Abaporu GudangMovies21 Rebahinxxi LK21

Abaporu (from Tupi language "abapor’u", abá (man) + poro (people) + ’u (to eat), lit. 'the man that eats people') is an oil painting on canvas by Brazilian painter Tarsila do Amaral. It was painted as a birthday gift to writer Oswald de Andrade, who was her husband at the time.
It is considered the most valuable painting by a Brazilian artist, having reached the value of $1.4 million, paid by Argentine collector Eduardo Costantini in an auction in 1995. It is currently displayed at the Latin American Art Museum of Buenos Aires (Spanish: Museo de Arte Latinoamericano de Buenos Aires, MALBA) in Buenos Aires, Argentina.
The subject matter – one man, the sun and a cactus – inspired Oswald de Andrade to write the Manifesto Antropófago and consequently create the Anthropophagic Movement, intended to "swallow" foreign culture and turn it into something culturally Brazilian.




The painting


Tarsila described the subject of the painting as "a monstrous solitary figure, enormous feet, sitting on a green plain, the hand supporting the featherweight minuscule head. In front a cactus exploding in an absurd flower." This "monstrous" figure is, in fact, human. An unadorned, undressed, sexless, and ageless human whose anatomy has been distorted. Beginning with a huge foot and hand at the bottom of the picture, the figure slowly shrinks to a tiny head at the top.
The background of the painting suggests a natural setting. Here, earth is depicted as a simple small green mound upon which the subject sits. The vegetation is represented by a cactus at the right of the figure and a golden sun or flower which crowns the composition. The sky is a plain pale blue background.
The style of Abaporu can be traced back to the French modernists, specially Fernand Léger, who taught Tarsila in Paris in 1924. However, the closest resemblance of Abaporu can be found in the Spanish Surrealists, Pablo Picasso and Joan Miró, who also painted a figure with an oversized foot in 1924.




Provenance


After Tarsila's death in 1973, the painting passed to Pietro Maria Bardi's art gallery, who sold it to the art collector Érico Stickel. In 1984 the painting was purchased by the amount of $250,000 by Raul de Souza Dantas Forbes, who then auctioned the painting at Christie's in New York City in 1995.




References

Kata Kunci Pencarian:

• Tarsila do Amaral
• Abaporu
• Tarsila do Amaral
• Manifesto Antropófago
• Schultzsuchus
• Tupi or not Tupi, that is the question
• Anthropophagic movement
• MALBA
• Prestosuchus
• Modernism in Brazil
• Culture of Brazil

ABAPORU | PDF

Abaporu | PDF

ABAPORU :: Behance

ABAPORU :: Behance

Abaporu - Design de Produto - 3D :: Behance

Abaporu De Tarsila Do Amaral: Significado Da Obra Cultura, 47% OFF

Abaporu De Tarsila Do Amaral: Significado Da Obra Cultura, 47% OFF

Interpretation of Abaporu by Tarsila do Amaral | Stable Diffusion Online

Bottons Abaporu - Abaporu

Abaporu by Tarsila Do Amaral Wall Art Tarsila Do Amaral Print - Etsy

ABAPORU DE TARSILA DO AMARAL CURIOSIDADES SOBRE OBRAS DE, 44% OFF

Abaporu - Dicio, Dicionário Online de Português

abaporu

Daftar Isi

• Abaporu - Wikipedia
• Smarthistory – Tarsila do Amaral, Abaporú
• Abaporu de Tarsila do Amaral: significado da obra
• Tarsila do Amaral. Abaporu. 1928 | MoMA
• Abaporu: pintura de Tarsila do Amaral - Toda Matéria
• Painting of the Week: Tarsila do Amaral, Abaporú - DailyArt …
• Tarsila do Amaral - MoMA
• Abaporu: a história do quadro mais valioso da arte brasileira
• Abaporu - Tarsila do Amaral — Google Arts & Culture
• Abaporu – Wikipédia, a enciclopédia livre

Abaporu - Wikipedia

Abaporu (from Tupi language " abapor’u ", abá (man) + poro (people) + ’u (to eat), lit. 'the man that eats people') is an oil painting on canvas by Brazilian painter Tarsila do Amaral. It was painted as a birthday gift to writer Oswald de Andrade, who was her husband at the time.

Smarthistory – Tarsila do Amaral, Abaporú

Abaporú, which is today in the collection of the Museum of Latin American Art in Buenos Aires (MALBA), has become an icon of twentieth-century Brazilian art.

Abaporu de Tarsila do Amaral: significado da obra

Abaporu é uma clássica pintura do modernismo brasileiro, da artista Tarsila do Amaral. Considerada uma obra-prima da autora, a tela foi pintada a óleo em 1928 para ser oferecida ao seu então marido, o escritor Oswald de Andrade.

Tarsila do Amaral. Abaporu. 1928 | MoMA

Explore Tarsila's work from the 1920s, when she navigated the art worlds of both São Paulo and Paris, and her critical role in the emergence of modernism in Brazil.

Abaporu: pintura de Tarsila do Amaral - Toda Matéria

O quadro Abaporu é uma das mais emblemáticas obras da história da arte no Brasil. Foi pintado com tinta a óleo pela artista paulistana Tarsila do Amaral no ano de 1928 e ofertado como um presente de aniversário ao seu marido, na época, o poeta Oswald de Andrade.

Painting of the Week: Tarsila do Amaral, Abaporú - DailyArt …

May 12, 2019 · Abaporú, a painting that was a birthday gift from a wife to a husband, from Tarsila do Amaral to Oswaldo de Andrade. Tarsila do Amaral, Abaporú was a symbol of the loving and intellectual connection between two artists, became also a …

Tarsila do Amaral - MoMA

In 1928, she painted Abaporu, depicting a seated figure with a foreshortened foot against a blooming cactus. The title combined two words from the language of the Tupi-Guarani Indians: aba (“man”) and poru (“who eats human flesh”).

Abaporu: a história do quadro mais valioso da arte brasileira

Apr 3, 2019 · Ali encontrou as palavras "aba" e "poru" - "homem que come". Estava batizado aquele que se tornaria o mais valioso quadro da arte brasileira, Abaporu.

Abaporu - Tarsila do Amaral — Google Arts & Culture

"Abaporu"—a word in the Tupí-Guaraní language that means “man who eats man”— uses the colors of the Brazilian flag to rep- resent an inward-looking humanoid creature with giant feet next to a...

Abaporu – Wikipédia, a enciclopédia livre

Abaporu é uma pintura a óleo da artista brasileira Tarsila do Amaral. É uma das principais obras do período antropofágico do movimento modernista no Brasil. [1]É a tela brasileira mais valorizada no mercado mundial das artes, com valor estimado de US$ 40 milhões, [2] sendo comprada pelo colecionador argentino Eduardo Costantini por US$ 2,5 milhões, em 1995, em …