• Source: Richard Hageman

      • Richard Hageman (9 July 1881 – 6 March 1966) was a Dutch-born American conductor, pianist, and composer.


      Biography


      Richard Hageman was born in Leeuwarden, Friesland, Netherlands. He was the son of Maurits Hageman of Zutphen, a violinist, pianist and conductor, and of Hester Westerhoven of Amsterdam, a singer who performed under the name Francisca Stoetz. A child prodigy, he was a concert pianist by the age of six. He studied at the conservatories of Amsterdam and Brussels. As a young man he was an accompanist for singers and with the Nederlandsche Opera, which he conducted for the first time in 1899. He became the artistic director briefly in 1903, the same year he married the soprano Rosina van Ophemert, who took the stage name Rosina van Dyke/van Dyck (Rosina van Dijk was the maiden name of her grandmother). For a short time Hageman was accompanist to Mathilde Marchesi in Paris. He travelled to the United States in 1906 to accompany Yvette Guilbert on a national tour. He stayed and eventually became an American citizen in 1925. Rosina sang at the Metropolitan Opera, but the couple had an acrimonious divorce in 1916. His second and third wives were also sopranos—Renee Thornton and Eleanore Rogers.
      He was a conductor and pianist for the Metropolitan Opera between 1908 and 1922, and 1935-1936, coach of the opera department at the Curtis Institute from 1925 to 1930, and music director of the Chicago Civic Opera and the Ravinia Park Opera for seven years. Hageman was a coach in voice and collaborative at the Chicago Musical College in the 1920s, where one of his notable piano students was Ray Turner, who went on to play with the Paul Whiteman Orchestra, worked as the staff pianist at Paramount Studios for over 20 years, and was a popular recording and concert artist.
      Hageman was a guest conductor at orchestras such as the Chicago, Philadelphia, and Los Angeles symphony orchestras. He conducted the Philadelphia Orchestra summer concerts for four years, and from 1938-1943 he conducted at the Hollywood Bowl summer concerts.
      He is known to the film community for his work as an actor and film score composer, most notably for his work on several John Ford films in the late 1930s and after the war in the late 1940s. He shared an Academy Award for his score to Ford's 1939 western Stagecoach and was nominated for the score of This Woman Is Mine (1941).
      He played minor roles in eleven movies, for example as opera conductor Carlo Santi in The Great Caruso. He became a member of ASCAP in 1950.
      Hageman composed some larger concert works for voice. His 1931 opera Caponsacchi, first performed in Freiburg with the title Tragödie in Arezzo in 1932, was staged at the Metropolitan Opera in 1937 with Mario Chamlee in the title role. His "concert drama" The Crucible was performed in Los Angeles in 1943. While his large musical compositions are rarely heard today, a few of his art songs are well-known and highly regarded, especially "Do Not Go, My Love", a setting of a Rabindranath Tagore poem.
      He was a National Patron of Delta Omicron, an international professional music fraternity. He died, aged 84, in Beverly Hills.


      Larger musical works and chamber music



      Stage:

      Caponsacchi (Op. 3, R. Browning), 1931
      I Hear America Call (ballad, R.V. Grossman), Bar, SATB, orch, 1942
      The Crucible (oratorio, B.C. Kennedy), 1943
      Orchestra:

      Overture 'In a Nutshell'; Suite, str
      Chamber:

      October Musings, violin and piano, G. Schirmer, 1937
      Recit and Romance, vc, pf, 1961


      Published songs


      Do Not Go, My Love (Rabindranath Tagore), Winthrop Rogers/G. Schirmer, 1917
      May Night (Tagore), 1917
      The Cunning Little Thing (Unknown Author), Winthrop Rogers, 1917
      At the Well (Tagore), Winthrop Rogers/G. Schirmer, 1919
      Happiness (Jean Ingelow), Winthrop Rogers/G. Schirmer, 1917/1920
      Charity (Emily Dickinson), G. Schirmer, 1921
      Nature's Holiday (T. Nash), 1921
      Ton coeur est un tombeau (Jacques Boria), G. Schirmer 1921
      Animal Crackers (C. Morley), G. Schirmer, 1922
      Evening (Anonymous text), Ricordi, 1922
      Christ Went Up Into the Hills (Katherine Adams), Carl Fischer, 1924
      Me Company Along (James Stephens), Carl Fischer, 1925
      Grief (Ernest Dowson), Carl Fischer, 1928
      Dawn shall over Lethe Break (Hilaire Belloc), Boosey & Hawkes, 1934
      The Donkey (G. K. Chesterton), Boosey & Hawkes, 1934
      The Little Dancers (Laurence Binyon), Boosey & Hawkes, 1935
      The Night Has a Thousand Eyes (F. W. Bourdillon), Boosey & Hawkes, 1935
      Christmas Eve, A Joyful Song (Joyce Kilmer), Galaxy, 1936 (arranged for mixed chorus by Philip James, Galaxy, 1937)
      The Rich Man (Franklin P. Adams), Galaxy, 1937
      Song without Words (vocalise for coloratura voice with piano), Carl Fischer, 1937
      This Thing I do: a soliloquy for baritone voice with piano accompaniment (Arthur Goodrich), Carl Fischer, 1937
      Music I Heard with You (Conrad Aiken), Galaxy, 1938
      Sundown (Lew Sarett), Carl Fischer, 1938 and 1942
      To a Golden-haired girl (Vachel Lindsay), Carl Fischer, 1938
      Miranda (Hilaire Belloc), Galaxy, 1940
      Mother (Margaret Widdemer), Galaxy, 1940
      Love in the winds (Richard Hovey), Galaxy, 1941
      Little Things (Witter Bynner), Galaxy, 1943
      Voices (Witter Bynner), Galaxy, 1943
      Don Juan Gomez (Elizabeth Jane Coatsworth), Galaxy, 1944
      Fear not the Night (Robert Nathan), Carl Fischer, 1944
      Lift Thou the Burdens, Father, a sacred song (Katherine Call Simonds), Galaxy, 1944
      En una noche serena/Alone in the night (Andres de Segurola, tr. Robert B. Falk), Galaxy, 1945
      Contrasts (Elizabeth Jane Coatsworth), Galaxy, 1946
      The Fiddler of Dooney (William Butler Yeats), G. Schirmer, 1946
      A Lady comes to an Inn (Elizabeth Jane Coatsworth), Galaxy, 1947
      The Fox and the Raven (Guy Wetmore Carryl), Galaxy, 1948
      The Summons (Tagore), Galaxy, 1949
      Is it you? (Robert Nathan), Galaxy, 1951
      Trade Winds (John Masefield), Galaxy, 1952
      Scherzetto (Alfred Kreymborg), Galaxy, 1952
      All Paths Lead to you (Blanche Shoemaker Wagstaff), Galaxy, 1953
      Let me Grow Lovely (Karle Wilson Baker), Carl Fischer, 1953
      Sleep Sweet (Ellen Huntington Gates), Galaxy, 1953
      Walk slowly (Adelaide Love), Carl Fischer, 1953
      I see His Blood upon the Rose (Joseph M. Plunkett), Galaxy, 1954
      Velvet Shoes (Elinor Wylie), Galaxy, 1954
      How to go and Forget (Edwin Markham), G. Schirmer, 1956
      Praise (Seumas O'Sullivan), G. Schirmer, 1956
      Under the Willows: Shoshone love song (Mary Hunter Austin), G. Schirmer, 1957
      When the Wind is Low (Cale Young Rice), Galaxy, 1957
      Die Stadt/The Town (Theodor Storm, tr. Robert Nathan), G. Schirmer, 1958
      Betterliebe/Beggar's Love (Theodor Storm, tr. Robert Nathan), G. Schirmer, 1958
      Am Himmelstor/At Heaven's Door (Conrad F. Meyer, tr. Robert Nathan), G. Schirmer, 1958
      Nocturne (Jean Moréas, tr. Robert Nathan), G. Schirmer, 1960
      So love returns, (Robert Nathan), Ricordi, 1960


      Film scores


      Hageman is credited for the scores of about 20 films, and his compositions have been used in many additional films.
      Seven of the scores were for films directed by John Ford; Kathryn Marie Kalinak has written that Ford "got great work out of the people he worked with, and often those he was hardest on produced the best work of their careers. One of those was Richard Hageman, the Philadelphia Orchestra notwithstanding."

      Stagecoach (1939)
      The Howards of Virginia (1940)
      The Long Voyage Home (1940)
      The Frozen Ghost (1945)
      The Fugitive (1947)
      Fort Apache (1948)
      3 Godfathers (1948)
      She Wore a Yellow Ribbon (1949)
      Wagon Master (1950).
      Adventure in Vienna (1952)


      Footnotes




      References


      de Villiers, Nico and Asing Walthaus (2015). Making the Tailcoats Fit: the life and music of Richard Hageman. Leeuwarden: Wijdemeer. ISBN 978-9492052162.
      de Villiers, Nico, Kathryn Kalinak, and Asing Walthaus (2020). Richard Hageman: From Holland to Hollywood (paperback ed.). New York: Peter Lang Publishing. ISBN 978-1-4331-5581-9.{{cite book}}: CS1 maint: multiple names: authors list (link)
      Miller, Philip Lieson (1992), "Hageman, Richard", in Sadie, Stanley (ed.), The New Grove Dictionary of Opera, vol. 2, London: Macmillan Press Ltd., p. 594
      Miller, Philip Lieson~ & Michael Meckna (2001). "Hageman, Richard". In Sadie, Stanley & Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.‎
      Wlaschin, Ken (2006). Encyclopedia of American Opera. Jefferson, NC, and London: McFarland & Company. p. 155. ISBN 0-7864-2109-6.


      External links



      Works by or about Richard Hageman at the Internet Archive
      Richard Hageman Society
      Richard Hageman at IMDb

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