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The Mission (play) GudangMovies21 Rebahinxxi LK21
The Mission: Memory of a Revolution (Der Auftrag: Erinnerungen an eine Revolution), also known as The Task, is a postmodern drama by the (formerly East) German playwright Heiner Müller. The play was written and first published in 1979. Müller and his wife Ginka Cholakova co-directed its first theatrical production in 1980, at the intimate 'Theatre im 3.Stock' studio space of the Volksbühne in Berlin (opening on 16 November). Müller also directed a full-house production in 1982 at the Bochum Theatre in West Germany.
Dramatic structure
Composed with a "collage-like" dramaturgical structure, the play stages intertextual relationships with a range of classics from the modern theatre, each dealing with the models and ethics of revolutionary action: Brecht's The Decision (1930), Büchner's Danton's Death (1835), and Genet's The Blacks (1958), among others. The play also uses motifs from Anna Seghers' story "The Light on the Gallows" (which Müller had treated in a poem of 1958) and, Müller adds, "biographical events are involved, a trip to Mexico among others that was very important for me in connection with the play." In addition to its dramatic and often self-consciously theatrical scenes, the play is punctured by several lyrical and narrative elements. A lengthy narrative section bisects the play, arriving unmotivated within the immediate terms of a traditional dramatic logic. It is written in the first person as a 'stream of consciousness' but it lacks a discernible character-assigning speech-heading (this strategy, which leaves the text 'open' or 'writable' in Barthes' terms, is characteristic of Müller's dramaturgy). Adopting a 'Kafkaesque', subjective perspective (the outlook, as Brecht put it, "of a man caught under the wheels"), the protagonist of this section narrates a nightmarish dream sequence in which time and space become unhinged and dislocated as he travels in an elevator to receive, he anticipates with both pride and alarm, an important mission from the 'boss' ("whom I refer to in my mind" he says with epistrophic emphasis, "as No. 1"). While recalling Kafka's similar dislocations of time (in "Give It Up!", for example) and the subjective anxieties and alienated horrors of the expressionist drama, this section also has a more directly referential origin; in a prefatory note taken originally from his autobiography, Müller explains that:
"[a]n experience that became a part of this text is one of my approaches to Honecker in the House of the Central Committee, going up in the paternoster. On every floor a soldier with a machine gun sat opposite the entrance to the paternoster. The House of the Central Committee was a high security jail for the captives of power."
The play's structure, in which these different texts and experiences are articulated, is complex. "[T]he form or dramaturgy of my plays," Müller explains, "results from my relation to the material" (a relation which Brecht would call a 'Gestus'). He goes on to suggest that it may be the play's activation of many different historical periods (his own 'post-revolutionary' time, the late twenties of Brecht's Lehrstücke, that of post-revolutionary France) that has produced its collage-like "deviation from some dramaturgical norm." Müller links his dramaturgical experimentation explicitly with the attempt, given its most programmatic formulation by Strindberg eighty years earlier, to render a dream-logic in dramatic terms:
"I have always been interested in the structure of stories within dreams, how it is free of transitions, and associations are overlooked. The contrasts create acceleration. The whole effort of writing is to achieve the quality of my own dreams. Independence from interpretation, too. Faulkner's best texts have this quality."
Works cited
Benjamin, Walter. 1973. Understanding Brecht. Trans. Anna Bostock. London and New Yorl: Verso. ISBN 0-902308-99-8.
Kafka, Franz. 1994. Collected Stories. Ed. and trans. Gabriel Josipovici. Everyman's Library Ser. London: David Campbell. ISBN 1-85715-145-3.
Müller, Heiner. 1979a. The Task. In Hamletmachine and Other Texts for the Stage. Ed. and trans. Carl Weber. New York: Performing Arts Journal Publications, 1984. ISBN 0-933826-45-1. pp. 81–101
Müller, Heiner. 1979b. The Mission. In Theatremachine. Ed. and trans. Marc von Henning. London and Boston: Faber, 1995. ISBN 0-571-17528-7. pp. 59–84.
Müller, Heiner. 2001. A Heiner Müller Reader: Plays | Poetry | Prose. Ed. and trans. Carl Weber. PAJ Books Ser. Baltimore and London: The Johns Hopkins University Press. ISBN 0-8018-6578-6.
Strindberg, August. 1991. Author's Note to A Dream Play. In Strindberg: Plays Two. Trans. Michael Meyer. London: Methuen. ISBN 0-413-49750-X. p. 174.
Weber, Carl. 1984. Note on The Task. In Hamletmachine and Other Texts for the Stage. by Heiner Müller. New York: Performing Arts Journal Publications, 1984. ISBN 0-933826-45-1. pp. 82–83
External links
English Translation of The Mission
References
The Mission Play GudangMovies21 Rebahinxxi LK21
The Mission Play, by John S. McGroarty, was a three-hour pageant portraying the history of the California missions. Performed in San Gabriel, Ca, it was first staged in 1912 across from the San Gabriel Mission. In 1927 the San Gabriel Mission Playhouse was constructed to house the production. It was seen by over 2.5 million people.
History
In 1902, reflecting an interest in Spanish California brought upon by the success of Helen Hunt Jackson's Ramona combined with population influx from new railroads connecting Southern California to the rest of the United States, Frank Augustus Miller changed the name of his father's 1876 hotel from the "Glenwood Hotel" to the "Mission Inn." He began building in a variety of styles including most prominently Mission Revival Style architecture. During the 30-year construction period Miller traveled the world, collecting treasures to bring back to the hotel for display. It was during this time he witnessed a German Passion Play, most likely the Oberammergau Passion Play, which became the basis for the Mission Play. Miller took McGroarty to Mount Rubidoux in Riverside where beneath "the shadow of the cross erected to the memory of Father Serra, the plan unfolded."
Along with McGroarty came investment from other Southern California deep-pocketed heavy-hitters, including railroad magnate and collector of art and rare books, Henry E. Huntington; the son-in-law of the owner and future publisher of the Los Angeles Times, Henry Chandler; and one of Southern California's first oil tycoons, Edward L. Doheny.
References
External links
Kata Kunci Pencarian:
The Mission Play - Alchetron, The Free Social Encyclopedia
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the mission play
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The Mission Play - Wikipedia
The Mission Play, by John S. McGroarty, was a three-hour pageant portraying the history of the California missions. Performed in San Gabriel, Ca, it was first staged in 1912 across from the San Gabriel Mission. In 1927 the San Gabriel Mission Playhouse was constructed to house the production. It was seen by over 2.5 million people.
John Steven McGroarty: THE MISSION PLAY
The Mission Play, in three acts, tells the epic story of the founding of the California Missions, beginning with arrival from Mexico of Fray Junipero Serra and Don Gaspar de Portola, with the first expedition of 1769 at San Diego; the rise …
The Mission (play) - Wikipedia
The Mission: Memory of a Revolution (Der Auftrag: Erinnerungen an eine Revolution), also known as The Task, is a postmodern drama by the (formerly East) German playwright Heiner Müller. The play was written and first published in 1979. Müller and his wife Ginka Cholakova co-directed its first theatrical production in 1980, at the intimate 'Theatre im 3.Stock' studio space of the Volksbühne in Berlin (opening on 16 November). Müller also directed a full-house production in 1…
The Mission Play - California Digital Newspaper Collection
The Mission Play is to America what the Passion Play of Oberammergau is to Europe. It is the American manifestation of that passion of love and suffering as old as'humanity; touching the …
The Mission Play: Presented in the Mission Play House at Old …
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“When California Was the Happiest Land in All
Feb 3, 2022 · A savage, the color of rust, glides through the dusk and the Mission Play, California’s pageant of her early history, starts on its twelfth year at the Old San Gabriel Mission . . . the hazardous rise, existence and decline of the …
The mission play : presented in the mission play house at Old ...
The mission play : presented in the mission play house at Old San Gabriel Mission, California / by John Steven McGroarty
“The White Man’s Christianity and Civilization on the …
Jan 17, 2021 · The Mission Play was one of the more successful manifestations of that imagery and the assertions of the “glory” of the Missions; that “the Indians had risen to the stature of white men” when the vast majority perished of …
The Mission – The Testimony and Call of Hudson Taylor
The Mission: The Testimony and Call of Hudson Taylor is the vision of Andrew Jones, and is a non-profit project based on presenting the gospel through theater. After reading a biography on Hudson Taylor, Andrew felt led to write a …
The Mission Play - Wikiwand
The Mission Play, by John S. McGroarty, was a three-hour pageant portraying the history of the California missions. Performed in San Gabriel , Ca, it was first staged in 1912 across from the …