• Source: Yukio Mishima bibliography

The bibliography of Kimitake Hiraoka, pen name Yukio Mishima, includes novels, novellas, short stories and literary essays, as well as plays that were written not only in a contemporary-style, but also in the style of classical Japanese theatre, particularly in the genres of noh and kabuki. However, although Mishima took themes, titles and characters from the noh canon, he included his own twists and modern settings, such as hospitals and ballrooms, which startled audiences who were accustomed to the long-settled originals.
In total, Mishima wrote 34 novels (including some entertainment novels), about 50 plays, 25 books of short stories, and at least 35 books of essays, one libretto, as well as one film.
An asterisk (*) denotes works written in Mishima's Gakushūin period. This article was completed with reference to the Japanese Wikipedia entry of Mishima. For a full list of his works, see work by Yamazaki in the further reading.




Novels


Tōzoku (盗賊 Thieves), 1948
Tōzoku―Dai 1-Shō Monogatari no Hottan (Koi no Shūkyoku soshite Monogatari no Hottan) (盗賊 第1章 物語の発端 (恋の終局そして物語の発端) Thieves―Chapter 1 Beginning of a Story （End of Love, and The Beginning of a Story）) 1948
Tōzoku―Dai 2-Shō Kesshin to sono Fushigina Kōka (Jisatsu Kitosha) (盗賊 第2章 決心とその不思議な効果 (自殺企画者) Thieves―Chapter 2 Determination and The Mysterious Effect （Suicide Planner）) 1947
Tōzoku―Dai 3-Shō Deai (盗賊 第3章 出会 Thieves―Chapter 3 Encounter) 1948
Tōzoku―Dai 4-Shō Shūto na Kyōbō―Jō (Biteki Seikatsusha) (盗賊 第4章 周到な共謀―上 (美的生活者) Thieves―Chapter 4 Careful Conspiracy―upper (One Who Lives Beauty) ) 1948
Tōzoku―Dai 5-Shō Shūto na Kyōbō―Ge (Karei) (盗賊 第5章 周到な共謀―下 (嘉例) Thieves―Chapter 5 Careful Conspiracy―second (An Auspicious Occasion)) 1948
Tōzoku―Dai 6-Shō Jikkō―Mijikaki Daidanen (盗賊 第6章 実行―短き大団円 Thieves―Chapter 6 Practice―Short Grand finale) 1948
Kamen no Kokuhaku (仮面の告白 Confessions of a Mask), 1949
Ai no Kawaki (愛の渇き Thirst for Love), 1950
Junpaku no Yoru (純白の夜 Pure White Nights), 1950
Ao no Jidai (青の時代 The Age of Blue), 1950
Natsuko no Bōken (夏子の冒険 Natsuko's Adventure), 1951
Nippon-sei (につぽん製 Made in Japan), 1952-1953
Kinijiki (禁色 Forbidden Colors)
Kinijiki (禁色 Forbidden Colors), 1951
Higyō (秘楽 Secret Pleasure), 1953
Koi no Miyako (恋の都 The Capital of Love), 1954
Shiosai (潮騒 The Sound of Waves), 1954
Megami (女神 Goddess), 1954-1955
Shizumeru Taki (沈める滝 The Sunken Waterfall), 1955
Kōfukugō Shuppan (幸福号出帆 The S.S. Happiness Sets Sail), 1955（Book Published in 1956）
Kinkaku-ji (金閣寺 The Temple of the Golden Pavilion), 1956
Nagasugita Haru (永すぎた春 Too Much of Spring), 1956
Bitoku no Yoromeki (美徳のよろめき The Misstepping of Virtue), 1957
Kyōko no Ie (鏡子の家 Kyoko's House), 1959
Kyōko no Ie Dai-1 bu (鏡子の家 第一部 Kyoko's House, pt. 1)
Kyōko no Ie Dai-2 bu (鏡子の家 第二部 Kyoko's House, pt. 2)
Utage no Ato (宴のあと After the Banquet), 1960
Ojōsan (お嬢さん The Mademoiselle), 1960
Kemono no Tawamure (獣の戯れ The Frolic of the Beasts), 1961
Utsukushii Hoshi (美しい星 Beautiful Star), 1962
Ai no Shissō (愛の疾走 Dash of Love), 1963
Gogo no Eikō (午後の曳航 The Sailor Who Fell from Grace with the Sea), 1963
Nikutai no Gakkō (肉体の学校 The School of Flesh), 1963（Book Published in 1964）
Kinu to Meisatsu (絹と明察 Silk and Insight), 1964
Ongaku (音楽 The Music), 1964
Fukuzatsuna Kare (複雑な彼 That Complicated Guy), 1966
Yakaifuku (夜会服 Evening Dress), 1967
Mishima Yukio Letter Kyōshitsu (三島由紀夫レター教室 Letters―Yukio Mishima's Letter Lessons), 1967-1968
Inochi Urimasu (命売ります Life for Sale), 1968
Hōjō no Umi (豊饒の海 The Sea of Fertility tetralogy)
Haru no Yuki (春の雪 Spring Snow), 1965-1967（Book Published in 1969）
Honba (奔馬 Runaway Horses), 1967-1968（Book Published in 1969）
Akatsuki no Tera (暁の寺 The Temple of Dawn), 1968-1970（Book Published in 1970）
Tennin Gosui (天人五衰 The Decay of the Angel), 1970-1971（Book Published in 1971）




Short stories






= Short story collections

=
Hanazakari no Mori (花ざかりの森 The Forest in Full Bloom), 1944
Misaki nite no Monogatari (岬にての物語 A Story at the Cape), 1947
Yoru no Shitaku (夜の仕度 Preparations for the Evening), 1948
Magun no Tsūka (魔群の通過 Passing of a Host of Devils), 1949
Kaibutsu (怪物 The Monster), 1950
Manatsu no Shi (真夏の死 Death in Midsummer and other stories), 1953 — includes Patriotism
Hashi-zukushi (橋づくし The Seven Bridges), 1958
Sutā (スタア Star), 1961
Mikumano Mōde (三熊野詣 Acts of Worship), 1965




Plays






= Shingeki

=
Higashi no Hakase tachi (東の博士たち Magi of the East), 1939 *
Rotei (路程 The Journey), 1939, unpublished *
Kirusuto Koutanki (基督降誕記 The Birth of Christ), 1939 *
Yakata (館 The Mansion), 1939, unfinished *
Yagatemi Date to (やがてみ楯と To Become the Shield), 1943 *
Ayame (あやめ Iris), 1948
Kataku (火宅 Burning House), 1948
Ai no Fuan (愛の不安 The Anxiety of Love), 1949
Tōdai (灯台 The Lighthouse), 1949
Niobe (ニオベ Niobe), 1949
Seijo (聖女 The Holy Woman), 1949
Majinreihai (魔神礼拝 Adoration of the Devil), 1950
Koi ni Natta Oshōsan (鯉になつた和尚さん The Monk Who Became a Koi), 1951
Shinshi (紳士 The Gentleman), 1952, silent play
Tada Hodo Takai Mono wa Nai (只ほど高いものはない Nothing is as Expensive as Gratis), 1952
Yoro no Himawari (夜の向日葵 Twilight Sunflower), 1953
Wakodo yo Yomigaere (若人よ蘇れ Arise, Youth!), 1954
Bokushingu (ボクシング Boxing), 1954
Koi niwa Nanatsu no Kagi ga Aru (恋には七ツの鍵がある There Are Seven Keys to Love), 1955
Sangenshoku (三原色 Primary Colors), 1955
Fune no Aisatsu (船の挨拶 Greetings at the Boat), 1955
Shiroari no Su (白蟻の巣 The Nest of the White Ants or Termites' nest), 1955
Daishōgai (大障碍 Steeplechase), 1956
Rokumeikan (鹿鳴館 Rokumeikan), 1956
Asa no Tsutsuji (朝の躑躅 Morning Azalea), 1957
Bara to Kaizoku (薔薇と海賊 Roses and Pirates), 1958
Onna wa Senryo Sarenai (女は占領されない Women Never Be Captured), 1959
Nettaiju (熱帯樹 Tropical Tree: A Tragedy in Three Acts), 1960
Toka no Kiku (十日の菊 Tenth-Day Chrysanthemums or The Day after the Fair), 1961
Kuro-tokage (黒蜥蜴 The Black Lizard), 1961
Yorokobi no Koto (喜びの琴 The Harp of Joy), 1964
Koi no Hokage (恋の帆影 The Sails of Love), 1964
Sado Kōshaku Fujin (サド侯爵夫人 Madame de Sade), 1965
Shitakiri Suzume (舌切雀 Tongue-cut Sparrow), 1965
Suzaku Ke no Metsubo (朱雀家の滅亡 The Decline and Fall of the Suzaku), 1967
Waga Tomo Hittorā (わが友ヒットラー My Friend Hitler), 1968
Raiō no Terasu (癩王のテラス The Terrace of The Leper King), 1969




= Modern Noh Plays

=
近代能楽集

Kantan (邯鄲 The Magic Pillow), 1950
Aya no Tsuzumi (綾の鼓 The Damask Drum), 1951
Sotoba Komachi (卒塔婆小町 Komachi at the Stupa or Komachi at the Gravepost), 1952
Aoi no Ue (葵上 The Lady Aoi), 1954
Hanjo (班女 The Waiting Lady with the Fan), 1955
Dōjōji (道成寺 Dōjō Temple), 1957
Yuya, (熊野 Yuya), 1959
Yoroboshi (弱法師 The Begging Monk or The Blind Young Man), 1960
Genji Kuyō, (源氏供養 Memorial Service of Prince Genji), 1962
Busu (附子 Busu), a Modern Kyogen play written in 1957, published in 1971, but was never performed professionally.
Long After Love (Long After Love), a compilation of other Modern Noh plays for performance in New York, written in 1957, published in 1971




= Kabuki

=
Jigoku Hen (地獄変 Hell Screen), 1953 (based on Hell Screen, Ryūnosuke Akutagawa's short story)
Iwashi Uri Koi Hikiami (鰯売恋曳網 The Sardine Seller's Net of Love), 1954
Yuya (Kabuki), (熊野 (歌舞伎) Yuya (Kabuki)), 1955
Fuyō no Tsuyu Ōuchi Jikki (芙蓉露大内実記 The Blush on the White Hibiscus Blossom: Lady Fuyo and the True Account of the Ōuchi Clan), 1955, an adaptation of Euripides' Hippolytos and Racine's Phèdre
Musume-gonomi Obi Tori no Ike (むすめごのみ帯取池 Sash Stealing Pond), 1958
Chinsetsu Yumiharizuki (椿説弓張月 Half Moon (like a Bow and arrow setting up): The Adventures of Tametomo or literally A Wonder Tale: The Moonbow), 1969




= Ballet

=
Miranda, (ミランダ Miranda), 1968




= Libretto

=
Minoko, (美濃子 Minoko), 1964




= Operetta

=
Toketa Tennyo (溶けた天女 Celestial Beauty who Melted or Angel Lady who Melted), 1954, never premiered
Bon Dia Senyōra (ボン・ディア・セニョーラ Bon Dia Signora), 1954




= Buyō

=
Konkai Kikunoariake (狐会菊有明 Konkai Kikunoariake), 1944, never premiered
Hade-kurabe Chikamatsu Musume (艶競近松娘 The Charming Figure Competition of Chikamatsu Girls), 1951
Himegimi to Kagami (姫君と鏡 The Eldest Princess and the Mirror), 1951
Muromachi Hangonkō (室町反魂香 The Dead Appearance Incense in Muromachi) 1953
Hashi-zukushi (Buyō) (橋づくし (舞踊) The Seven Bridges (Buyō)), 1958




= Translated Adaptations

=
Jean Cocteau's Orphée, 1956, Buyō adaptation
Racine's Britannicus, 1957
Oscar Wilde's Salome, 1960
Goethe's Proserpina, 1962
Puccini's Tosca, 1963
Helen Bannerman's The Story of Little Black Sambo, 1964
Gabriele d'Annunzio's Le Martyre de Saint Sébastien, 1965
Victor Hugo's Ruy Blas, 1966
Arabian Nights, 1967
Jean Cocteau's L'Aigle à deux têtes, 1967




Notes, Autobiography, Essays, Diaries, and Travelogues


Tanuki no Shinja (狸の信者 Follower of the Racoon), 1938, part of the「鈴鹿鈔」series *
Kannagara no Michi (惟神之道 The Way of the Gods), 1941 *
Shibai Nikki (芝居日記 Drama Diaries), 1942 *
Azuma Fumihiko Chōshi (東文彦 弔詞 Condolences for Fumihiko Azuma), 1943 *
Azuma Takashi-ni o Kokusu (東徤兄を哭す Lamenting Takashi Azuma), 1943 *
Yanagizakura Zakkenroku (柳桜雑見録 Yanagizakura Notes), 1943 *
Hiraoka Kamitate Den (平岡公威伝 The Life of Kamitate Hiraoka), 1944 *
Funsōkyō (扮装狂 The Costume Fanatic), 1944 *
Haikyo no Asa (廃墟の朝 The Morning of Ruins), 1944 *
Shiron Sonohoka (詩論その他 Poetic Theory and Others), 1945
Wakare (別れ The Parting), 1945
Shōwa Nijūnen Hachigatsu no Kinen ni (昭和廿年八月の記念に In Memory of August 1945), 1945
Sengo Goroku (戦後語録 Postwar Sayings), 1945
Kawabata Yasunari Inshōki (川端康成印象記 Impressions of Yasunari Kawabata), 1946
Waga Sedai no Kakumei (わが世代の革命 Revolution of Our Age), 1946
Manekarezaru Kyaku (招かれざる客 The Uninvited Guest), 1947
Jushosha no Kyoki, (重症者の兇器 The Murder Weapon of Seriously Ill Person), 1948
Shitei (師弟 Teacher and Student), 1948
Tsutankāmen no Kekkon (ツタンカーメンの結婚 The Marriage of Tutankhamun), 1948
Hanjidaiteki na Geijutsuka (反時代的な芸術家 The Artist against Our Times), 1948
Higeki no Arika (悲劇の在処 The Whereabouts of Tragedy), 1949
Gikyoku o Kakitagaru Sōsetsugaki no Nōto (戯曲を書きたがる小説書きのノート Notes of a Novelist Who Wants to Write Drama), 1949
Osaka no Tsurekomiyado ―「Ai no Kawaki」no Shōsa Ryokō no Ichiya (大阪の連込宿 ――「愛の渇き」の調査旅行の一夜 Love Hotels in Osaka ― A Night of Investigation for Thirst for Love), 1950
Kyoei no Tsuite (虚栄について On Vanity), 1950
Koe to Kotoba Tsukai ― Dansei no Motomeru Risō no Josei (声と言葉遣ひ――男性の求める理想の女性 Servant of Voice and Words ― The Ideal Woman Desired by Men), 1950
Kogen Hoteru (高原ホテル A Hotel in the Highlands), 1951
Aporo no Sakazuki (アポロの杯 The Cup of Apollo), 1952, Travelogue
Hoku-bei Kikō (Amerika Nikki) (北米紀行 (あめりか日記) North America Travelogue (American Diary))
Nan-bei Kikō (San Pauro no "Hato no Machi") (南米紀行 (サン・パウロの「鳩の街」) South America Travelogue (São Paulo's "Pigeon Town"))
Ōshū Kikō (欧州紀行 Europe Travelogue)
Tabi no Omoide (旅の思ひ出 Memories of the Travel)
Enshigan no Tabibito (遠視眼の旅人The Farsighted Traveller), 1952
Saikō no Gizensha to Shite ― Koutaishidenka e no Tegami (最高の偽善者として――皇太子殿下への手紙 As the Finest Hypocrite ― A Letter to the Crown Prince), 1952
Watashi no Sukina Sakuchūjinbutsu ― Girisha kara Gendai made no Nakani (私の好きな作中人物――希臘から現代までの中に My Favourite Literary Characters ― from Ancient Greece to the Present), 1952
Tanoshiki Gokōkai o ― Kōtaishidenka e (愉しき御航海を――皇太子殿下へ Bon Voyage ― To the Crown Prince), 1953
Zōshōshūjin no Omoide ― Boku wa Ōkuradaijin (蔵相ぞうしょう就任の想ひ出――ボクは大蔵大臣 Memories of My Inauguration as Minister ― I Am the Minister of Finance), 1953
Dōdōnuguri no Hōrō (堂々めぐりの放浪 Roaming in Circles), 1953
Shibai to Watashi (芝居と私 Drama and I), 1954
Onnagirai no Ben (女ぎらひの弁 Speech of A Misogynist), 1954
Sukina Josei (好きな女性 Women I Like), 1954
Watashi no Shōsetsu no Hōhō (私の小説の方法 The Way I Write Novels), 1954
Kūhaku no Yakuwari (空白の役割 The Role of Blankness), 1955
Shūmatsukan kara no Shuppatsu ― Shōwa Nijūnen no Jigazō (終末感からの出発――昭和二十年の自画像 Departure from Apocalyptic Feelings ― Self-Portrait of 1945), 1955
Hachigatsu Jūgonichi Zengo (八月十五日前後 Around August 15), 1955
Gigyoku no Yūwaku (戯曲の誘惑 The Allure of Drama), 1955
Shōsetsuka no Kyūka (小説家の休暇 The Holiday of a Novelist), 1955
Shin Renai Kōza (新恋愛講座 New Lectures about Love), 1956
Rekishi no Soto ni Jibun o Tazunete ― Sanjūdai no Shosei (歴史の外に自分をたづねて――三十代の処生 To Search for Oneself Outside of History ― Living in One's Thirties), 1956
Radige ni Tsukarete ― Watashino Dokusho Henreki (ラディゲに憑かれて――私の読書遍歴 Possessed by Radiguet ― My Reading History), 1956
Waga Manga (わが漫画 My Manga), 1956
Waga Miseraretaru Mono (わが魅せられたるもの Those Who Enchant Me), 1956
Jiko Kaizō no Kokoromi ― Omoi Buntai to Ōgai e no Keitō (自己改造の試み――重い文体と鴎外への傾倒 An Attempt at Self Change ― Devotion to Heavy Literary Style and Ōgai), 1956
Bodi-biru tetsugaku (ボディ・ビル哲学 Philosophy of Bodybuilding), 1956
Aru Gūwa (或る寓話 A Certain Fable), 1956
Bungaku to Supōtsu (文学とスポーツ Literature and Sports), 1956
Bokushingu to Shōsetsu (ボクシングと小説 Boxing and the Novel), 1956
Tōsui ni Tsuite (陶酔について On Intoxication), 1956
Waga Shishunki (わが思春期 My Adolescence), 1957
Gakuya de kakareta Engeki-ron, (楽屋で書かれた演劇論 Backstage Essays), 1957
Tabi no Ehon, (旅の絵本 Picture Book of a Journey), 1957 (Book Published in 1958), New York Travelogue
Ratai to Ishō, (裸体と衣裳 Naked body and Apparel), 1959 Diary
Gaiyū Nikki (外遊日記 Foreign Travelogue), 1958
Fudōtoku Kyōiku Kōza (不道徳教育講座 Lectures on Immoral Education)
Fudōtoku Kyōiku Kōza (不道徳教育講座 Lectures on Immoral Education), 1959
Zoku Fudōtoku Kyōiku Kōza (続不道徳教育講座 Continued Lectures on Immoral Education), 1960
Watashi no Miaikekkon (私の見合結婚 My Arranged Marriage), 1958
Sakka to Kekkon (作家と結婚 Marrying an Author), 1958
Haha o Kataru ― Watashi no Saijō no Dokusha (母を語る――私の最上の読者 Talking about Mother ― My Best Reader), 1958
Dōjin Zakki (同人雑記 Notes on My Friends), 1958
Jū-hachi-sai to Sanjū-yon-sai no Shōzōga (十八歳と三十四歳の肖像画 With 18 and 34 years:Two Portraits), 1959
Boku wa Obuje ni Naritai (ぼくはオブジェになりたい I Want to Become an Object d’Art), 1959
Yume no Genryō (夢の原料 The Ingredients of a Dream), 1960
Paramiddo to Mayaku (ピラミッドと麻薬 Pyramids and Narcotics), 1961
Bi ni Sakarau Mono (美に逆らふもの That Which Opposes Beauty), 1961, travelogue to the Tiger Balm Garden in Hong Kong
Gisha e no Kyōshū (汽車への郷愁 Homesickness for Trains), 1961
Hōritsu to Bungaku (法律と文学 Law and Literature), 1961
Dai-ichi no Sei (第一の性 The First Sex), 1962-64
Watashi no Henreki Jidai (私の遍歴時代 My Wandering Period), 1963 （Book Published in 1964）, autobiography
Watashi no Naka no “Otokorashisa” no Kouhaku (私の中の“男らしさ”の告白 Confession on the "Masculinity" within Myself), 1963
Shōsetsuka no Musuko (小説家の息子 The Son of a Novelist), 1963
―S・F Fan no Wagamama na Kibō (―S・Fファンのわがままな希望 ―The Self-Indulgent Wishes of a Sci-fi Fan), 1963
Waga Sōsaku Hōhō (わが創作方法 My Creative Method), 1963
Shashinshū「Barakei」no Moderu o Tsutomete ― Purasu・Mainasu ’63 (写真集「薔薇刑」のモデルをつとめて――ぷらす・まいなす'63 Trying My Best as Model for the Photobook Barakei ― Plus or Minus ’63), 1963
Yume to Jinsei (夢と人生 Dream and Life), 1964
Watashi no Shōsetsu Sakuhō (私の小説作法 My Way of Novel-writing), 1964
Tengu Dō (天狗道 The Way of the Tengu), 1964
Kumanoro ― Shin Nippon Meisho Annai (熊野路――新日本名所案内 Kumano Road ― Guide to a New Japanese Sight), 1964
Shūtō Zuihitsu (秋冬随筆 Autumn and Winter Writings), 1964
Jikkanteki Supōtsu Ron (実感的スポーツ論 A Theory of Sports Grounded in Reality), 1964
Tōyō to Seiyō o Musubi Hi (東洋と西洋を結び火――開会式 A Flame that Ties Orient and Occident ― Opening Ceremony), 1964
「Wakare mo Tanoshi」no Saiden (「別れもたのし」の祭典――閉会式 Festival of “Happy Parting” ― Closing Ceremony), 1964
Otoko no Oshiyare (男のおしやれ Men's Fashion), 1964
Han-teijo Daigaku (反貞女大学 College of Unchasteness), 1965 （Book Published in 1966）
Hōgakushi to Shōsetsu (法学士と小説 The Bachelor of Laws and the Novel), 1965
Rondon Tsūshin・Igirisu Kikō (ロンドン通信・英国紀行 Communications from London・U.K. Travelogue), 1965
Watashi no Sensō to Sengo Taigen ― Nijū Nen me no Hachigatsu Jūgo Nichi (私の戦争と戦後体験――二十年目の八月十五日, My Prewar and Postwar Experiences ― The Twentieth August 15), 1965
Taiyō to Tetsu (太陽と鉄 Sun and Steel: Art, Action and Ritual Death), 1968, a collection of autobiographical essays.
F104 (エピロオグ―F104 Epilogue―F104) 1968
Owari no bigaku (をはりの美学 Aesthetics of Ending) 1966
「Warera」kara no Tonsō ― Watashi no Bungaku (「われら」からの遁走――私の文学 Flight from the “We” ― My Literature), 1966
Waga Ikujiron (わが育児論 My Theory of Childrearing), 1966
Ni・Nirokujiken to Watashi (二・二六事件と私 The 2/26 Incident and Me), 1966
Tōgyūshi no Bi (闘牛士の美 Beauty of the Bullfighter), 1966
Watashi no Isho (私の遺書 My Suicide Note), 1966
Watashi no Kirai na Hito (私のきらひな人 People I Hate), 1966
Bītoruzu Kenbutsu Ki (ビートルズ見物記 Notes on Watching The Beatles), 1966
Watashi no Kenkōhō ― Mazu Bodī Biru (私の健康法――まづボデービル How I Stay Healthy ― Bodybuilding First), 1966
Nentō no Mayoi (年頭の迷ひ Lost at the Beginning of the Year), 1967
Otoko no Bigaku (男の美学 Aesthetics of Men), 1967
Ajisai no Haha (紫陽花の母 Hydrangea's Mother), 1967
Ikanishite Eisei o? (いかにして永生を？Immortality, How?), 1967
Seinen ni Tsuite (青年について On the Youth), 1967
Indo no Inshō (インドの印象 Impressions on India), 1967
「Bungei Bunka」no Koro (「文芸文化」のころ Back in My Time of the Bungei Bunka), 1968
Nihon no Koten to Watashi (日本の古典と私 Japanese Classics and Me), 1968
Dentō no Idea ― Waga Bungaku no Yōranki (電灯のイデア――わが文学の揺籃期 Lightbulb Ideas ― The Infancy of My Literature), 1968
Gunpuku o Kiru Otoko no Jyōken (軍服を着る男の条件 The Conditions to Wearing Military Uniform as a Man), 1968
Gaijū no Shiseikatsu (怪獣の私生活 The Private Life of a Monster), 1968
Hoteru (ホテル Hotel), 1969
「Hitokiri」Shutsuen no Ki (「人斬り」出演の記 Notes on Appearing in Hitokiri), 1969
Gekiga ni Okeru Wakamono Ron (劇画における若者論 A Theory of Young People Regarding the Gekiga), 1970
Koma (独楽 Spinning Top), 1970
Aisuru to Iu Koto (愛するといふこと On Loving), 1970
Takigahara Buntonchi wa Daini no Waga Ie (滝ヶ原分屯地は第二の我が家 Takigahara Sub-camp Is My Second Home), 1970




Literary, Art, and Drama Criticism


Tanaka Fuyuji Shōron (田中冬二小論 Short Essay on Fuyuji Tanaka), 1940 *
Ōchō Shinri Bungaku Shōshi (王朝心理文学小史 Concise History of Psychological Literature in the Dynastic Periods), 1942 *
Kokon no Kisetsu (古今の季節 Past and Present Seasons), 1942 *
Ise Monogatari no Koto (伊勢物語のこと On the Tale of Ise), 1942 *
Uta wa Amaneshi (うたはあまねし Songs Everywhere), 1942 *
Yumeno no Shika (夢野之鹿The Deer of Yumeno), 1943 *
Koza no Gyokuseki ― Itō Shizuo Oboegaki (古座の玉石――伊東静雄覚書 The Gemstone of Koza ― A Memorandum on Shizuo Itō), 1944 *
Dan Kazuo「Hanagatami」― Oboegaki (檀一雄「花筐」――覚書 Kazuo Dan’s Flower Basket ― A Memorandum), 1944 *
Kawabata shi no「Jojōka」ni Tsuite (川端氏の「抒情歌」について On Kawabata’s Lyric Poetry), 1946
Sōjūrō no Koto nado ― Haiyū Ron (宗十郎のことなど――俳優論 On Sōjūrō and Others ― A Theory of Actor), 1947
Sōjūrō Oboegaki (宗十郎覚書 A Memorandum on Sōjūrō), 1947
Sōmonka no Genryu, (相聞歌の源流 The Source of the Sōmon), 1948
Jōshi ni Tsuite ― Yaya Kyōgeki na Giron (情死について――やゝ矯激な議論 On Double Suicide ― A Somewhat Radical Argument), 1948
Kawabata Yasunari Ron no Ichi Hōhō ―「Sakuhin」ni Tsuite (川端康成論の一方法――「作品」について A Method from the Theory of Yasunari Kawabata ― On the “Artwork”), 1949
Nakamura Shikan Ron (中村芝翫論 A Theory of Shikan Nakamura), 1949
Shōsetsu no Gikō ni Tsuite (小説の技巧について On the Techniques of the Novel), 1949
Ugetsu Monogatari ni Tsuite (雨月物語について On the Tales of Moonlight and Rain), 1949
Goku Mijikai Shōsetsu no Kōyō (極く短かい小説の効用 The Utility of the Extremely Short Novel), 1949
On Oscar Wilde, 1950
Bungaku ni Okeru Haru no Mezame (文学に於ける春のめざめ, The “Spring Awakening” of Literature), 1951
Hihyōka ni Shōsetsu ga Wakaruka (批評家に小説がわかるか Does the Critic Understand the Novel?), 1951
Shin Koten Ha (新古典派 Neoclassicism), 1951
Nihon no Shōsetsuka wa Naze Gigyoku o Kakanai ka? (日本の小説家はなぜ戯曲を書かないか？Why Don't Japanese Novelists Write Drama?), 1951
Dan Kazuo no Hiai (檀一雄の悲哀 The Pathos of Kazuo Dan), 1951
「Hanjo」Haiken (「班女」拝見 Seeing Hanjo), 1952
Hizoku na Buntai ni Tsuite (卑俗な文体について On Vulgar Literary Style), 1954
Wattō no《Shiteeru e no Funade》(ワットオの《シテエルへの船出》Watteau's The Embarktion for Cythera), 1954
Akutagawa Ryūnosuke ni Tsuite (芥川龍之介について On Ryūnosuke Akutagawa). 1954
Yokomitsu Toshikazu to Kawabata Yasunari (横光利一と川端康成 Toshikazu Yokomitsu and Yasunari Kawabata), 1955
Kawabata Yasunari Besuto・Surī ―「Yama no Oto」「Sorihashi Rensaku」「Kinjū」(川端康成ベスト・スリー――「山の音」「反橋連作」「禽獣」The Best Three of Yasunari Kawabata ― The Sound of the Mountain, Sorihashi Bridge Series, Of Birds and Beasts), 1955
Geijutsu ni Erosu wa Hitsuyō ka (芸術にエロスは必要か Is Eros Necessary to Art?), 1955
Fukuda Tsuneari shi no Kao (福田恆存氏の顔 The Face of Tsuneari Fukuda), 1955
Katō Michio shi no Koto (加藤道夫氏のこと On Michio Katō), 1955
Boku no Eiga o Miru Shakudo・Shinemasukōpu to Engyoku (ぼくの映画をみる尺度・シネマスコープと演劇 My Film-Watching Standards, CinemaScope, and Theatre), 1956
Eien no Tabibito―Kawabata Yasunari-shi no Hito to Sakuhin (永遠の旅人―川端康成氏の人と作品 The Eternal Traveler―Yasunari Kawabata's Personality and Works), 1956
Seibugeki Raisan (西部劇礼讃 In Praise of the Western Film), 1956
Gakuya de kakareta Engeki-ron, (楽屋で書かれた演劇論 Backstage Essays), 1957
Kawabata Yasunari no Tōyō to Seiyō (川端康成の東洋と西洋 The Orient and Occident of Yasunari Kawabata), 1957
Gendai Shōsetsu wa Koten Tarieru ka (現代小説は古典たり得るか Can the Contemporary Novel Do the Job of Classics?), 1957
Shinjū Ron (心中論 A Theory of Double Suicide), 1958
Bunshō Dokuhon (文章読本 Writing Manual), 1959
Kawabata Yasunari shi Saisetsu (川端康成氏再説 Another Explanation of Yasunari Kawabata), 1959
Rokusei Nakamura Utaemon Josetsu (六世中村歌右衛門序説 Introduction to Nakamura Utaemon VI), 1959
「Erochishizumu」― Joruju・Bataiyu Cho Muro Junsuke Yaku (「エロチシズム」――ジョルジュ・バタイユ著 室淳介訳 Eroticism ― by Georges Bataille, translated by Junsuke Muro)
Ishihara Shintarō shi no Shosakuhin (石原慎太郎氏の諸作品 The Works of Shintarō Ishihara), 1960
Berafonte San (ベラフォンテ讃 In Praise of Belafonte), 1960
「Kuroi Orufe」o Mite (「黒いオルフェ」を見てOn Seeing Orfeu Negro), 1960
Kasugai Ken shi no「Miseinen」no Jobun (春日井建氏の「未青年」の序文 Preface to Ken Kasugai's The Minor), 1960
Takeda Taijun hi ― Sōryo de Aru Koto (武田泰淳氏――僧侶であること Taijun Takeda ― On Being a Monk), 1960
Sonzaishinai Mono no Bigaku ―「Shinkokinshū」Chinkai (存在しないものの美学――「新古今集」珍解 The Aesthetics of Nonexistent Things ― An Odd Interpretation of the Shinkokinshū), 1961
Recommending Mr. Yasunari Kawabata for the 1961 Nobel Prize for Literature, 1961
Kawabata Yasunari shi to Bunkakunshō (川端康成氏と文化勲章 Yasunari Kawabata and the Order of Culture), 1961
Shūmatsukan to Bungaku (終末観と文学 Eschatology and Literature), 1961
「Jun Bungaku to wa?」Sono Hoka (「純文学とは？」その他 What is Pure Literature? and Others), 1962
Gendaishi to Shite no Shōsetsu (現代史としての小説 The Novel as Contemporary History), 1962
Tanizaki Junichirō Ron (谷崎潤一郎論 A Theory of Junichirō Tanizaki), 1962
Kawabata Yasunari Dokuhon Josetsu (川端康成読本序説 Introduction to the Yasunari Kawabata Reader), 1962
Odori (踊り Dance), 1963
Hayashi Fusao Ron (林房雄論 A Theory of Fusao Hayashi), 1963
Hosoe Eikō Josetsu (細江英公序説 An Introduction to Eikō Hosoe), preface to Barakei, 1963
Romanchikku Engeki no Fukkō (ロマンチック演劇の復興 Revival of the Romantic Theatre), 1963
Henshishitta Yūga (変質した優雅 Perverted Elegance), 1963
Geijutsu Dansō (芸術断想 Thoughts on Art), 1963
Bungakuza no Shokun e no「Kōkaijō」―「Yorokobi no Koto」no Jōen Kyohi ni Tsuite (文学座の諸君への「公開状」――「喜びの琴」の上演拒否について An Open Letter to My Friends at the Bungakuza ― on the Rejection to Staging Yorokobi no Koto), 1963
Raizō Take no Koto (雷蔵丈のこと On Take Raizō), 1964
Kaisetsu『Nihon no Bungaku 38 Kawabata Yasunari』(解説『日本の文学38 川端康成』Commentary “Japanese Literature 38 Yasunari Kawabata"), 1964
Kaisetsu『Gendai no Bungaku 38 Enchi Fumiko』(解説『現代の文学20 円地文子集』Commentary “Contemporary Literature 20 Fumiko Enchi Series”), 1964
Bungaku ni Okeru Kōha ― Nihon Bungaku no Dansei teki Genri (文学における硬派――日本文学の男性的原理 The Tough Guy of Literature ― The Masculine Principle of Japanese Literature), 1964
Gendai Bungaku no San Hōkō (現代文学の三方向 The Three Directions of Contemporary Literature), 1965
Bungaku teki Yogen ― Shōwa Yonjū Nendai (文学的予言――昭和四十年代 A Literary Prophecy ― In the Time of 1965), 1965
Tanizaki Chō Jidai no Shūen (谷崎朝時代の終焉 The End of the Tanizaki Era), 1965
Kaisetsu『Nihon no Bungaku 2 Mori Ōgai (Ichi) 』(解説『日本の文学2 森鴎外（一）』Commentary “Japanese Literature 2 Ōgai Mori (1)”), 1966
Kiken na Geijutsuka (危険な芸術家 The Dangerous Artist), 1966
Eiga teki Nikutai Ron ― Sono Bubun Oyobi Zendai (映画的肉体論――その部分及び全体 A Cinematic Theory of the Body ― Its Parts and Its Whole), 1966
Narushishizumu Ron (ナルシシズム論 A Theory of Narcissism), 1966
Tanizaki Junichirō, Geijutsu to Seikatsu (谷崎潤一郎、芸術と生活 Junichirō Tanizaki, Art and Life), 1966
Itō Shizuo no Uta ― Waga Shika (伊東静雄の詩――わが詩歌 The Poems of Shizuo Itō ― Our Poetry), 1966
Tanizaki Junichirō Shō (谷崎潤一郎頌 In Praise of Junichirō Tanizaki), 1966
Seinen Zō (青年像 Portrait of Youth), 1967
Kokinshū to Shinkokinshū (古今集と新古今集 The Kokinshū and Shinkokinshū), 1967
Poppukōn no Shinreijutsu ― Yoko’o Tadanori Ron (ポップコーンの心霊術―横尾忠則論 Popcorn Spiritualism ― A Theory of Yoko’o Tadanori), 1968
『Sentōgosho』Jobun (『仙洞御所』序文 Preface to Sentō Imperial Palace), 1968
Shosetsu towa Nanika (小説とは何か What is the Novel?), 1968
Noguchi Takehiko shi e no Kōkaijō (野口武彦氏への公開状 An Open Letter to Takehiko Noguchi), 1968
Kaisetsu『Nihon no Bungaku 40 Hayashi Fusao・Takeda Rintarō・Shimaki Kensaku』(解説『日本の文学40 林房雄・武田麟太郎・島木健作』Commentary "Japanese Literature 40 Fusao Hayashi・Rintarō Takeda・Kensaku Shimaki"), 1968
Hinuma shi to Shi (日沼氏と死 Hinuma and Death), 1968
Shinoyama Kishin Ron (篠山紀信論 A Theory of Kishin Shinoyama), 1968
All Japanese are perverse, 1968
Kaisetsu『Nihon no Bungaku 4 Ozaki Kōyō・Izumi Kyōka』(解説『日本の文学4 尾崎紅葉・泉鏡花』 Commentary "Japanese Literature 4 Kōyō Ozaki・Kyōka Izumi"), 1969
Jo (序 Preface to Tamotsu Yatō’s Photobook Hadakamatsuri), 1969
Tsuruta Kōji Ron ―「Shōchō Tobaku」to「Hishakaku to Kiratsune」no Naka no (鶴田浩二論――「総長賭博」と「飛車角と吉良常」のなかの A Theory of Kōji Tsuruta ― In Shōchō Tobaku and Hishakaku to Kiratsune), 1969
Nihon Bungaku Shoshi (日本文学小史 Some Histories of Japanese Literature), 1969 （Book Published in 1972）, an unfinished Literary criticism
Kaisetsu『Nihon no Bungaku 52 Nozaki Kazuo・Tonomura Shigeru・Kanbayashi Akatsuki』(解説『日本の文学52 尾崎一雄・外村繁・上林暁』 Commentary "Japanese Literature 40 Kazuo Nozaki・Shigeru Tonomura・Akatsuki Kanbayashi"), 1969
『Nemureru Bijo』Ron (『眠れる美女』論 A Theory of The House of the Sleeping Beauties), 1970
Matsugo no Me (末期の眼 Yasunari Kawabata's The Eye at the Deathbed), 1970
Kaisetsu『Shinch ōNihon Bungaku 6 Tanizaki Junichirō Sho』(解説『新潮日本文学6 谷崎潤一郎集』 Commentary "Shinchō Japanese Literature 6 Junichirō Tanizaki Series"), 1970
Sei teki Henshitsu kara Seiji teki Henshitsu e ― Bisukonti「Jigoku ni Ochita Yūja domo」o Megutte (性的変質から政治的変質へ――ヴィスコンティ「地獄に堕ちた勇者ども」をめぐって From Sexual Perversion to Political Perversion ― On Visconti's The Damned), 1970
Kaisetsu『Nihon no Bungaku 34 Uchida Hyakken・Makino Shinichi・Inagaki Taruho』(解説『日本の文学34 内田百閒・牧野信一・稲垣足穂』 Commentary "Japanese Literature 34 Hyakken Uchida・Shinichi Makino・Taruho Inagaki"), 1970
Yanagida Kunio『Tōno Monogatari』― Meicho Sai Hakken (柳田国男『遠野物語』――名著再発見 Kunio Yanagida’s Tale of Tōno ― Rediscovering a Literary Masterpiece), 1970
Bōga (忘我 Ecstasy), 1970




Public Opinion and Columns


Shi no Bunryō (死の分量 The Weight of Death), 1953
Dōtoku to Kodoku (道徳と孤独 Morality and Loneliness), 1953
Moraru no Kangaku ― Geijutsuka ni Okeru Seijitsu no Mondai (モラルの感覚――芸術家における誠実の問題 Sense of Morality ― The Issue of Honesty in the Artist), 1953
Shin Fasshizumu Ron (新ファッシズム論 A Theory of Neofascism), 1954
Yokubō no Jūsoku ni Tsuite ― Kōfuku no Shinrigaku (欲望の充足について――幸福の心理学 On the Satisfaction of Desires ― The Psychology of Happiness), 1955
Denki Sentakuki no Mondai (電気洗濯機の問題 The Problem with Laundary Machines), 1956
Kame wa Usagi ni Oitsuku ka? ― Iwayuru Kōshikoku no Shomondai (亀は兎に追ひつくか？――いはゆる後進国の諸問題 Can the Tortoise Catch up with the Rabbit? ― The Many Problems of So-called “Third-World Countries”), 1956
Kinofukefu (きのふけふ Recently), 1957, column
Seishun no Annyui (青春の倦怠 The Ennui of Youth), 1957
Yūrakuchō (憂楽帳 The Yūrakuchō Column of the Mainichishinbun), 1959, column
Kantōgen (巻頭言 Foreword to the Fujinkōron), 1959
Shakai Ryōri Mishima-tei (社会料理三島亭 Cooking of Societies―Kitchen Mishima), 1960
Hitotsu no Seijiteki iken (一つの政治的意見 Party of One), 1960
Hasshatō (発射塔 Launch Tower), 1960, column
Amerikajin no Nihon Shinwa (アメリカ人の日本神話 Japan: The Cherished Myths), 1961
Ma ― Gendai teki Jōkyō no Shōchō teki Kōzu (魔――現代的状況の象徴的構図 Demon ― A Symbolic Composition of the Contemporary State of Affairs), 1961
Horie Seinen ni Tsuite (堀江青年について On Horie the Youth), 1962
Tenkataihei no Shisō (天下泰平の思想 The Ideology of World Peace), 1963
Seito o Shinpukusaseru dake no Wanryoku o ― Suparuta Kyōiku no Osusume (生徒を心服させるだけの腕力を――スパルタ教育のおすすめ Only as Much Force as to Gain the Devotion of Students ― Recommending the Agoge), 1964
Kyokugen to Riariti (極限とリアリティー Extremity and Reality), 1964
Kanojo mo Naita, Watashi mo Naita―Joshi Bare (彼女も泣いた、私も泣いた―女子バレー She Cried, and I Cried―Women Volleyball), 1964 Tokyo Olympic Reports
Bunburyōdō (文武両道 Bunburyōdō), 1965
Nihonjin no Hokori (日本人の誇り Pride of the Japanese), 1966
Ochazuke Nashonarizum (お茶漬ナショナリズム Chazuke Nationalism), 1966
Hōritsu to Mochiyaki (法律と餅焼き The Law and Roasting Mochi), 1966
Danzō Geidō Saigunbi (団蔵・芸道・再軍備 Danzō, Performing Arts, and Rearmament), 1966
Jo (序 舩坂弘著『英霊の絶叫』 Preface to Hiroshi Funasaka's Eirei no Zekkyō), 1966
Nihon e no Shijō (日本への信条 Creed to Japan), 1967
Bōkyaku to Bika (忘却と美化 Forgetting and Beautification), 1967
「Dōgi teki Kakumei」no Ronri ― Isobe Ittōshukei no Ikō ni Tsuite (「道義的革命」の論理――磯部一等主計の遺稿について The Logic of “Moral Revolution” ― On the Posthumous Manuscripts of Lieutenant Isobe), 1967
Watashi no Naka no Hiroshima ― Genbaku no Hi ni Yosete (私の中のヒロシマ――原爆の日によせて The Hiroshima in Me ― On the Atomic Bomb Memorial Day), 1967
Jinsei no Hon ― Suematsu Taihei Cho『Watashi no Shōwa Shi』(人生の本――末松太平著『私の昭和史』The Book of Life ― Taihei Suematsu's My Shōwa History), 1967
Hagakure Nyūmon (葉隠入門 On Hagakure: The Samurai Ethic and Modern Japan), 1967
Seinen Ron ― Kimi Jishin no Ikikata o Kangaeru Tame ni (青年論――キミ自身の生きかたを考へるために A Theory of Youth ― for Thinking about Your Own Way of Living), 1967
JNG Karian (J・N・G仮案 An Informal Proposal of the Japan National Guard), 1968
Sokoku Bōeitai wa Naze Hitsuyō ka? (祖国防衛隊はなぜ必要か？Why Is a National Defense Army Necessary?), 1968
Aikokushin (愛国心 Patriotism), 1968
Tsuburaya Ni’i no Jijin (円谷二尉の自刃The Suicide of First Lieutenant Tsuburaya), 1968
Ni・Niroku Jiken ni Tsuite ― “Nihonshugi” Chimidoro no Saigo (二・二六事件について――“日本主義”血みどろの最期 On the February 26 Incident ― The Gory End of “Japanism”), 1968
Wakaki Samurai no Tame no Seishin Kōwa (若きサムラヒのための精神講話 A Spiritual Lecture for the Young Samurai), 1968
Firutā no Susuhiroi ― Nihonbunkakaigi Hossoku ni Yosete (フィルターのすす払ひ――日本文化会議発足に寄せて Cleaning the Filter ― On the Founding of the Nihonbunkakaigi), 1968
Bunka Bōei-ron (文化防衛論 On the Defense of Culture), 1968 （Book Published in 1969）
Kinou to Bi (機能と美 Function and Beauty), 1968
Eiyo no Kizuna de Tsunage Kiku to Katana (栄誉の絆でつなげ菊と刀 The Crysanthenum and the Sword Tied by a Bond of Honour), 1968
Hashikawa Bunsō e no Kōkaijō (橋川文三への公開状 An Open Letter to Bunsō Hashikawa), 1968
Jiyū to Kenryoku no Jyōkyō (自由と権力の状況 The Situation of Freedom and Power), 1968
「Senjiroku」ni Tsuite (「戦塵録」について On the Senjinroku), 1969
Tōdai o Dōbutsuen ni Shiro (東大を動物園にしろ Let's Turn Tokyo University into a Zoo), 1969
Gendai Seinen Ron (現代青年論 A Theory of the Contemporary Youth), 1969
Ishi no Wakamono (維新の若者 Young People of the Restoration), 1969
Han Kakumei Sengen (反革命宣言 A Counter-revolutionary Declaration), 1969
Jieitai Nibun-ron (自衛隊二分論 Theory of Dividing Japan Self-Defense Forces into Two), 1969
Ikkanfuwaku (一貫不惑 Ikkanfuwaku), 1969
Sabaku no Jūnin e no Ronri teki Chōji ― Tōron o Owari e te (砂漠の住人への論理的弔辞――討論を終へて A Logical Condolence to the Inhabitants of the Desert ― Please End the Debates), 1969
Kita Ikki Ron ―「Nihon Kaizō Hōan Taikō」o Chūshin to Shite (北一輝論――「日本改造法案大綱」を中心として A Theory of Ikki Kita ― Centering on the Outline for the Reorganization of Japan), 1969
Nihon Bunka no Shinen ni Tsuite (日本文化の深淵について A Problem of Culture), 1969
Kōdōgaku Nyūmon (行動学入門 Introductions to the Philosophy of Action), 1969 （Book Published in 1970）
Mishima Yukio no Fakuto・Megaroporisu (三島由紀夫のファクト・メガロポリス Yukio Mishima's Megalopolis of Facts), 1969
STAGE-LEFT IS RIGHT FROM AUDIENCE (abridged translation “Okinama and Madame Butterfly’s Offspring”), 1969
Tatenokai no koto (「楯の会」のこと The Shield Society), 1969
「Kuni o Mamoru」to wa Nani ka (「国を守る」とは何か What Does It Mean to “Proect One’s Country”?), 1969
「Henkaku no Shisō」to wa ― Dōri no Jikken (「変革の思想」とは――道理の実現What an “Revolutionary Ideology” Means ― The Implementation of Reason), 1970
Shin Chishikijin Ron (新知識人論 Neo-intellectualism), 1970
『Hasuda Zenmei to Sono Shi』Jobun (『蓮田善明とその死』序文 Preface to Zenmei Hasuda and His Death), 1970
Mondaiteiki (問題提起 Raising a Question), 1970
Shidō ni Tsuite ― Ishihara Shintarō e no Kōkaijō (士道について――石原慎太郎への公開状 On the Samurai Code ― An Open Letter to Shintarō Ishihara), 1970
Hatashieteinai Yakusoku ― Watashi no Naka no Nijūgonen (果たし得てゐない約束――私の中の二十五年 A Promise Never Carried Out ― The Twenty-Five Years within Me), 1970
Bushidō to Gunkokushugi (武士道と軍国主義 Samurai Code and Militarism), 1970
Seikigun to Fuseikigun (正規軍と不正規軍 Regular and Irregular Armies), 1970
Kakumei Tetsugaku to Shite no Yōmeigaku (革命哲学としての陽明学 Yangmingism as a Revolutionary Philosophy), 1970
Bushidō ni Kakeru Gendai no Bijinesu (武士道に欠ける現代のビジネスThe Absence of Samurai Code in Contemporary Business), 1970
Waga Doushikan (わが同志観 My View on Comradeship), 1971




Lectures and Statements


Nihon Bundan no Genjō to Seiyō Bungaku to no Kankei (日本文壇の現状と西洋文学との関係 The Status Quo of the Japanese Literary Circle and Its Relation to Western Literature), 1957.7.9 - University of Michigan
INFLUENCES IN MODERN JAPANESE LITERATURE／YOMIURI JAPAN NEWS, 1958.2 - Tokyo Women's Club
Bishoku to Bungaku (美食と文学 Gourmet and Literature), 1958.2.5 - commemorative event for the publication of Complete Works of Tanizaki Junichirō by the Chūōkōron magazine
Nihon no Wakamono (日本の若者 Japanese Youth), 1961.9.18 - Holiday & University of California’s Symposium in Berkeley, California
Watashi wa ikanishite Nihon no sakka ni nattaka (私はいかにして日本の作家となつたか How I have been grown up as the Japanese writer), 1966.4.18 - Speech at Foreign Correspondents' Club of Japan
Bunkadaikakumei Ni Kansuru Seimei (文化大革命に関する声明 Statement on the Cultural Revolution), 1967.2.28 – joint statement with Yasunari Kawabata, Jun Ishikawa, Kōbō Abe in the Tokyo Shimbun and Sankei Shimbun
Kotengeinō no Hōhō ni Yoru Seijijōkyō to Sei ― Sakka Mishima Yukio no Shōgen (古典芸能の方法による政治状況と性——作家・三島由紀夫の証言 Our Political Climate and Sex according to the Ways of Classical Theatre — A Testimony by Writer Yukio Mishima), 1967.2.23 – trial regarding the indecency in the film Kuroi Yuki at the Tokyo District Court
Watashi no Jijubōei Ron (私の自主防衛論 My Theory of Autonomous National Defense), 1968.10.24 – extraordinary general meeting at the Japan Business Federation
Shirōto Bōei Ron (素人防衛論 A Theory of National Defense for the Layman), 1968.11.20 – National Defense Academy of Japan at Yokosuka
Nihon no Rekishi to Bunka to Dentō ni Tatte (日本の歴史と文化と伝統に立つて Situated in the History, Culture, and Traditions of Japan), 1968.12.1 – collaborative conference by the Tokyo Students’ Union and Kantō Students’ Union
Nihon to wa Nani ka (日本とは何か What Is “Japan”?), 1969.10.15 – centennial of the Ministry of Finance
Gendai Nihon no Shisō to Kōdō (現代日本の思想と行動 The Thoughts and Actions of Contemporary Japan), 1970.4.27 – regular meeting of the Sannō Research Society of Economics
Watashi no Kiite Hoshii Koto (私の聞いて欲しいこと What I Want You to Know), 1970.5.28 – 84th anniversary of the founding of the Imperial Guards
Aku no Hana ― Kabuki (悪の華――歌舞伎 Flowers of Evil ― Kabuki), 1970.7.3 – training school for Kabuki actors at the National Theatre
「Koritsu」no Susume (「孤立」のススメ Recommending “Isolation”), 1970.6.11, at the Shōshikai
Waga Kuni no Jijubōei ni Tsuite (我が国の自主防衛について On the Autonomous National Defense of Our Country), 1970.9.3 – 3rd political workshop for the youth at the Shinseidōshikai (Association of the New Government)
Geki (檄 An appeal), 1970.11.25 – JSDF Ichigaya Military Base




Poems, Haiku, and Lyrics


Akinoyoni… (アキノヨニ... Like Autumn…), 1931, haiku *
Hinomaruno… (日ノマルノ... Of the Hinomaru…), 1932, haiku *
Otōtōga… (おとうとが... My Brother…), 1932, haiku *
Aki (秋 Autumn), 1932 *
Imōto wa… (妹は... My Sister…), 1932, tanka *
Mikan (蜜柑 Mandarin), 1937 *
Kodama (こだま Tree Spirit), 1937 *
Shayō (斜陽 Setting Sun), 1937 *
Aki Nidai (秋二題 Two Titles for Autumn), 1937 *
Shihen「Kinrei」(詩篇「金鈴」Poetry Collection Golden Bell), 1938 *
Shinkirō no Kuni / Tsukiyosōren / Insei (蜃気楼の国／月夜操練／隕星 Country of Mirage / Drill on a Moonlit Night / Meteor), 1938, three poems in「鈴鹿鈔」*
Shihen「Kyūkanchō」(詩篇「九官鳥」Poetry Collection Hill Myna), 1939 *
Tanjōbi no Asa (誕生日の朝 Birthday Morning), 1939 *
Mishiranu Heya de no Jisatsuja (見知らぬ部屋での自殺者 Person Who Committed Suicide in an Unknown Room), 1939 *
Magagoto (凶ごと Ominous Word), 1940 *
Shihen「Shōkyokushū」(詩篇「小曲集」Poetry Collection Short Pieces), 1940 *
Shihen「Seijōshisō」(詩篇「青城詩抄」Poetry Collection Seijō Anthology), 1940 *
Shihen「Jojōshishō」(詩篇「抒情詩抄」Poetry Collection Lyric Poetry Anthology), 1941 *
Watakushi no Nozoi wa Okoru (わたくしの希ひは熾る My Hope Is Catching Fire), 1941 *
Taishō (大詔 Imperial Rescript), 1942 *
Ka no Hanano no Tsuyukesa (かの花野の露けさ Dews of Those Flower Fields), 1942 *
Kiku (菊 Chrysanthemum), 1942 *
Koi Kuyō (恋供養 Memorial Service for Romance), 1943 *
Yoru no Semi (夜の蝉 Night Cicada), 1943 *
Shijin no Tabi (詩人の旅 Journey of the Poet), 1944
Mohaya Ironii wa Yameyo (もはやイロニイはやめよ Let’s Give Up on Irony Already), 1945
Genka ― Natsu no Koibito (絃歌――夏の恋人 Genka ― Summer Lovers), 1945
Kyōenma (饗宴魔 The Banquet Fanatic), 1945
Ochiba no Uta (落葉の歌 Song of Fallen Leaves), 1946
Kanpai (乾盃 Cheers), 1946
Iddai Shihen (逸題詩篇 Nameless Poetry Collection), 1946
Fushōsha (負傷者 The Injured), 1946
Ko・Hasuda Zenmei e no Kenshi (故・蓮田善明への献詩 Poem for the Late Zenmei Hasuda), 1946
Karunomiko Joshi (軽王子序詩 Introductory Poem for Prince Karu), 1946
Atarashiki Koronbusu (新しきコロンブス The New Columbus), 1955, translation of Nietzsche's poem Der neue Columbus included in「小説家の休暇」
Rihatsushi no Gengaku teki Yokubō to Futtobōru no Shokuyoku to no Sōkankankei (理髪師の衒学的欲望とフットボールの食慾との相関関係 The Correlation between a Barber’s Pedantic Wishes and Appetite for Football), 1957
Shihen「Jūgosai Shishū」(詩篇「十五歳詩集」Poetry Collection Anthology of a Fifteen-years-old), 1957
Kyōjo no Koiuta (狂女の恋唄 Lovesong of a Madwoman), 1958
Mukashi to Ima, (むかしと今 Past and Present), 1958, translation of Hölderlin's poems Ehmals und Jetzt, Abendphantasie, Sokrates und Alcibiades
Shukukonka Kantāta (祝婚歌 カンタータ Cantata for Wedding), 1959, for the Crown Prince
Karakkazeyarō (からつ風野郎 Afraid to Die), 1960, for a film of the same name
Ojōsan (お嬢さん The Mademoiselle), 1961, for a film (adaptation of Mishima's novel) of the same name
Kurotokage no Uta (黒蜥蜴の歌 Song of the Black Lizard), 1962, for the musical Black Lizard
Hohoemi (微笑 The Smile), translation of James Merrill's poems The Smile, Children of the World, 1964 (titles of originals unclear)
Zōka ni Korosareta Funanori no Uta (造花に殺された舟乗りの歌 Song of a Boat Rider Killed by Artificial Flowers), 1966, for Akihiro Miwa’s charity recital
Icarus (イカロス Icarus), 1967 - Epilogue of "Sun and Steel"
Taika (隊歌 Song of the National Defense Army), 1968
Okite! Aka no Wakaki Shishi-tachi (起て! 紅の若き獅子たち Awake! Young Red Lions), 1970, song of the Tatenokai
Jisei no ku (辞世の句 Farewell Poems), 1970.11.25
「益荒男が たばさむ太刀の 鞘鳴りに 幾とせ耐へて 今日の初霜」
「散るをいとふ 世にも人にも 先駆けて 散るこそ花と 吹く小夜嵐」




Photo Subjects


Barakei (薔薇刑 Ba Ra Kei: Ordeal by Rose), 1963 - photographer: Eikoh Hosoe
Otoko no shi (男の死 The Death of a Man), 1970 - photographer: Kishin Shinoyama (Unpublished)




Film


Yūkoku (憂國 Patriotism), 1966




Film Adaptations


1951, August 31, Junpaku no Yoru (純白の夜 Pure White Nights), Directed by Hideo Ōba. Starring Michiyo Kogure, Masayuki Mori, and Yukio Mishima (as an Extra).
1953, January 14, Natsuko no Boken (夏子の冒険 Natsuko's Adventure), Directed by Noboru Nakamura. Starring Rieko Sumi, Masao Wakahara, Keiko Awaji.
1953, December 8, Nipponsei (にっぽん製 Made in Japan), Directed by Kōji Shima. Starring Fujiko Yamamoto, Ken Uehara.
1954, October 20, Shiosai (潮騒 The Sound of Waves). Directed by Senkichi Taniguchi. Starring Akira Kubo, Kyōko Aoyama, Toshiro Mifune.
1957, May 28, Nagasugita Haru (永すぎた春 Too Much of Spring). Directed by Shigeo Tanaka. Starring Ayako Wakao, Hiroshi Kawaguchi, Eiji Funakoshi.
1957, October 29, Bitoku no Yoromeki (美徳のよろめき The Misstepping of Virtue). Directed by Kō Nakahira. Starring Yumeji Tukioka, Rentarō Mikuni.
1958, August 19, Enjō (炎上 Conflagration) (金閣寺 The Temple of the Golden Pavilion). Directed by Kon Ichikawa. Starring Ichikawa Raizō, Tatsuya Nakadai, Ganjirō Nakamura.
1959, January 9, Fudōtoku Kyōiku Kōza (不道徳教育講座 Lectures on Immoral Education), Directed by Katsumi Nishikawa. Starring Shirō Ōsaka, Yumeji Tukioka, Hiroyuki Nagato, Masumi Okada, and Yukio Mishima (as the Navigator).
1959, February 24, Tōdai (灯台 The Lighthouse), Directed by Hedeo Suzuki. Starring Akira Kubo, Keiko Tsushima.
1961, February 15, Ojōsan (お嬢さん Mademoiselle), Directed by Tarō Yuge. Starring Ayako Wakao, Hiroshi Kawaguchi.
1962, March 14, Kurotokage (黒蜥蜴 The Black Lizard), Directed by Umeji Inoue. - Musical Film. Starring Machiko Kyō, Minoru Ōki.
1964, March 14, Ken (剣 Sword). Directed by Kenji Misumi. Starring Ichikawa Raizō.
1964, April 29, Shiosai (潮騒 The Sound of Waves), Directed by Kentarō Morinaga. Starring Sayuri Yoshinaga, Mitsuo Hamada.
1964, May 23, Kemono no Tawamure (獣の戯れ The Flirtation of Beasts), Directed by Sōkichi Tomimoto. Starring Ayako Wakao.
1965, February 14, Nikutai no Gakkō (肉体の学校 The School of Flesh), Directed by Ryō Kinoshita. Starring Kyōko Kishida, Tsutomu Yamazaki.
1966, April 12, Yūkoku (憂國 Patriotism). Directed by Yukio Mishima and Domoto Masaki. Starring Yukio Mishima.
1966, June 22, Fukuzatsuna Kare (複雑な彼 That Complicated Guy), Directed by Kōji Shima. Starring Jiro Tamiya, Mariko Taka, Nobuo Nakamura, Edith Hanson.
1967, February 18, Ai no Kawaki (愛の渇き Thirst for Love). Directed by Koreyoshi Kurahara. Starring Ruriko Asaoka, Nobuo Nakamura.
1968, August 14, Kurotokage (黒蜥蜴 The Black Lizard). Directed by Kinji Fukasaku. Starring Akihiro Miwa, Isao Kimura, and Yukio Mishima (as a Human Statue). Based on a novel by Edogawa Rampo and an adaptation by Yukio Mishima.
1971, September 24, Shiosai (潮騒 The Sound of Waves), Directed by Shirō Moritani. Starring Itsuto Asahina, Midori Onozato.
1972, November 11, Ongaku (音楽 The Music). Directed by Yasuzo Masumura. Starring Noriko Kurosawa, Toshiyuki Hosokawa.
1975, April 26, Shiosai (潮騒 The Sound of Waves), Directed by Katsumi Nishikawa. Starring Momoe Yamaguchi, Tomokazu Miura.
1976, July 17, Kinkaku-ji (金閣寺 The Temple of the Golden Pavilion). Directed by Yoichi Takabayashi. Starring Saburo Shinoda, Toshio Shiba.
1976, August 28, Gogo no Eikō (午後の曳航 The Sailor Who Fell from Grace with the Sea). Directed by Lewis John Carlino. Starring Sarah Miles, Kris Kristofferson.
1980, November 15, Kōfukugō Shuppan (幸福号出帆 The S.S. Happiness Sets Sail), Directed by Kōichi Saitō. Starring Mariko Fuji.
1983, November 2, Ai no Shokei (愛の処刑 The Execution of Love), Directed by Masayoshi Nogami. Starring Hesuke Miki, Hajime Ishigami.
1985, October 10, Shiosai (潮騒 The Sound of Waves), Directed by Tugunobu Kotani. Starring Chiemi Hori, Shingo Tsurumi, Tetsurō Tanba.
1986, September 20, Rokumeikan (鹿鳴館 The Rokumeikan), Directed by Kon Ichikawa. Starring Ruriko Asaoka, Bunta Sugawara, Kōji Ishizaka, Kiichi Nakai, Kyōko Kishida, Yasuko Sawaguchi.
1998, November 18, L'École de la chair (肉体の学校 The School of Flesh). Directed by Benoît Jacquot. Starring Isabelle Huppert, Vincent Martinez, Vincent Lindon, Jean-Louis Richard, Marthe Keller.
2005, October 29, Haru no Yuki (春の雪 Spring Snow). Directed by Isao Yukisada. Starring Satoshi Tumabuki, Yūko Takeuchi, Sousuke Takaoka, Ayako Wakao.
2017, May 26, Utsukusi Hoshi (美しい星 Beautiful Star). Directed by Daihachi Yoshida. Starring Lily Franky, Kazuya Kamenashi, Ai Hashimoto, Tomoko Nakajima, Kuranosuke Sasaki.




Starring


1960, May 23, Karakkaze Yarō (からっ風野郎 Afraid to Die). Directed by Yasuzo Masumura. Starring Yukio Mishima and Ayako Wakao.
1969, August 9, Hitokiri (人斬り Hitokiri). Directed by Hideo Gosha. Starring Shintaro Katsu, Tatsuya Nakadai, Yujiro Ishihara and Yukio Mishima.




References






Further reading


Satō Hideaki; Inoue Takashi; Yamanaka Takeshi, eds. (2005). 決定版 三島由紀夫全集・第42巻・年譜・書誌 [Definitive Edition-Yukio Mishima complete works No.42-Biographical sketch and Bibliography] (in Japanese). Shinchosha. ISBN 978-4106425820.
Satō Hideaki; Inoue Takashi; Matsumoto Tōru, eds. (2000). 三島由紀夫事典 [Encyclopedia of Yukio Mishima] (in Japanese). Benseishuppan. ISBN 978-4585060185.
Yamazaki, Yoshimitsu (n.d.). "『決定版 三島由紀夫全集』各巻目次" [Definitive Edition Yukio Mishima Complete Works - Contents by Volume]. うずまく研究室 (in Japanese). Retrieved 3 June 2024.
"三島由紀夫". Japanese Wikipedia (in Japanese). 18 May 2024. Retrieved 3 June 2024.

Kata Kunci Pencarian:

• Nagai Naoyuki
• Yukio Mishima bibliography
• Yukio Mishima
• Mishima: A Life in Four Chapters
• The Sea of Fertility
• The Decay of the Angel
• 11/25 The Day Mishima Chose His Own Fate
• Mishima Yukio Prize
• Patriotism (short story)
• Mishima: A Vision of the Void
• After the Banquet