• Source: Marino Tartaglia
  • Marino Tartaglia (3 August 1894 – 21 April 1984) was a Croatian painter and art teacher, for many years a professor at the Academy of Fine Arts, Zagreb.
    From 1948 he was a member of the Croatian Academy of Sciences and Arts. He received the Vladimir Nazor Award for lifetime achievement in the arts in 1964.


    Biography


    Marino Tartaglia was born 3 August 1894 in Zagreb. He completed elementary school and the Royal High School in Split. In 1907 he encountered Emanuel Vidović, and became interested in painting. He studied drawing with Virgil Meneghello Dinčić. He enrolled in the Architectural School ( Građevna stručna škola) in Zagreb (1908–1912) where among his teachers were well-known painters: Oton Iveković, Ivan Tišov, Robert Frangeš Mihanović and Bela Čikoš Sesija. In the turbulent times before the First World War, fearing political persecution, he left for Italy, first to Florence, then to Rome, where in 1913 he enrolled in the Instituto Superiore di Belle Arti.
    He spent a brief time as a volunteer on the Salonika front, but quickly returned to Rome where he worked an assistant to Ivan Meštrović, then returned to Florence where he got to know the Futurist artists Carlo Carrà, Giorgio de Chirico and others.
    Following the war, he spent time in Split (1918–1921), then travelled to Vienna, Belgrade, and Paris. Returning to Zagreb in 1931, at the request of Vladimir Becić, Tartaglia started work as a trainee teacher at the Academy of Fine Arts, becoming a lecturer in 1940, associate professor in 1944, and full professor in 1947. He trained several generations of Croatian painters.
    From 1948 he was a full member of the Croatian Academy of Sciences and Arts. In 1964, he received the Vladimir Nazor Award for Lifetime Achievement in the arts. In 1975, he held a retrospective exhibition at the Art Pavilion in Zagreb.
    Marino Tartaglia died 21 April 1984 in Zagreb.


    Legacy


    In his early works, Tartaglia showed the influence of Cézanne and the post-Impressionists, while later works the flat colourful masses become almost completely abstract – verging on figurative. Tartaglia was especially impressive in his series of self-portraits which showed signs of expressionism from 1917, and were completely abstract by the 1960s. His work was spontaneous, with a connection to primitive art, such as that of ancient cave paintings.


    Works


    Self-portrait, 1917 — Expressionist style painting
    Self-portrait, 1920
    Marjan Through the Olive (Marjan kroz masline) 1920
    Still Life with Statue II (Mrtva priroda s kipom II), 1921
    Combing (Češljanje), 1924
    Still Life with fruits and basket, 1926
    Small Breakwater (Mali lukobran), 1927
    Landscape (Pejsaž), 1928
    Portrait of Mrs Fink I (Portret gđe Fink I), 1935
    My Wife (Moja žena), 1936
    Painter (Slikar), 1966
    Flowers I (Cvijeće I), 1966


    Exhibitions


    Throughout his sixty-year artistic career, Tartaglia held 30 solo exhibitions and over 270 group exhibitions at home and abroad. He participated in the Venice Biennale of 1940.


    = Solo shows

    =
    Selected recent solo exhibitions include

    2009 Marino Tartaglia – Gallery Adris, Rovinj
    2004 Marino Tartaglia : Retrospektivna izložba – Galerija Umjetnina Split, Split
    2003 Galerija Klovićevi dvori, Zagreb
    1975/6 Retrospective Exhibition at the Art Pavilion in Zagreb
    1971 Marino Tartaglia – Gallery of Fine Arts, Split
    1964 Marino Tartaglia – Gallery of Fine Arts, Split


    = Group shows

    =
    Selected recent group exhibitions include

    2008 From the holdings of the museum – Museum of Modern Art Dubrovnik, Dubrovnik
    2007 Iz fundusa galerije – Museum of Modern Art Dubrovnik, Dubrovnik
    2006 Croatian Collection – Museum of Contemporary Art Skopje, Skopje


    = Public collections

    =
    His work can be found in the following public collections
    Croatia

    Gallery of Fine Arts, Split (Galerija Umjetnina) Split
    Museum of Contemporary Art, Zagreb (Muzej Suvremene Umjetnosti)
    Museum of Modern Art Dubrovnik, Dubrovnik
    Muzej Moslavine, Kutina
    Macedonia (F.Y.R.M.)

    Museum of Contemporary Art, Skopje
    Serbia

    Museum of Contemporary Art, Belgrade
    Slovenia

    Modern Gallery (Moderna Galerija), Ljubljana


    References




    Bibliography


    Tonko Maroević: Monografija, Galerija Klovićevi dvori, Zagreb 2003., ISBN 953-6776-61-8
    Igor Zidić: Marino Tartaglia (1894–1984), Moderna galerija, 2009., ISBN 978-953-559-483-3
    Božo Bek, Mića Bašićević: Marino Tartaglia (katolog izložbe), Galerija suvremene umjetnosti Zagreb, 1967.
    Željka Čorak, Tonko Maroević: Marino Tartaglia (katolog izložbe), Umjetnički paviljon, Zagreb, 1975.

Kata Kunci Pencarian: