• Source: String Quartet No. 1 (Britten)

String Quartet No. 1 in D major, Op. 25, by English composer Benjamin Britten, was written in the U.S. in 1941.




History


The quartet was commissioned by arts patron Elizabeth Sprague Coolidge, while Britten was living in America. At the time, he and Peter Pears were staying as guests of the English piano duo Ethel Bartlett and Rae Robertson in Escondido near San Diego, California.: 152  It was the last important work of his American period.: 32  Britten remarked that three months to write it was "Short notice & a bit of a sweat, but I'll do it as the cash will be useful!" The fee was $400 (roughly equivalent to $6700 in 2017).: 153, 160 
The premiere performance was on 21 September 1941 at Occidental College, in Los Angeles, with the composer present,: 159  by the Coolidge Quartet. Britten wrote afterwards to Mrs Coolidge that he "was delighted with the way that they had played my quartet – really first class, both in musicianship and technique". He had already intended to write a piece for the Griller Quartet, and they gave the UK premiere in 1943. The premiere recording was by the Galimir Quartet in 1951.
In 1979, musicologist Peter Evans wrote that the quartet both had and had not secured a place in the repertory.: 9, 35  It has been recorded by several distinguished quartets (see Recordings, below).




Analysis and reception


The quartet is in four movements:

Andante sostenuto – Allegro vivo
Allegro con slancio
Andante calmo (in 5/4 time)
Molto vivace
A typical performance takes about 26 minutes. The first and third movements, at about 10 minutes each, are much longer than the second and fourth, at about 3 minutes each. The sonata-form first movement contains alternating andante and allegro passages, the slow and fast music playing for similar durations.: 32 
On 22 September 1941, Isabel Morse Jones, music critic for the Los Angeles Times, reviewed the premiere. She wrote, "It is distinctly contemporary and the work starts in a wholly unique ethereality. Upper partials barely heard usher in the first subject most gently. Then a rhythm-cleverness changes the whole picture. Britten wanted to bring the music to consciousness mysteriously, as from another world. The idea was all right but the music was not effective". Nevertheless, she suggested that the slow third movement might be titled "In Memoriam for a Lost World", and said that the last movement was "a brilliant success".
According to Britten's biographer Humphrey Carpenter, the tense and restless character of the quartet may reflect an emotional turmoil in the composer; or, perhaps, partly derive from his working conditions – he had had to shut himself in a tool shed and turn on a fan to drown out the sound of his hosts' piano practice.: 157 
Musicologist Peter Evans analysed the structure of the quartet in detail. He saw resemblances to Beethoven, Bartók and Haydn in some of its features. He wrote, "the extremely subtle relationship between inherent characteristics of the material and its structural working-out showed Britten at twenty-seven to be a master of tonal architecture with scarcely a rival on the English scene".: 32–37  To Evans, Britten's use of D major is often, as here, associated with "a luminous harmony of gentle diatonic dissonance".: 48 
Musicologist Roger Parker called the quartet "a significant milestone in Britten’s composing career", and, brushing aside what he called the "music-analytical Britten industry", also compared it with late Beethoven.
Ben Hogwood summarised critical opinions on the quartet. "Critical reaction to the quartet was largely strong, and the work is held in good regard by authorities on the composer, despite acknowledgement of a few formal quirks and minor shortcomings." Like others, he saw resemblances to Beethoven.




Recordings



1951 – Galimir Quartet, premiere recording Esoteric 78 rpm ES504; re-released (1966) on Saga XID 5259 and (unknown date) on Counterpoint/Esoteric Records CPTS-5504 US
1957 – Paganini Quartet, Liberty SWL 15000
1965 – Fidelio Quartet, Pye Golden Guinea Records GSGC I4025
1972 – Allegri Quartet, Decca LP SXL 6564
1978 – Alberni Quartet, CRD Records CRD 1051
1986 – Endellion Quartet, HMV E 2705021/31/41
1991 – Britten Quartet, Collins Classics 11152
1998 – Maggini Quartet, Naxos 8.553883
2005 – Belcea Quartet EMI Classics CD 7243 5 57968 2 0
2013 – Takács Quartet, Hyperion CD CDA68004
2018 -- Doric Quartet, Chandos 20124




Notes






References






External links


Benjamin Britten: String Quartet No.1 in D major – Professor Roger Parker on YouTube. A musicological lecture by Roger Parker followed by a performance by the Badke Quartet, at Gresham College, London in 2013
Inside Chamber Music with Bruce Adolphe - Britten Quartet No. 1 on YouTube. A musicological lecture in 2015 by Bruce Adolphe at the Chamber Music Society of Lincoln Center, including musical performances by the Amphion Quartet

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