- Source: Pervading imitation
Pervading imitation refers to a way of organizing a piece of music in which all voices sing the same melodic material in sequence.
Voices enter one by one at points of imitation and sing the same melodic material although they begin at different pitch levels.
Pervading imitation emerged in the early Renaissance and was widely used by composers like Josquin in Missa pange lingua, and Thomas Crecquillon.
See also
Round (music)
Voice crossing
Voice exchange
Kata Kunci Pencarian:
- Pervading imitation
- Thomas Crecquillon
- Round (music)
- Chanson
- Index of music articles
- Voice crossing
- Hubert Waelrant
- Ippolito Ciera
- Voice exchange
- The Imitation Game (soundtrack)