• Source: Sixteen Stone

Sixteen Stone is the debut studio album by English rock band Bush, released 1 November 1994 by Trauma and Interscope Records. It became the band's most popular album, peaking at number four on the US Billboard 200 and boasting numerous successful singles. "Comedown" and "Glycerine" remain two of Bush's biggest hits to date, each reaching number one on the US Billboard Modern Rock Tracks chart. "Comedown", "Machinehead", and "Glycerine" were the three songs from the album to enter the US Billboard Hot 100, reaching number thirty, number forty-three, and number twenty-eight, respectively. The album was certified 6× Platinum in the United States by the RIAA on 16 April 1997. Although notably less successful in the band's native Britain, the album was nonetheless certified Silver by the British Phonographic Industry.
Featuring a rock sound characterised by guitar distortion and quiet interludes, the album quickly invited comparisons to Seattle grunge bands, particularly Nirvana, who had disbanded earlier in 1994 due to the suicide of Kurt Cobain. The purported similarities between the band's sound and Nirvana's was the subject of significant media attention. Lyrical themes on the album included adversity and criticism of masculine stereotypes, as well as relationships and terrorism.
To mark its twentieth anniversary, a remastered edition of the album was released on 14 October 2014. Sixteen Stone charted 59th in the Billboard decade end chart for 1990-1999, and ranked 8th on Guitar World's 2014 list "Superunknown: 50 Iconic Albums That Defined 1994".




Recording and background


The seeds of the album were sown prior to Rossdale, previously of the band Midnight, first meeting future Bush bandmate Nigel Pulsford in 1991, when Rossdale wrote "Comedown", the first ever song he had written by himself, which would later reach Number 1 on the Billboard Alternative Airplay charts.
Sixteen Stone was recorded in January 1994 at Westway Records in London, and produced by Clive Langer and Alan Winstanley. In 1999, Gavin Rossdale explained that the decision to have Langer produce the record was brought about by Langer simply being English, and by his work co-writing the song "Shipbuilding" with Elvis Costello. Rossdale initially wanted Steve Albini to work on Sixteen Stone. Albini would engineer the band's next album Razorblade Suitcase. Guitarist Nigel Pulsford told BBC Cymru Wales in 2009 that the decision to have Langer and Winstanley work on the record was due to sensitivities around the band sounding too American; Pulsford said "it became apparent that we had a definite American bent to our sound which is why we choose [Langer and Winstanley] to produce our first album in the hope that they would make us sound more British".
Guitarist Nigel Pulsford's father and Rossdale's stepfather died around the time the album was recorded. Sixteen Stone is dedicated to both.
Some time prior to release, the band, known previously as Future Primitive, became known as Bush after Carson convinced the band that a shortened name would be more suitable for a CD. Prior to the name-change the song "Bomb" (which would later appear on the album) had been released as a single under the "Future Primitive" name, as had an untitled promo version of the album itself. David Carson designed the album artwork and packaging for the album. Sixteen Stone was delivered to Trauma Records in early April 1994, and released on 1 November that year through the label. Rossdale has stated that the reason Sixteen Stone's release through Trauma was delayed was the label's distributor, Hollywood Records, opining that the record contained "no singles" and "no album tracks".




Content






= Style and influences

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The music of Sixteen Stone has been characterized variously as grunge, hard rock and post-grunge, and has been compared with the music of 1990s Seattle-based bands including Nirvana, Pearl Jam, Alice in Chains and Soundgarden; the song "Bomb" in particular invited a description of "Nirvana-approximating" from Stereogum. In relation to the reputed similarities between Sixteen Stone and Nirvana, Gavin Rossdale told Guitar World in 1997 that he believed the influence was only obvious on the song "Little Things", commenting "you've got one chord progression and a kind of different rhythm in the chorus, which is the same effect you get with Nirvana" further commenting "if you listen to "Smells like Teen Spirit" and then listen to [the Pixies] "Debaser", it's the same thing". Other influences noted by critics included the musical similarities between "Everything Zen" and Neil Young's "Rockin' in the Free World" (1989) and the resemblance borne between the riff on "Body" and that on the Soundgarden song "Rusty Cage" (1991).
The styles on the record include the rock ballad of "Glycerine", the Ramones-indebted punk rock of "X-Girlfriend", and what Stereogum described as "groove-grunge" on "Comedown" and "Body", the latter being described by SoundVapours as "the perfect mix" of Black Sabbath and Soundgarden.
Reflecting on the influences on Sixteen Stone, Gavin Rossdale cited seeing bands including Jane's Addiction, My Bloody Valentine and Soul Asylum as key formative experiences and stated "…I liked the performance of the American bands a lot, [...] that all just inspired me, and I put it in a melting pot and out came Sixteen Stone.” Drummer Robin Goodridge told the publication Modern Drummer in 1996 that Sixteen Stone features percussion informed by the styles John Bonham of Led Zeppelin, Billy Cobham and Keith Moon of The Who.




= Lyrics

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The lyrical content of Sixteen Stone revolved around a variety of themes. "Testosterone" conveyed a take-down of machismo, while Stereogum analyzed "Monkey" to be a "sardonic statement about rock stardom" and to "attack the British sellout angle". "Bomb" is an anti-war song; Rossdale told American Songwriter in 2011 that the song had been "written about the Irish IRA presence where I grew up", further explaining to Us Weekly in September 2023 that the song "is about growing up in the shadow of the IRA and the Protestants, the Orange Parade march, and things. Where I grew up in North London, there were these bombed shopping centres and buses, and people died, and it was the real thing." Other songs related to personal challenges, including "Little Things" which Rossdale claimed was written about "trying to be strong in the face of adversity".




Reception






= Critical reception

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Sixteen Stone received mostly positive feedback from music critics. Q wrote that Bush "make a carefully honed post-grunge sound that fits perfectly alongside American counterparts like Stone Temple Pilots or Live." In a four-and-a-half stars out of five review, Stephen Thomas Erlewine of AllMusic calls their sound impressive, but states that the band sounds too much like Seattle rockers Nirvana and Pearl Jam. Robert Christgau was more critical in The Village Voice, regarding it as a "not altogether unmusical howl of male pain" that glorified "despair".




= Accolades

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In April 2014, Rolling Stone placed the album at number thirty-nine on their 1994: The 40 Best Records From Mainstream Alternative's Greatest Year list. A month later, Loudwire placed Sixteen Stone at number eight on its "10 Best Hard Rock Albums of 1994" list. In July 2014 Guitar World placed the album on its "Superunknown: 50 Iconic Albums That Defined 1994" list.




Remaster


Around the album's 20th anniversary, a remastered edition of its original recordings was released. When asked about also remixing the album for the anniversary edition, Rossdale stated "I did attempt to remix ... but it's really, like, you just can't do that. You can't mess with stuff. Those mixes, every single level of those songs is just ingrained in my DNA as it's probably in anybody's DNA who knows it. It just sounds really weird when you mess with it."




Track listing



Notes

Early pressings of the album do not list "Alien" on the back cover (there is a blank space where the title should be). "Monkey" is also missing from the inside cover, but both songs have lyrics printed and appear on the album.
Subsequent pressings also include an acoustic version of "Comedown" and a second CD of live tracks, "Swim", "Alien", "Bomb", and "Little Things". Rather than actually being acoustic, the bonus "Comedown" track is actually Rossdale singing and playing guitar with more effects. This version is also slower-paced, has violins added and has no drums.




Personnel






Chart performance


Sixteen Stone first entered the Billboard 200 at number 187 for week ending 28 January 1995, and eventually peaked at number four. In 2010 the album's US sales passed the six million mark.




= Weekly charts

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Certifications






References






Bibliography


Anderson, Kyle (2007). Accidental Revolution: The Story of Grunge. Macmillan. ISBN 978-0-312-35819-8.
Klosterman, Chuck (2007). Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota. Simon and Schuster. ISBN 978-1-4165-8952-5.

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