roles played by sarah bernhardt

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    This is a list of the notable roles played by the French actress Sarah Bernhardt, including both stage roles and early motion pictures, with the year of the first performance. Roles first performed by Bernhardt are noted as premieres.


    Theatrical roles




    Filmography



    1900: Le Duel d'Hamlet (Hamlet, as Hamlet) An excerpt from the play, featuring Bernhardt in a duel to the death with Laertes.
    1908: La Tosca (Tosca, as Tosca) A one-reel condensation of the play by the same name by Victorien Sardou.
    1911: La Dame aux Camélias (Lady of the Camelias – Camille, in the U.S. release, as Camille) A two-reel condensation of the play by the same name, and co-starring Lou Tellegen.
    1912: Adrienne Lecouvreur (An Actress's Romance; as Adrienne Lecouvreur) A two-reel condensation of the play by the same name. Co-starring Lou Tellegen.
    1912: Les Amours d'Elisabeth, Reine d'Angleterre (Queen Elizabeth; a major success) A four-reel condensation of the play of the same name. Co-starring Lou Tellegen.
    1912: Sarah Bernhardt à Belle-Isle (Sarah Bernhardt at Home, as herself) This documentary features Sarah at home with her family and friends, fishing for shrimp, and cuddling indoors with her pet dogs.
    1915: Ceux de Chez Nous (Those at Home: biographical, home movies) By Sacha Guitry; among other celebrated persons of the era, there is a brief scene featuring Sarah sitting on a park bench with Sacha, and reading from a poem given to her by her granddaughter Lysiane.
    1916: Jeanne Doré (as Jeanne Doré). Based on a play of the same name. Bernhardt appears as a widowed mother, who lavishes attention on her son, Jacques. When he is seduced by a temptress and accidentally murders a man, she visits him in his cell on the night before his execution, pretending to be his fiancée.
    1917: Mères Françaises (Mothers of France), as Madame Jeanne D'Urbex, a war widow in World War I. When she learns that her son has also been wounded, she searches the battlefields, crawls through trenches, and finally reaches him at a medical station only to have him die in her arms. After this tragedy, she dedicates her life to helping others survive the ravages of war.
    1921: Daniel (Pathé promotional film of the death scene from the play of the same name) Bernhardt appears as a morphine addict in the hour before death.
    1923: La Voyante (The Fortune Teller) Bernhardt appears as a clairvoyant, who makes predictions that influence the outcome of national events. This film was Bernhardt's final performance, and was made while she was mortally ill. It was eventually completed with scenes made with Jeanne Brindeau, standing in for Bernhardt's character with her back turned to the camera.


    References




    = Bibliography

    =
    Gold, Arthur & Fizdale, Robert (1991). The Divine Sarah: A Life of Sarah Bernhardt. New York: Knopf. pp. 17–20. ISBN 0394528794.
    Gottlieb, Robert (2010). Sarah: The Life of Sarah Bernhardt. Yale University Press. ISBN 978-03-0019-2599.
    Skinner, Cornelia Otis (1967). Madame Sarah. New York: Houghton-Mifflin.
    Snel, Harmen (2007). The ancestry of Sarah Bernhardt; a myth unravelled. Amsterdam: Joods Historisch Museum. ISBN 978-90-802029-3-1.
    Tierchant, Hélène (2009). Sarah Bernhardt- Madame Quand même. Paris: SW Télémaque. ISBN 978-2-7533-0092-7.


    External links


    Performances in Theatre Archive University of Bristol
    Sarah Bernhardt at IMDb

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