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Source: The Mbari Club

The Mbari Club was a centre for cultural activity by African writers, artists and musicians that was founded in Ibadan, Nigeria, in 1961 by Ulli Beier, with the involvement of a group of young writers including Wole Soyinka and Chinua Achebe. Mbari, an Igbo concept related to "creation", was suggested as the name by Achebe. Among other Mbari members were Christopher Okigbo, J. P. Clark and South African writer Ezekiel Mphahlele, Amos Tutuola, Frances Ademola, Demas Nwoko, Mabel Segun, Uche Okeke, Arthur Nortje and Bruce Onobrakpeya.
The Daily Telegraph in an obituary of Beier noted that "the Mbari Club became synonymous with the optimism and creative exuberance of Africa’s post-independence era. Fela Kuti made his debut as bandleader there, and it became a magnet for artists and writers from all over Africa, America, and the Caribbean." In the words of Toyin Adepoju: "Coming to birth in the flux of the pre-independence and immediate postindependence period in Nigeria, it brought together a constellation of artists whose work embodied the quality of transformation embodied by the aesthetic of creation, decay, and regeneration evoked by the Mbari tradition."
Closely connected with the literary magazine Black Orpheus, which Beier had founded in 1957, Mbari also acted as a publisher during the 1960s — considered to be the only African-based publisher of African literature at the time — producing 17 titles by African writers. Mbari published early works by Clark, Okigbo and Soyinka, poetry by Bakare Gbadamosi (Okiri, 1961), Alex La Guma (A Walk in the Night and Other Stories, 1962), Dennis Brutus (Sirens, Knuckles, Boots, 1963), Kofi Awoonor and Lenrie Peters, as well as translations of francophone poetry. Brutus was chosen as winner of the Mbari Prize, awarded to a black poet of distinction, but turned it down on the grounds of its racial exclusivity.