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Mamie Smith (née Robinson; May 26, 1891 – August or September 16, 1946) was an American singer. As a vaudeville singer, she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African-American artist to make vocal blues recordings. Willie "The Lion" Smith (no relation) described the background of these recordings in his autobiography Music on My Mind (1964).
Early life
Robinson was born in Cincinnati, Ohio in 1891. The year of her birth has been given as 1883, but in 2018, researcher John Jeremiah Sullivan discovered her birth certificate stating she was born in Cincinnati in 1891.
When she was around age 10, she found work touring with the Four Dancing Mitchells, a white act. As a teenager, she danced in Salem Tutt Whitney's Smart Set. In 1913, she left the Tutt Brothers to sing in clubs in Harlem and married William "Smitty" Smith, a singer.
Musical career
On February 14, 1920, Smith recorded "That Thing Called Love" and "You Can't Keep a Good Man Down" for the Okeh label in New York City, after African-American songwriter and bandleader Perry Bradford persuaded Fred Hager to break the color barrier in black music recording. Okeh Records recorded many iconic songs by black musicians. Although this was the first recording by a black blues singer, the backing musicians were all white. Hager had received threats from Northern and Southern pressure groups saying they would boycott the company if he recorded a black singer. Despite these threats, the record was a commercial success and opened the door for more black musicians to record.
Smith's biggest hit was recorded on August 10, 1920, when she recorded a set of songs written by Perry Bradford, including "Crazy Blues" and "It's Right Here for You (If You Don't Get It, 'Tain't No Fault of Mine)", again for Okeh Records, A million copies were sold in less than a year. Many were bought by African Americans, and there was a sharp rise in sales of "race records". Because of its historical significance, "Crazy Blues" was inducted into the Grammy Hall of Fame in 1994 and was selected for preservation in the National Recording Registry of the Library of Congress in 2005.
Although other African Americans had been recorded earlier, such as George W. Johnson in the 1890s, they were performing music that had a substantial following among European-American audiences. The success of Smith's record prompted record companies to seek to record other female blues singers and began the era of what is now known as classic female blues.
Smith continued to make popular recordings for Okeh throughout the 1920s. In 1924, she made three releases for Ajax Records, which, while heavily promoted, did not sell well. She made some records for Victor. She toured the United States and Europe with the band Mamie Smith & Her Jazz Hounds as part of Mamie Smith's Struttin' Along Review.
She was billed as "The Queen of the Blues", a billing soon one-upped by Bessie Smith, who was called "The Empress of the Blues". Mamie found that the mass medium of radio provided a means of gaining additional fans, especially in cities with predominantly white audiences. For example, she and several members of her band performed on KGW in Portland, Oregon in early May 1923 and received positive reviews.
Recording lineups of the Jazz Hounds included (from August 1920 to October 1921) Jake Green, Curtis Moseley, Garvin Bushell, Johnny Dunn, Dope Andrews, Ernest Elliot, Porter Grainger, Leroy Parker and Bob Fuller, and (from June 1922 to January 1923) Coleman Hawkins, Everett Robbins, Johnny Dunn, Herschel Brassfield, Herb Flemming, Buster Bailey Cutie Perkins, Joe Smith, Bubber Miley, and Cecil Carpenter.
While recording with the Jazz Hounds, she recorded as Mamie Smith and Her Jazz Band, comprising George Bell, Charles Matson, Nathan Glantz, Larry Briers, Jules Levy, Jr., Joe Samuels, together with musicians from the Jazz Hounds, including Hawkins, Fuller and Carpenter.
Film career and later years
Smith appeared in the early sound film Jailhouse Blues in 1929. She retired from recording and performing in 1931. She returned to performing in 1939 to appear in the movie Paradise in Harlem, produced by her husband, Jack Goldberg.
She also appeared in other films, including Mystery in Swing (1940), Sunday Sinners (1940), Stolen Paradise (1941), Murder on Lenox Avenue (1941), and Because I Love You (1943).
Death and memorial
Smith died in 1946 in New York City, reportedly penniless. She was interred at Frederick Douglass Memorial Park on Staten Island, on ground which remained unmarked until 2013 when a monument was finally erected.
Initially, according to the Jas Obrecht Music Archive website, Smith was buried in an unmarked grave until 1963 when musicians from Iserlohn, West Germany used the money from a Hot Jazz benefit to buy a headstone that read "Mamie Smith (1883–1946): First Lady of the Blues". With the help of fellow blues singer Victoria Spivey and Record Research Magazine publisher Len Kunstadt, Smith was re-interred at Frederick Douglass Memorial Park in Richmond, New York. Smith's re-interment was celebrated with a gala honoring the late singer on January 27, 1964. However, according to the 2012 campaign website, Mamie Smith still was buried without a headstone 67 years after her death in 1946.
A successful campaign to finally acquire and erect a headstone for Smith was begun in 2012 by Michael and Anne Fanciullo Cala. The couple, respectively a blues journalist and editor, developed a months-long crowdfunding campaign on the Indiegogo website to purchase a headstone for Smith. The philanthropy Music Cares also supported the effort. The campaign raised over $8,000 that funded the creation of a four-foot-high etched granite headstone featuring an image of the late blues singer.
The monument was erected with great fanfare at Frederick Douglass Cemetery in Staten Island, New York on September 20, 2013. Excess funds from the campaign were donated to the cemetery for grounds care.
Hit records
References
External links
Mamie Smith African American Registry profile; accessed May 10, 2018.
Mamie Smith at AllMusic
Mamie Smith Blues Online Biography with photos
Mamie Smith on RedHotJazz.com with .ram files of her early recordings
Mamie Smith and the Birth of the Blues Market, NPR.org; accessed May 10, 2018.
Mamie Smith in 1935 film (3:08) on YouTube "Crazy Blues" (reworked later as "Harlem Blues").
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Mamie Smith (née Robinson; May 26, 1891 [1] – August or September 16, 1946) was an American singer. As a vaudeville singer, she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African-American artist to make vocal blues recordings.
16 Jan 2011 · Actress and performing artist Mamie Smith made music history in 1920 when she stepped into a studio to lay down “Crazy Blues,” considered by industry scholars to be the very first blues recording. Smith was a glamorous and multi …
18 Mei 2018 · Mamie Smith was the first African-American female performer to make a phonograph record, paving the way for all the classic blues women of the 1920s and beyond. Though one of the recordings that spread her fame was called “ Crazy Blues, ” Smith was more closely associated with popular songs of the day than with the blues.
31 Agu 2023 · Mamie Smith left the world almost as enigmatically as she had entered it, with the date of her death as elusive as that of her birth. Jazz chronicler Leonard Kunstadt, relying on a disputed death certificate, places the date on September 16, 1946, at the age of sixty-three years.
Called the "Queen of the Blues," Mamie Smith recorded the first blues songs and influenced the style of many African-American singers who followed. She also enjoyed a career as an actress in film and on the vaudeville stage.
15 Feb 2018 · Mamie Smith, a versatile vaudeville performer, is famous for being the first African American singer to record a vocal blues song. There had been a number of recordings by black artists pre-1920.
In the early 20th century, Mamie Smith was a pioneer, a blues revolutionary, and a trailblazer for black women in music. In a time when the music industry largely ignored black artists, especially black women, Mamie Smith stepped into a recording studio and laid down the …
14 Nov 2024 · Mamie Smith, born on May 26, 1891, in Cincinnati, Ohio, was a groundbreaking American singer, dancer, pianist, and actress. Best remembered for her pioneering work in blues music, she forever changed the music industry and set …
Mamie Smith, born in 1891, was a vaudeville performer who transitioned to blues, becoming a pivotal figure in the genre’s history. In 1920, she recorded “Crazy Blues,” the first blues song by an African American artist, which sold over 75,000 copies in its first month.
Mamie Smith, born on May 26, 1883, made an indelible mark on the music industry as an American blues singer, pianist, and songwriter. Widely recognized as the first African American woman to make a vocal blues recording, she shattered racial barriers and paved the way for future generations of Black…
