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      Blood Meridian; or, The Evening Redness in the West is a 1985 epic historical novel by American author Cormac McCarthy, classified under the Western, or sometimes the anti-Western, genre. McCarthy's fifth book, it was published by Random House.
      Set in the American frontier with a loose historical context, the narrative follows a fictional teenager from Tennessee referred to as "the kid", with the bulk of the text devoted to his experiences with the Glanton gang, a historical group of scalp hunters who massacred American Indians and others in the United States–Mexico borderlands from 1849 to 1850 for bounty, sadistic pleasure, and eventually out of nihilistic habit. The role of antagonist is gradually filled by Judge Holden, a physically massive, highly educated, preternaturally skilled member of the gang with pale and hairless skin who takes extreme sadistic pleasure in the destruction and domination of whatever he encounters, including children and docile animals.
      Although the novel initially received lukewarm critical and commercial reception, it has since become highly acclaimed and is widely recognized as McCarthy's magnum opus and one of the greatest American novels of all time. Some have labelled it the Great American Novel.


      Plot


      The novel tells the story of a runaway referred to as "the kid", who was born in Tennessee during the great meteor shower of 1833. He first meets scalp hunter "Judge" Holden at a revival in a tent in Nacogdoches, Texas.
      He joins a party of U.S Army irregulars on a mission led by Captain White. White's group is overwhelmed by a Comanche Indian war party, and few of them survive. The kid is set free when his acquaintance tells the authorities they will become hunters. They join John Joel Glanton and his gang and the bulk of the novel is devoted to detailing their activities and conversations. The gang devolves into the murder of Indians, soldiers, and anyone else who crosses their path.
      The gang first meets Judge Holden while fleeing for their lives from a group. They find Holden sitting on a boulder, where he is waiting for and expecting the gang. They agree to follow his leadership, and he takes them to a volcano where he instructs them on how to manufacture gunpowder with the volcano's resources. Tobin tells the kid that each man in the gang claims to have met the Judge at some point before joining.
      The gang crosses into the Mexican Cession, where they set up an operation on a ferry on the Colorado River at Yuma, Arizona. Indians are at first approached to help the gang wrest control of the ferry from its owners, but Glanton's gang betrays and slaughters the Indians and the passengers so they can plunder the ferry and frame the Indians for the attack. The Yumas attack and kill most of the gang in a second wave.
      Having survived the massacre, the kid and Tobin flee into the desert. Heading west, they encounter Toadvine and Judge Holden at a watering hole. The Judge buys Toadvine's hat and offers a vast sum of gold for the kid's only pistol. Tobin urges the kid to shoot Holden while he is unarmed, but the kid refuses, and they continue traveling westward. They pass David Brown, who is riding east, and tell him of the massacre. Later, while drinking at a creek, the kid is shot at by the Judge, who has acquired a rifle and is hunting them across the desert. Tobin is shot through the neck but survives. The pair hide in a pile of bones and the Judge passes them without seeing them. In the morning, they are rescued by a party of Diegueno Indians.
      The kid and Tobin continue through the mountains and eventually arrive in San Diego, California. The kid is separated from Tobin and imprisoned. Holden visits the kid in jail, and tells him that he has told the jailers "the truth". The kid is released on recognizance and seeks a doctor to treat his wound. He hallucinates a visit from Holden along with a man who forges coins, and learns what Holden is judge of, and that "the night does not end". After recovering, he makes his way to Los Angeles, searching unsuccessfully for Tobin. In the city, he witnesses the hanging of Toadvine and Brown.
      For the next few years, the kid wanders nomadically throughout the region, working at various trades and witnessing the San Francisco fires of 1851 and 1863. He comes to own a few meager possessions. When he is twenty-eight years old, the kid comes across a pilgrimage of flagellants making its way through the mountains; the next day, he finds their bodies, hacked to pieces in the rocks. Nearby, he finds an old woman and begs her to come with him to safety, but she turns out to be a dried corpse, who "had been dead in that place for years."
      In 1878, the kid, now referred to as "the man," is traveling through northern Texas, towards Fort Griffin. He encounters an old buffalo hunter who tells him of the vast bison herds that once roamed the country. Several days later, he meets a group of young bone-pickers led by a boy named Elrod. Elrod and the man get into an argument, and Elrod returns to the man's camp at night to kill him, but the man anticipates this and shoots him instead. In the morning, the bone-pickers come to collect Elrod's body and rifle before departing.
      Upon arriving in Fort Griffin, the man enters a saloon and meets Judge Holden, who seems unchanged despite the intervening years. Holden converses with him, calling him "the last of the true," and declaring that both he and the man are there for a mysterious "dance." The man leaves and solicits the services of a prostitute, but finds himself impotent. Going outside to relieve himself, the man is surprised by Holden in an outhouse; Holden envelopes him in an embrace before shutting the door behind him. Later, two men open the door and gaze inside in horror. The ending of the book finds the Judge in the midst of a frenzied dance inside the saloon. Towering above the other dancers, he triumphantly proclaims that he will never die.
      In the epilogue, an unnamed man is augering (drilling) lines of holes across the plains with a steel implement. He sparks a fire in each hole, and an assortment of wanderers trails behind him.


      Characters




      = Major characters

      =
      The kid: The novel's anti-heroic protagonist or pseudo-protagonist, the kid is an illiterate Tennessean whose mother died in childbirth. At 14, he flees from his father to Texas. He is said to have a disposition for violence and is involved in vicious actions throughout. He takes up inherently violent professions, specifically being recruited by violent criminals including Captain White, and later by Glanton and his gang, thereby securing release from a prison in Chihuahua, Mexico. The kid takes part in many of the Glanton gang's scalp-hunting rampages, but gradually displays a moral fiber that ultimately puts him at odds with the Judge. "The kid" is later as an adult referred to as "the man".
      Judge Holden, or "the Judge": A huge, pale and hairless man who may or may not be supernatural. He is a polyglot and polymath and a keen examiner and recorder of the natural world. He is extremely violent and deviant. He is said to have accompanied Glanton's gang since they found him sitting alone on a rock in the middle of the desert and he saved them from pursuing Apaches. It is hinted that he and Glanton have some manner of pact. He gradually becomes the antagonist to the kid after the dissolution of Glanton's gang, occasionally having brief reunions with the kid. Unlike the rest of the gang, Holden is socially refined and remarkably well educated; however, he perceives the world as ultimately violent, fatalistic, and liable to an endless cycle of bloody conquest, with human nature and autonomy defined by the will to violence; he asserts, ultimately, that "War is god."
      John Joel Glanton, or simply "Glanton": The American leader, or "captain", of a gang of scalphunters who murder Indians and Mexican civilians and military alike. His history and appearance are not clarified except that he is physically small with black hair and has a wife and child in Texas. He is a clever strategist. His last major action is to take control of a profitable Colorado River ferry, which ultimately leads to an ambush by Yuma Indians in which he is killed.
      Louis Toadvine, or simply "Toadvine": A seasoned outlaw with whom the kid brawls and then burns down a hotel. Toadvine has no ears and his forehead is branded with the letters H and T (horse thief) and F (felon). He reappears unexpectedly as a cellmate of the kid in the Chihuahua prison. From here he mendaciously negotiates the release of himself and the kid and one other inmate into Glanton's gang. Toadvine is not as depraved as some of the gang, questioning the killing of innocents, but is nonetheless a violent criminal. He is hanged in Los Angeles alongside David Brown.
      Ben Tobin, "the priest", or "the ex-priest": A member of the gang and formerly a novice of the Society of Jesus. Tobin remains deeply religious. He feels an apparently friend-like bond with the kid and abhors the Judge and his philosophy. He and the Judge gradually become great spiritual enemies. He survives the Yuma massacre of Glanton's gang but is shot in the neck by the Judge. He is last seen after he arrives in San Diego with the kid and goes off on his own to look for a doctor.


      = Other recurring characters

      =
      Captain White, or "the captain": An American Veteran soldier and filibuster who believes that Mexico is a lawless nation destined to be conquered by the United States. Captain White leads a patchwork company of militants into Mexico along with the recently recruited "Kid". After weeks of travel through the harsh Mexican desert, the company is ambushed by a Comanche war party. Captain White makes his escape with a few "officers" but is ultimately caught, beheaded, and subsequently has his head "pickled".
      Bathcat, or "the vandiemenlander": Born in Wales, Bathcat went to Van Diemen's Land to hunt Aborigines. He has three fingers on his right hand. Aside from a necklace of ears, his most notable trait is a number tattooed on the inside of his forearm, suggesting that he may have been sent to the colony as a convict. He is killed by Native Americans during their travels through Pimería Alta; a fate that was foretold during his introduction.
      David Brown or simply "Brown": A member of the gang who wears a necklace of human ears - likely taken from Bathcat's corpse. He is arrested in San Diego and Glanton seems especially concerned to see him released. He brings about his own release but does not return to the gang before the Yuma massacre. He is hanged with Toadvine in Los Angeles.
      James Robert Bell, or "the idiot": A mentally challenged man who becomes affiliated with the Glanton gang after his brother, Cloyce joins. Before the brothers joined, Cloyce would keep the idiot in a cage so people could pay money to see him. He's also regularly shown chewing on his own feces. The Judge takes a liking to the idiot, as he can be easy to manipulate. The Judge would later have the idiot chained like a dog and make him hold his weapons. The Judge later uses the idiot to try to kill both the kid and Tobin. By the end of the novel, the Judge is not seen with the idiot, leaving his fate like many in the novel, unknown.
      John Jackson: "John Jackson" is a name shared by two men in Glanton's gang – one black and one white – who detest one another and whose tensions frequently rise when in each other's presence. After trying to drive the black Jackson away from a campfire with a threat of violence, "White Jackson" is decapitated. "Black Jackson" assumes an integral role in the gang. While still referred to by numerous slurs, Jackson is nonetheless treated as part of a "body" that cannot have any part killed or violated, as Judge Holden goes to great lengths to rescue him after a confrontation on a mountain pass.


      Themes




      = Violence

      =

      A major theme is the warlike nature of man. Critic Harold Bloom praised Blood Meridian as one of the best 20th century American novels, "worthy of Herman Melville's Moby-Dick," but admitted that his "first two attempts to read through Blood Meridian failed, because [he] flinched from the overwhelming carnage".
      Caryn James of The New York Times argued that the novel's violence was a "slap in the face" to modern readers cut off from brutality. Terrence Morgan thought the effect of the violence initially shocking but then waned until the reader was desensitized. Billy J. Stratton of Arizona Quarterly contends that the brutality is the primary mechanism through which McCarthy challenges the "oppositional structure" of the conventional narrative of the Old West; "[R]eaders encounter characters that are often depicted as more animal than human in their behaviors, participating in a ruthless struggle for fortune and power. It is the absence of a recognizable heroic character along with the negation of the Eurocentric oppositions that McCarthy's deployment of animal imagery is meant to illuminate."
      James D. Lilley argues that many critics struggle with the fact that McCarthy does not use violence for "jury-rigged, symbolic plot resolutions ... In McCarthy's work, violence tends to be just that; it is not a sign or symbol of something else." In her aforementioned review, Caryn James noted that McCarthy depicts characters of all backgrounds as evil, in contrast to contemporary "revisionist theories that make white men the villains and Indians the victims."


      = Epigraphs

      =

      Three epigraphs open the book: quotations from French writer Paul Valéry, from German Christian mystic Jakob Böhme, and a 1982 news clipping from the Yuma Sun reporting the claim of members of an Ethiopian archeological excavation that a fossilized skull three hundred millennia old seemed to have been scalped. Regarding the meaning of the epigraphs, David H. Evans writes that

      [t]he taking of scalps, as McCarthy's third epigraph suggests, enjoys a profound antiquity, one coterminous with, perhaps, the beginnings of the species Homo sapiens.


      = Ending

      =
      The narrative closes with ambiguity pertaining to the final state of the kid, or the man. Since the book portrays violence in explicit detail, this allusive portrayal has caused comment. Given Judge Holden's history and other details in the text, he presumably rapes the man before killing him. Alternatively, perhaps the point is that readers can never know.


      = Religion

      =


      Hell


      David Vann argues that the setting of the American southwest which the Gang traverses is representative of hell. Vann claims that the Judge's kicking of a head is an allusion to Dante's similar action in the Inferno.


      Gnosticism


      The second of the three epigraphs which introduce the novel, taken from the Christian theosophist Jakob Böhme, has incited varied discussion. The quote from Boehme is:

      It is not to be thought that the life of darkness is sunk in misery and lost as if in sorrowing. There is no sorrowing. For sorrow is a thing that is swallowed up in death, and death and dying are the very life of the darkness.
      No specific conclusions have been reached about its interpretation nor relevance to the novel. Critics agree that there are Gnostic elements in Blood Meridian, but they disagree on the precise meaning and implication of those elements.
      Leo Daugherty argues that "Gnostic thought is central to Cormac McCarthy's Blood Meridian", (Daugherty, 122) specifically the Persian-Zoroastrian-Manichean branch of Gnosticism. He describes the novel as a "rare coupling of Gnostic 'ideology' with the 'affect' of Hellenic tragedy by means of depicting how power works in the making and erasing of culture, and of what the human condition amounts to when a person opposes that power and thence gets introduced to fate." Daugherty sees Holden as an archon and the kid as a "failed pneuma." He says that the kid feels a "spark of the alien divine."
      Daugherty further contends that the violence of the novel can best be understood through a Gnostic lens. "Evil" as defined by the Gnostics was a far larger, more pervasive presence in human life than the rather tame and "domesticated" Satan of Christianity. As Daugherty writes, "For [Gnostics], evil was simply everything that is, with the exception of bits of spirit imprisoned here. And what they saw is what we see in the world of Blood Meridian."
      However, Barcley Owens argues that while there are undoubtedly Gnostic qualities to the novel, Daugherty's arguments are "ultimately unsuccessful," because Daugherty fails to adequately address the pervasive violence and because he overstates the kid's goodness.


      Theodicy


      Douglas Canfield asserts that theodicy is the central theme of Blood Meridian. James Wood took a similar position, recognizing as a recurrent theme in the novel the issue of the general justification of metaphysical goodness in the presence of evil. Chris Dacus expressed his preference for discussing the theme of theodicy in its eschatological terms in comparison to the theological scene of the last judgment.[1] This preference for reading theodicy as an eschatological theme was further affirmed by Harold Bloom in his recurrent phrase of referring to the novel as "The Authentic Apocalyptic Novel."


      Writing



      McCarthy began writing Blood Meridian in the mid-1970s. In a letter sent around 1979 he said that he had not touched Blood Meridian in six months out of frustration. Nonetheless, significant parts of the final book were written in one go, "including the astonishing 'legion of horribles' passage".

      McCarthy worked on the novel while living on the money he received from his MacArthur Fellows grant in 1981. It was his first attempt at a western and his first novel set in the Southwestern United States, a change from the Appalachian settings of his earlier work.

      In 1974, McCarthy moved from his native Tennessee to El Paso, Texas, to immerse himself in the culture and geography of the American Southwest. He taught himself Spanish, which many of the characters of Blood Meridian speak. McCarthy conducted considerable research to write the book. Critics have repeatedly demonstrated that even brief and seemingly inconsequential passages of Blood Meridian rely on historical evidence. The book has been described as "as close to history as novels generally get".
      The Glanton gang segments are based on Samuel Chamberlain's account of the group in his memoir My Confession: The Recollections of a Rogue. Chamberlain rode with John Joel Glanton and his company between 1849 and 1850. Judge Holden is described in Chamberlain's account but is otherwise unknown. Chamberlain writes:

      McCarthy's Judge was added to his manuscript in the late 1970s, a "grotesque patchwork of up-river Kurtz and Milton's Satan" and Chamberlain's account.
      McCarthy physically retraced the Glanton Gang's path through Mexico multiple times, and noted topography and fauna. He studied such topics as homemade gunpowder to accurately depict the Judge's creation from volcanic rock.


      = Style

      =
      McCarthy's writing style involves many unusual or archaic words, dialogue in Spanish, no quotation marks for dialogue, and no apostrophes to signal most contractions. McCarthy told Oprah Winfrey in an interview that he preferred "simple declarative sentences" and that he used capital letters, periods, an occasional comma, a colon for setting off a list, but never semicolons. He believed there was no reason to "blot the page up with weird little marks". The New York Times described McCarthy's prose in Blood Meridian as "Faulknerian". Describing events of extreme violence, McCarthy's prose is sparse yet expansive, with an often biblical quality and frequent religious references.


      Reception and reevaluation


      Blood Meridian initially received little recognition, but has since been recognized as a masterpiece and one of the greatest works of American literature. Some have called it the Great American Novel. American literary critic Harold Bloom praised Blood Meridian as one of the 20th century's finest novels. Aleksandar Hemon has called it "possibly the greatest American novel of the past 25 years". David Foster Wallace named it one of the five most underappreciated American novels since 1960 and "[p]robably the most horrifying book of this [20th] century, at least [in] fiction."
      Time magazine included Blood Meridian in its "Time 100 Best English-language Novels from 1923 to 2005". In 2010 The New York Times conducted a poll of writers and critics regarding the most important works in American fiction from the previous 25 years, and Blood Meridian was a runner-up.


      Literary significance


      There has been no consensus in the interpretation of the novel. Americanist Dana Phillips said that the work "seems designed to elude interpretation". One scholar has described Blood Meridian as:Lyrical at times, at others simply archaic and recondite, at still others barely literate: the dissociative style of Blood Meridian defies accommodation to conventional assumptions. And that's the point. Nonetheless, academics and critics have suggested that Blood Meridian is nihilistic or strongly moral, a satire of the western genre or a savage indictment of Manifest Destiny. Harold Bloom called it "the ultimate western". J. Douglas Canfield described it as "a grotesque Bildungsroman in which we are denied access to the protagonist's consciousness almost entirely". Richard Selzer declared that McCarthy "is a genius – also probably somewhat insane." Critic Steven Shaviro wrote:
      In the entire range of American literature, only Moby-Dick bears comparison to Blood Meridian. Both are epic in scope, cosmically resonant, obsessed with open space and with language, exploring vast uncharted distances with a fanatically patient minuteness. Both manifest a sublime visionary power that is matched only by still more ferocious irony. Both savagely explode the American dream of manifest destiny of racial domination and endless imperial expansion. But if anything, McCarthy writes with a yet more terrible clarity than does Melville.


      Attempted film adaptations



      Since the novel's release many have noted its cinematic potential. The New York Times' 1985 review noted that the novel depicted "scenes that might have come off a movie screen". There have been attempts to create a motion picture adaptation of Blood Meridian, but all have failed during the development or pre-production stages. A common perception is that the story is "unfilmable" due to its unrelenting violence and dark tone. In an interview with The Wall Street Journal in 2009 McCarthy denied this notion, with his perspective being that it would be "very difficult to do and would require someone with a bountiful imagination and a lot of balls. But the payoff could be extraordinary."
      Screenwriter Steve Tesich first adapted Blood Meridian into a screenplay in 1995. In the late 1990s, Tommy Lee Jones acquired the film adaptation rights to the story and subsequently rewrote Tesich's screenplay with the idea of directing and playing a role in it. The production could not move forward due to film studios avoiding the project's overall violence.
      Following the end of production for Kingdom of Heaven in 2004, screenwriter William Monahan and director Ridley Scott entered discussions with producer Scott Rudin for adapting Blood Meridian with Paramount Pictures financing. In a 2008 interview with Eclipse Magazine Scott confirmed that the screenplay had been written, but that the extensive violence was proving to be a challenge for film standards. This later led to Scott and Monahan leaving the project, resulting in another abandoned adaptation.
      By early 2011, James Franco was considering adapting Blood Meridian, along with a number of other William Faulkner and Cormac McCarthy novels. After being persuaded by Andrew Dominik to adapt the novel, Franco shot 25 minutes of test footage starring Scott Glenn, Mark Pellegrino, Luke Perry, and Dave Franco. For undisclosed reasons, Rudin denied further production of the film. On May 5, 2016, Variety revealed that Franco was negotiating with Rudin to write and direct an adaptation to be brought to the Marché du Film, starring Russell Crowe, Tye Sheridan, and Vincent D'Onofrio. However, it was reported later that day that the project dissolved due to issues with the film rights.

      In 2023, Deadline reported that New Regency is adapting Blood Meridian as a feature film. John Hillcoat, who previously directed an adaptation of McCarthy's novel The Road, is set to direct. Alongside his son John Francis, McCarthy was set to serve as an executive producer on the film; he will retain a posthumous credit following his death on June 13, 2023. John Logan was later announced to be adapting the story.
      In a 2024 interview, Hillcoat said he and McCarthy spent extended time discussing the film, which the author once volunteered to write and envisioned as a "Faustian tale, the journey of the Judge trying to win the soul of the kid, and consume everything in his path." McCarthy had rejected a miniseries proposal, finding television lacks a "kind of grandeur about it, an element of scale."


      References




      = Bibliography

      =
      Canfield, J. Douglas (2001). Mavericks on the Border: Early Southwest in Historical fiction and Film. University Press of Kentucky. ISBN 0-8131-2180-9.
      Daugherty, Leo (1992). "Gravers False and True: Blood Meridian as Gnostic Tragedy". Southern Quarterly. 30 (4): 122–133.
      Lilley, James D. (2014). "History and the Ugly Facts of Blood Meridian". Cormac McCarthy: New Directions. Albuquerque: University of New Mexico Press. ISBN 978-0-8263-2767-3.
      Owens, Barcley (2000). Cormac McCarthy's Western Novels. University of Arizona Press. ISBN 0-8165-1928-5.
      Schneider, Christoph (2009). "Pastorale Hoffnungslosigkeit. Cormac McCarthy und das Böse". In Borissova, Natalia; Frank, Susi K.; Kraft, Andreas (eds.). Zwischen Apokalypse und Alltag. Kriegsnarrative des 20. und 21. Jahrhunderts. Bielefeld. pp. 171–200.{{cite book}}: CS1 maint: location missing publisher (link)
      Shaviro, Steven (1992). "A Reading of Blood Meridian". Southern Quarterly. 30 (4).
      Shaw, Patrick W. (1997). "The Kid's Fate, the Judge's Guilt: Ramifications of Closure in Cormac McCarthy's Blood Meridian". Southern Literary Journal: 102–119.
      Stratton, Billy J. (2011). "'el brujo es un coyote': Taxonomies of Trauma in Cormac McCarthy's Blood Meridian". Arizona Quarterly: A Journal of American Literature, Culture, and Theory. 67 (3): 151–172. doi:10.1353/arq.2011.0020. S2CID 161619604.


      = Further reading

      =
      Sepich, John (2008). Notes on Blood Meridian. Southwestern Writers Collection Series. Foreword by Edwin T. Arnold (Revised and Expanded ed.). University of Texas Press. ISBN 978-0-292-71821-0. Archived from the original on 2011-04-19. Retrieved 2011-04-02.


      External links



      James, C., Blood Meridian by Cormac McCarthy, The New York Times, Apr 1985
      Blood Meridian by Cormac McCarthy, reviewed by Ted Gioia (The New Canon)
      NPR interview with Ben Nichols about his record The Last Pale Light in the West, inspired by Blood Meridian

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    Blood Meridian - Wikipedia

    The novel tells the story of a runaway referred to as "the kid", who was born in Tennessee during the great meteor shower of 1833. He first meets scalp hunter "Judge" Holden at a revival in a tent in Nacogdoches, Texas. He joins a party of U.S Army …

    Blood Meridian | Summary, Genre, The Judge, & Book | Britannica

    Jan 7, 2025 · Blood Meridian, western novel by Cormac McCarthy, published in 1985. Bleak, violent, and uncompromisingly unsentimental, it is widely considered to be McCarthy’s masterpiece. “See the child,” orders the narrator at the beginning of Blood Meridian.

    Blood Meridian, or, the Evening Redness in the West - Goodreads

    Apr 28, 1985 · Blood Meridian is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West.

    Blood Meridian: Or the Evening Redness in the West

    May 5, 1992 · It's a perverse, picaresque Western about bounty hunters for Indian scalps near the Texas-Mexico border in the 1850s--a ragged caravan of indiscriminate killers led by an unforgettable human monster called "The Judge."

    Blood Meridian by Cormac McCarthy Plot Summary - LitCharts

    Get all the key plot points of Cormac McCarthy's Blood Meridian on one page. From the creators of SparkNotes.

    Blood Meridian Study Guide | Literature Guide - LitCharts

    Blood Meridian takes place against the backdrop of Manifest Destiny—a nineteenth century program of American territorial expansion and imperialism, especially into regions where the local populations were deemed incapable of self-government.

    Blood Meridian Wiki | Fandom

    Blood Meridian; or, The Evening Rednes in the West is a 1985 epic historical novel by American author Cormac McCarthy, classified under the Western, or sometimes the anti-Western, genre. McCarthy's fifth book, it was published by Random House.

    Blood Meridian Summary, Characters and Themes - BooksThatSlay

    Feb 3, 2024 · In Tennessee, 1833, a 14-year-old boy, known as ‘the kid’, leaves his alcoholic father and deceased mother, embarking on a journey marked by violence. He travels through Memphis, Saint Louis, and New Orleans, working odd jobs and engaging in fights.

    Blood Meridian Novel Summary By Cormac McCarthy

    Dec 2, 2024 · A unnamed protagonist known only as “the Kid,” Blood Meridian is set against the backdrop of the U.S.-Mexico border in the middle of the 19th century and follows him as he is lured into a violent, lawless, and morally dubious environment.

    Blood Meridian - Penguin Random House

    Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving.