• Source: The Sicilian Clan

The Sicilian Clan (French: Le clan des Siciliens) is a 1969 French-Italian gangster film based on the novel by Auguste Le Breton. It was directed by Henri Verneuil and stars Jean Gabin, Lino Ventura and Alain Delon, whose casting has been credited with the film's box office success in France. Ennio Morricone composed the score for the film.




Plot


In Paris, robber and murderer Roger Sartet escapes from custody with the help of the Manalese, a small, well-organized Sicilian Mafia clan consisting of patriarch Vittorio, his two sons, and his son-in-law. Sartet pays them with some valuable stamps he had stowed away, and the Manalese hide him in an apartment above the arcade game manufacturing company they own as a front. Jeanne, the French wife of Vittorio's elder son, looks after Sartet, but he sneaks out to see a prostitute at a hotel and narrowly avoids getting captured by Commissaire Le Goff.
While in prison, Sartet got to know an engineer who worked on the security for a jewelry exhibition in Rome before becoming incarcerated, and he learns the details of the system. He proposes that the Manalese help him rob the show, but they are dubious of the hot-headed outsider, so Vittorio and his old friend Tony Nicosia, who has lived in New York City for decades, go to the exhibition to check it out. They notice additional security measures negate Sartet's plan, but, after learning the show will soon be moved to New York, Nicosia comes up with a plan to steal the jewels in transit. He sends Jack, an alcoholic ex-pilot, to Paris to help the Manalese with the heist.
Figuring Sartet will need fake papers to leave the country, Le Goff tracks down the forger who made his previous fake passport. By coincidence, Vittorio was having the same man make several fake passports as part of the heist, and Le Goff finds the phone number of one of Vittorio's employees at the forger's studio. Le Goff questions Vittorio, but he says the employee no longer works for him.
The Manalese clan retreat to a hideout near the Italian border. Jeanne sunbathes nude in front of Sartet and they start to make love, but are interrupted by Roberto, her six-year-old nephew. She entreats him not to tell tell anyone.
Sartet goes to Rome, where he discreetly kidnaps Edward Evans, an English insurance man, and takes Evans' place among the small group of officials sent to guard the jewels during their trip on a passenger flight. As Jack, Jeanne, Vittorio, and his sons wait to catch the plane when it stops in Paris, they are surprised to see Evans' wife arrive and, intending to accompany her husband to New York, board the plane early. Thinking fast when Mrs. Evans returns from the plane, Vittorio leads her to believe that Evans will be on the same flight the next day, as that is when the jewels are really being transported. While the plane loads and takes off, Mrs. Evans puts through a call to her husband's hotel in Rome. When she learns he never arrived there, she contacts the police and identifies Sartet as one of the men she saw on the plane.
During the plane's descent towards New York, the Manalese clan hijack the aircraft. Warned of Sartet's imminent arrival in the United States, the local police race to the airport, but Jack lands the plane on a new stretch of highway that is not yet open. Nicosia's men are waiting to unload the jewels, and the gangsters split up. Sartet hides out in New York while he waits for his share of the proceeds and a ticket to Veracruz.
Back home in Paris, the Manalese family watch a film in which a couple start to make love, and Roberto exclaims that it looks just like what Sartet was doing with Jeanne. Though Jeanne denies everything, Vittorio lures Sartet back to Paris by withholding his share of the loot. Jeanne calls Sartet's sister, Monique, and asks her to warn him of the trap. Monique goes to the airport, where she finds Vittorio's sons and son-in-law waiting for Sartet, and they are all arrested by Le Goff, who was monitoring Monique's telephone.
Sartet, who had arrived in Paris by an earlier flight than expected, calls Vittorio to arrange a meeting at an isolated spot. Vittorio brings Jeanne with him, and, while Sartet examines the money, Vittorio shoots Sartet and Jeanne dead, leaving the cash by the corpses. When Vittorio returns home, Le Goff is waiting to arrest him.




Cast






Production






= Development

=
The Sicilian Clan was based on the second novel in a series by Auguste Le Breton. The first, which also featured the characters of Sartet and Le Goff, had been filmed by Bernard Borderie as Brigade antigangs in 1966.
The film rights to The Sicilian Clan were bought by Henri Verneuil, who teamed with Jacques-Eric Strauss and signed a deal with 20th Century Fox. Verneuil wrote a screenplay with Pierre Pelegri and then José Giovanni. The two lead roles were written with Jean Gabin and Alain Delon in mind, as Verneuil had worked with both men before. As the writing progressed, Verneuil began to feel that the police officer was another strong role, and he decided to cast Lino Ventura, who had made his film debut 15 years earlier in Touchez pas au grisbi, which also starred Gabin.
Irina Demick was unhappy with her character in the film compared to the novel, in which she was more active, and wanted her to take part in the hijacking. Verneuil felt this would not be believable, but Demick had considerable influence, as she was the mistress of the head of Fox, Darryl F. Zanuck, so Verneuil rewrote the sequence.




= Filming

=
Second unit filming started in New York in March 1969. The main unit went into production on March 24 at Franstudio's Saint-Maurice Studios. The film was shot in two versions: with the actors speaking French, and with the actors speaking English.
During production, Delon was involved in a real-life scandal, the Marković affair, which surrounded the still-unsolved murder of his former bodyguard Stevan Marković several months earlier.




Release


The film had its premiere in Paris on 8 December 1969.




Reception






= Box office

=
In France, The Sicilian Clan drew 4,821,585 admissions, making it the third-most-popular movie of 1969 in France, behind Once Upon a Time in the West and The Brain. It was the second-highest grossing film of all-time in France, behind La Grande Vadrouille (1966), when only considering films not shown on a roadshow release basis. In the United States and Canada, the film earned $1 million in theatrical rentals during 1970.
According to Fox records, the film required $7,925,000 in rentals to break even, and it had earned worldwide rentals of $9,250,000 by 11 December 1970. By September 1970, it had made Fox a profit of $533,000.




= Critical reception

=
Vincent Canby of The New York Times wrote that the film "has its occasional moments... but mostly it's a tired example of a tired genre." The Los Angeles Times said it "winds up seeming more corny and contrived than witty and ironic."
Retrospectively, and more positively, in the book French Cinema: From Its Beginnings to the Present, author Rémi Fournier Lanzoni wrote: "This gangster film reinvented the classic gangster genre, elevating it to a higher level with its hard-boiled acting, deep character studies, and attractive photography."




References






External links


The Sicilian Clan at IMDb
The Sicilian Clan at the TCM Movie Database
Review of film at Slate Magazine
Review at filmsdefrance.com
Story of making of the film at Histoires de Tournages
The Sicilian Clan at Letterbox DVD

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