• Source: Something Worth Leaving Behind

Something Worth Leaving Behind is the fourth studio album by American country music artist Lee Ann Womack. It was released on August 20, 2002, by MCA Nashville; the UK version was co-released on Island Records.
After the huge crossover success of her 2000 song "I Hope You Dance", which became her only number one single on the US Billboard Hot Country Singles & Tracks chart, Womack decided to pivot to a more contemporary country sound, which was unlike her previous albums that were more in line with traditional country and of which garnered the singer critical acclaim and comparisons to legends like Loretta Lynn. Recording took place in studios around Nashville and Hollywood. It is Womack's first album to not have any songs co-written or written by her. Womack worked with producers Mark Wright, Frank Liddell, Mike McCarthy, and Matt Serletic.
Upon its release, Something Worth Leaving Behind received primarily mixed to negative reviews from music critics, with the attempt of a crossover album being negatively noted and the music being criticized for not being up to par with her previous albums. Although it debuted at number two on the Top Country Albums chart and number 16 on the Billboard 200, it quickly fell off both charts due to the poor success of both of its singles. As of March 7, 2005, the album has sold 300,000 copies in the United States, a commercial failure compared to the three-million Womack's previous album I Hope You Dance (2000) sold.
The title cut "Something Worth Leaving Behind" was released as the lead single on May 20, 2002. Despite a promising debut at number 54, it only peaked at number 20 on the Billboard Hot Country Songs chart, marking her lowest peaking lead single since her debut single "Never Again, Again" (1997) reached number 23. The second and final single, "Forever Everyday", peaked at number 37, becoming her lowest-charting single since "Don't Tell Me" (1999) reached number 56. With that, Something Worth Leaving Behind became Womack's first album to not have any top ten hits on the country charts. When speaking of the album in a retrospective interview in 2005, Womack said verbatim that the album was a misstep in terms of a career move and that she regretted it.




Background


Womack told The Early Show "It's very much in line with my last three. This is my fourth project. You know, I have the real traditional country songs on there, and then I have some things that are a little more contemporary and up-tempo. And—and, but I—you know, I try to find songs from the best songwriters that I can." Womack told Billboard, "Every album seems critical when you are making it. I have a lot of confidence in my team. You can't predict commercially what an album is going to do. I just have to make the best music I can and move on. I've never, ever felt like in my career that everything hinges on the next single. I don't worry about it."
In 2005, Womack told The Dallas Morning News, "I didn't have that much fun making Something Worth Leaving Behind. Now that I look back on it, because of the success that I had prior, I was so worried that I was gonna not measure up to that, that I over-thought everything on that record. I tried...to please everybody with that record...myself, radio, the listeners, everybody who loved 'Never Again, Again' and everybody who loved 'I Hope You Dance.' And it just didn't work. It backfired."




Album cover


Matthew Rolston, who is well-known for his shots of artists like Cyndi Lauper and Jennifer Lopez, photographed the album cover, which notably is more sexual than Womack's previous album covers and garnered a negative response from her country fan-base. In a Tower Records location, at least one parent complained about Womack's cleavage being "unsuitable for children to watch." Some publications called the album cover a "very un-country" look. The photoshoot costed around $100,000 according to one source.




Singles


The title track was serviced to country radio on May 20, 2002, as the lead single from the album. According to Womack, her bass player and one of the song's writers, Brett Beavers, said that the song was originally offered for an unspecified artist but that Beavers would not let them record it until Womack heard it; once she heard it, she decided to record the song herself. She also specifically chose producer Matt Serletic, who is well-known for his work with Matchbox Twenty, to produce an alternative version of "Something Worth Leaving Behind" for "mass-appeal" like her hit song "I Hope You Dance". Lyrically, the song speaks of "leaving behind one's mark on the world." The song debuted at number 54 on the Billboard Hot Country Songs chart the week of June 1, 2002. It peaked at number 20 on that chart, becoming her first lead single since her debut single "Never Again, Again" to miss the top ten. Despite a "pop" remix being made, the song never crossed over to either pop or adult contemporary radio.
"Forever Everyday" was the second and final single from the album, released on October 14, 2002. It received a positive review from Deborah Evans Price of Billboard magazine, calling it a "beautiful ballad with a poignant message about life, innocence, and what the passing of time does to our hearts and minds." It debuted on the Hot Country Songs chart the week of October 26, 2002, at number 59. It would peak at number 37, becoming Womack's lowest-charting song since 1999's "Don't Tell Me", which only peaked at number 56. Following this, no other singles were released.




Critical reception


Something Worth Leaving Behind received mixed reviews from music critics. Jim Collins of The Vindicator gave a negative review saying that "too many of its tracks sound like tired refugees from 70's pop radio" and that "Womack frequently comes across as subdued and emotionally distant." Brian Mansfiled of USA Today named it as the tenth worst album of 2002, writing "Womack's ill-advised crossover ploy and a makeover that made her look like Britney Spears' mother made one of Nashville's most respected singers the butt of jokes." People Magazine's Ralph Novak gave the album a mixed review, saying, "Womack's voice, which can trickle off and become a wan instrument, gains noticeably in vigor when she approaches more energetic material." Tim Perry of The Independent wrote, "Following such an album is a hard task, but someone of her newfound stature can avail herself of the best songwriters. This is solid, radio-friendly stuff. Michael Paoletta of Billboard wrote, "Womack is brilliant vocalist who is at a career crossroads; here's hoping she leans toward substance over style." Thom Jurek of AllMusic, in a retrospective review, highly praised the album, saying it "cemented Womack's place in the country music pantheon by pushing her own boundaries as an artist further than ever before. David Cantwell of No Depression, in an opposite case, gave a negative review. He ended his review by saying, "The results, no matter which side of the pop-twang divide you're on, will likely be very disappointing." Robert Christgau noted the songs "He'll Be Back" and "I Need You" as highlights.




Commercial performance


Something Worth Leaving Behind was released before albums by Womack's contemporaries like Shania Twain and Faith Hill. It debuted at number two on the Billboard Top Country Albums chart, blocked by Toby Keith's Unleashed (2002), which was spending a fifth week at number one. In that same week of September 7, 2002, it debuted at number 16 on the all-genre Billboard 200, tying I Hope You Dance as her highest charting album there at the time. It sold 48,305 copies in its first week. In its second week, the album fell to numbers four and 29 on the two charts. In total, Something Worth Leaving Behind spent 30 weeks on the Top Country Albums chart and 11 weeks on the Billboard 200. The album's failure was attributed to the fact that both traditional country fans and Womack's fan-base disliked the new sound along with MCA Nashville being folded into Universal Music Group Nashville and thus the album may have gotten "lost" in the mix. As of March 7, 2005, the album has sold 300,000 copies in the United States according to Nielsen SoundScan.




Track listing






Personnel


Credits adapted from album liner notes.




= Tracks 1–3, 5, 6, 8, 9, 12

=
Musicians
Eric Darken – percussion
Shannon Forrest – drums
Paul Franklin – steel guitar
Kenny Greenberg – electric guitar
Aubrey Haynie – fiddle
Chuck Leavell – piano
B. James Lowry – acoustic guitar
Brent Mason – electric guitar, gut string guitar
Steve Nathan – synthesizer, piano, Hammond organ
Michael Rhodes – bass guitar
Brent Rowan – electric guitar, tiple
Randy Scruggs – acoustic guitar
Bryan Sutton – banjo, mandolin
Background vocalists
Bob Bailey
Lisa Cochran
Kim Fleming
Vicki Hampton
Marabeth Jordan
Kim Keyes
Gene Miller
Chris Rodriguez
Keith Sewell
Bergen White
Technical
Greg Droman – mixing, mastering
Todd Gunnerson – engineering
Lee Ann Womack – producer
Mark Wright – producer




= Tracks 4, 7, 10, 11

=
Musicians
Spencer Campbell – bass guitar
Paul Franklin – steel guitar
Kenny Greenberg – acoustic guitar, electric guitar
David Grissom – acoustic guitar, electric guitar
Jay Joyce – acoustic guitar, electric guitar, programming
Colin Linden – acoustic guitar
Chris McHugh – drums
Jerry McPherson – electric guitar
Jeffrey Roach – piano, keyboards
Background vocalists
Dan Colehour
Kim Fleming
Vicki Hampton
Bobby Huff
Marcus Hummon
Fleming McWilliams
Buddy Miller
Julie Miller
Bruce Robison
Technical
Chad Brown – engineering
David Bryant – engineering
Brian Graben – engineering
Kenny Greenberg – additional arrangements
Tony High – engineering
Jim Jordan – engineering
Jay Joyce – additional arrangements
Frank Liddell – producer
James Lightman – digital editing
Mike McCarthy – producer, recording, mixing
Bryan McConkey – engineering
Darren Redfield – engineering
Leslie Richter – engineering
Lee Ann Womack – producer




= Track 13

=
Musicians
Kenny Aronoff – drums
Jim Cox – keyboards
Brad Dutz – percussion
Jon Gilutin – keyboards
Greg Leisz – steel guitar
Hector Periera – guitars
Tim Pierce – guitars
Leland Sklar – bass guitar
Gabe Witcher – fiddle
Background vocals
Maxi Anderson
Tommy Funderburk
Maxine Waters
Oren Waters
Technical
Pete Anthony – conductor
Jay Goin – mixing assistant
Noel Golden – recording
Jessie Gorman – recording assistant
Jimmy Hoyson – string recording assistant
Toshiaki Kasai – recording assistant
Stephen Marcussen – mastering
Leslie Richter – recording assistant
Matt Serletic – producer, arranger
Shari Sutcliffe – orchestra contractor
Kevin Szymanski – recording assistant
David Thoener – mixing
Stewart Whitmore – digital editing




= Additional credits

=
Horn section on track 8: Jim Horn, Jeff Coffin, Dennis Solee
Strings on tracks 1, 3, 4, 6, 8–13 performed by the Nashville String Machine, arranged by David Campbell (1, 3, 8), John Painter (4, 10, 11), Bergen White (9, 12), Kris Wilkinson (6), Matt Serletic (13)

Technical credits on all tracks
Matthew Rolston – photography
Ronnie Thomas – editing
Hank Williams – mastering




Charts






References

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