- Source: Thomas Goff Lupton
Thomas Goff Lupton (3 September 1791 – 18 May 1873) was an English mezzotint engraver and artist, who engraved many works by J. M. W. Turner and other notable British painters of the 19th century. He also produced some pastels, exhibited at the Royal Academy. He played an important part in advancing the technical aspect of engraving by introducing soft steel plates.
Life and work
= Early life and training
=Lupton was born in Clerkenwell, London, the son of William and Mary Lupton. His father, a working goldsmith, apprenticed him to George Clint by whom he was instructed in mezzotint engraving. Later he became assistant to Samuel William Reynolds, and, when Samuel Cousins was articled to the latter in 1814, Lupton gave him his first lesson. Between 1811 and 1820 he exhibited a few pastel portraits at the Royal Academy. Lupton was the youngest of the engravers employed by J. M. W. Turner upon the "Liber Studiorum" ("Book of Studies"), and he executed four of the best of the published and several of the unpublished plates.
= Steel plates
=Lupton was mainly responsible for the introduction of steel for mezzotint engraving. Hoping to find a more durable substitute for copper, he made experiments on nickel plates, the Chinese alloy called tutenag (an alloy of copper, zinc, and nickel), and steel, and, deciding upon the latter, used it for a successful portrait of Munden the actor, after Clint. In 1822 he received the Isis Medal of the Society of Arts for his application of soft steel for engraving - from one plate alone he was still able to get good copy even after 1,500 impressions; all his subsequent works were therefore produced on steel.
= Works
=In 1825 six plates by Lupton, after Turner, were published with the title Views of the Ports of England. These were reissued in 1856 with six more by Lupton, as The Harbours of England, with text by John Ruskin; be also engraved many of the plates for Gems of Art (1823), Beauties of Claude (1825), Turner and Girtin's River Scenery of England (1827, and Lady Charlotte Bury's The Three Great Sanctuaries of Tuscany (1833). His most notable single plates included The Infant Samuel, after Reynolds; Belshazzar's Feast, after John Martin; Wellington surveying the Field of Waterloo, after Benjamin Haydon; The Eddystons Lighthouse and Fishing at Margate, after Turner; some portraits of theatrical groups after Clint, and portraits after Sir Thomas Lawrence, Henry Perronet Briggs, Thomas Phillips, John Watson Gordon, and others.
Lupton also started engraving, a large plate from Turners Calais Pier under the artist's direction, but due to the frequent alterations made by the painter it was never completed. Between 1868 and 1864, he re-engraved fifteen of the Liber Studiorum subjects for a series intended to be issued in parts, but the project failed and the plates remained unpublished.
He was an active supporter of the Artists' Annuity Fund, of which he was elected president in 1836.
Pupils
William Oakley Burgess was his pupil.
Death
Lupton died on 18 May 1873 at 4 Keppel Street, Russell Square, London, where he had lived for 36 years.
Family
By his marriage in 1818 to Susanna Oliver he had a family of six sons and one daughter. His youngest son, Nevil Oliver Lupton, born in 1828, won the "Turner" gold medal of the Royal Academy at the first competition in 1867, and was a frequent exhibitor of landscapes until 1877.
References
Further reading
Alexander, David (1996). "Lupton, Thomas Goff". In Turner, Jane (ed.). The Dictionary of Art. Vol. 19. New York: Grove's Dictionaries. p. 806. ISBN 1-884446-00-0. OCLC 1033643331 – via the Internet Archive.
Bénézit, Emmanuel (2006) [first published in French in 1911–1923]. Benezit Dictionary of Artists. Vol. 8. Paris: Gründ. pp. 1369. ISBN 2-7000-3078-8 – via the Internet Archive.
Davenport, Cyril (1904). Mezzotints. London: Methuen and Co. OCLC 1049687052 – via the Internet Archive.
Engen, Rodney K. (1979). Dictionary of Victorian Engravers, Print Publishers and Their Works. Cambridge: Chadwyck-Healey. pp. 130–131. ISBN 0-914146-86-6. OCLC 1148812729 – via the Internet Archive.
Forrester, Gillian (2001). "Lupton, Thomas Goff". In Joll, Evelyn; Butlin, Martin & Hermann, Luke (eds.). Oxford Companion to J. M. W. Turner. Oxford: Oxford University Press. pp. 180–181. ISBN 0-19-860025-9. OCLC 1150933556 – via the Internet Archive.
Forrester, Gillian (2004). "Lupton, Thomas Goff". In Matthew, H. C. G. & Harrison, Brian (eds.). Oxford Dictionary of National Biography. Vol. 34. Oxford, New York: Oxford University Press. pp. 786–787. ISBN 0-19-861384-9. OCLC 1035757700 – via the Internet Archive.
Hind, Arthur M. (1963). A History of Engraving & Etching from the 15th Century to the Year 1914 (3rd, fully rev. ed.). New York: Dover. pp. 244, 282–284, 383. OCLC 1035610203 – via the Internet Archive.
Hunnisett, Basil (1980). Steel-Engraved Book Illustration in England. Boston: D. R. Godine. pp. 14, 42, 52, 76. ISBN 0-87923-322-2. OCLC 1151348482 – via the Internet Archive.
Redgrave, Samuel (1878). A Dictionary of Artists of the English School (2nd ed.). London: George Bell. p. 278–279. OCLC 1043009709 – via the Internet Archive.
Salaman, Malcolm C. (1906). The Old Engravers of England in Their Relation to Contemporary Life and Art (1540-1800). London et al.: Cassell and Co. OCLC 1049965266 – via the Internet Archive.
Salaman, Malcolm C. (1910). Holme, Charles (ed.). Old English Mezzotints. London et al.: The Studio. OCLC 1049974212 – via the Internet Archive.
Wax, Carol (1990). The Mezzotint: History and Technique. New York: H. N. Abrams. pp. 102, 118, 120. ISBN 0810936038 – via Google Books.
External links
Illustration de T. G. Lupton dans VIATIMAGES
T. G. Lupton on Artnet
Engraved portraits by Lupton (National Portrait Gallery, London)
Fleur de Lis (Engraving after Abraham Cooper - Christie's)
Works by Thomas Goff Lupton at Project Gutenberg
Works by or about Thomas Goff Lupton at the Internet Archive
Kata Kunci Pencarian:
- Thomas Goff Lupton
- Hugh Clapperton
- Lupton
- Elizabeth Walker (artist)
- William Oakley Burgess
- Sir Walter Gilbert, 1st Baronet
- William Henry Ashurst (solicitor)
- Henry Philip Hope
- Richard Earlom
- George Allen (publisher)