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      The Iowa Writers' Workshop, at the University of Iowa, is a graduate-level creative writing program. At 87 years, it is the oldest writing program offering a Master of Fine Arts (MFA) degree in the United States. Its acceptance rate is between 2.7% and 3.7%. On the university's behalf, the workshop administers the Truman Capote Award for Literary Criticism and the Iowa Short Fiction Award.
      The workshop's current director is the writer Lan Samantha Chang, under whom its endowment has grown from $2.6 million to $12.5 million.


      History


      In 1897, theater producer George Cram Cook began teaching a class called "Verse-Making", effectively the University of Iowa's first creative writing class. In 1922, Dean Carl Seashore of the University of Iowa Graduate College allowed creative writing to be accepted as theses for advanced degrees. Later, the School of Letters began selecting students for writing courses in which they were tutored by resident and visiting writers. The Iowa Writers' Workshop began as an official program in 1936, with Wilbur Schramm as its first director.
      Under Paul Engle, its second director from 1941 to 1965, the program became a national landmark and was divided into fiction and poetry. He partnered with Esquire for a 1959 symposium titled "The Writer in Mass Culture" that included as guests Norman Mailer, Ralph Ellison, and Mark Harris, and was covered in Newsweek. In 1962, Engle and his wife, Hualing Nieh Engle, started the country's first translation workshop, which led to the creation of the university's MFA program in literary translation. In 1967, the couple founded the International Writing Program, and in 1976, they were nominated for the Nobel Peace Prize for their work facilitating creative and cultural exchange through the International Writing Program. A reported over 300 writers supported them for the honor, which the Nobel Committee eventually did not give that year.
      Engle secured donations for the workshop from the business community for about 20 years, including locals such as Maytag and Quaker Oats, as well as U.S. Steel and Reader's Digest. Between 1953 and 1956, the Rockefeller Foundation donated $40,000. Henry Luce, the publisher of TIME and Life magazines, and Gardner Cowles Jr., who published Look magazine, provided publicity for the workshop's events.
      Subsequent directors were George Starbuck (1965–69), John Leggett (1969–86), and Frank Conroy (1987–2005), whose 19 years at the helm made him the longest-serving director.
      Lan Samantha Chang was appointed the Workshop's sixth director in 2006. She is the program's first female, first Asian American, and first nonwhite director, and has held the role for 17 years.


      = Locations

      =
      The Writers' Workshop originated in temporary military barracks-style buildings near the Iowa River, the present location of the Iowa Memorial Union, but in 1966 moved to the English-Philosophy Building. In 1997, it moved to its current location, Dey House. The Glenn Schaeffer Library and Archives, an extension including a library and reading room, classrooms, and faculty offices, was added to Dey House in 2006.


      Organization




      = Methodology

      =
      The Workshop was formed by Norman Foerster's passionate support for creative writing and Wilbur Schramm's conviction that writing should be as technical and rigorous a pursuit as any traditional literature degree. The workshop model for higher education creative writing was created in that pursuit of technical intensity. The model constantly exposed students to outside opinions on their fiction and created a pressurized atmosphere that forced students to rein in their emotional reactions and consider their work analytically. The Workshop operated without the characteristic assumption of the time that artists needed to be unleashed, instead opting to focus and refine them. While intended to serve fiction writers, the Workshop began to change in the 1970s when its first nonfiction thesis was accepted. Ever since, the Workshop has produced many literary journalists and shaped public perception of creative nonfiction.


      = Curriculum and courses

      =
      The program's curriculum requires students to take a small number of classes each semester, including the Graduate Fiction Workshop or Graduate Poetry Workshop and one or two additional literature seminars. These requirements are meant to prepare students for the realities of professional writing, where self-discipline is paramount. The graduate workshop courses meet weekly. Before each three-hour class, a small number of students submit material for critical reading by their peers. The class consists of a round-table discussion during which the students and the instructor discuss each piece. How classes are conducted varies by teacher and between poetry and fiction. The ideal result is not only that writers come away with insights into their work's strengths and weaknesses, but that the class as a whole derives insight, whether general or specific, about the process of writing.
      When the Workshop received the National Humanities Medal in 2002, then director Conroy explained its ethos: "It is a focused program, like Juilliard. We read constantly, rereading the classics. They can write anything they want. We teach them what we've learned as writers."

      In a 2022 interview, Chang said: We don't have a quota about where people are from or what kind of writing they do. What we look for is work that is filled with energy, work that interests us. I'm sure, every year, there are many, many very good writers who go elsewhere because we don't admit them. But we try to be very open. I would say that we look for work that excites us. Frank Conroy used to describe it as feeling someone reaching off the page at you when you're reading, feeling tension in the language.


      = Faculty and alumni

      =
      Former faculty have included Kurt Vonnegut, Richard Yates, Philip Roth, John Cheever, and Marilynne Robinson.
      As of January 2023, the workshop's faculty are Jamel Brinkley, Charles D'Ambrosio, Margot Livesey, and Ladee Hubbard in fiction; Ethan Canin in English and creative writing; James Galvin, Mark Levine, Tracie Morris, Elizabeth Willis in poetry; and Program Director Lan Samantha Chang. Visiting faculty are Alexia Arthurs, Tom Drury and Amy Parker.


      Reputation and influence


      In 1986, during the 50th anniversary of the Workshop, The New York Times wrote: "At 50, the Iowa workshop is something of a dowager, standing unshakably in the mainstream of our literary life."

      In 2019, five graduates won Guggenheim Fellowships. In April 2021, the American Academy of Arts and Letters recognized seven graduates and former faculty: five graduates and a former visiting faculty member received awards, and an alumna was elected to membership. In response to the news, Chang said: The graduates being distinguished by the American Academy of Arts and Letters in 2021 came to the Iowa Writers' Workshop over a period of more than four decades. This reflects the strength and longevity of the Iowa Writers' Workshop and creative writing at Iowa.
      Graduates have gone on to become directors of other notable creative writing MFA programs, including Wallace Stegner at Stanford University, Eileen Pollack at the University of Michigan, Vance Bourjaily at Louisiana State University, Bret Anthony Johnston at the University of Texas, Austin's Michener Center, and Adam Haslett at The City University of New York's Hunter College. They have also become top editors at major publishers. These include Haki R. Madhubuti, founder of Third World Press; Jill Bialosky, executive editor and vice president at W. W. Norton & Company; and Thomas Gebremedhin, vice president and executive editor of Doubleday. Among them have also been editors of major publications, including D. Herbert Lipson of Ebony, and curators, such as Christine Kuan, former CEO and director of Sotheby's Institute of Art New York.
      On the HBO show Girls, the character Hannah Horvath enrolls in the Iowa Writers' Workshop.


      Awards won by faculty and alumni




      = Pulitzer Prizes

      =


      Fiction


      Robert Penn Warren, 1947 Pulitzer for All the King's Men, former faculty member.
      Wallace Stegner, 1972 Pulitzer for Angle of Repose, MA, 1932; PhD, English, 1935.
      James Alan McPherson, 1977 Pulitzer for Elbow Room, MFA, 1969; former faculty member.
      John Cheever, 1979 Pulitzer for The Stories of John Cheever, former faculty member.
      Jane Smiley, 1992 Pulitzer for A Thousand Acres, MA, 1975; MFA, English, 1976; PhD, English, 1978.
      Philip Roth, 1998 Pulitzer for American Pastoral, former faculty member.
      Michael Cunningham, 1999 Pulitzer for The Hours, MFA, English, 1980.
      Marilynne Robinson, 2005 Pulitzer for Gilead, emeritus faculty member.
      Paul Harding, 2010 Pulitzer for Tinkers, MFA, English, 2000.
      Andrew Sean Greer, 2018 Pulitzer for Less, former visiting faculty member.
      Jayne Anne Phillips, 2024 Pulitzer for Night Watch, MFA, 1978.


      Journalism


      Tracy Kidder, 1982 Pulitzer in general nonfiction for The Soul of a New Machine, MFA, 1974.


      Poetry


      Karl Shapiro, 1945 Pulitzer for V-Letter and Other Poems, former faculty member
      Robert Lowell, 1947 Pulitzer for Lord Weary's Castle, 1974 Pulitzer for The Dolphin, former faculty member
      Robert Penn Warren, 1958 Pulitzer for Poems 1954–56, Now and Then, 1980 Pulitzer for Poems 1976–78, former faculty member
      W. D. Snodgrass, 1960 Pulitzer for Heart's Needle, BA, 1949; MA, 1951; MFA, 1953
      John Berryman, 1965 Pulitzer for 77 Dream Songs, former faculty member
      Anthony Hecht, 1968 Pulitzer for The Hard Hours, attended Workshop but did not graduate
      Donald Justice, 1980 Pulitzer for Selected Poems, alumnus and former faculty member
      Carolyn Kizer, 1985 Pulitzer for Yin, former faculty member
      Rita Dove, 1987 Pulitzer for Thomas and Beulah, MFA, 1977
      Mona Van Duyn, 1991 Pulitzer for Near Changes, MA, English, 1943
      James Tate, 1992 Pulitzer for Selected Poems, MFA, 1967
      Louise Glück, 1993 Pulitzer for The Wild Iris, former faculty member
      Philip Levine, 1995 Pulitzer for The Simple Truth, MFA, 1957; former faculty member
      Jorie Graham, 1996 Pulitzer for The Dream of the Unified Field, MFA, English, 1978; former faculty member
      Charles Wright, 1998 Pulitzer for Black Zodiac, MFA, 1963
      Mark Strand, 1999 Pulitzer for Blizzard of One, MA, 1962; former faculty member
      Robert Hass, 2008 Pulitzer for Time and Materials, frequent visiting faculty member
      Philip Schultz, 2008 Pulitzer for Failure, MFA, English, 1971


      = U.S. Poets Laureate

      =
      Mark Strand, 2019–20, MFA '78.
      Rita Dove, 1993, MFA '77, the youngest person and first African American to hold the position
      Philip Levine
      Robert Penn Warren, faculty
      Mona Jane Van Duyn, faculty
      Robert Hass, faculty
      Louise Glück, faculty
      Charles Wright, 2014–16, MFA '70
      Juan Felipe Herrera, 2015–17, MFA '91
      Joy Harjo, 2019–20, MFA '78, the first Native American person to hold the position


      = Booker Prize

      =
      Eleanor Catton, 2013, for The Luminaries, alumna


      = National Humanities Medal

      =
      Rita Dove, 1996
      Iowa Writers' Workshop, 2003


      = MacArthur Fellowship

      =
      Yiyun Li, 2003
      Jorie Graham, 1990


      References




      Further reading


      Bennett, Eric (2015). Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War. University of Iowa Press. Retrieved July 17, 2023.
      Dana, Robert (1999). A community of writers. University of Iowa Press. ISBN 978-0-87745-668-1.
      Glass, Loren (2016). After the Program Era: The Past, Present, and Future of Creative Writing in the University. University of Iowa Press. Retrieved July 17, 2023.
      Grimes, Tom (2001). The Workshop: Seven Decades of the Iowa Writers Workshop. Hyperion. ISBN 978-0-7868-8672-2.


      External links


      Iowa Writers Workshop website
      Historic photos of the Iowa Writers' Workshop from the UI Archives 1950–1969

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    The Iowa Writers' Workshop - College of Liberal Arts and Sciences

    For more than 80 years writers have come to Iowa City to work on their manuscripts and to exchange ideas about writing and reading with each other and with the faculty. Many of them have gone on to publish award-winning work after graduating.

    Iowa Summer Writers' Workshops | Writers' Workshop - College …

    The Iowa Young Writers' Studio offers summer classes for high school students. For week-long or weekend classes, check out the Iowa Summer Writing Festival!

    College of Liberal Arts and Sciences - Writers' Workshop

    Founded in 1936, the Iowa Writers' Workshop has been a vital space for writers for nearly 100 years. The graduate program in Creative Writing at the University of Iowa, known informally as The Iowa Writers' Workshop, offers students a Master's of Fine Arts degree with a concentration in either poetry or fiction.

    Graduate Program | Writers' Workshop - College of Liberal Arts …

    The Program in Creative Writing at the University of Iowa, known informally as the Iowa Writers' Workshop, offers a Master of Fine Arts degree in English, a terminal degree that qualifies graduates to teach creative writing at the college level.

    How to Apply - MFA | Writers' Workshop - College of Liberal Arts …

    To be considered for admission to the graduate program, you must complete the online application, including all supplemental materials, and mail a hard copy of your manuscript and a manuscript cover sheet directly to the Writers’ Workshop (102 Dey House).

    Current Faculty | Writers' Workshop - College of Liberal Arts and ...

    Every year The Writers' Workshop invites visiting distinguished writers to teach workshops and seminars for the graduate program. These faculty also work with students as thesis advisors and often become long-term friends, mentors, and resources.

    Alumni Updates | Writers' Workshop - College of Liberal Arts and ...

    Our alumni work as teachers and writers across many disciplines and publish books in every genre. 6 recent U.S. Poets Laureate have been graduates of the Writers' Workshop and some of the most distinctive, celebrated voices in contemporary poetry and fiction have come through our program and used their time here to develop their work and their ...

    Upcoming Events | Writers' Workshop - College of Liberal Arts …

    Join us monthly to generate new creative writing inspired by works in the Stanley collection. Each session will be led by a different talented writer from our area, who will be offering a new prompt and a new approach to ekphrastic writing (writing inspired by visual art).

    Our History | Writers' Workshop - College of Liberal Arts and …

    The Iowa Writers' Workshop, officially established at the University of Iowa in 1936, was the first program in the country to grant an advanced creative degree in the disciplines of fiction and poetry.

    Creative Writing for Undergraduate Students | Writers' Workshop ...

    Topic-specific creative writing classes introduce and develop foundational writing skills in a more specific context or genre. Students can expect to do writing exercise and produce longer creative works, while getting a lens into a more specific branch of writing.