• Source: Tiyaan

Tiyaan (lit. 'The above-mentioned person') is a 2017 Indian Malayalam-language socio-political action thriller film written by Murali Gopy and directed by Jiyen Krishnakumar. It features Prithviraj Sukumaran and Indrajith Sukumaran in a double role, with Murali Gopy, Suraj Venjaramoodu, Ananya, Paris Laxmi, Rahul Madhav, Shine Tom Chacko, Padmapriya, Ranjeet, John Kokken and Amit Tiwari in supporting roles. Music was composed by Gopi Sundar. The filming started on 27 July 2016 at Ramoji Film City, Hyderabad. Other locations include Pune, Mumbai, and Nasik. It was released on 7 July 2017 and received mixed reviews from critics.




Plot


Pattabhiraman Giri is a Malayali Brahmin teacher living in North India. He is ordered to leave his house by Mahashay Bhagavan, a godman for building his ashram and giving the surroundings for a land mafia. The house was built by followers of Adi Shankara, ancestors of Giri by institution of a Chola king in North India. The house has a well, which has water throughout the year used by all of the villagers. Giri lives with his wife, Amba and daughter Arya teaching Sanskrit to aspirants. He is well respected as a pandit.
Giri gets warned by an unknown middle aged man about the consequences he will have to face by going against the God man. However, he chooses to fight. He is asked to look upwards to the fire on the hill if he needs help. The Godman plays dirty and poisons Giri's daughter and she dies. Giri's own friends and supporters goes against him and joins the Godman fooled by his fake miracles.
Mahashay Bhagavan and his followers visits Giri at night asking him to leave. He says whomsoever have the guts to kill a Brahmin can take over his land. After many attempts the Godman and troops fails and leaves. Giri and his house are attacked by men with guns. However, they are unable to bring any damage to the house. The Godman makes the attack is by maoists and thus Giri is forbidden from entering his house. He goes up to the hill in search of the unknown man but doesn't find him. He learns from Jameel that the unknown man is Jameel's brother Azlan Muhammed, who lived in Mumbai.
Azlan Muhammed was a well respected priest, who attacks and kills all kind of violence in his area. He is married to a Hindu woman, Parineeti and used to live happily fighting for his people. Azlan's sister, Jaseela was attacked by a rowdy with his brother, a don named Khan Sahib. The rowdy whips Jaseela and her lover in the streets and Azlan kills him. A money greed madman Ramnath Gujjan promises to kill Azlan and bring his head. With blessings from his Babaji, who is none other than Mahashay Bhagavan, Gujjan attacks Azlan and his people at night. Azlan's sister, wife and daughter are killed by taking bullets for Azlan. However, Azlan survives his wounds because his heart is in the other side (dextrocardia) alongside Jameel, and he killed Gujjan. Azlan leaves the place listening to a priest's advice without knowing where he is going. The Khan Sahib kills himself Azlan met him and said something, before leaving the place. When Azlan lay dehydrated and unconscious in the desert of an unknown land, a bunch of yogis, who seek no manly pleasures, saves him. His pilgrimage with the yogis to different places showed him real values of life and wisdom. He walked out as a living weapon and stayed to fulfil his life purpose of dharma.
A mother runs into the Ashram of Mahashay Bhagvan with the dead body of her daughter asking if he can bring her back to life (reference of Kisa Gotami's story). She had fed her child with whatever the Godman had given her ignoring doctor's warnings. She brings the deadbody of the child to Giri who has been sitting outside Mahashay Bhagvan's ashram for days in an effort to meet him. Giri touches the dead body of the girl child and suddenly she comes back alive. People start to believe in him and ask for his blessings. This causes distress to the self proclaimed godman Mahashay Bhagvan as he starts to lose his power. The Godman's troops attacks Giri and Azlan makes an entrance. Giri fights back and wins them over single handedly. He is astonished by his own powers and changes in him.
Mahashay secretly tries to meet Azlan at night. He is scared by the visions of Vasundara Devi (Padmapriya Janakiraman), whom he killed in greed of money and power.
The Godman decides to show his power in front of people because of the push from his investors. He asks Giri to show his powers and do whatever he is doing to prove his power. However, he gets a vision of Azlan who makes him weak and unable to perform his own fake magic. He burns himself unable to find his remote in the stampede paying for his own sins.
Baba and Giri has had recurrent dreams with two lookalikes about an ancient war of Battle of Raichur 1520 A.D.. It seems to be that in their fighting with two soldiers in Ramaraja-1 and Ramaraja-2 two lives they were brothers can helped each other at war.




Cast






Critical response


The film received mixed reviews. Sanjith Sidhardhan of The Times of India rated the movie (3.5/5) and wrote: "Murali delivers with an intense script packed with potent dialogues, not just in Malayalam but in Hindi and Sanskrit too. The initial half wraps a relevant take on the current religiopolitical scenario of the country as an entertainer set in a hamlet, inhabited by people of various sects, religions, and languages." In his review for manoramaonline.com, G. Ragesh said "Be it the theme or the setting, Sukumaran-brothers starring Tiyaan is an attempt to explore lesser known terrains. The film, set in a sleepy and parched village in the Hindi heartland, addresses burning issues such as sale of divinity and associated crimes, and tries to go deeper in search of the soul of Indian spirituality". Manoj Kumar R of The Indian Express rated the movie (2.5/5) and wrote: Unless you have a stomach for a drama told in a socio-political thriller format that unfolds with backstories in an extent of nearly 2 hours 50 minutes, you may not find Tiyaan entertaining. Baradwaj Rangan of Film Companion South wrote "Tiyaan comes off like AR Murugadoss meets your average Telugu star vehicle, high-concept mumbo-jumbo fused with lowbrow pleasures. And that is valid reason for a film’s being.




References

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