Dalam musik,
Timbre ( TAM-bər, juga dikenal dengan warna nada atau kualitas nada dari ilmu psikoakustik merupakan kualitas penerimaan suara dari sebuah nada musik, suara, atau nada yang membedakan jenis yang berbeda dari produksi suara, seperti suara koor, dan instrumen musik, seperti instrumen petik, instrumen angin, dan instrumen perkusi, dan memungkinkan pendengar mendengar instrumen yang berbeda-beda dari jenis yang sama sebagai jenis berbeda, seperti viola dan violin.
Referensi
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Dixon Ward, W. (1970) "Musical Perception". In Foundations of Modern Auditory Theory vol. 1, edited by Jerry V. Tobias, . New York: Academic Press. ISBN 0-12-691901-1.
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Luce, David A. (1963). "Physical Correlates of Nonpercussive Musical Instrument Tones", Ph.D. dissertation. Cambridge: Massachusetts Institute of Technology.
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Peeters, G. (2003) “A Large Set of Audio Features or Sound Description (Similarity and Classification) in the CUIDADO Project”.
Pollard, H. F., and E. V. Jansson (1982) A Tristimulus Method for the Specification of Musical
Timbre. Acustica 51:162–71.
Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920. New York: W. W. Norton & Company. ISBN 0-393-02193-9.
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Timbre". In Reports of the 6th International Congress on Acoustics, Tokyo, GP-6-2, 6 vols., edited by Y. Kohasi, 35–44, 90. Tokyo: Maruzen; Amsterdam: Elsevier.
Sethares, William (1998). Tuning,
Timbre, Spectrum, Scale. Berlin, London, and New York: Springer. ISBN 3-540-76173-X.
Wessel, David (1979). "Low Dimensional Control of Musical
Timbre". Computer Music Journal 3:45–52. Rewritten version, 1999, as "
Timbre Space as a Musical Control Structure".