- Source: The Bunyip (musical)
The Bunyip, also known by the longer title The Enchantment of Fairy Princess Wattle Blossom, was written by Ella Palzier Campbell (aka Ella Airlie). The pantomime was a highly successful musical comedy that toured Australia for a decade within Fuller Brothers theatre circuit. The show was produced by Sydney entrepreneur Nat Philips. The premiere of the show ran for at least 97 performances and was revived several times over the following decade.
Production history
Music was supplied by a number of Australian stage personalities including Vince Courtney, Herbert De Pinna and James Kendis. A Melbourne National Gallery student P. Cohen was enlisted to paint the sets with Australian flowers, namely wattle and waratah, on costumes also.
= Venues
=1916 Grand Opera House, Sydney
1917 Princess Theatre, Melbourne
1917 Majestic Theatre, Adelaide
1918 Brisbane Empire
1918 Victoria Theatre, Newcastle
1924 Sydney Hippodrome
Synopsis
The story opens with a bushfire in which all the bush creatures are bought out into the open. Then it deals with the wanderings of princess Wattle Blossom, who falls into the hands of the Bush Gnomes, a proud race with a terrible way of doing things. The Lord High Gnome decrees that the Princess shall be turned into a bunyip, and this transformation takes place on the stage. The fairy princess is then rescued by the principal boy from the race of bush gnomes. A well-received stage effect was a shadow play of girls apparently disrobing behind a backlit screen, over which the (apparently) removed clothing was thrown.
The play relied heavily on comic stereotypes of the time, including a Chinese cook, bumbling Jewish clowns, fierce Aboriginal warriors, and a drunken Australian lout – all contending with Wattle Blossom, the fairy princess in the original story.
Musical numbers
Bunyip / words & music by Herbert de Pinna
Wattle blossom time in Australia / words and music by Fred Monument; arranged by Geo. Hurdle
For you / words & music by Marsh Little
Nulla nulla / words & music by Marsh Little
I love you / words & music by Herbert de Pinna
Mean old moon / Ella Airlie
Back to Kosciusko / words and music by Ella Airlie
Joan / words & music by Marsh Little
Bills' enlisted / words by R. Boyer and H. de Pinna; music by Herbert de Pinna
If Captain Cook could come to life to-day / words by Con Moreni; music by Nellie Kolle & Con Moreni
Sonny mine / words & music by Herbert de Pinna
Down in Australia / words & music by Marsh Little
Nathan : sung by Roy Rene / by James Kendis
My Chinee girl : the favourite one-step song / words and music by Vince Courtney
Grey hair grey eyes / words by Nat Phillips; music by Bert Reid
Safety first / words and music by Henry T. Hayes – Dancers drilled by a child actor
Mother waratah / words & music by Marsh Little
Bunyip waltzes / arr. by Albert Evelyn
Pierrot and Pierrette / lyric by Jean Lenox and Ray Sterling; music by Leo Edwards
Swinging along to Henty / words & music by Henry B. Hayes; ukulele arr. by P. P. McGrath using Bishaw's method
All I want is a cottage, some roses, and you / by Chas. K. Harris
Characters
Wattle Blossom – a fairy princess
Wattle Blossom's attendant
Chief Gnome
Joan – principal 'girl'
Jack – principal 'boy'
Squatter Hadfield
Mrs Wiggins
Ah Fat (Chinese cook) played by Vince Courtney
Swaggie swagman
Extras – An Aboriginal corroboree and bush sprite dancers
Arthur – a halfwit
Tower – a lofty fellow
Comedy duo 'Stiffy and Mo'
Cast
The cast changed across several venues. For example, in Adelaide the crowd was treated to a boomerang thrower safely tossing weapons above their heads
Nat Philips (producer) and Roy Rene played Stiffy and Mo.
Peter Brooks originally played the Swaggie, but was replaced by drag Swagman impersonator Nellie Kolle.
Villiers Arnold played the Gnome in the Sydney production at the grand opera house
Pearl Ladd played the bunyip at the Sydney performance
Ella Airlie (the writer) played Jack the principal boy opposite Queenie Paul as Joan the principal female lead. Dan Dunbar and Zoe Wencke joined the team later.
Roy Rene continued the comic character 'Mo' he had developed in vaudeville
Caddie Franks played the transformation into a Bunyip
Critical reception
The play was embraced with patriotic fervour. From 1917, the show drew crowded houses. The theme song was adopted by schools in New South Wales and sales of the sheet music were phenomenal.
The press was unaffected by a typical Australian workers dispute between management and two stage hands who objected to the behaviour of a backstage colleague.