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      María Antonieta Rivas Mercado Castellanos (April 28, 1900 – February 11, 1931) was a Mexican intellectual, writer, feminist, and arts patron.


      Biography


      Rivas Mercado was born as the second of four children (Alicia, Antonieta, Mario, and Amelia) of the notable architect Antonio Rivas Mercado and his wife Cristina Matilde Castellanos Haff. Around 1910, during the Mexican Revolution, her parents separated, and her mother moved together with Antonieta's older sister Alice to Paris, where they stayed until their return to Mexico in 1915.
      Antonio Rivas Mercado refused to let his wife move back into the family's house, as a result of which Antonieta had to assume more responsibility at home. With her father's permission, at the age of 18, she married British-born, American-raised engineer Albert Edward Blair, and gave birth to their son Donald Antonio (Tonito) on September 9, 1919. During the time the young family lived in a ranch in the state of Durango, there were periods when Antonieta Rivas sought separation from Blair, but he did not consent, as a result of which she was sometimes depressed.
      Rivas Mercado eventually moved to Mexico City and unsuccessfully tried to file for divorce, and to obtain support for her son. In 1927, her father died, and Antonieta became responsible for the care of her parents' house and her siblings. She financed and promoted cultural projects of considerable relevance; for example, she financed and became principally involved in the foundation of the Teatro Ulises, that broke with commercial theater in the Mexico of the time. Thanks to her encouragement, literary lounges were formed, and the Orquesta Sinfónica of Mexico City was formed. It was said that knowing Antonieta Rivas Mercado helped open the cultural doors in Mexico.
      Rivas Mercado wrote for the magazine Los Contemporáneos and the Spanish periodical El Sol. She fell hopelessly in love with her friend, the painter Manuel Rodríguez Lozano, an affection that was not reciprocated. In 1929, she had an affair with the politician José Vasconcelos, and later supported his electoral campaign. However, this love affair also proved to be fruitless, since Vasconcelos was married. In 1931, Antonieta followed Vasconcelos to Paris and, when rejected, shot herself at the altar of Notre Dame de Paris.


      Cultural depictions


      In 1982, she was portrayed by Isabelle Adjani in Antonieta, which was directed Carlos Saura.
      In November 2010, to celebrate the bicentennial of the Mexican Independence, the opera Antonieta by Mexican composer Federico Ibarra, was presented at the Teatro Flores Canelo, Centro Nacional de las Artes in Mexico City. Mexican mezzo-soprano Lidya Rendón starred as Antonieta, in a staging by Antonio Morales and Rosa Blanes Rex, conducted by Enrique Barrios.


      References




      Further reading


      Fabienne Bradu: Antonieta (1900-1931) (Spanish), 1991 ISBN 968-16-3593-0
      "In The Shadow of the Angel" by Kathryn Blair


      External links


      Antonieta Rivas Mercado at IMDb
      Antonieta Rivas Mercado in the Ibero-American Institute (Prussian Cultural Heritage Foundation) catalogue, Berlin

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    Antonieta Rivas Mercado - Wikipedia, la enciclopedia libre

    Antonieta Valeria Rivas Mercado Castellanos (Ciudad de México, 28 de abril de 1900-París, 11 de febrero de 1931), conocida como Antonieta Rivas Mercado, fue una escritora y activista mexicana. Es considerada como una de las promotoras culturales …

    Antonieta Rivas Mercado - Wikipedia

    María Antonieta Rivas Mercado Castellanos (April 28, 1900 – February 11, 1931) was a Mexican intellectual, writer, feminist, and arts patron.

    Antonieta Rivas Mercado’s cultural patronage changed Mexico

    Mar 21, 2023 · Despite leading a troubled life, Antonieta Rivas Mercado was a prolific author, editor and deep-pocketed cultural patron who founded or led several Mexican arts and cultural...

    Rivas Mercado, Antonieta (1900-1931) - literatura.inba.gob.mx

    Feb 1, 2018 · Foto: Propiedad Acervo Fundación Rivas Mercado A.C. Nació el 28 de abril de 1900 en Ciudad de México y murió el 11 de febrero de 1931 en París, Francia. Promotora cultural, mecenas, intelectual, actriz, narradora, dramaturga y activista política.

    La desafiante Antonieta Rivas Mercado | Secretaría de Cultura

    Aug 22, 2023 · Antonieta Rivas Mercado tuvo un papel activo e influyente en la vida cultural de México durante la posrevolución. Sin ella habría sido imposible concebir el Teatro Ulises, la revista Ulises y la revista Contemporáneos, proyectos culturales de los cuales fue mecenas y que se separaban de manera radical del movimiento monumental representado ...

    Antonieta Rivas Mercado, la trágica historia de una de las …

    Hace algunos años, gracias al licenciado Rodolfo Y. García Aquiles, tuve la fortuna de leer el libro A la sombra del ángel, una bellísima novela histórica sobre una de las mujeres más importantes de México durante los primeros años del siglo XX, Antonieta Rivas Mercado.

    Antonieta Rivas Mercado y su trágica historia en Notre Dame

    Te contamos la historia de Antonieta Rivas Mercado, la escritora mexicana que se suicidó en la catedral de Notre Dame.

    Antonieta Rivas Mercado

    Antonieta decide irse a vivir junto con sus hermanos Amelia y Mario a una casa en la calle de Monterrey en la colonia Roma. Poco después entabla amistad con el maestro de pintura de su hermana Amelia, Manuel Rodríguez Lozano, quien la …

    El suicidio de Antonieta Rivas Mercado en la catedral de Notre …

    El 11 de febrero de 1931, en la catedral de Notre Dame de París, Antonieta Rivas Mercado se dio un tiro en el corazón y puso fin así a una corta pero productiva y apasionada vida dedicada al impulso de las artes y de los valores democráticos en nuestro país.

    La vida breve de Antonieta Rivas Mercado - Relatos e Historias …

    La muerte de su padre –el aclamado y boyante ingeniero y arquitecto Antonio Rivas Mercado famoso por diseñar la Columna de la Independencia del Paseo de la Reforma y a quien apodaba el Oso, debido a su corpulencia–, en 1927, colocó a Antonieta en una compleja y a la vez privilegiada situación: se convirtió en su albacea y principal ...