back from the grave, volume 4

Source: Back from the Grave, Volume 4

Back from the Grave, Volume 4 is the fourth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Wild Mid-60s Garage Punk Screamers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who, on this occasion, with the help of Batman's sidekick, Robin, have taken the 1966 TV series Batmobile out for a "wild joyride" and are intent on causing as much mayhem as possible and "lassoing" unsuspecting bystanders—only on this outing, their "victims" are more "randomly selected" than as customarily portrayed on Back from the Grave sleeves.
The inaugural track on the set is "Wild Man" by the Tamrons, from Concord North Carolina, which begins with a Twilight Zone-inspired arpeggiated riff and was recorded at Arthur Smith's Studio in Charlotte. "Dinah Wants Religion" is by the Fabs, from Fullerton, California, who are sometimes mistaken for being a Texas band. Tacoma, Washington garage rock legends, the Sonics, are represented on the set with the fuzz-drenched "Santa Claus." Tonto and the Renegades from Ocean Port, New Jersey perform "Little Boy Blue." Side two begins with "13 Stories High" by the Botumless Pit. L.A.'s the Sloths provide the blues-tinged protopunk of "Makin' Love." The Vectors, from Chicago perform "What In the World." The set concludes with "Night of the Sadist," by Larry and the Blue Notes.