• Source: Lonely Woman (composition)

"Lonely Woman" is a jazz composition by Ornette Coleman. Coleman's recording of it was the opening track on his 1959 Atlantic Records album The Shape of Jazz to Come. Alongside Coleman's alto saxophone, the recording featured Don Cherry on cornet, Charlie Haden on double bass and Billy Higgins on drums.




Origin


In an interview with Jacques Derrida, Coleman spoke of the origin of the composition:

Before becoming known as a musician, when I worked in a big department store, one day, during my lunch break, I came across a gallery where someone had painted a very rich white woman who had absolutely everything that you could desire in life, and she had the most solitary expression in the world. I had never been confronted with such solitude, and when I got back home, I wrote a piece that I called "Lonely Woman."




Other versions


Haden and Cherry revisited the song on Old and New Dreams (ECM, 1979), Haden doing so again on Etudes (1987) and In Angel City (1988).
Pianist John Lewis first recorded the song in November1961 with the Modern Jazz Quartet for their 1960-1961 Live in Paris (album) which was one of the earliest recorded covers of a Coleman number. Later that year, in July, Lewis recorded it again for his album European Encounter.
Vocal versions, with lyrics written by Margo Guryan, have been recorded by Chris Connor (1962), Freda Payne (1964, on After the Lights Go Down Low and Much More!!!) and Carola Standertskjöld (1966).




References

Kata Kunci Pencarian:

• Penghargaan Grammy ke-53
• Penghargaan Grammy ke-52
• Penghargaan Grammy ke-55
• Penghargaan Grammy ke-51
• Lonely Woman (composition)
• Lonely Woman
• Lonely Woman (album)
• Lonely Road (song)
• The Shape of Jazz to Come
• Sgt. Pepper's Lonely Hearts Club Band
• Quiet Girl with a Credit Card
• The Lonely
• Roy Orbison
• Show Me the Meaning of Being Lonely