back from the grave, volume 2

Source: Back from the Grave, Volume 2

Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
The set begins with "Victim of Circumstances," by Roy Junior, who is none other than Roy Acuff Jr., the son of country music legend Roy Acuff. The song was written by Don Turnbow, who also wrote "Hipsville B.C." for Texas band the Sparkles. Detroit's the Unrelated Segments sing "Cry, Cry, Cry." The Outsiders from Tampa, Florida perform "She's Coming On Stronger," The liner notes recount an incident where the group's van turned upside down when they were on a trip to play in Birmingham Alabama and the band members ended up in jail. "(Would I Still Be) Her Big Man," by the Brigands, is about a man who dates a beautiful woman with expensive tastes, and pretends that he is wealthy, but wonders if she would accept him if she finds out that he works in a factory. The set concludes with "Crater Sota," by the Thunderbirds.