michigan School of Social Work Art Collection, Ann Arbor, Michigan
Red (1999); Acrylic on birch plywood construction with aluminum frame; 50 1/4 × 75 × 3 in (127.63 × 190.5 × 7.62 cm)
The Three Muses (1999); Acrylic paint, digital and laser prints, birch plywood, and piano hinges; 144 × 192 in (365.76 × 487.68 cm) overall, 3 parts; University of Cincinnati Art Collection
Water Tower II (1999); Acrylic on birch with piano hinge; 24 × 39 1/2 × 3 in (61 × 100.3 × 7.6 cm)
Wave and Canal (1999); Acrylic on birch; 43 × 36 1/2 in (109.22 × 92.71 cm)



2000s

Library Stars/Library Obelisk (2000); Patinated copper; 19 5/8 × 5 5/8 ft, 2 in (597.4 × 170.7 × 5.1 cm); Juanita E. Thornton/Shepherd Park Neighborhood Library, Washington, D.C. (collection of DC Commission on the Arts and Humanities)
Ruby and Ossie (2000); Acrylic on plywood with metal hardware; 58 1/2 × 23 1/2 × 10 in (148.6 × 59.7 × 25.4 cm); Saint Louis Art Museum
Fire on Water V (2003); Acrylic on birch, with piano hinges, triptych; 14 × 27 1/4 in (35.56 × 69.21 cm)
On the Canal (2003); Acrylic on birch plywood construction; 72 × 16 1/2 × 4 in (182.88 × 41.91 × 10.16 cm)
On the Canal With Blue (2003); Acrylic on birch plywood construction; 72 × 16 1/2 × 4 in (182.88 × 41.91 × 10.16 cm)
On Yellow Wood (2003); Acrylic on birch plywood construction; 47 1/2 × 23 1/4 × 2 5/8 in (120.65 × 59.05 × 6.67 cm)
Red Slatt (2003); Acrylic on birch plywood construction; 47 1/2 × 23 1/4 × 2 5/8 in (120.65 × 59.05 × 6.67 cm)
Second Blue Slatt (2003); Acrylic on birch plywood construction; 34 3/4 × 22 1/4 × 2 5/8 in (88.26 × 56.51 × 6.67 cm)
Second Red Slatt (2003); Acrylic on birch plywood construction; 35 3/4 × 23 1/4 × 2 5/8 in (90.8 × 59.05 × 6.67 cm)
Birds Not Flying (2005); Acrylic on birch with piano hinges; 53.25 × 48.5 × 2.75 (135.26 × 123.19 × 6.99 cm); Mississippi Museum of Art, Jackson, Mississippi
Census (2007); Acrylic on birch plywood; 183 × 139 1/4 × 24 in (464.8 × 353.7 × 61 cm); United States Census Bureau Headquarters, Suitland, Maryland (collection of General Services Administration)
Seeds (2007); Acrylic on birch; 49 × 33 × 2 3/4 in
Element (2008); Acrylic on birch; 49 1/2 × 36 in (125.73 × 91.44 cm); Allentown Art Museum, Allentown, Pennsylvania
Repeating Green Slice (2008); Acrylic on birch; 49 3/4 × 36 × 3 1/4 in (126.36 × 91.44 × 8.25 cm)
River Falls (2008); Acrylic on birch; 44 × 50 × 3 1/2 in (111.76 × 127 × 8.89 cm)
Wide (2008); Acrylic on birch; 47 × 46 × 5 in (119.38 × 116.84 × 12.7 cm)
Blue (2009); Acrylic on birch plywood; 16 × 12 1/4 in (40.64 × 31.115 cm); Pennsylvania Academy of the Fine Arts, Philadelphia



2010s

Melody (2010); Acrylic on birch; 83 × 32 in (210.8 × 81.3 cm)
Nite II (2010); Acrylic on birch; 30 × 17 1/2 in (76.2 × 44.45 cm)
Nite III (2010); Acrylic on birch; 30 × 17 1/2 in (76.2 × 44.45 cm)
From Model to Rainbow (2011); Glass mosaic mounted on Aerolam panels; 168 × 468 in (427 × 1188 cm); Takoma station, Washington Metropolitan Area Transit Authority
Screen for Models I, II, III (2012); Acrylic on birch; Panel I: 80 × 45 in (203.2 cm × 114.3 cm), panel II: 80 × 36 1/2 in (203.2 cm × 92.7 cm), panel III: 80 × 45 in (203.2 cm × 114.3 cm)
Yet Do I Marvel (Countee Cullen) (2016); Acrylic on birch; Overall: 96 × 258 × 4 1/2 in (243.8 × 655.3 × 11.4 cm), each panel: 96 × 48 × 4 1/2 in (243.8 × 121.9 × 11.4 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.
Homage to the Square (2016–2017); Acrylic on wood, four parts; Overall: 122 × 122 × 3 3/8 in (310 × 310 × 9 cm)
Aaron (2017); Acrylic on wood, four parts; Overall: 98 1/4 × 98 1/4 × 3 1/2 in (250 × 250 × 9 cm)
First Half (2017); Acrylic on wood; 60 1/4 × 60 1/4 × 3 3/8 in (153 × 153 × 8.6 cm)
Into the Woods (2017); Acrylic on wood; 59 3/4 × 44 3/4 in (151.8 × 113.7 cm); Memorial Art Gallery, Rochester, New York



2020s

Black Mozart/ ORNETTE (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)
Black 48" Square (2020); Wood, aluminum, die-stain, lacquer; Ed. of 8 (variable); 48 × 48 in (121.9 × 121.9 × 5.7 cm)
Black 60" Disc (2020); Wood, aluminum, die-stain, lacquer; Ed. of 3 (variable); 60 × 60 × 2 1/4 in (152.4 × 152.4 × 5.7 cm)
Blue 96" Disc (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)
Color Abacus (2020); Wood, aluminum, die-stain, lacquer; Ed. of 4 (variable); 12 × 22 × 5 in (30.4 × 55.8 × 12.7 cm)
Five Pyramids (2020); Wood, aluminum, die-stain, lacquer; Five parts, each: 36 1/4 × 48 × 48 in (92 × 121.9 × 121.9 cm), overall dimensions vary with installation
Mastaba (In Two Parts) (2020); Wood, aluminum, die-stain, lacquer; 54 × 114 × 61 in (137.1 × 289.5 × 154.9 cm)
Pyramid (2020); Wood, aluminum, die-stain, lacquer; 110 × 122 × 122 in (279.4 × 309.8 × 309.8 cm)
Three White Pyramids (2020); Wood, aluminum, die-stain, lacquer; Ed. of 5 sculptures (variable); Three parts, each 36 1/4 × 48 × 48 in (92 × 121.9 × 121.9 cm), overall dimensions vary with installation
White Abacus (2020); Wood, aluminum, die-stain, lacquer; Ed. of 4 (variable); 12 × 22 × 5 in (30.4 × 55.8 × 12.7 cm)
White 48" Disc (2020); Wood, aluminum, die-stain, lacquer; Ed. of 4 (variable); 48 × 48 in (121.9 × 121.9 × 5.7 cm)
White 96" Disc (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)
The Amazing Kite (2021); Acrylic and mixed media on panel in beveled frame; 36 × 36 × 4 in (91.4 × 91.4 × 10.2 cm)
A Kind of Love (2021); Acrylic, sawdust, encaustic on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)
Exciting (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)
Lucky (2021); Acrylic with tin, copper, encaustic, sawdust, and aluminum on wood ply panel in beveled-edge frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)
Moon Tide (2021); Acrylic, sawdust, encaustic, on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)
Pretty Baby (2021); Acrylic and mixed media on panel in beveled frame; 36 × 36 × 4 in (91.4 × 91.4 × 10.2 cm)
Red Clouds (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × in (152.4 × 152.4 × 10.2 cm)
Something is Going On! (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)
A Sunday Kind of Love (2021); Acrylic, sawdust, encaustic on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)
X for X (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)
X Red Cloud (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)
You Blue Moon (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)
Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)
Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)
Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)
Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 68 × 68 in (172.7 × 172.7 cm)
Untitled (2022); Acrylic and mixed media on wood panel in aluminum frame; 68 × 68 in (172.7 × 172.7 cm)




= Paintings and drawings on paper

=
Includes framed or unframed, and mounted or unmounted paintings on paper



1960s

Slowly Emerging (1960); Ink wash drawing; 16 1/4 × 13 3/4 in (41.27 × 34.92 cm)
Still Life (1960); Watercolor on paper; 5 5/8 × 9 3/8 in (14.29 × 23.81 cm)
Woman in Hat (1960); Watercolor on paper; 10 1/2 × 4 1/2 in (26.67 × 11.43 cm)
Bridge (1962); Watercolor on paper; 12 × 18 in (30.48 × 45.72 cm)
Chair Group (1962); Ink wash drawing; 16 5/8 × 13 7/8 in (42.23 × 35.24 cm)
Seated Woman (1962); Watercolor on paper; 14 7/8 × 10 7/8 in (37.78 × 27.62 cm)
Morning Study (1963); Ink wash drawing; 15 3/4 × 11 7/8 in (40 × 30.16 cm)
Park Invention I (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.22 cm)
Park Invention II (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.22 cm)
Park Invention III (1963); Watercolor on paper; 8 3/4 × 5 3/4 in (22.22 × 14.6 cm)
Stephanie (1963); Crayon drawing; 18 × 24 in (45.72 × 60.96 cm)
Untitled (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.2 cm); Baltimore Museum of Art
Untitled (1964–1965); Watercolor on paper; 11 × 15 in (27.94 × 38.1 cm)
Untitled (1966); Watercolor on paper; 7 × 10 1/2 in (17.78 × 26.67 cm)
Untitled (1966); Watercolor on paper; 24 × 19 in (60.96 × 48.26 cm)
Untitled (c 1967); Watercolor on handmade paper; 21 1/16 × 25 in (53.5 × 63.5 cm); Allen Memorial Art Museum, Oberlin, Ohio
Green Slice (1967); Watercolor on Japanese paper; 38 × 23 in (96.52 × 58.42 cm); San Francisco Museum of Modern Art
Least Rivers (1967); Watercolor on Japanese paper; 38 × 23 in (96.52 × 58.42 cm); San Francisco Museum of Modern Art
Shift (1967); Stained and folded rice paper; 38 1/2 × 24 in (97.8 × 61 cm); Allen Memorial Art Museum, Oberlin, Ohio
Untitled (1967); Watercolor on paper; 18 1/4 × 23 3/4 in (46.4 × 60.3 cm)
Untitled (1967); Watercolor on rice paper; 9 3/4 × 9 3/4 in (24.76 × 24.76 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 5 3/8 × 8 1/2 in (13.7 × 21.6 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 1/2 in (21.6 × 14 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 3/8 in (21.6 × 13.7 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 in (21.6 × 12.7 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 in (21.6 × 12.7 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 8 1/2 × 5 1/2 in (21.6 × 14 cm)
Untitled (from Rock Creek series) (1967); Watercolor on paper; 5 1/2 × 8 1/2 in (14 × 21.6 cm)
Untitled (1968); Watercolor and acrylic on paper; 8 1/8 × 23 5/8 in (46.1 × 60.0 cm); Smithsonian American Art Museum, Washington, D.C.
Untitled (1968); Watercolor on paper; 23 3/4 × 18 1/8 in (60.3 × 46 cm); Hammer Museum, Los Angeles
Untitled (1968); Watercolor on paper; 23 3/4 × 18 1/8 in (60.3 × 46 cm)
Untitled (1968); Watercolor on paper; 23 11/16 × 18 in (60.2 × 45.7 cm); Palmer Museum of Art, State College, Pennsylvania
Untitled (1968); Watercolor on fiberglass paper; 18 × 23 5/8 in (45.72 × 60 cm)
Untitled (1968); Watercolor on fiberglass paper; 23 5/8 × 18 in (60 × 45.72 cm)
Untitled (1968); Watercolor on fiberglass paper; 23 5/8 × 18 in (60 × 45.72 cm)
Untitled (1965–1969); Mixed media with watercolor on paper; 24 × 19 in (61 × 48.3 cm); Studio Museum in Harlem, New York
Combustion (1969); Ink drawing; 23 × 29 in (58.42 × 73.66 cm)
Watercolor, 4 (1969); Watercolor and aluminum powder on fiberglass paper; 23 3/4 × 18 1/8 in (60.3 × 45.9 cm); Museum of Modern Art, New York
Untitled (1969); Watercolor stain and metallic pigment on paper; 18 × 23 1/2 in (45.7 × 59.7 cm); Birmingham Museum of Art, Birmingham, Alabama
Untitled (1969); Brush and black ink, acrylic, and metallic paint with string on Strathmore wove paper; 22 15/16 × 29 1/16 in (58.26 × 73.82 cm); National Gallery of Art, Washington, D.C.
Untitled (1969); Brush with black and red ink on wove paper; 22 15/16 × 29 1/16 in (58.26 × 73.82 cm), National Gallery of Art, Washington, D.C.
Untitled (1969); Watercolor on paper; 17 3/4 × 14 in (45.1 × 35.6 cm); Studio Museum in Harlem, New York
Untitled (1969); Dyes, opaque water-based paint and metallic powder on thick white wove paper; 22 × 28 1/2 in (55.9 × 72.4 cm); Harvard Art Museums, Cambridge, Massachusetts
Untitled (1969); Ink and wash on paper; 29 × 23 in (73.7 × 58.4 cm)
Untitled (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)
Untitled (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)
Untitled (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)
Untitled [Orange Abstraction] (1969); Watercolor on folded paper; 16 × 13 1/2 in (40.64 × 34.29 cm); Pennsylvania Academy of the Fine Arts, Philadelphia
Untitled (c. late 1960s–c. late 1970s); Mixed media on paper; 23 1/2 × 18 in. (59.7 × 45.7 cm)



1970s

Abstraction (1970); Colored inks, with touches of silver metallic paint, on fabric; 17 15/16 × 23 7/16 in (45.5 × 59.5 cm); Art Institute of Chicago
Frederick (1970); Watercolor on fiberglass paper; 13.5 × 10.5 in (34.29 × 26.67 cm); Lauren Rogers Museum of Art, Laurel, Mississippi
Untitled (1970); Watercolor on paper; 35 1/2 × 23 3/4 in (90.2 × 60.3 cm); North Carolina Museum of Art, Raleigh, North Carolina
Untitled (1970); Watercolor on fiberglass paper; 17 1/2 × 13 3/4 in (44.45 × 34.92 cm)
Untitled (1970); Acrylic on paper; 13 15/16 × 17 7/16 in (35.4 × 44.3 cm); Allen Memorial Art Museum, Oberlin, Ohio
Untitled (1970); Stained paper; 24.8 × 32.87 in (63 × 83.5 cm); Irish Museum of Modern Art, Dublin
Untitled (1970); Watercolor on paper; 13 3/4 × 17 1/2 in (34.9 × 44.5 cm)
Untitled (1970); Watercolor on paper; 28 7/8 × 22 3/4 in (73.3 × 57.8 cm)
Untitled (1971); Paint on paper; 13 1/2 × 13 1/2 in (34.29 × 34.29 cm) [irreg.]; George Washington University Art Collection, Washington, D.C.
Untitled (1971); Mixed media, watercolor, pastel, and crayon on paper; 24 1/2 × 32 1/4 in (62.23 × 81.92 cm); University of Michigan Museum of Art, Ann Arbor, Michigan
Untitled (1971); Watercolor on handmade paper with varnish; 20 3/8 × 26 1/2 in (51.8 × 67.3 cm); National Gallery of Art, Washington, D.C.
Untitled (1971); Watercolor, acrylic, and metallic paint on altered paper; 35 1/2 × 25 in (90.17 × 63.5 cm) [irreg.]; Minneapolis Institute of Art
Untitled (1971); Dye stain on mulberry paper; 20 5/8 × 26 3/8 in (52.4 × 67.1 cm); Museum of Modern Art, New York
(Untitled) (1971); Watercolor on paper; 13 7/8 × 18 in (35.2 × 45.6 cm); Smithsonian American Art Museum, Washington, D.C.
Untitled (1971); Watercolor on handmade paper; 25 1/2 × 20 in (64.8 × 50.8 cm); Williams College Museum of Art, Williamstown, Massachusetts
Untitled (1971); Watercolor on fiberglass paper; 17 1/4 × 13 3/4 in (43.8 × 35 cm); Hood Museum of Art, Hanover, New Hampshire
Untitled #9 (1971); Watercolor on crumpled rice paper; 21 3/4 × 13 5/8 in (55.24 × 34.61 cm)
Untitled (1972); Watercolor on crumpled rice paper; 22 1/4 × 19 1/2 in (56.51 × 49.53 cm)
Untitled (1972); Watercolor on crumpled fiberglass paper; 13 1/2 × 17 1/4 in (34.29 × 43.81 cm)
Untitled (1971–1973); Watercolor and aluminum powder on crumpled nonwoven viscose rayon; 33 1/4 × 23 1/2 in (84.46 × 59.69 cm) [irreg.]; National Gallery of Art, Washington, D.C.
Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum
Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum
Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum
Untitled (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum
April 2 (1974); Watercolor, acrylic, fabric dye on fiberglass paper; 29 1/16 × 38 1/4 in (73.82 × 97.15 cm)
Furnace '74 (1974); Watercolor and acrylic with dyes on polypropylene paper; 30 × 42 1/2 in (76.2 × 108 cm); Georgia Museum of Art, Athens, Georgia
Mars I (1974); Acrylic on rice paper; 21 × 25 1/2 × 5/8 in (53.3 × 64.8 × 1.6 cm); Studio Museum in Harlem, New York
Mellow 3 (1974); Acrylic on paper; 21 1/16 × 25 7/8 in (53.5 × 65.7 cm) [irreg.]; Cincinnati Art Museum
Only (1974); Acrylic, watercolor, fabric dye on crumpled rice paper; 19 3/4 × 23 3/4 in (50.16 × 60.32 cm)
Untitled (1974); Acrylic on paper; 29 1/4 × 41 1/4 in (74.3 × 104.8 cm); Georgia Museum of Art, Athens, Georgia
Untitled (1972–1975); Watercolor on paper; 14 1/4 × 12 5/8 × 1 in (36.2 × 32.1 × 2.5 cm); Eskenazi Museum of Art, Bloomington, Indiana
American Quilt No. 20 (1975); Handmade paper with fabrics and buttons; 16 3/4 × 21 3/8 in (42.54 × 54.29 cm)
American Quilt No. 28 (1975); Quilt collage and acrylic washes on handmade paper; 16 1/2 × 18 3/4 in (41.91 × 47.625 cm); Phillips Collection, Washington, D.C.
Hold (1975); Acrylic, watercolor, fabric dye on crumpled rice paper; 19 3/4 × 25 1/2 in (50.16 × 64.77 cm)
Strip II (c. 1976); Aniline dye on rice paper; 21 × 27 in (53.3 × 68.6 cm); Chrysler Museum of Art, Norfolk, Virginia
N°1 D (1977); Gouache on crumpled paper; 20.87 × 25.59 in (53 × 65 cm); Musée d'Art Moderne de Paris
Sparta (1977); Watercolor with acrylic on shaped Japanese paper; 10 1/4 × 18 3/4 × 3 in (26 × 47.6 × 7.6 cm); University Museum of Contemporary Art, University of Massachusetts Amherst



1980s

Arrowhead (1980); Acrylic on handformed paper, artist's frame; 38 3/16 × 32 1/16 × 1 15/16 in (97 × 81.5 × 5 cm); Princeton University Art Museum, Princeton, New Jersey



1990s

Untitled (1991); Oil on Japanese paper; 22 5/16 × 32 3/8 in (56.6 × 82.2 cm); Cleveland Museum of Art



2000s




2010s

Rock and Shore (2010); Acrylic on paper; 3 15/16 × 3 7/8 in (10 × 9.8 cm); Palmer Museum of Art, State College, Pennsylvania
Fold XII (2014); Pigment-based ink on handmade paper; 27.75 × 45.75 in (70.48 × 116.2 cm); Tufts University Art Collection, Grafton, Massachusetts
B Series 10 (2015); Pigment-based ink on handmade paper; 57.0 × 30.0 in (144.8 × 76.2 cm)
Panel III (2015); Pigment-based ink on handmade paper; 45.5 × 27.5 in (115.6 × 69.8 cm)
Solstice VII (2016); Watercolor on rice paper; 76.3 × 41.6 × 1.5 in (193.7 × 105.7 × 3.8 cm)
Untitled (2016); Watercolor on paper; 72 × 38 in (182.9 × 96.5 cm)
Untitled (2016); Watercolor on rice paper; 60.0 × 31.3 × 1.3 in (152.4 × 79.4 × 3.2 cm)
Untitled (2017); Watercolor on rice paper; 33.3 × 60.0 × 1.5 in (84.5 × 152.4 × 3.8 cm)
Untitled (2017); Watercolor on rice paper; 60.0 × 33.0 × 1.5 in (152.4 × 83.8 × 3.8 cm)
Construct (2018); Watercolor on handmade Japanese paper; 70 in × 34 in (177.8 cm × 86.36 cm); Phillips Collection, Washington, D.C.
Untitled (2019); Watercolor and acrylic on Washi; 76.4 × 42.1 × 1.5 (194.0 × 107.0 × 3.8 cm)
Untitled (2019); Watercolor and acrylic on Washi; 73 × 38 1/2 in (185.4 × 97.8 cm); Menil Collection, Houston
Untitled (2019); Watercolor on paper; 73 × 38 in (185.4 × 96.5 cm); Museum of Modern Art, New York
Untitled (2019); Watercolor on paper; 73 × 38 in (185.4 × 96.5 cm); Museum of Modern Art, New York



2020s

Untitled (2020); Watercolor on washi; 39 1/2 × 71 1/2 in (100.3 × 181.6 cm)
Untitled (2020); Watercolor on washi; 71 1/2 × 39 1/2 in (181.6 × 100.3 cm)
Untitled (2020); Watercolor on washi; 71 1/2 × 39 1/2 in (181.6 × 100.3 cm)
Washi Paper - Blue (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)
Washi Paper - Blue V (2020); Acrylic on washi; 38 5/8 × 38 5/8 in (98.1 × 98.1 cm)
Washi Paper - Orange (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)
Washi Paper - Purple (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)
Washi Paper - Purple/Black (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)
Washi Paper - Red (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)
Washi Paper - Turquoise (2020); Acrylic on washi; 38 5/8 × 38 5/8 in (98.1 × 98.1 cm)
Washi Paper - Yellow (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)
Annie (2022); Watercolor on washi; 77 3/4 × 42 3/4 in (197.5 × 108.6 cm)




Prints






= Prints on paper, canvas, fabric, and veneer

=
Includes editioned prints made with any method or technique, prints in variable editions, monotype prints, and unique mixed media prints on paper, canvas, fabric, or veneer with paint or collage.



1970s

Untitled (1971); Lithograph on paper; 24 × 32 in. (61 × 81.2 cm); Walker Art Center, Minneapolis
Wave (1971); Color lithograph on four pieces of foil mounted on wove paper; Variable edition; 26 × 19 3/4 in (66.04 × 50.17 cm); Detroit Institute of Arts; High Museum of Art, Atlanta; Hood Museum of Art, Hanover, New Hampshire; Indianapolis Museum of Art; Minneapolis Institute of Art; National Gallery of Art, Washington, D.C.; and Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey
Dance '72 (1972); Screenprint on paper; 32 1/4 × 19 in (81.9 × 48.2 cm); Smithsonian American Art Museum, Washington, D.C.
Fire (1972); Lithograph on Japanese paper; Variable edition; 24 1/2 × 18 15/16 in (62.2 × 48.1 cm) [irreg.]; Ackland Art Museum, Chapel Hill, North Carolina; Art Institute of Chicago; Dayton Art Institute, Dayton, Ohio; Indianapolis Museum of Art; Minneapolis Institute of Art; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C. (4 versions, including horizontal and green variants); Yale University Art Gallery, New Haven, Connecticut; Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey
Nile (1972); Lithograph; Variable edition; 24 15/16 × 17 13/16 in (63.3 × 45.3 cm) [irreg.]; Allen Memorial Art Museum, Oberlin, Ohio; Minneapolis Institute of Art; Museum of Modern Art, New York; and Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey
Untitled (1972); Silkscreen; Edition of 38; 41 1/4 × 29 5/8 in (104.77 × 75.25 cm)
Untitled (1972); Silkscreen; 24 1/2 × 17 1/2 in (62.23 × 44.45 cm)
Wild River Run (1972); Lithograph, flocking and glitter; 29 1/2 × 41 1/16 in (75 × 104.3 cm); Cantor Arts Center, Stanford, California
Pink Horseshoes (1973); Silkscreen, monotopye on Arches paper; Edition of 42; 17 3/4 × 24 1/4 in (45.08 × 61.59 cm); Miami-Dade Public Library System, Miami
Equal Employment Opportunity is the Law (1973); Poster; 30 × 22 in (76.2 × 55.88 cm) [framed]; Miami-Dade Public Library System, Miami
Stitch and Sew (1973); Screenprint; 29 × 39 1/2 in (73.7 × 100.3 cm); Cantor Arts Center, Stanford, California
T Shirt, from the portfolio Equal Employment Opportunity is the Law (1973); Screenprint on paper; 22 × 30 in (55.8 × 76.2 cm); Miami-Dade Public Library System, Miami; and Smithsonian American Art Museum, Washington, D.C.
Top Bunk (1973); Color screenprint with flocking and metallic dust; 21 1/8 × 29 3/8 in (53.66 × 74.61 cm); Minneapolis Institute of Art
Untitled (1973); Screenprint with embossing, stitching, and handcoloring in oil; 28.5 × 38.25 in (72.39 × 97.16 cm); Hallie Ford Museum of Art, Salem, Oregon
Anchor (1974); Screenprint, die-cutting, collage and stitching on paper; 22 1/2 × 20 5/8 in (57.2 × 52.3 cm); Akron Art Museum, Akron, Ohio
Chinaberry (1974); Color screenprint and vacuum formed screenprint; 20 1/16 × 26 1/2 in (51 × 67.3 cm); Cincinnati Art Museum
Dusk (1974); Screenprint on handmade paper with collage; West Virginia University Art Museum, Morgantown, West Virginia
A Fog in the Hollow (1974); Color screenprint and vacuum formed screenprint; Variable edition; 24 × 36 7/16 in (60.9 × 92.5 cm); Akron Art Museum, Akron, Ohio; and Cincinnati Art Museum
Lumia (1974); Screenprint on handmade paper; 19 1/8 × 23 3/8 in (48.5 × 59.4 cm); Akron Art Museum, Akron, Ohio
Meeker's Press (1974); Vacuum formed screenprint on handmade paper; Variable edition; 20 × 26 1/4 in (50.8 × 66.67 cm); Madison Museum of Contemporary Art, Madison, Wisconsin; and Chazen Museum of Art, Madison, Wisconsin
Phase (1974); Screenprint; 29 1/2 × 29 5/8 in (74.9 × 75.2 cm); Metropolitan Museum of Art, New York; and University of Arizona Museum of Art, Tucson, Arizona
Pulsar (1974); Screenprint with collage and stitching on paper; 10 1/2 × 10 1/2 in (26.7 × 26.7 cm); University of Michigan Museum of Art, Ann Arbor, Michigan
Sam Senior (1974); Serigraph on Morilla AP etching paper; 51 × 54 1/4 in (129.5 × 137.9 cm); Akron Art Museum, Akron, Ohio
Thursday (1974); Screenprint and dye with stitching on handmade paper; 14 1/2 × 20 13/16 in (36.8 × 52.8 cm); Akron Art Museum, Akron, Ohio
Trame (1974); Monoprint, paint, collage, and thread on wove paper; 24 3/4 × 35 1/2 in (62.86 × 90.17 cm); Weatherspoon Art Museum, Greensboro, North Carolina
Untitled (1974); Screenprint; 20 × 26 1/4 in (50.8 × 41.3 cm); Indianapolis Museum of Art
Wausau (1975); Color embossed collagraph with embedded shards on paper; Variable edition; Diameter: 21 3/4 in (55.2 cm); Hammer Museum, Los Angeles and Phillips Collection, Washington, D.C.
Wissahickon (1975); Color screenprint on wove paper; Edition of 30; 22 1/8 × 30 in (56.2 × 76.2 cm); Allen Memorial Art Museum, Oberlin, Ohio; Harvard Art Museums, Cambridge, Massachusetts; National Gallery of Art, Washington, D.C.; Philadelphia Museum of Art; and Smithsonian American Art Museum, Washington, D.C.
Bardstown (1976); Collagraph on handmade paper; Edition of 25 (variable); 22 1/4 × 22 1/8 in (56.5 × 56.2 cm); Museum of Fine Arts, Houston
Bowling Green (1976); Color collagraph with collage on multicolored, handmade paper; 22 1/4 × 22 5/8 in (56.52 × 57.47 cm); National Gallery of Art, Washington, D.C.
For "200" (1976); Silkscreen on rag paper; 18 1/2 × 19 3/4 in (46.99 × 50.16 cm); Academy Art Museum, Easton, Maryland; Memorial Art Gallery, Rochester, New York; Phillips Collection, Washington, D.C.
Glasgow (1976); Collograph on dyed handmade paper; 21 13/16 × 20 1/2 in (55.4 × 52 cm); Yale University Art Gallery, New Haven, Connecticut
Louisville (1976); Collograph of found objects pressed into hand made paper; 21 3/4 × 21 3/4 in (55.24 × 55.24 cm) [framed]; Miami-Dade Public Library System, Miami
Middleboro (1976); Collograph with embossing; Edition of 28 (variable); 22 × 22 in (55.9 × 55.9 cm); Memorial Art Gallery, Rochester, New York
G.D.S. (1978); Screenprint on paper; 26 × 24 1/8 in (65.9 × 61.2 cm); Smithsonian American Art Museum, Washington, D.C.
Tee 2 (1978); Screenprint with collage (cotton t-shirt) 33 3/4 × 25 7/8 in (85.7 × 65.7 cm); Museum of Fine Arts, Boston
Red Lady (1979); Relief printing and etching on double-couched Upper US Paper Mill handmade; 24 × 35 3/4 in (61 × 90.8 cm); Akron Art Museum, Akron, Ohio



1980s

Cape (1980); Relief printing, embossing, and acrylic on paper; 20 3/4 × 36 in (52.7 × 91.4 cm); Yale University Art Gallery, New Haven, Connecticut
Elegy #6 (1980); Monotype with embossing, relief printing, and handcoloring on hand-made paper; 23 1/2 × 35 5/8 in (59.7 × 90.5 cm); University of Michigan Museum of Art, Ann Arbor, Michigan
Much (1980); Screenprint; 23 × 26 1/4 in (58.42 × 66.67 cm); Phillips Collection, Washington, D.C.
Coffee Thyme II (1980); Lithograph, screenprint, etching, and embossing on paper; 31 1/8 × 40 9/16 in (79 × 103 cm); Herbert F. Johnson Museum of Art, Ithaca, New York; and Princeton University Art Museum, Princeton, New Jersey
Coffee Thyme I (1979, published 1981); Color intaglio with lithography, rubber stamp and debossing on paper; 30 3/4 × 40 3/4 in (78 × 103.5 cm); Art Institute of Chicago
Coffee Thyme II (vanilla) (1981); Color intaglio with lithography, rubber stamp and debossing on paper; 31 1/16 × 40 7/8 in (78.8 × 103.8 cm); Art Institute of Chicago; and Studio Museum in Harlem, New York
Buoy Landscape suite (1982)
Buoy Landscape I, from the suite Buoy Landscape (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Washington, D.C.; and Walker Art Center, Minneapolis
Buoy Landscape II, from the suite Buoy Landscape (1982); Intaglio with screenprint on paper; 32 × 22 1/2 in (81.3 × 57.2 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Washington, D.C.; and Walker Art Center, Minneapolis
Buoy Landscape III, from the suite Buoy Landscape (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Washington, D.C.; and Walker Art Center, Minneapolis
Buoy Landscape IV, from the suite Buoy Landscape (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Washington, D.C.; and Walker Art Center, Minneapolis
Buoy Landscape V, from the suite Buoy Landscape (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Washington, D.C.; and Walker Art Center, Minneapolis
Lattice suite (1982)
Lattice I, from the suite Lattice (1982); Color intaglio with lithograph on paper; 31 1/4 × 44 in (79.4 × 111.8 cm); David C. Driskell Center, College Park, Maryland; Smithsonian American Art Museum, Washington, D.C.; and Walker Art Center, Minneapolis
Lattice II, from the suite Lattice (1982); Color intaglio with lithograph on paper; 47 3/4 × 31 3/4 in (121.28 cm × 80.64 cm); Art Institute of Chicago; and Walker Art Center, Minneapolis
Lattice III, from the suite Lattice (1982); Color intaglio with lithograph on paper; 47 3/4 × 31 3/4 in (121.28 cm × 80.64 cm); Art Institute of Chicago; and Walker Art Center, Minneapolis
Lattice IV, from the suite Lattice (1982); Color intaglio with lithograph on paper; 47 3/4 × 31 3/4 in (121.28 cm × 80.64 cm); Art Institute of Chicago; and Walker Art Center, Minneapolis
Harlem Nights (1983); Color offset lithograph and screenprint collage; 27 1/2 × 34 11/16 in (69.9 × 88.1 cm) [irreg.]; Philadelphia Museum of Art
July #15 (1984); Embossed and printed collage on handmade colored paper with acrylic paint and stitching; 24 1/2 × 24 1/4 in (62.2 × 61.6 cm); Museum of Fine Arts, Boston
New Glarus (1984); Collage and collagraph; Edition of 4 (variable); 29 3/4 × 37 in (75.6 × 94 cm) [irreg.]; Whitney Museum, New York
Untitled (1984); Monotype and rope on handmade paper; 21 1/4 × 86 1/4 in (54 × 219.1 cm)
Untitled (1984); Collograph and acrylic on handmade paper; 28 3/4 × 39 3/4 in (73 × 101.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Unicorn Papers, Series I #3 (1985); Silkscreen, acrylic, and fabric on paper; 88 × 91 in (223.52 × 231.14 cm); University of Louisville Art Collection, Louisville, Kentucky
Butterfly Days (1986); Printed acetate and painted wood on printed, handmade couched paper with string embedded; 43 × 53 1/2 in (109.22 × 135.89 cm) [approx.]; Madison Museum of Contemporary Art, Madison Wisconsin
For Romare #3 (1987); Mixed media on two sheets, housed in two shaped frames, joined together; 35 9/16 × 53 7/8 × 4 1/2 in (90.3 × 136.8 × 11.4 cm); Herbert F. Johnson Museum of Art, Ithaca, New York
In Celebration (1987); 35-color screenprint on heavy wove paper; 32 1/16 × 40 3/16 in (81.4 × 102 cm); Fralin Museum of Art, Charlottesville, Virginia; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Memorial Art Gallery, Rochester, New York; National Gallery of Art, Washington, D.C.; and Smithsonian American Art Museum, Washington, D.C.
Purple Antelope Space Squeeze (1987); Etching, aquatint, collagraph, hand-painted collage, and embossing on handmade paper; Variable edition; 42 3/4 × 36 3/4 in (108.59 × 93.35 cm) [variable]; Birmingham Museum of Art, Alabama; Chazen Museum of Art, Madison, Wisconsin; Madison Museum of Contemporary Art, Madison, Wisconsin; Milwaukee Art Museum; and Phillips Collection, Washington, D.C.
Untitled (Philadelphia) (1987); Screenprint with collage and hand-coloring on white wove paper; 33 3/4 × 45 in (85.7 × 114.3 cm); Harvard Art Museums, Cambridge, Massachusetts
Neruda's The Celery Hats (1989); Monoprint, color woodcut, relief print, hand-painting and collage on paper in artist's frame with hand-painted wooden appendage; 46 1/2 × 52 × 6 in (118.1 × 132.1 × 15.2 cm); Eskenazi Museum of Art, Bloomington, Indiana



1990s

Aviation 1 (1990); Monoprint; 42 × 31 1/4 in (106.68 × 79.37 cm)
Aviation 8 (1990); Monoprint; 49 × 38 1/4 in (124.46 × 97.15 cm)
Chehaw (1990); Monoprint with wood block printing, etching, stencil painting, and splash painting on paper; Variable edition; 44 × 29 1/2 in (111.8 × 74.9 cm); Chazen Museum of Art, Madison, Wisconsin; and Studio Museum in Harlem, New York
For Xavier (1990); Color screenprint on textured paper; 32 × 40 3/16 in (81.3 × 102.1 cm); Smith College Museum of Art, Northampton, Massachusetts
Epiphany 1 (1991); Monoprint; 31 × 42 in (78.74 × 106.68 cm)
Running Naked (1991); Color woodcut and etching; 31 3/4 × 21 1/4 in (80.65 × 53.98 cm); Minneapolis Institute of Art
Running (1991); Monoprint; 31 3/4 × 23 1/4 in (80.64 × 59 cm)
Running Rouge 1 (1991); Monoprint; 24 × 92 in (60.96 × 233.68)
Running Triptych (1991); Monoprint; 24 × 92 in (60.96 × 233.68)
Blazing (1992); Monoprint; 44 × 30 in (111.76 × 76.2 cm)
Fast Track (1992); Color etching and woodcut on handmade paper; 25 1/2 × 26 in (64.77 × 66 cm); Chazen Museum of Art, Madison, Wisconsin
Golden Windows (1991); Monoprint; 31 × 42 in (78.74 × 106.68 cm)
New Moon (1992); Color lithograph with hand additions and collage on paper; 30 × 22 3/8 in (76.2 × 56.8 cm); Eskenazi Museum of Art, Bloomington, Indiana
Tapestry series (1992–1993)
Tapestry 1 (1992-1993); Monoprint on paper; 42 × 25 1/2 in (106.7 × 64.8 cm); Studio Museum in Harlem, New York
Tapestry 4 (1992-1993); Monoprint on paper; 42 × 25 in (106.7 × 63.5 cm); Studio Museum in Harlem, New York
Tapestry 13 (1992-1993); Monoprint on paper; 40 × 23 in (101.6 × 58.4 cm); Studio Museum in Harlem, New York
Tapestry 15 (1992-1993); Monoprint on paper; 39 × 26 in (99.1 × 66 cm); Studio Museum in Harlem, New York
Indigo (1993); Offset print; Edition of 100; 15 × 22 in (38.1 × 55.88 cm); David C. Driskell Center, College Park, Maryland
Pretty Boxes (1993); Color offset lithograph and screenprint on four joined sheets of wove Arches paper; 30 1/8 × 42 11/16 in (76.5 × 108.5 cm) [irreg.]; Harvard Art Museums, Cambridge, Massachusetts; and National Gallery of Art, Washington, D.C.
Tower series (1993)
Tower 7 (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm)
Tower 9 (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm)
Tower 21 (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm)
Tower 27 (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm)
Golden Neck (1993–1994); Screenprint, offset lithograph, and hand-applied acrylic with stitching; 43 5/16 × 30 in (110 × 76.2 cm) [irreg.]; Saint Louis Art Museum
Maquette for Golden Elements Inside Gold, 600 Yds. of Painted Fabric Constructed on Cable (1993–1994); Chromogenic prints, plastic and paper on board; 23 × 19 3/16 in (58.4 × 48.7 cm); Whitney Museum, New York
Double Dutch (1994); Offset print collage and thread on paper; Edition of 94; 14 × 50 in (35.56 × 127 cm); David C. Driskell Center, College Park, Maryland
Tre 94 (1994); Serigraph collage, ink, and thread on paper; 36 × 23 in (91.44 × 58.42 cm); David C. Driskell Center, College Park, Maryland; and Palmer Museum of Art, State College, Pennsylvania
Hav-a-Tampa 15 (1995); Screenprint and monoprint with stitching; 33 15/16 × 28 11/16 in (86.2 × 72.9 cm); Saint Louis Art Museum
Niagara on the Potomac (1995); Color screenprint on Rising wove paper; 23 1/16 × 40 in (58.58 × 101.6 cm); David C. Driskell Center, College Park, Maryland; and National Gallery of Art, Washington, D.C.
Untitled (1995); Monotype with collage on irregular hand-made paper; Washington and Lee University Museums, Lexington, Virginia
Untitled (c. 1996); Mixed media assemblage; 25 × 14 in (63.5 × 35.56 cm); Pennsylvania Academy of the Fine Arts; Philadelphia
As Kids Go (1996); Color lithograph with paper collage and acrylic on handmade paper; 23 × 33 in (58.4 × 83.8 cm); DePaul University Art Museum, Chicago; George Washington University Art Collection, Washington, D.C.; Howard University Gallery of Art, Washington, D.C.; La Salle University Art Museum, Philadelphia; Weatherspoon Art Museum, Greensboro, North Carolina; and Yale University Art Gallery, New Haven, Connecticut
GDS /50 (1996); Collage of collagraphs with acrylic, metal snaps, and machine-sewn thread on die-cut paper; Edition of 50 + 10 PPs; 28 × 24 in (71.1 × 61 cm); Whitney Museum, New York
Big (1992–1997); Monotype collage on Arches paper; 31 × 42 in (78.7 × 106.7 cm); Fine Arts Museums of San Francisco
Lightning Bolt! (1997); Screenprint with paint; 26 7/8 × 26 1/2 in (68.3 × 67.3 cm); Saint Louis Art Museum
Manet (1998); Mixed media monoprint with handpainting, relief printing, screenprinting, cutouts, collage, and stitching on handmade paper; Variable edition; 18 1/2 × 23 1/2 in (47 × 59.7 cm); Chazen Museum of Art, Madison, Wisconsin; Detroit Institute of Arts; and Madison Museum of Contemporary Art, Madison, Wisconsin
Untitled (1998); Lithograph, handmade paper, collé; Variable edition of 60; 22 1/4 × 21 3/4 in (56.5 × 55.2 cm); David C. Driskell Center, College Park, Maryland; Mead Art Museum, Amherst, Massachusetts; Muscarelle Museum of Art, Williamsburg, Virginia; and Palmer Museum of Art, State College, Pennsylvania
Untitled, from the series Shooting Star (1998); Mixed media; 15 1/2 × 17 1/2 in (39.4 × 44.5 cm); Yale University Art Gallery, New Haven, Connecticut
Ben II (1999); Lithograph; 18 3/8 × 27 1/2 in (46.7 × 69.9 cm); Saint Louis Art Museum



2000s

Untitled (2001); Screenprint; 40 5/8 × 47 3/4 in (103.2 × 121.3 cm); Art in Embassies Program (Collection of United States Department of State)
Journey Home (2002); Silkscreen print; 20 × 40 in (50.8 × 101.6 cm); Phillips Collection, Washington, D.C.
Bowling (2002); Relief on veneer and chine appliqué; 29 3/4 × 39 5/8 in (75.56 × 100.65 cm); Chazen Museum of Art, Madison, Wisconsin
Lilly's Print (2002); Relief on wood veneer; 30 × 30 in (76.2 × 76.2 cm); Chazen Museum of Art, Madison, Wisconsin
Lilly's Print (left) (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin
Lilly's Print (right) (2002); Two-color woodblock print on two pieces of wood veneer; 29 3/4 × 29 3/4 in (75.56 × 75.56 cm); Baltimore Museum of Art; and Chazen Museum of Art, Madison, Wisconsin
No Title (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin
No Title (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin
No Title (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin
Union Pacific (2002); Relief on wood veneer; 30 × 30 in (76.2 × 76.2 cm); Chazen Museum of Art, Madison, Wisconsin
Union Pacific (2002); Relief on wood veneer; 30 × 30 in (76.2 × 76.2 cm); Chazen Museum of Art, Madison, Wisconsin
ARS (ars longa, vita brevis) (2003); Color screenprint on wove paper; 28 15/16 × 20 in (73.5 × 50.8 cm); David C. Driskell Center, College Park, Maryland; Howard University Gallery of Art, Washington, D.C.; National Gallery of Art, Washington, D.C.; and Yale University Art Gallery, New Haven, Connecticut
5 a.m. (2004); Cut and sewn color relief prints on wove paper, fabric, and felt; Variable edition of 50; 22 1/4 × 15 1/2 in (56.5 × 39.4 cm); Cleveland Museum of Art
Castle Banner 1 (2004); Monoprint collage; 60 × 40 in (152.4 × 101.6 cm); Chazen Museum of Art, Madison, Wisconsin
Castle Banner 5 (2004); Monoprint collage; 48 1/2 × 36 1/2 in (123.19 × 92.71 cm); Chazen Museum of Art, Madison, Wisconsin
New Bridges (2004); Relief print; 30 × 22 1/2 in (76.2 × 57.15 cm); Allentown Art Museum, Allentown, Pennsylvania; David C. Driskell Center, College Park, Maryland; Pennsylvania Academy of the Fine Arts, Philadelphia; and Mount Holyoke College Art Museum, South Hadley, Massachusetts
Sam (2004); Relief print and collage on felt; 22 1/2 × 15 in (57.2 × 38.1 cm) [irreg.]; Yale University Art Gallery, New Haven, Connecticut
Untitled (2004), from the portfolio Master Artists/Master Printmakers: Portfolio I (2003–2004); Cut and sewn color relief prints on wove paper, fabric, and felt; 22 1/4 × 15 1/2 in (56.52 × 39.37 cm); National Gallery of Art, Washington, D.C.
Untitled (Blue) (2004), from the deluxe edition of the book Three Decades of American Printmaking: The Brandywine Workshop Collection (2004); Color offset lithograph; 10 15/16 × 8 7/16 in (27.8 × 21.4 cm); Philadelphia Museum of Art
Untitled (Red) (2004), from the deluxe edition of the book Three Decades of American Printmaking: The Brandywine Workshop Collection (2004); Color offset lithograph; 11 × 8 9/16 in (27.9 × 21.7 cm); Philadelphia Museum of Art
Untitled (Yellow) (2004), from the deluxe edition of the book Three Decades of American Printmaking: The Brandywine Workshop Collection (2004); Color offset lithograph; 10 15/16 × 8 7/16 in (27.8 × 21.4 cm); Philadelphia Museum of Art
Castle Banner 5 (2005); Relief print on wood veneer with collage; 60 × 40 in (152.4 × 101.6 cm)
Dogon series (2005)
Dogon I, from the Dogon series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota
Dogon II, from the Dogon series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota
Dogon III, from the Dogon series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota
Dogon IV, from the Dogon series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota
Dogon V, from the Dogon series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota
Soaring (2005); Serigraph; 23 3/5 × 16 2/5 in (59.94 × 41.66 cm); David C. Driskell Center, College Park, Maryland
Wind (2005); Screenprint and collage; Edition of 150; 14 1/2 × 21 in (36.8 × 53.3 cm); Allentown Art Museum, Allentown, Pennsylvania; David C. Driskell Center, College Park, Maryland; Howard University Gallery of Art, Washington, D.C.; and Yale University Art Gallery, New Haven, Connecticut
Barnet Stone Mythography portfolio (2007); Serigraph, etching, and lithography on paper (7 parts) in felt box with lithograph on lid; Box: 23 3/8 × 31 3/8 × 1 1/4 in (59.4 × 79.7 × 3.2 cm), prints variable; Mount Holyoke College Art Museum, South Hadley, Massachusetts; and Pennsylvania Academy of the Fine Arts, Philadelphia
Ferris Wheel (2007); Relief, digital print, and collage on fir and maple veneer; 48 1/2 × 73 in (123.19 × 185.42 cm); Chazen Museum of Art, Madison, Wisconsin
Tree (2007); Monoprint and collage on wood; 48 × 37 in (121.9 × 94 cm)
Destiny (2008); Offset print; Edition of 75; 28 3/4 × 17 1/2 in (73 × 44.45 cm); David C. Driskell Center, College Park, Maryland
New Movie 1 (2008); Relief and digital print on fir veneer; 32 3/8 × 29 1/8 in (82.23 × 73.98 cm); Chazen Museum of Art, Madison, Wisconsin
New Movie 2 (2008); Relief and digital print on fir veneer; 32 1/2 × 29 1/8 in (82.55 × 73.98 cm); Chazen Museum of Art, Madison, Wisconsin
New Movie 3 (2008); Relief and digital print on fir veneer; 32 5/8 × 29 3/8 in (82.87 × 74.61 cm); Chazen Museum of Art, Madison, Wisconsin
New Movie 4 (2008); Relief and digital print on fir veneer; 32 3/4 × 29 3/8 in (83.18 × 74.61 cm); Chazen Museum of Art, Madison, Wisconsin
Chakaia (2009); Serigraph on fabric; 25 × 30 in (63.5 × 76.2 cm); Rollins Museum of Art, Winter Park, Florida
Destiny (2009); Lithograph; 29 3/4 × 19 in (75.56 × 48.26 cm); Howard University Gallery of Art, Washington, D.C.
Museum Moment (2009); Silkscreen; Edition of 105; 32 × 40 in (81.28 × 101.6 cm); David C. Driskell Center, College Park, Maryland; and Herbert F. Johnson Museum of Art, Ithaca, New York



2010s

Cloudy Fingers (2010); Relief/digital print, acrylic on rice paper, framed; 33 × 39 × 5 1/5 in (83.82 × 99 × 13.97 cm)
Days (2010); Relief/digital print, acrylic on rice paper, framed; 52 1/4 × 47 × 6 in (132.71 × 119.38 × 15.24 cm)
For the Fog 14 (2010); Ink with acrylic paint and polymer varnishes on paper, relief and digital print; 44 1/2 × 45 1/2 in (113.03 × 115.57 cm); Indianapolis Museum of Art
For the Fog A (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 26 × 50 in (66 × 127 cm)
For the Fog B (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 24 1/2 × 35 in (62.23 × 88.9 cm)
For the Fog C (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 44 × 34 in (111.76 × 86.36 cm)
For the Fog D (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 33 × 30 in (83.82 × 76.2 cm)
In the Fog (2010); Relief/digital print, collograph, acrylic, nylon thread, wood vener, cork veneer, collage; 30 1/2 × 41 1/4 in (77.47 × 112.39 cm); Chazen Museum of Art, Madison, Wisconsin; and Maier Museum of Art, Lynchburg, Virginia
Making Green (2010); Relief/digital print, acrylic on rice paper, framed; 29 3/4 × 33 1/4 × 5 1/2 in (75.56 × 84.45 × 13.97 cm)
Nova (2010); Relief/digital print, acrylic on rice paper, framed; 31 × 27 × 6 in (78.74 × 68.58 × 15.24 cm)
Printing on the World 3 (2010); Oil based monotype, acrylic paint, powdered pigment; 30 × 22 in (76.2 × 55.88 cm)
Reflection to Little Miss Cole (2010); Relief/digital print, acrylic, mixed media collaged on paper; Mint Museum, Charlotte, North Carolina
Standing up Goya (2010); Relief/digital print, acrylic on rice paper, framed; 93 1/2 × 36 1/2 × 7 in (237.49 × 92.71 × 17.78 cm)
Untitled (2010); Mixed media and collage; Irregular dimensions; Madison Museum of Contemporary Art, Madison, Wisconsin
Phelps (2016); Monotype, with hand-coloring and collage, on handmade paper on canvas; Variable edition; 46 1/4 × 74 1/8 in (117.47 × 188.28 cm); Madison Museum of Contemporary Art, Madison, Wisconsin; and University of Michigan Museum of Art, Ann Arbor, Michigan
Frieze (2017); Monotypes in artist's frames; Eleven parts, overall dimensions variable; Georgetown Lombardi Comprehensive Cancer Center, Washington, D.C.
Walter/Josef (2018); Screenprint; 26.9 × 40 in (68.4 × 101.8 cm); Kunstmuseum Basel, Switzerland



2020s





= Sculptural prints

=
Includes prints on metal, wood, and plastic and 3-dimensional print constructions



Undated

Pages and Echoes #2 (n.d.); Acrylic paper collage on board; 18 3/4 × 24 1/2 × 3 1/4 in (47.62 × 62.23 × 8.25 cm); Virginia Museum of Fine Arts, Richmond, Virginia



1970s

Cranes (1972); Color screenprint with machine stitching and metal coathanger; 30 5/8 × 17 in (77.8 × 43.2 cm); Yale University Art Gallery, New Haven, Connecticut
Pink Horse Shoes (1973); Serigraph, flocking, and glitter on Arches Cover Paper with clothes hanger; 23 × 14 1/4 in. (58.4 × 36.2 cm); Akron Art Museum, Akron, Ohio



1980s

Dave Dove Liz (1986); Three-dimensional color monotype in wood box; 54 × 49 in (137.2 × 124.5 cm) × 2 in (5.1 cm) [depth approx.]
Untitled (1987); Lithograph, etching, screenprint collage with aluminum elements; 73 1/4 × 103 3/8 × 3 5/8 in (186.05 × 262.57 × 9.21 cm); Walker Art Center, Minneapolis
Untitled (1987); Color lithograph, screenprint, etching; cut and collaged to Gatorboard and foam core; enclosed in wooden box frame with anodized aluminum elements under Plexiglas; 41 × 40 1/4 × 3 5/8 in (104.14 × 102.24 × 9.21 cm); Minneapolis Institute of Art
Tulip Series: Blossoms (1989); Collage and pigment; Washington and Lee University Museums, Lexington, Virginia
Tulip Series: Petal (1989); Collage and pigment; 20 × 16 × 6 in (50.8 × 40.6 × 15.2 cm) [approx.]; Howard University Gallery of Art, Washington, D.C.




Temporary, destroyed, and non-extant works


Gilliam created and exhibited works throughout his career that he would later dismantle and either sell as smaller pieces, destroy, or reconstitute into other works, and several of his commissioned installations have been dismantled or destroyed following renovations or construction. Works are included in this category regardless of their medium. These include temporary public installations that the artist is recorded to have reclaimed, site-specific installations, and destroyed works.




= 1960s

=
Baroque Cascade (1969); Acrylic on canvas; Dimensions variable; Originally exhibited at Gilliam, Krebs, McGowin (1969), Corcoran Gallery of Art, Washington, D.C.




= 1970s

=
Dark as I Am (1968–1973); Acrylic, clothing, backpack, painter's tools, wooden closet pole on wood, crayon on walls, sunglasses, boots, ladder, paint bucket; Dimensions variable; Originally exhibited in 1973 at Jefferson Place Gallery, Washington, D.C.; Later reconstituted to form Composed (formerly Dark as I Am) (1968–1974).
Autumn Surf (1973); Acrylic on polypropylene canvas, wood; Dimensions variable; Originally exhibited at Works in Spaces (1973), San Francisco Museum of Modern Art; Painted canvas was later reconstituted to form part of Niagara (1977–1978) and Autumn Surf East (1972–1990)
Seahorses (1975); Acrylic on canvas, 6 parts; Dimensions variable; Originally exhibited in 1975 on the exterior walls of the Philadelphia Museum of Art; Exhibited again in 1976, with 5 canvases instead of 6, on the exterior walls of the Brooklyn Museum, New York
Three Panels for Mr. Robeson (1975); Acrylic on canvas; Dimensions variable; Originally exhibited at the 34th Corcoran Biennial Exhibition of Contemporary American Painting (1975), Corcoran Gallery of Art, Washington, D.C.
Custom Road Slide (1977); Acrylic on wood, polypropylene, and shale; Dimensions variable; Originally exhibited at Earl W. Brydges Artpark State Park, Lewiston, New York
Niagara (1977–1978); Acrylic on polypropylene, wood, pipe, rope, and rocks, including painted canvas previously exhibited as Autumn Surf (1973); 136 × 408 × 324 in (345.44 × 1036.32 × 822.96 cm), overall dimensions variable; Originally exhibited at Sam Gilliam: Indoor & Outdoor Paintings, 1967-1978 (1978), University Museum of Contemporary Art, University of Massachusetts Amherst; Painted canvas was later reconstituted to form part of Niagara Extended (1982)




= 1980s

=
Dupont Circle Grand (1980); Oil and acrylic on canvas, wood, metal beams; 35 × 40 ft (1066.8 × 1219.2 cm); Originally exhibited at Dupont Circle Metro station, Washington, D.C., as an initiative of the Washington Project for the Arts' Art Site program, in conjunction with the 11th International Sculpture Conference
Niagara Extended (1982); Acrylic on polypropylene, wood, pipe, rope, and rocks, including painted canvas previously exhibited as Niagara (1977–1978); Dimensions variable; Originally exhibited at Sam Gilliam (1982), Artspace Gallery, Coral Gables, Florida




= 1990s

=
Autumn Surf East (1972–1990); Acrylic on polypropylene, including painted canvas previously exhibited as Autumn Surf (1973); 15 × 300 ft (4.57 × 91.44 m); Dimensions variable; Originally exhibited at Rockville Art Place (now VisArts), Rockville, Maryland
Ferris Wheel (1991); Woodcut prints and acrylic on canvas and aluminum; Dimensions variable; Originally exhibited at Sam Gilliam: Of Fireflies or Ferris Wheels (1991), Walker Hill Art Center, Seoul (organized by U.S. Information Agency); printed and painted canvas was later reconstituted to form Of Fireflies and Ferris Wheels: Monastery Parallel (1997)
Of Fireflies (1991); Woodcut prints and acrylic on canvas and wood; Originally exhibited at Sam Gilliam: Of Fireflies or Ferris Wheels (1991), Walker Hill Art Center, Seoul (organized by U.S. Information Agency); printed and painted canvas was later reconstituted to form Of Fireflies and Ferris Wheels: Monastery Parallel (1997)
Bikers Move Like Swallows II (1995); Acrylic, tobacco linen, and aluminum rings; Dimensions variable; Originally exhibited in 1990 at the 44th Biennial Exhibition of Contemporary American Painting: Painting Outside Painting (1995–1996), Corcoran Gallery of Art, Washington, D.C.
Of Firelies and Ferris Wheels: Monastery Parallel (1997); Woodcut prints and acrylic on sewn polypropylene, wood, mirrors, including printed canvas previously exhibited as Of Fireflies (1991) and Ferris Wheel (1991); Dimensions variable; Originally exhibited in 1997 in the chapel gallery at Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Magdeburg, Germany
Untitled (1998); Acrylic on canvas, custom flotation devices; Dimensions variable; Originally exhibited at Sam Gilliam in 3D (1998–1999), Kreeger Museum, Washington, D.C.




= 2000s

=




= 2010s

=
Close to Trees #1-11 (1990–2011); Drapes suspended from ceiling, acrylic on polypropylene; Dimensions variable; Originally exhibited at Sam Gilliam: Close to Trees (2011), American University Museum, Washington, D.C.
Close to Trees Double (1990–2011); Drapes suspended from ceiling, acrylic on polypropylene; Dimensions variable; Originally exhibited at Sam Gilliam: Close to Trees (2011), American University Museum, Washington, D.C.
Wall Cascade (1990–2011); Acrylic on polypropylene; Dimensions variable; Originally exhibited at Sam Gilliam: Close to Trees (2011), American University Museum, Washington, D.C.
Wall Cascade with Mirror (1990–2011); Acrylic on polypropylene; Dimensions variable; Originally exhibited at Sam Gilliam: Close to Trees (2011), American University Museum, Washington, D.C.
Flour Mill (2011); Acrylic on suspended nylon panels; Dimensions variable; Originally exhibited at Sam Gilliam: Flour Mill (2011), Phillips Collection, Washington, D.C.
Yves Klein Blue (2017); Acrylic on Cerex nylon; Dimensions variable; Originally exhibited at Viva Arte Viva, 57th Venice Biennale (2017)




References






= Citations

=




= Cited references

=
Ten Washington Artists: 1950-1970 (Exhibition catalogue). Edmonton, Alberta: Edmonton Art Gallery. 1970. OCLC 202177.
Sam Gilliam: Paintings 1970-1975 (Exhibition catalogue). Washington, D.C.: Fendrick Gallery. 1975. pp. Unpaginated. OCLC 2073916.
Sam Gilliam: Paintings and Works on Paper (Exhibition catalogue). Louisville, Kentucky: J.B. Speed Art Museum. 1976. pp. Unpaginated. OCLC 2395488.
Resonance: Williams/Edwards/Gilliam (Exhibition catalogue). Baltimore: Morgan State University. 1976. pp. Unpaginated. OCLC 38196008.
Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. 1978. OCLC 5106592.
Sam Gilliam: From Red and Black to "D" (Exhibition catalogue). New York: Studio Museum in Harlem. 1982. OCLC 10145768.
James, Curtia (February 1989). "Sam Gilliam: Working with His Seven-League Boots On". American Visions. 4 (1). Washington, D.C.: Visions Foundation: 26–30. ISSN 0884-9390. OCLC 12532797.
Traditions and Transformations: Contemporary Afro-American Sculpture (Exhibition catalogue). New York: Bronx Museum of the Arts. 1989. ISBN 9780917535154. OCLC 19221241.
Sam Gilliam, 1969-1975 (Exhibition catalogue). Chicago: Klein Art Works. 1990. pp. Unpaginated. OCLC 37713903.
Sam Gilliam: Small Drape Paintings, 1970-1973 (Exhibition catalogue). Washington, D.C.: Middendorf Gallery. 1990. pp. Unpaginated. OCLC 21835129.
Sam Gilliam: Of Fireflies or Ferris Wheels, a Cultural Presentation of the United States of America (Exhibition catalogue). Washington, D.C.: Arts America Program, United States Information Agency. 1991. OCLC 52922826.
Sam Gilliam: Recent Monoprints (Exhibition catalogue). Philadelphia: Brandywine Workshop. 1993. OCLC 32811768.
Sam Gilliam: Of Fireflies and Ferris Wheels: Monastery Parallel (Exhibition catalogue). Magdeburg: Kunstmuseum Kloster Unser Lieben Frauen Magdeburg. 1997. pp. Unpaginated. ISBN 9783930030309. OCLC 845459239.
Binstock, Jonathan P, ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. 2017. ISBN 9780989159852. OCLC 986538185.
Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
Sam Gilliam: 1967-1973 (Exhibition catalogue). New York: Mnuchin Gallery. 2017. ISBN 9780998453927. OCLC 1020307668.
Binstock, Jonathan; Helfenstein, Josef, eds. (2018). The Music of Color: Sam Gilliam 1967-1973. Cologne: Walther König. ISBN 9783960983408. OCLC 1059129151.
Martin, Courtney J., ed. (2019). Four Generations: The Joyner/Giuffrida Collection of Abstract Art. New York: Gregory R. Miller & Co. ISBN 9781941366264. OCLC 1104920240.
Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. 2020. ISBN 9781948701389. OCLC 1230158624.
Sam Gilliam: The Last Five Years (Exhibition catalogue). New York / Los Angeles: Pace Gallery / David Kordansky Gallery. 2023. ISBN 9781948701389. OCLC 1230158624.

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