• Source: Marino Perez

      • Marino Perez (December 26, 1946 - July 26, 1991), also known as Esteban Perez, is considered one of the greatest bachateros of all time. Known as "The Father of Bitter Bachata", Perez wrote music that often dealt with the hardships of prison life, prostitution, and his struggles with alcoholism. His career peaked in the 70s and 80s with a long list of hits, including Ay Mami, La Historia De Marino, and No La Quiero Ver Con Otro.


      Biography


      Perez was born to Carmen Perez and Arcadio Astacio on December 26, 1946, in Guayabo Dulce, a province of Hato Mayor del Rey, Dominican Republic. As a young boy, Perez would fish and swim in a local river, later inspiring him to write songs about his experience of nature. Perez began to work at the age of fourteen as a sugar cane cutter, earning only 35 cents per trip. It was at this time that his sister Leonidas "Morena" Rondon Perez moved to Placer Bonito at No. 34 Maria Quirino St. in neighboring province San Pedro de Macorís. Nine years later, Perez decided to move to San Pedro de Macorís, where he made contact with local musicians Negro Sánchez, Suri Domínguez, Julito Reyes, and Ramón Marrero. Perez would meet them at Sánchez's home in Loma del Cochero, where they would play and compose songs under a limoncillo tree. During these years, Perez recorded his first and second albums, "Sin Rumbo" and "Entre Copa y Copa", which did not succeed.
      In the 70's, Christopher Acosta formed the group "Los Dominicanos del Ritmo", later known as "Los Cibernéticos", which Perez joined. The group would meet at "El 28", an entertainment center located on the street 30 de marzo next to the sports complex. There Perez met Cristóbal Acosta, Ángel Guerrero, Sijo Osoria, José Ventura, Juan Bautista, Tony Santos, Pepillo the owner of "El 28", and others.
      After Perez's first hit, "Aclamando El Licor", his songs were widely broadcast. He was supported by broadcasters Gregorio Justiniano in Radio Mar, Michel and Domingo de los Santos in Radio Dial, and Edwin Emmanuel (el bravo) in Radio Oriente. Perez and Los Cibernéticos hosted well-attended events in the Apollo Disco Club. Marino popularized many songs, including "El Trago de Olvidar", "De Taberna en Taberna", and "La Espero Bebiendo". Marino was loved and acclaimed by many, but his enjoyment of parties, women, and liquor led to a poor reputation. He was not received well in some parts of society and drew inspiration from this criticism to write "Que Sigan Criticando que Yo Sigo Gozando". Due to his talent, Perez could find inspiration in sayings, holidays, stories, and even tragic events. A musician who was at the height of his career, Wilfrido Vargas, found some of Perez's hits and adapted them, resulting in a resounding international success. However, despite the success of his albums, Perez lived his life in poverty as bachateros were underpaid.
      In 1991, Marino was admitted to San Pedro Medical Center for liver cirrhosis, staying there briefly before returning to his family. He died two days later at his home on Romana Gonzales St. in the neighborhood of Mejico No. 145 in San Pedro de Macoris, where he lived with his mother, sister, and two daughters Raysa Perez and Johanna Veronica.
      Perez was known as one of the most authentic representatives of bachata. Just minutes after the Radio Dial news broadcast of his death, the city of San Pedro de Macoris became a sea of tears and grief for such a huge loss. His funeral is remembered for being one of the most emotional and well attended events in the history of the city. When the funeral motorcade arrived at the cemetery next to Santa Fe, the tail was still in the park Duarte. Marino Perez's songs still live in all stations across the country even with the passage of years after his death. The public continues to buy his records, and he is remembered as a musical icon for his career in folk art.


      Discography


      La Tragedia de un Veneno (1970)
      La Tragedia de un Veneno
      Acabaré con el Licor
      Pero No Me Olvides
      Regresa Mi Amor
      Puedes Andar con Quien Quieras
      A Esa No lo Pruebas Tú
      De Eso Me Río Yo
      ¿Por Qué Me Abandonaste?
      Tus Lindos Ojos Mi Amor
      No la Olvidaré
      Boleros (1979)
      ¿Detrás de Quién Volviste?
      La Madre Fue Culpable
      Desde Que Te Fuiste
      Quiero Beber
      No Vuelvas a Molestarme
      Sólo Así Eres un Hombre
      Huérfano de Amor
      El Último Que Ríe
      Sígueme
      No Soy Tonto
      Los Éxitos de Marino Pérez (1979)
      Chiquitita
      Una Copa Más
      Vine a Buscarte Morena
      Princesita
      Yo Que Sí, y Tú Que No
      Déjala Tranquila
      La Pago Yo o la Paga Ella
      Carita de Santo
      La Desflorada
      Sígueme
      Por Mi Madre Que Yo No Fui (1980)
      La Esperaré Bebiendo
      No la Quiero Ver con Otro
      Vine a Buscarte Morena
      El Trago de Olvidar
      Sígueme
      Déjala Tranquila
      Yo Que Si, y Tú Que No
      La Mujer Que Me Comprende
      Por Mi Madre Que Yo No Fui
      Yo No Puedo Más
      Déjala Pasar
      Pena y Sentimiento
      La Alabanciosa
      Vámonos a Caballito
      Por Andar de Parrandera
      De Eso Me Río Yo (1981)
      De Eso Me Río Yo
      Contestación al Puñalito de Acero
      El Trago del Olvido
      De Qué Tú Privas
      Asesíname
      Traicionera Sin Bandera
      Bebiendo Seguiré
      Sentado en la Pared
      No Te Puedo Olvidar
      Te Llevaré Conmigo
      15 Éxitos (1985)
      Con el Pecho y el Corazón
      Ay Mami
      El Último Golpe
      La Ruta Desaparecida
      Ay! Morena, Ay! Bendito
      A Esa Me la Llevo Yo
      La Comezón
      Perdida
      Dónde Está Mi Mujer
      El Recuento de Marino
      Amor a la Buena
      Con el Bate en la Mano
      Como Tú Ninguna
      ¿Cuándo Vendrás?
      Paloma Herida
      Vol. 2 (2002)
      Yo No Puedo Más
      De Tu Boca Quiero un Beso
      No y No (El Dado y el Vironay)
      Hay Amor
      Yo la Quisiera Olvidar
      Esta Noche
      Por Mi Santa Madre
      Mujer Traidora
      Muero Por Ti
      Qué Felicidad


      References

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