comedy

  • Akkare Akkare Akkare (1990) - What is my movie? - Item

    Director Priyadarshan · Main cast. Mohanlal; Sreenivasan; Mukesh; M.G Soman; Maniyanpilla Raju · Genres Comedy · Description After Nadodikkattu (1987) and Pattana ...

  • Nivin Pauly is his comedic best in peppy World Malayalee Anthem

    23 Apr 2024 ... Don't miss his reference to 'Paul Barber', the thief that the CIDs Vijayan and Dasan are searching for in the US in '90s cult comedy Akkare ...

  • Dasvidaniya - Wikipedia

    Dasvidaniya is a 2008 Indian Hindi-language comedy drama film released on 7 November 2008. ... The name of the movie is a pun on the list of ten things to be done ...

  • Hilary Swank - Actress - TV Insider

    After her first voice role in 3D fantasy "Spark" (2016), Swank co-starred in Steven Soderbergh's comedy "Logan Lucky" (2017) and indie dramas "55 Steps" (2017) ...

  • Israel Broussard - Wikipedia

    is an American actor. He made his film debut in the comedy-drama Flipped, and is known for his roles in the crime film The Bling Ring (2013), the drama Perfect ...

  • Local Hero cast and crew credits - British Comedy Guide

    Cast & crew credits. Cast. Peter Riegert, Mac MacIntyre. Denis Lawson, Gordon Urquhart. Writing team. Bill ...

  • Local Hero - Wikipedia

    Local Hero is a 1983 Scots comedy-drama film scrieven an directit bi Bill Forsyth an starrin Peter Riegert an Burt Lancaster.

  • Local Hero | Warner Bros. Entertainment Wiki | Fandom

    Local Hero is a 1983 Scottish comedy-drama film written and directed by Bill Forsyth and starring Peter Riegert, Denis Lawson, Fulton Mackay and Burt Lancaster.

  • Local Hero 1983, directed by Bill Forsyth | Film review - TimeOut

    10 Sep 2012 ... Local Hero, which concerns the frustrations of a Texas oilman's attempts to buy up an idyllic Scottish village, ranks as a lyrical anti-urban comedy.

  • Retro Review: “Local Hero” at 40 - Garry Berman - Medium

    26 Jul 2023 ... Written and directed by Bill Forsyth, it was released in 1983 — yes, forty years ago. It is also my favorite film comedy — and I love a lot ...

  • Local Hero (film) - Wikipedia

    Local Hero is a 1983 British comedy-drama film written and directed by Bill Forsyth and produced by David Puttnam. It stars Peter Riegert, Burt Lancaster, ...

  • Local Hero reviewed in 1983 | Sight and Sound - BFI

    18 Mei 2023 ... As Local Hero returns to cinemas for its 40th anniversary, we revisit our review of Bill Forsyth's Ealing-esque comedy from our Spring 1983 ...

  • Local Hero - Production & Contact Info | IMDbPro

    Primary photo for Local Hero. Local Hero (1983). Comedy | Drama. PG. 111 min. Track. Local Hero. Notification Preferences. Cast updates. Filmmaker and crew ...

  • Local Hero (film) - Wikipedia

    Local Hero is a 1983 British comedy-drama film written and directed by Bill Forsyth and produced by David Puttnam. It stars Peter Riegert, Burt Lancaster, ...

  • Local Hero - Wikipedia

    Local Hero is a 1983 Scots comedy-drama film scrieven an directit bi Bill Forsyth an starrin Peter Riegert an Burt Lancaster.

  • Local Hero | Warner Bros. Entertainment Wiki | Fandom

    Local Hero is a 1983 Scottish comedy-drama film written and directed by Bill Forsyth and starring Peter Riegert, Denis Lawson, Fulton Mackay and Burt Lancaster.

  • Comedy Collection - Movies Anywhere

    ... Movies. Search Sign InSign Up Now. Comedy Collection | Movies Anywhere. Comedy Heroes ... Movie Film. Are We Done Yet? Meet the Robinsons. What Love Is. Offside.

  • Local Hero (film) - Wikipedia

    Local Hero is a 1983 British comedy-drama film written and directed by Bill Forsyth and produced by David Puttnam. It stars Peter Riegert, Burt Lancaster, ...

  • Local Hero (1983) - BFI

    In Bill Forsyth's wry culture-clash comedy a Texas oil executive falls for the charms of the Scottish village he's supposed to be buying up. ... “A small film to ...

  • Watch Local Hero (1983) | Prime Video - Amazon.com

    Peter Riegert and Burt Lancaster star in Bill Forsyth's whimsical comedy of an oil company's attempted buyout of a Scottish seaport.

  • Local Hero (1983) - Prime Video

    Peter Riegert and Burt Lancaster star in Bill Forsyth's whimsical comedy of an oil company's attempted buyout of a Scottish seaport.

  • Local Hero (1983) - Prime Video

    Local Hero (1983). BAFTA FILM AWARD® winner. Peter Riegert and Burt Lancaster star in Bill Forsyth's whimsical comedy of an oil company's attempted buyout of ...

  • The Union on Netflix: Mark Wahlberg and Halle Berry ... - Sortir à Paris

    13 Agu 2024 ... The Union, an action-comedy directed by Julian Farino and starring Mark Wahlberg and Halle Berry, will be released on Netflix on August 16, ...

  • Mark Wahlberg - Wikipedia

    He was the world's highest-paid actor in 2017. Wahlberg served as executive producer of five HBO series: the comedy-drama Entourage (2004–2011), the period ...

  • Mark Wahlberg - Wikipedia

    He was the world's highest-paid actor in 2017. Wahlberg served as executive producer of five HBO series: the comedy-drama Entourage (2004–2011), the period ...

  • Sing Sing - A24

    When a wary outsider joins the group, the men decide to stage their first original comedy, in this stirring true story of resilience, humanity, and the ...

      Artikel: Comedy GudangMovies21 Rebahinxxi

    • Source: Comedy
    • Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
      Satire and political satire use comedy to portray people or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without necessarily condemning them.
      Other forms of comedy include screwball comedy, which derives its humor largely from bizarre, surprising (and improbable) situations or characters, and black comedy, which is characterized by a form of humor that includes darker aspects of human behavior or human nature. Similarly scatological humor, sexual humor, and race humor create comedy by violating social conventions or taboos in comic ways, which can often be taken as offensive by the subjects of the joke. A comedy of manners typically takes as its subject a particular part of society (usually upper-class society) and uses humor to parody or satirize the behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those who are falling in love.


      Etymology



      Dean Rubin says the word "comedy" is derived from the Classical Greek κωμῳδία kōmōidía, which is a compound of κῶμος kômos "revel" and ᾠδή ōidḗ "singing, ode".
      The adjective "comic" (Greek κωμικός kōmikós), which strictly means that which relates to comedy is, in modern usage, generally confined to the sense of "laughter-provoking". Of this, the word came into modern usage through the Latin comoedia and Italian commedia and has, over time, passed through various shades of meaning.
      The Greeks and Romans confined their use of the word "comedy" to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average (where tragedy was an imitation of men better than the average). However, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, which is a species of the Ugly. The Ridiculous may be defined as a mistake or deformity not productive of pain or harm to others; the mask, for instance, that excites laughter is something ugly and distorted without causing pain. In the Middle Ages, the term expanded to include narrative poems with happy endings. It is in this sense that Dante used the term in the title of his poem, La Commedia.
      As time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the term "comedy" became synonymous with satire, and later with humour in general.
      Aristotle's Poetics was translated into Arabic in the medieval Islamic world, where it was elaborated upon by Arabic writers and Islamic philosophers, such as Abu Bishr, and his pupils Al-Farabi, Avicenna, and Averroes. They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply the "art of reprehension", and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy.
      After the Latin translations of the 12th century, the term "comedy" gained a more general meaning in medieval literature.
      In the late 20th century, many scholars preferred to use the term laughter to refer to the whole gamut of the comic, in order to avoid the use of ambiguous and problematically defined genres such as the grotesque, irony, and satire.


      History




      = Western history

      =


      Dionysiac origins, Aristophanes and Aristotle



      Starting from 425 BCE, Aristophanes, a comic play and satirical author of the Ancient Greek theater, wrote 40 comedies, 11 of which survive. Aristophanes developed his type of comedy from the earlier satyr plays, which were often highly obscene. The only surviving examples of the satyr plays are by Euripides, which are much later examples and not representative of the genre. In ancient Greece, comedy originated in bawdy and ribald songs or recitations apropos of phallic processions and fertility festivals or gatherings.
      Around 335 BCE, Aristotle, in his work Poetics, stated that comedy originated in phallic processions and the light treatment of the otherwise base and ugly. He also adds that the origins of comedy are obscure because it was not treated seriously from its inception. However, comedy had its own Muse: Thalia.
      Aristotle taught that comedy was generally positive for society, since it brings forth happiness, which for Aristotle was the ideal state, the final goal in any activity. For Aristotle, a comedy did not need to involve sexual humor. A comedy is about the fortunate rise of a sympathetic character. Aristotle divides comedy into three categories or subgenres: farce, romantic comedy, and satire. On the other hand, Plato taught that comedy is a destruction to the self. He believed that it produces an emotion that overrides rational self-control and learning. In The Republic, he says that the guardians of the state should avoid laughter, "for ordinarily when one abandons himself to violent laughter, his condition provokes a violent reaction." Plato says comedy should be tightly controlled if one wants to achieve the ideal state.
      Also in Poetics, Aristotle defined comedy as one of the original four genres of literature. The other three genres are tragedy, epic poetry, and lyric poetry. Literature, in general, is defined by Aristotle as a mimesis, or imitation of life. Comedy is the third form of literature, being the most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition. Comedies begin with low or base characters seeking insignificant aims and end with some accomplishment of the aims which either lightens the initial baseness or reveals the insignificance of the aims.


      Commedia dell'arte and Shakespearean, Elizabethan comedy



      "Comedy", in its Elizabethan usage, had a very different meaning from modern comedy. A Shakespearean comedy is one that has a happy ending, usually involving marriages between the unmarried characters, and a tone and style that is more light-hearted than Shakespeare's other plays.
      The Punch and Judy show has roots in the 16th-century Italian commedia dell'arte. The figure of Punch derives from the Neapolitan stock character of Pulcinella. The figure who later became Mr. Punch made his first recorded appearance in England in 1662. Punch and Judy are performed in the spirit of outrageous comedy — often provoking shocked laughter — and are dominated by the anarchic clowning of Mr. Punch. Appearing at a significant period in British history, professor Glyn Edwards states: "[Pulcinella] went down particularly well with Restoration British audiences, fun-starved after years of Puritanism. We soon changed Punch's name, transformed him from a marionette to a hand puppet, and he became, really, a spirit of Britain — a subversive maverick who defies authority, a kind of puppet equivalent to our political cartoons."


      19th to early 20th century



      In early 19th century England, pantomime acquired its present form which includes slapstick comedy and featured the first mainstream clown Joseph Grimaldi, while comedy routines also featured heavily in British music hall theatre which became popular in the 1850s. British comedians who honed their skills in music hall sketches include Charlie Chaplin, Stan Laurel and Dan Leno. English music hall comedian and theatre impresario Fred Karno developed a form of sketch comedy without dialogue in the 1890s, and Chaplin and Laurel were among the comedians who worked for his company. Karno was a pioneer of slapstick, and in his biography, Laurel stated, "Fred Karno didn't teach Charlie [Chaplin] and me all we know about comedy. He just taught us most of it". Film producer Hal Roach stated: "Fred Karno is not only a genius, he is the man who originated slapstick comedy. We in Hollywood owe much to him." American vaudeville emerged in the 1880s and remained popular until the 1930s, and featured comedians such as W. C. Fields, Buster Keaton and the Marx Brothers.


      20th century theatre and art



      Surreal humour (also known as 'absurdist humour'), or 'surreal comedy', is a form of humour predicated on deliberate violations of causal reasoning, producing events and behaviours that are obviously illogical. Constructions of surreal humour tend to involve bizarre juxtapositions, incongruity, non-sequiturs, irrational or absurd situations and expressions of nonsense. The humour arises from a subversion of audience's expectations, so that amusement is founded on unpredictability, separate from a logical analysis of the situation. The humour derived gets its appeal from the ridiculousness and unlikeliness of the situation. The genre has roots in Surrealism in the arts.

      Surreal humour is the effect of illogic and absurdity being used for humorous effect. Under such premises, people can identify precursors and early examples of surreal humour at least since the 19th century, such as Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking-Glass, which both use illogic and absurdity (hookah-smoking caterpillars, croquet matches using live flamingos as mallets, etc.) for humorous effect. Many of Edward Lear's children stories and poems contain nonsense and are basically surreal in approach. For example, The Story of the Four Little Children Who Went Round the World (1871) is filled with contradictory statements and odd images intended to provoke amusement, such as the following:

      After a time they saw some land at a distance; and when they came to it, they found it was an island made of water quite surrounded by earth. Besides that, it was bordered by evanescent isthmuses with a great Gulf-stream running about all over it, so that it was perfectly beautiful, and contained only a single tree, 503 feet high.
      In the early 20th century, several avant-garde movements, including the dadaists, surrealists, and futurists, began to argue for an art that was random, jarring and illogical. The goals of these movements were in some sense serious, and they were committed to undermining the solemnity and self-satisfaction of the contemporary artistic establishment. As a result, much of their art was intentionally amusing.
      A famous example is Marcel Duchamp's Fountain (1917), an inverted urinal signed "R. Mutt". This became one of the most famous and influential pieces of art in history, and one of the earliest examples of the found object movement. It is also a joke, relying on the inversion of the item's function as expressed by its title as well as its incongruous presence in an art exhibition.


      20th century film, records, radio, and television



      The advent of cinema in the late 19th century, and later radio and television in the 20th century broadened the access of comedians to the general public. Charlie Chaplin, through silent film, became one of the best-known faces on Earth. The silent tradition lived on well into the late 20th century through mime artists like Marcel Marceau, and the slapstick comedy of artists like Rowan Atkinson (as Mr. Bean). The tradition of the circus clown also continued, with such as Bozo the Clown in the United States and Oleg Popov in Russia. Radio provided new possibilities — with Britain producing the influential surreal humour of the Goon Show after the Second World War. The Goons' influence spread to the American radio and recording troupe the Firesign Theatre. American cinema has produced a great number of globally renowned comedy artists, from Laurel and Hardy, the Three Stooges, Abbott and Costello, Dean Martin and Jerry Lewis, Bob Hope and Phyllis Diller during the mid-20th century, to performers like George Carlin, Bill Cosby, Joan Rivers, Robin Williams, and Eddie Murphy toward the end of the century. Hollywood attracted many international talents like the British comics Peter Sellers, Dudley Moore and Sacha Baron Cohen, Canadian comics Dan Aykroyd, Jim Carrey, and Mike Myers, and the Australian comedian Paul Hogan, famous for Crocodile Dundee. Other centres of creative comic activity have been the cinema of Hong Kong, Bollywood, and French farce.
      American television has also been an influential force in world comedy: with American series like M*A*S*H, Seinfeld and The Simpsons achieving large followings around the world. British television comedy also remains influential, with quintessential works including Fawlty Towers, Monty Python, Dad's Army, Blackadder, and The Office. Australian satirist Barry Humphries, whose comic creations include the housewife and "gigastar" Dame Edna Everage, for his delivery of Dadaist and absurdist humour to millions, was described by biographer Anne Pender in 2010 as not only "the most significant theatrical figure of our time ... [but] the most significant comedian to emerge since Charlie Chaplin".


      = Eastern history

      =


      Indian aesthetics and drama



      By 200 BC, in ancient Sanskrit drama, Bharata Muni's Natya Shastra defined humour (hāsyam) as one of the nine nava rasas, or principle rasas (emotional responses), which can be inspired in the audience by bhavas, the imitations of emotions that the actors perform. Each rasa was associated with a specific bhavas portrayed on stage. In the case of humour, it was associated with mirth (hasya).


      Studies on comic theory



      The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. They agree the predominant characteristics are incongruity or contrast in the object and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory". Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play instinct" and its emotional expression.
      George Meredith said that "One excellent test of the civilization of a country ... I take to be the flourishing of the Comic idea and Comedy, and the test of true Comedy is that it shall awaken thoughtful laughter." Laughter is said to be the cure for being sick. Studies show that people who laugh more often get sick less.
      American literary theorist Kenneth Burke writes that the "comic frame" in rhetoric is "neither wholly euphemistic, nor wholly debunking—hence it provides the charitable attitude towards people that is required for purposes of persuasion and co-operation, but at the same time maintains our shrewdness concerning the simplicities of 'cashing in.'" The purpose of the comic frame is to satirize a given circumstance and promote change by doing so. The comic frame makes fun of situations and people, while simultaneously provoking thought. The comic frame does not aim to vilify in its analysis, but rather, rebuke the stupidity and foolery of those involved in the circumstances. For example, on The Daily Show, Jon Stewart uses the "comic frame" to intervene in political arguments, often offering crude humor in sudden contrast to serious news. In a segment on President Obama's trip to China, Stewart remarks on America's debt to the Chinese government while also having a weak relationship with the country. After depicting this dismal situation, Stewart shifts to speak directly to President Obama, calling upon him to "shine that turd up." For Stewart and his audience, introducing coarse language into what is otherwise a serious commentary on the state of foreign relations serves to frame the segment comically, creating a serious tone underlying the comedic agenda presented by Stewart.


      Forms



      Comedy may be divided into multiple genres based on the source of humor, the method of delivery, and the context in which it is delivered. The different forms of comedy often overlap, and most comedy can fit into multiple genres. Some of the subgenres of comedy are farce, comedy of manners, burlesque, and satire.
      Some comedy apes certain cultural forms: for instance, parody and satire often imitate the conventions of the genre they are parodying or satirizing. For example, in the United States, parodies of newspapers and television news include The Onion, and The Colbert Report; in Australia, shows such as Kath & Kim, Utopia, and Shaun Micallef's Mad As Hell perform the same role.
      Self-deprecation is a technique of comedy used by many comedians who focus on their misfortunes and foibles in order to entertain.


      Performing arts




      = Historical forms

      =
      Ancient Greek comedy, as practiced by Aristophanes and Menander
      Ancient Roman comedy, as practiced by Plautus and Terence
      Burlesque, from Music hall and Vaudeville to Performance art
      Citizen comedy, as practiced by Thomas Dekker, Thomas Middleton and Ben Jonson
      Clowns such as Richard Tarlton, William Kempe, and Robert Armin
      Comedy of humours, as practiced by Ben Jonson and George Chapman
      Comedy of intrigue, as practiced by Niccolò Machiavelli and Lope de Vega
      Comedy of manners, as practiced by Molière, William Wycherley and William Congreve
      Comedy of menace, as practiced by David Campton and Harold Pinter
      comédie larmoyante or 'tearful comedy', as practiced by Pierre-Claude Nivelle de La Chaussée and Louis-Sébastien Mercier
      Commedia dell'arte, as practiced in the twentieth century by Dario Fo, Vsevolod Meyerhold, and Jacques Copeau
      Farce, from Georges Feydeau to Joe Orton and Alan Ayckbourn
      Jester
      Laughing comedy, as practiced by Oliver Goldsmith and Richard Brinsley Sheridan
      Restoration comedy, as practiced by George Etherege, Aphra Behn and John Vanbrugh
      Sentimental comedy, as practiced by Colley Cibber and Richard Steele
      Shakespearean comedy, as practiced by William Shakespeare
      Stand-up comedy
      Dadaist and Surrealist performance, usually in cabaret form
      Theatre of the Absurd, used by some critics to describe Samuel Beckett, Harold Pinter, Jean Genet and Eugène Ionesco
      Sketch comedy


      = Plays

      =
      Comic theatre
      Musical comedy


      = Opera

      =
      Comic opera


      = Improvisational comedy

      =
      Improvisational theatre
      Bouffon comedy
      Clowns


      = Jokes

      =
      One-liner joke
      Blonde jokes
      Shaggy-dog story
      Paddy Irishman joke
      Polish jokes
      Light bulb jokes
      Knock-knock joke


      = Stand-up comedy

      =
      Stand-up comedy is a mode of comic performance in which the performer addresses the audience directly, usually speaking in their own person rather than as a dramatic character.

      Impressionist (entertainment)
      Alternative comedy
      Comedy club


      Events and awards


      American Comedy Awards
      British Comedy Awards
      Canadian Comedy Awards
      Cat Laughs Comedy Festival
      The Comedy Festival, Aspen, Colorado, formerly the HBO Comedy Arts Festival
      Edinburgh Festival Fringe
      Edinburgh Comedy Festival
      Halifax Comedy Festival
      Just for Laughs festival, Montreal
      Leicester Comedy Festival
      Mark Twain Prize for American Humor
      Melbourne International Comedy Festival
      New Zealand International Comedy Festival
      New York Underground Comedy Festival
      HK International Comedy Festival


      Lists of comedians


      List of comedians
      List of comedians#Comedy groups
      List of stand-up comedians
      List of musical comedians
      List of Australian comedians
      List of British comedians
      List of Canadian comedians
      List of Filipino comedians
      List of Finnish comedians
      List of German language comedians
      List of Indian comedians
      List of Italian comedians
      List of Mexican comedians
      List of Puerto Rican comedians


      Mass media




      = Literature

      =
      Comic novel
      Light poetry
      Comedic journalism


      = Film

      =
      Comedy film
      Anarchic comedy film
      Gross-out film
      Parody film
      Romantic comedy
      Screwball comedy film
      Slapstick film


      = Audio recording

      =
      Comedy album


      = Television and radio

      =
      Television comedy
      Situation comedy
      Radio comedy


      Comedy networks


      British sitcom
      British comedy
      Comedy Central – television channel devoted strictly to comedy
      Comedy Nights with Kapil – Indian television program
      German television comedy
      List of British TV shows remade for the American market
      Paramount Comedy (Spain)
      Paramount Comedy 1 and 2.
      TBS (TV network)
      The Comedy Channel (Australia)
      The Comedy Channel (UK)
      The Comedy Channel (United States) – merged into Comedy Central.
      HA! – merged into Comedy Central
      CTV Comedy Channel – Canadian TV channel formerly known as The Comedy Network.
      Gold
      Sky Comedy – British comedy network
      Comedy Gold – a Canadian comedy channel, the CTV Comedy Channel is a sister to it
      Bip – Israeli comedy channel


      See also



      List of comedy television series
      List of genres
      Lists of comedy films
      Theories of humor
      Women in comedy


      Notes




      References




      External links



      A Vocabulary for Comedy (definitions are taken from Harmon, William & C. Hugh Holman. A Handbook to Literature. 7th ed.)

      Artikel: Comedy! GudangMovies21 Rebahinxxi

    • Source: Comedy!
    • Comedy! (French: Comédie !) is a 1987 French drama film written and directed by Jacques Doillon.
      The film was entered into the main competition at the 44th edition of the Venice Film Festival.


      Plot




      Cast


      Jane Birkin as Her
      Alain Souchon as Him


      References




      External links


      Comedy! at IMDb

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