• Source: Never Mind the Quality Feel the Width (film)
  • Never Mind the Quality Feel the Width is a 1973 British comedy film directed by Ronnie Baxter and starring John Bluthal, Joe Lynch, Yootha Joyce, Wendy King and Bernard Stone. It was a spin-off from the ITV television series Never Mind the Quality, Feel the Width (1967–71) about two mismatched tailors in the East End of London.
    The role of Rita was played by singing ukulele player and Opportunity Knocks winner Wendy King, whose 1971 album "Ukelele Girl" can be spotted in Mrs. Finch's travel shop window.


    Plot


    In the course of the film, Manny and Patrick hire a sexy new assistant Rita, seriously fall out after a gambling incident, experience woman trouble, find themselves burgled, and eventually end up on holiday in Rome after posing as priests.


    Cast


    John Bluthal as Manny Cohen
    Joe Lynch as Patrick Kelly
    Yootha Joyce as Mrs. Finch
    Wendy King as Rita
    Ann Beach as Bridie
    Eddie Byrne as Father Ignatious
    Bernard Stone as Nathan
    Bill Maynard as Larkin
    David Nettheim as rabbi
    Ivor Dean as Bishop Rourke
    David Kelly as Murphy
    Jerold Wells as tramp
    Vicki Woolf as Maria
    Hilary Farr as Gina (as Hilary Labow)
    Paddy Joyce as Riley
    Steve Plytas as Swiss Guard
    Peter Denyer as lad


    Reception


    The Monthly Film Bulletin wrote: "Never Mind the Quality Feel the Width resembles not so much a feature film as three episodes of the original Thames TV series laid end to end. Its weak storyline (centred on Manny's dream of a trip to Israel) principally provides an excuse for a number of self-contained sketches: the clichéd funeral sequence in which the hearse rolls away and comes to rest on the river bank as the coffin slides into the water; or the genuinely funny sequence in the stonemason's yard from which Manny has ordered a statue of the Virgin Mary to replace one he's accidentally broken, with Bill Maynard's down-toearth mason providing an amusing contrast to the pomp of the surrounding monuments and tombstones. The film's faltering plot is bolstered by its heavy reliance on Irish and Jewish caricatures: Patrick drinks Guinness, plays the horses and keeps a picture of the Pope up on the wall, while Manny prefers to keep one eye on his cash-box and one on his giant photo of Moshe Dayan. As with many similar British comedies, the film's farcical elements are not enhanced by the dull and dogged naturalism of its style. "
    Sky Movies wrote, "although one of the better TV spin-offs, this is not so much a feature film as three episodes strung together by a tenuous overall storyline. Indeed, the episodes, chronicling the abrasive love-hate relationship between two East London tailors – one Irish, the other Jewish – are themselves composed of sketches."
    The film was considered a flop.


    References




    External links


    Never Mind the Quality Feel the Width at IMDb

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