• Source: Werner Nekes
  • Werner Nekes (29 April 1944 – 22 January 2017) was a German experimental film director, and a collector of historical optical objects.


    Biography


    Born in Erfurt, Nekes grew up in Duisburg and went to school in Oberhausen and Mülheim. From 1963 on, he studied linguistics and psychology in Freiburg and Bonn, where he directed a student film club. From 1965 onward, he began to spin with 8 mm, then with 16 mm film by his first experimental film. He became acquainted with Dore O., who was still painting at the time. They moved to Hamburg and married in 1967. Dore O. was involved in most of his films as an actress, and also began to shoot her own experimental films. Together with Helmut Herbst, Thomas Struck, Klaus Wyborny and Heinz Emigholz, they founded the Filmmacher-Cooperative Hamburg.
    In 1968, his 10-minute short film schwarzhuhnbraunhuhnschwarzhuhnweißhuhnrothuhnweiß oder put-putt received an International Filmpreis in São Paulo. In 1969 he received a Bambi Award for his previous work and the Deutscher Filmpreis for jüm-jüm (1967) in 1970. In 1972, films by Nekes were shown at Documenta 5 in Kassel in the "Filmschau: New European Cinema" section.
    In 1980, he made his first feature film, Uliisses. In 1986, Nekes filmed what would be considered his most famous film ever, the pop-up parody Johnny Flash with Helge Schneider as a rising hit star in the leading role. Christoph Schlingensief was a recording director, camera assistant and actor. They had met in 1982. Both taught at the Hochschule für Gestaltung Offenbach am Main
    (1982-1984). In the early 1970s, Nekes had a professorship for experimental film at the Hochschule für bildende Künste Hamburg (1970-1972).
    Nekes collected everything related to the production of the film, such as optical toys, laterna magica, thaumatropes, praxinoscopes, zoetropes, wax museums, and much more, whose techniques he also used in his films. Over the years, he has brought together an extensive pre-cinematic collection of international significance. Nekes' collection of the archaeology of the moving image has been exhibited several times in notable museums around the world, it appeared in books and exhibition catalogues, and was featured in the television series Media Magica (1996) and in Nekes' documentary Was geschah wirklich zwischen den Bildern? (1985).
    Attempts to present Nekes' collection in a permanent exhibition space have so far failed. The last project, so far, planned to show the collection in an old tower on the site of the former Landesgartenschau in Mülheim, where there Nekes built a camera obscura.
    In 2009, Nekes was admitted to the class of the arts of the North Rhine-Westphalian Academy of Sciences, Humanities and the Arts.
    Nekes last lived in Mülheim. He died there on 22 January 2017.


    Awards


    1969: Bambi Awards for his creations
    1970: Filmband in Silber for jüm-jüm
    1972: Special prize at IFF Mannheim for T-WO-MEN
    1974: Ruhrpreis for arts and sciences
    1975: Filmband in Silber for hynningen
    1981: Preis der deutschen Filmkritik for Beuys
    1984: Deutscher Kritikerpreis for Uliisses
    2014: Helen Hill Award


    Filmography


    1968: schwarzhuhnbraunhuhnschwarzhuhnweißhuhnrothuhnweiß oder put-putt
    1973: Diwan
    1976: Lagado
    1978: Mirador
    1979: Hurrycan
    1982: Uliisses
    1985: Was geschah wirklich zwischen den Bildern?
    1986: Johnny Flash
    1991: Candida
    1997: Der Tag des Malers (The Night of the Painter)


    References




    External links


    Literature by and about Werner Nekes in the German National Library catalogue
    Werner Nekes at IMDb
    Werner Nekes bei der Nordrhein-Westfälischen Akademie der Wissenschaften und der Künste
    Official Website of Werner Nekes

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