• Source: Religious habit

A religious habit is a distinctive set of religious clothing worn by members of a religious order. Traditionally some plain garb recognizable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.
Uniformity and distinctiveness by order often evolved and changed over time. Interpretation of terms for clothes in religious rules could change over centuries. Furthermore, every time new communities gained importance in a cultural area the need for visual separation increased for new as well as old communities. Thus, modern habits are rooted in historic forms, but do not necessarily resemble them in cut, color, material, detail or use.
In Christian monastic orders of the Catholic, Lutheran and Anglican Churches, the habit often consists of a tunic covered by a scapular and cowl, with a hood for monks or friars and a veil for nuns; in apostolic orders it may be a distinctive form of cassock for men, or a distinctive habit and veil for women. Catholic Canon Law requires only that the garb of their members be in some way identifiable so that the person may serve as a witness of the Evangelical counsels.
In many orders, the conclusion of postulancy and the beginning of the novitiate is marked by a ceremony, in which the new novice is accepted as a novice and then clothed in the community's habit by the superior. In some cases the novice's habit will be somewhat different from the customary habit: for instance, in certain orders of women that use the veil, it is common for novices to wear a white veil while professed members wear black, or if the order generally wears white, the novice wears a grey veil. Among some Franciscan communities of men, novices wear a sort of overshirt over their tunic; Carthusian novices wear a black cloak over their white habit.




Buddhism



Kāṣāya (Sanskrit: काषाय, romanized: kāṣāya; Pali: kasāva; Chinese: 袈裟; pinyin: jiāshā; Cantonese Jyutping: gaa1saa1; Japanese: 袈裟 kesa; Korean: 袈裟 가사 gasa; Vietnamese: cà-sa), "chougu" (Tibetan) are the robes of Buddhist monks and nuns, named after a brown or saffron dye. In Sanskrit and Pali, these robes are also given the more general term cīvara, which references the robes without regard to color.




= Origin and construction

=

Buddhist kāṣāya are said to have originated in India as set of robes for the devotees of Gautama Buddha. A notable variant has a pattern reminiscent of an Asian rice field. Original kāṣāya were constructed of discarded fabric. These were stitched together to form three rectangular pieces of cloth, which were then fitted over the body in a specific manner. The three main pieces of cloth are the antarvāsa, the uttarāsaṅga, and the saṃghāti. Together they form the "triple robe", or tricīvara. The tricīvara is described more fully in the Theravāda Vinaya (Vin 1:94 289).



Uttarāsaṅga

A robe covering the upper body. It is worn over the undergarment, or antarvāsa. In representations of the Buddha, the uttarāsaṅga rarely appears as the uppermost garment, since it is often covered by the outer robe, or saṃghāti.



Saṃghāti

The saṃghāti is an outer robe used for various occasions. It comes over the upper robe (uttarāsaṅga), and the undergarment (antarvāsa). In representations of the Buddha, the saṃghāti is usually the most visible garment, with the undergarment or uttarāsaṅga protruding at the bottom. It is quite similar in shape to the Greek himation, and its shape and folds have been treated in Greek style in the Greco-Buddhist art of Gandhāra.



Additions

Other items that may have been worn with the triple robe were:

a waist cloth, the kushalaka
a buckled belt, the samakaksika




= Kāṣāya in Indian Buddhism

=
In India, variations of the kāṣāya robe distinguished different types of monastics. These represented the different schools that they belonged to, and their robes ranged widely from red and ochre, to blue and black.
Between 148 and 170 CE, the Parthian monk An Shigao came to China and translated a work which describes the color of monastic robes utilized in five major Indian Buddhist sects, called Dà Bǐqiū Sānqiān Wēiyí (Ch. 大比丘三千威儀). Another text translated at a later date, the Śariputraparipṛcchā, contains a very similar passage corroborating this information, but the colors for the Sarvāstivāda and Dharmaguptaka sects are reversed.

In traditions of Tibetan Buddhism, which follow the Mūlasarvāstivāda Vinaya, red robes are regarded as characteristic of the Mūlasarvāstivādins. According to Dudjom Rinpoche from the tradition of Tibetan Buddhism, the robes of fully ordained Mahāsāṃghika monastics were to be sewn out of more than seven sections, but no more than twenty-three sections. The symbols sewn on the robes were the endless knot (Skt. śrīvatsa) and the conch shell (Skt. śaṅkha), two of the Eight Auspicious Signs in Buddhism.




= Jiāshā in Chinese Buddhism

=
In Chinese Buddhism, the kāṣāya is called gāsā (Ch. 袈裟). During the early period of Chinese Buddhism, the most common color was red. Later, the color of the robes came to serve as a way to distinguish monastics, just as they did in India. However, the colors of a Chinese Buddhist monastic's robes often corresponded to their geographical region rather than to any specific schools. By the maturation of Chinese Buddhism, only the Dharmaguptaka ordination lineage was still in use, and therefore the color of robes served no useful purpose as a designation for sects, the way that it had in India.




= Kesa in Japanese Buddhism

=

In Japanese Buddhism, the kāṣāya is known as the kesa (袈裟). In Japan, during the Edo and Meiji periods, kesa were sometimes pieced together from the theatrical kimono used in Noh theatre.




Christianity






= Catholicism

=
Pope John Paul II in his post-apostolic Exhortation Vita consecrata (1996) says concerning the religious habit of consecrated persons:

§25 [...] The Church must always seek to make her presence visible in everyday life, especially in contemporary culture, which is often very secularized and yet sensitive to the language of signs. In this regard the Church has a right to expect a significant contribution from consecrated persons, called as they are in every situation to bear clear witness that they belong to Christ.
Since the habit is a sign of consecration, poverty and membership in a particular Religious family, I join the Fathers of the Synod in strongly recommending to men and women religious that they wear their proper habit, suitably adapted to the conditions of time and place.
Where valid reasons of their apostolate call for it, Religious, in conformity with the norms of their Institute, may also dress in a simple and modest manner, with an appropriate symbol, in such a way that their consecration is recognizable.

Institutes which from their origin or by provision of their Constitutions do not have a specific habit should ensure that the dress of their members corresponds in dignity and simplicity to the nature of their vocation.



Nuns


The religious habits of Catholic nuns typically consist of the following elements:

Tunic: This is the central piece of the habit. It is a loose dress made of serge fabric pleated at the neck and draping to the ground. It can be worn pinned up in the front or in the back to allow the nun to work.
Scapular: This symbolic apron hangs from both front and back; it is worn over the tunic, and Benedictine nuns also wear it over the belt, whereas some other orders wear it tied under the belt.
Cincture: The habit is often secured around the waist with a belt of leather, wool or a lanyard. The cincture of the Franciscan orders has three (or four) knots standing for the vows.
Coif: This is the garment's headpiece and includes the white cotton cap secured by a bandeau and a white wimple (to cover the neck and cheeks) and guimpe (to cover the chest, similar to a short cape) of starched linen, cotton, or (today) polyester. It is sometimes covered by a thin layer of black crêpe.
Veil: This element is worn pinned over the coif head coverings. Some veils can be worn down to cover the face or up to expose it. The veil sometimes includes a white underveil as well. The colour of the veil depends as well from the habit of the order and the status of the sister or nun (novices or postulants wear differently coloured veils than the professed sisters and nuns).
The coif and veil were common items of clothing for married women in medieval Europe.
Different orders adhere to different styles of dress; these styles have changed over time.



Sisters


Historically, the religious habit of Catholic sisters was a visible sign of a woman's consecration to God. Different orders adhere to different styles of dress; these styles have changed over time. For example, in former times, the Daughters of Charity of Saint Vincent de Paul wore a cornette instead of a veil. Due the ecclesiastical document Perfectae caritatis, many congregations decided to simplify their habits, to conform to the attire of the culture they are working in, or to even discard their use entirely.
While styles vary, for those wearing the traditional habit, three pieces are consistently worn: tunic (robe), belt/cincture, veil. The habit of some Dominican Sisters consists of a tunic, belt (cincture), scapular, veil, rosary, and on formal occasions a cappa (mantle). Even for orders that have chosen not to wear a habit, these sisters often share a common appearance: calf-length skirt, blouse or sweater, visible cross necklace.



Monks


Monks in the Catholic church wear a tunic, a cincture, a hooded scapular, and, for the Liturgy of the Hours, a mantle (novices) or a cowl (professed monks).



Friars




Canons regular


Owing to the different traditions and origins that exist, there is no singular common habit worn by the Canons Regular. Historically the common habit was the distinctive white cassock, with white fascia, over time some communities of Canons have changed to wearing the black cassock with black fascia. The only item of the habit that is common to all Canons is the linen rochet a mark of the canonical status.
In the Netherlands, some wore a cacullae (a small asymmetrical black cope of cloth or sheepskin.) Some communities of canons, notably in Austria and Switzerland wear a sarotium, coming from the Latin sacrum rochettum, 'the sacred rochet'. It is a thin band of linen worn over the cassock when not in choir. As part of their choir dress, some communities of Canons wear a mozzetta, either black or purple over the rochet.
Outdoors Canons wear a black cloak and hood, but again adaptations have been made to this in some of the communities. Canons also traditionally wore a biretta.



Clergy


Usually, secular priests wear either a black cassock or an ordinary men's garb in black or another dark color along with a white clerical collar. White cassocks or clothes may be worn in hot climates. Also, a ferraiolo (a kind of cope) could be worn along with the cassock. Priests also traditionally wore a biretta along with the cassock.
Deacons, priests, and bishops belonging to religious institutes wear the habit of their institute.



Abbot or cardinal


Latin Church clergy other than bishops, in particular any who are abbots or apostolic prefects or ordinary of a personal ordinariate, may wear pontifical items. Mitre, crosier and ring are bestowed on an abbot at his blessing and the pectoral cross is a customary part of an abbatial habit.



Catholic habits gallery


























































































= Lutheranism

=
In Lutheranism, various religious orders have a habit of a different colour. The Daughters of Mary wear a blue habit.




= Anglicanism

=




= Eastern Orthodoxy

=

The Eastern Orthodox Church does not have distinct religious orders such as those in the Catholic Church. The habit (Greek: Σχήμα, romanized: Schēma) is essentially the same throughout the world. The normal monastic color is black, symbolic of repentance and simplicity. The habits of monks and nuns are identical; additionally, nuns wear a scarf, called an apostolnik. The habit is bestowed in degrees, as the monk or nun advances in the spiritual life. There are three degrees: (1) the beginner, known as the Rassaphore ('robe bearer') (2) the intermediate, known as the Stavrophore ('cross bearer'), and (3) the Great Schema worn by Great Schema Monks or Nuns. Only the last, the Schemamonk or Schemanun, the monastic of the highest degree, wears the full habit.
The habit is formally bestowed upon monks and nuns at the ceremony known as the tonsure (Greek κουρά). The parts of the Eastern Orthodox habit are:

Inner Rason (Greek: Έσώρασον, Ζωστικὸν or Ἀντερί, Esórason; Slavonic: Podryásnik): The inner rason (cassock) is the innermost garment. It is a long, collared garment coming to the feet, with narrow, tapered sleeves. Unlike the Roman cassock, it is double-breasted. The inner rason is the basic garment and is worn at all times, even when working. It is often given to novices and seminarians, though this differs from community to community. The inner rason is also worn by chanters, readers, and the married clergy. For monks and nuns, it symbolizes the vow of poverty.
Belt (Greek: Ζώνη, Zone; Slavonic: Poyas): The belt worn by Orthodox monks and nuns is normally leather, though sometimes it is of cloth. In the Russian tradition, married clergy, as well as the higher monastic clergy, may wear a cloth belt that is finely embroidered, especially on feast days. The belt is symbolic of the vow of chastity.
Paramand (Greek: Παραμανδύας, Paramandýas; Slavonic: Paraman): The Paramand is a piece of cloth, approximately 5 inches (130 mm) square which is attached by ribbons to a wooden cross. The cloth is embroidered with a cross and the Instruments of the Passion. The wooden cross is worn over the chest, then the ribbons pass over and under the arms, like a yoke, and hold the square cloth centered on the back. The paramand is symbolic of the yoke of Christ (Matthew 11:29–30).
Outer Rason (a.k.a., Greek: εξώρασον, exorason or simply ράσο, raso; Slavonic: ryasa): Among the Greeks it is worn by readers and all higher clerics; among the Russians it is worn only by monks, deacons, priests, and bishops.
Analavos (Greek: Άνάλαβος; Slavonic: Analav): The distinctive dress of the Great Schema is the analavos, and it is worn only by Schemamonks and Schemanuns. Traditionally made of either leather or wool, the analavos covers the shoulders, and then comes down in the front and back, forming a cross (see illustration, above right).
Polystavrion (Greek: Πολυσταύριον, lit. "many crosses"): The polystavrion is a long cord that has been plaited with numerous crosses forming a yoke that is worn over the analavos to hold it in place.
Mantle (Greek: Μανδύας, Mandías; Slavonic: Mantíya): The Mantle is a long, full cape, joined at the neck which the monastic wears over the other parts of the habit.

Kalymafki (a.k.a. Kalimavkion, Greek: καλυμαύκι; Slavonic: klobuk): The distinctive headdress of Eastern Orthodox monks and nuns is the kalymafki, a stiffened hat, something like a fez, only black and with straight sides, covered with a veil. The veil has lappets which hang down on each side of the head and a stylized hood falling down the back. For monastics of the Great Schema, the kalymafki takes a very distinctive shape, known as a koukoulion (cowl), and is embroidered with the Instruments of the Passion. The koukoulion is also worn by the Patriarchs of several local churches, regardless of whether or not he has been tonsured to that degree. In the Slavic tradition, the koukoulion will be in the form of a cloth hood, similar to that worn on the Western cowl. Outside church, monastics wear a soft hat known as a Skufia. Again, for Schemamonks and Schemanuns it is embroidered with the Instruments of the Passion.
The portions of the habit worn by the various degrees of monastics is as follows:



Eastern Orthodox habits gallery


















Hinduism



In Hinduism, religious clothing is a huge element of an individual’s life. Most Hindus are known to wear a religious pendant in their daily life to show their faith in God. Hindu women cover their heads with scarf as a sign of respect for not only religion but also their husbands.
In India, most devoted Hindus are seen wearing a tilak and orange clothing depicting devotion to their religion. Most Hindu Pandits are either seen in a white or orange (kesari) religious clothing in India.
Brahmin Hindus are most known for their devotion to the religion among all Hindus. They are seen wearing religious habits at various important moments in their life.




Islam



Sunni in west asia
before 19th century, religious clergy colloquially known as Mullah wore common clothes of their era with very small differences.
later most Sunni mullahs in former territories of Ottoman empire started wearing long robes in black or other colours such as grey or blue, with a typical red fez and white turban which didn't look as prominent as turbans of earlier eras.
Shia
meanwhile clothing of Shia mullahs was mainly based on common clothing of Qajar era with a typical common robe called Qaba which evolved from robes of Safavid and Mongol eras, and a large overcoat called Aba, which was sewn in a rectangle pattern without separate sleeves which was also common among other classes but with slight differences, and seyyids wore black turbans, the same clothing has been preserved till present day and spread to shia scholars outside Iran whore used to wear local clothing before 20th century; pattern of Qaba has been changed and slightly westernised with buttons added and sleeves sewn into the body rather than traditional straight sleeves, and they no more use a sash, and caps aren't worn under turban. there has been also a newer design called Labbada with round collar instead of Qaba. before 20th century left side of Qaba covered the right side as it had originated from Ilkhanate but at least from second half of 20th century some Qaba and Labbada are produced in opposite manner. Mullahs used to have long preserved beards and usually shaved their head but after the revolution the trend is trimmed short beard and typical short hairstyles.
Sunni in central asia
Sunni mullahs in central asia continued wearing their traditional clothing which resembled common clothing, in case of Ethnicities which didnt wear turban as daily wear (such as Turkmens and Kazakhs) the only difference of mullahs was wearing turbans which was in common with Sufi derwishes. largest centres of Islamic education in central education was in Turkestan which was also centre of Sufism and Bukhara which was the main destination of Turkmen mullahs before 20th century and such large cities.
mullahs wore same robes as commoners with an overcoat called Chapan/Chakmen.
from 20th century onwards islamic education declined in central asia under Soviet rule and after 1990's there was a rise in wahabism and fundamentalism rather than locally developed schools which also affected the clothing and modern day mullahs in central asia wear uniforms similar to west asian mullahs.
Turkmen mullahs in Iran continued wearing traditional Chakmen till modern day but new uniforms have been introduced in official madrasahs which are cyan or grey robes with westernised designs and are tighter than shorter. turbans have also been made smaller than before. however old generation mullahs still wear Chakmen over white shirt rather the standardised uniforms. keeping a mustache was also more common in earlier times but modern mullahs either fully shave or trim the mustaches following fundamentalist trend.




Jainism


Female ascetics and Śvetāmbara male monks always wear un-stitched or minimally stitched white clothes. Digambara Jain monks do not wear clothes. A loin cloth which reaches up to the shins is called a Cholapattak. Another cloth to cover the upper part of the body is called Pangarani (Uttariya Vastra). A cloth that passes over the left shoulder and covers the body up to a little above the ankle is called a Kïmli. Kïmli is a woolen shawl. They also carry a woolen bed sheet and a woolen mat to sit on. Those who wear clothes have a muhapati, which is a square or rectangular piece of cloth of a prescribed measurement, either in their hand or tied on their face covering the mouth. Śvetāmbara ascetics have an Ogho or Rajoharan (a broom of woolen threads) to clean insects around their sitting place or while they are walking. Digambara ascetics have a Morpichhi and a Kamandal in their hands. This practice may vary among different sects of Jains but essential principle remains the same to limit needs.




Shinto


In Japan, various types of very traditional dress are worn by Shinto priests, often dating to styles worn by nobles during the Nara period or Heian period.
Hakama (袴) are a type of traditional Japanese clothing, originally worn only by men, but today they are worn by both sexes. There are two types, divided umanori (馬乗り, "horse-riding hakama") and undivided andon bakama (行灯袴, "lantern hakama"). The umanori type have divided legs, similar to trousers, but both types appear similar. Hakama are tied at the waist and fall approximately to the ankles, and are worn over a kimono (hakamashita), with the kimono then appearing like a shirt.
A Jōe (浄衣) is a garment worn in Japan by people attending religious ceremonies and activities, including Buddhist and Shinto related occasions. Not only Shinto and Buddhist priests can be found wearing Jōe at rituals, but laymen as well, for example when participating in pilgrimage such as the Shikoku Pilgrimage. The garment is usually white or yellow and is made of linen or silk depending on its kind and use. The Shinto priest who wears the jōe is attired in a peaked cap called tate-eboshi, an outer tunic called the jōe proper, an outer robe called jōe no sodegukuri no o, an undergarment called hitoe, ballooning trousers called sashinuki or nubakama, and a girdle called jōe no ate-obi.




See also


Degrees of Eastern Orthodox monasticism
Religious dress
Tonsure
Zucchetto




References






Bibliography


DuBois, Thomas A. (12 December 2017). Sacred to the Touch: Nordic and Baltic Religious Wood Carving. University of Washington Press. ISBN 978-0-295-74242-7.
Hino, Shoun (2004). Three Mountains and Seven Rivers. Motilal Banarsidass Publ. ISBN 978-81-208-2468-3.
Kieschnick, John (2003). The Impact of Buddhism on Chinese Material Culture. Oxfordshire: Princeton University Press.
Rinpoche, Dudjom (1999). Perfect Conduct: Ascertaining the Three Vows. Wisdom Publications. ISBN 978-0861710836.
Sujato, Bhante (2012). Sects & Sectarianism: The Origins of Buddhist Schools. Santipada. ISBN 9781921842085.
Mohr, Thea; Tsedroen, Jampa, eds. (2010). Dignity and Discipline: Reviving Full Ordination for Buddhist Nuns. Simon and Schuster. ISBN 978-0861715886.




Further reading


Dwyer-McNulty, Sally (2014). Common Threads: A Cultural History of Clothing in American Catholicism. Chapel Hill, NC: University of North Carolina Press. ISBN 978-1-4696-1409-0.




External links



Images of medieval monks and nuns in the dress of their Orders (Public Domain images and text)
Catholic Sisters International Collection, University of Dayton Special Collections (photographs of reproductions of over 130 religious habits)

Kata Kunci Pencarian:

• Teresa dari Ávila
• Sejarah olahraga
• Hidangan abad pertengahan
• Kesatria Haikal
• Paul Offit
• Kanonik Regular
• Daftar karakter The Familiar of Zero
• Komunikasi tanpa kekerasan
• Religious habit
• Scapular
• Habit (disambiguation)
• Religious clothing
• Saint symbolism: Saints (A–H)
• Hieronymites
• Religious profession
• Franciscan Friars of the Renewal
• Saint symbolism: Saints (I–P)
• Investiture