• Source: Sensation play

Sensation play, also known as sensual play or sensory play, is an act where senses are engaged in various ways to heighten erotic pleasure and induce sensuality. As an activity, it is meant to impart pleasurable and arousing sensations upon a partner, usually during an intimate interaction.
As opposed to mental forms of erotic play such as power exchange or sexual roleplaying, a sensual play is generally pleasing and light, that deliberately engages the five senses to explore pleasure, thereby leading to intense sexual arousal or orgasm.
Sensation play can be an umbrella term, with the harsher "pain play" and gentler "general sensory play" being subtypes, where an individual may prefer one or the other.




Types






= General sensory play

=

Many couples that would not consider themselves active in BDSM are familiar with sensual play: the use of silk scarves, feathers, blindfolding, tickling, erotic music, ice, massage oils, soft spanking, and other similar implements. The sensation can come from just about anywhere, provided that the implement falls within the negotiated terms of the interaction or relationship. Sensation play is meant to give arousing sensations to a partner's body. It is limited only by one's own imagination and a lot of variation can occur from one play scene to the next.
Unlike BDSM, sensual play is soft and, according to Dr Celina Criss, "Pain never needs to be involved in sensual sensory play...Think gentle touches, delicious flavors, delightful scents, different kinds of light, and beautiful soundtracks. The clothes we wear and the settings we create can be a big part of this sort of play." Other examples in sensual play include hand holding, talking dirty, a person's fingers running through their hair, and as well as the partner's scent, which can emphasize sexual arousal.




= BDSM

=
Sensation play in BDSM can also involve sadomasochistic play or "pain play", involving the application of carefully controlled stimuli to the human body so that it reacts as if it were actually hurt. While this can involve the infliction of actual pain, it is usually done in order to release pleasurable endorphins, creating a sensation somewhat like runner's high or the afterglow of orgasm. In BDSM play, the dom (or dominant) introduces and controls the sensation to the sub (or submissive).
Note that safety and consent are of paramount importance in the practice of more intense forms of sensation play. People engaging in such activities should adhere to the principles of "safe, sane and consensual" or of "risk-aware consensual kink".




Examples



Sensual play acts range from light to gentle, such as:

Two partners exploring the sensations of kissing or other intimacy while blindfolded
Unusual textures such as feathers, silk, or leather
Erotic tickling
Blowing or breathing on the skin
Whispering in, or kissing, the ears
Intimacy in a bathtub or spa
Neck kissing, licking or nibbling
To more pain-inducing or hazardous interactions:

Sensory deprivation such as mummification
Contact with intense temperatures, such as ice or hot wax
Biting and clawing
Whips, flogging, bondage suspension and other BDSM related activities.
Clamping parts of the body with clothespins, forceps, nipple clamps or similar devices.
Other implements that may not normally be used in a sexual context, such as an electric toothbrush. These items may be referred to as pervertibles within the BDSM community.




Media


The Motion Picture Association film rating system uses the descriptor "sensuality" for films that exhibit some erotically suggestive images or scenes. The usage of "sensuality" has been met with some criticism because audiences confuse it with "sexuality", another common descriptor in movie ratings.




See also


Glossary of BDSM
Impact play
Pain play
Forced orgasm




References

• Source: Sensation (play)

Sensation is a 1931 thriller play by the British writer Charles Bennett.
It ran for 59 performances at the Lyceum Theatre in London's West End. The cast included Eve Gray, Sam Livesey, Roger Livesey, Henry Cass and Edgar Norfolk.




References






Bibliography


Wearing, J.P. The London Stage 1930-1939: A Calendar of Productions, Performers, and Personnel. Rowman & Littlefield, 2014.

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