• Source: New Interfaces for Musical Expression

New Interfaces for Musical Expression, also known as NIME, is an international conference dedicated to scientific research on the development of new technologies and their role in musical expression and artistic performance.




History


The conference began as a workshop (NIME 01) at the ACM Conference on Human Factors in Computing Systems (CHI) in 2001 in Seattle, Washington, with the concert and demonstration sessions being held at the Experience Music Project museum. Since then, international conferences have been held annually around the world:




Areas of application


The following is a partial list of topics covered by the NIME conference:

Design reports on novel controllers and interfaces for musical expression
Performance experience reports on live performance and composition using novel controllers
Controllers for virtuosic performers, novices, education and entertainment
Perceptual & cognitive issues in the design of musical controllers
Movement, visual and physical expression with sonic expressivity
Musical mapping algorithms and intelligent controllers
Novel controllers for collaborative performance
Interface protocols for musical control (e.g. Open Sound Control)
Artistic, cultural, and social impact of new performance interfaces
Real-time gestural control in musical performance
Mapping strategies and their influence on digital musical instrument design
Sensor and actuator technologies for musical applications
Haptic and force feedback devices for musical control
Real-time computing tools and interactive systems
Pedagogical applications of new interfaces - Courses and curricula




Other related conferences


Other similarly themed conferences include

International Computer Music Conference (ICMC);
ACM Multimedia
Sound and music computing (SMC)




See also


Live coding
List of electronic music festivals
Experimental musical instrument – about several alternative instruments.




References






= Further reading

=
Jensenius, Alexander Refsum; Lyons, Michael, eds. (2017). A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology. Vol. 3. Springer. doi:10.1007/978-3-319-47214-0. ISBN 978-3-319-47214-0.
Allen, Jamie. “Review of NIME 2005.” Computer Music Journal 30/1 (Spring 2006).
Taylor, Gregory. "On the Road: NIME 2017"
Lehrman, Paul D. “Tomorrow's Virtuosi & What They’ll Be Playing: A report from the fifth New Interfaces for Musical Expression conference, in Vancouver, British Columbia, Canada, May 2005 Archived 2015-03-21 at the Wayback Machine.” Sound on Sound.
Poupyrev, Ivan, Lyons, Michael J., Fels, Sidney, Blaine, Tina (Bean). "New Interfaces for Musical Expression." ACM CHI'01, Extended Abstracts, pp. 491–492, 2001.
Pritchard, Bob. “[Report] NIME 2010.” eContact! 12.4 — Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique (August 2010). Montréal: CEC.
Richardson, Patrick. “Innovative New Digital Instruments: NIME Conference Multimedia Mega-Report.” Extensive report on NIME07. Create Digital Music blog. Posted 25 June 2007.




External links



Official website
Index to NIME Conference Proceedings. From Trier University’s DBLP database.

Kata Kunci Pencarian:

• New Interfaces for Musical Expression
• Internet of Musical Things
• Andrew N. Robertson
• Electronic musical instrument
• Chris Korda
• Media Lab Europe
• Experimental musical instrument
• Halldorophone
• List of musical instruments by Hornbostel–Sachs number
• Organology