Artikel: Jakub Rojek GudangMovies21 Rebahinxxi

    • Source: Jakub Rojek

      • Jakub Rojek (born March 24, 1979) is a Polish-American pianist, composer, conductor, and educator known for his iconoclastic and humorous creations, often transcending music genre. His music often blends elements of music pastiche, cabaret, and improvisation and is characterized by inherent classical music aesthetic.


      Biography


      Rojek was born in Stalowa Wola, Poland in 1979. He spent his formative years studying and playing classical and cabaret music. He comes from a family of multifarious talents. Both he and his older sister played piano growing up. His father is a self-taught sound engineer, multi-instrumentalist, master woodworker, and jack of all trades. Rojek took up piano at seven and later developed a penchant for improvisation, composition, and cabaret music. He entered the Krakow Academy of Music in 1998 to major in piano performance, but ultimately ended up spending more time playing music at a local Russian cafe, and jazz clubs around town than in a practice room. In 2002, he relocated to the United States to further his musical education under the tutelage of Frank Caruso and later Danilo Perez, Frank Carlberg, and Michael Gandolfi at the prestigious New England Conservatory. He later studied composition with Daniel Asia and conducting with Thomas Cockrell at the University of Arizona.


      Career


      Rojek has appeared alongside jazz greats Dave Holland, Roscoe Mitchell, Dave Douglas, Cecil McBee, Danilo Perez, John Hollenbeck, Michael Cain, Grammy-nominated reedman Aaron Kruziki, and ECM artist Dominik Wania to name a few, and collaborated with chamber musicians around the world. He was a finalist at the 2006 edition of Kathleen T. and Phillip B. Phillips Jazz Piano Competition.
      He had been commissioned to write for Polish soprano Milena Lnage, Self-Imposed Exile, Sentient Lacuna, Javelinas, Charles du Preez and Christine Lanza, and Post-Decadent Bourgeoisie Parlor among others. Collaborations include projects with visual artist Leah Netsky, creating a live sound design to the work by visual artist Karine Laval entitled "Memorandum to the Victims of 9/11", and filmmaker Michael Dohrmann. His works have been awarded prizes at the International Composition Competition in Darmstadt, Germany, and have been featured at "Oh My Ears" New Music Festival in Phoenix, Tocalo Tucson, and venues such as Jordan Hall in Boston, Chopin Theatre in Chicago, Crowder Hall in Tucson, and his native Poland. Rojek's music has been documented on five album releases, all five featuring him as a pianist and composer respectively, "Cudawianki", 2011, "Impish Brevity", 2013, Live from Steinway Hall released in 2015 on A-side Records, "Voluptuous Velocities", 2016, and "The Art of Non-idiomatic Self", 2019.
      He has worked with Sentient Lacuna, Post-Decadent Bourgeoisie Parlor, Self-imposed Exile (electronic chamber trio), and DownHearr. Large ensemble works include Transient Tangents, Iconocerto for piano and orchestra. He has also written extensively for chamber ensembles, and cross-over artists in both classical and jazz idiom, Sounds from The Self-Exposed Exile for clarinet and piano, and Crimson for soprano and piano by Hsinja Publishing, 2015.


      Works


      Sharo Shadi, for four pianos, 2008
      Ear-rash-yonal, for nonet, 2008
      Xessions, for piano, 2012
      Crimson, song cycle for soprano and piano to the text by Carl Sandburg, 2013
      Sounds From the Self-Exposed Exile, for clarinet and piano, 2014
      Paraphrases for two piano, four hands, 2010-2016
      Piano Trio, 2016
      Iconocerto for piano and orchestra, 2016
      Novatudas, piano etudes, 2016
      Alone With Everybody, for dectet to the text by Charles Bukowski, 2017
      Sonorandom, for percussion and piano, 2018
      String Quartet, 2018
      Sentient Lacuna, for flute, voice, and bass cl., 2018
      Wouldn't I?, for brass ensemble and percussion, 2019
      Paradise Unimagined, for 7 percussion, piano, and fixed media, 2019
      Transient Tangents, for orchestra, 2020
      Micro-provisional, for percussion, and fixed media, 2020


      Discography




      References




      External links


      Official website
      https://jakubrojek.bandcamp.com/album/the-art-of-non-idiomatic-self

    Kata Kunci Pencarian:

    jakub rojekjakub rojek psychiatrajakub rojek linkedinmbe jakub rojekmbe jakub rojek opinie