• Source: Chaya Czernowin

      • Chaya Czernowin (Hebrew: חיה צ'רנובין, Hebrew pronunciation: [ˌχaja t͡ʃɛʁˈnobin]; born December 7, 1957) is an Israeli American composer, and Walter Bigelow Rosen Professor of Music at Harvard University.
      She is the lead composer at the Schloß Solitude Sommerakademie, a biannual international academy of composers and resident musicians at the landmark Schloß Solitude, in Stuttgart, Germany.
      She is a 2011 Guggenheim Fellow.


      Education and early career


      Czernowin was born in Haifa, and raised in Israel. She studied in Israel, Germany, and in the United States. She also received fellowships to compose in Japan and in Germany. Czernowin studied at the Rubin Academy of music at Tel-Aviv University, Bard College, and received her PhD from the University of California, San Diego in 1993. At UCSD, she studied with Brian Ferneyhough and Roger Reynolds.
      Czernowin spent several years after her formal studies on residencies and fellowships in Japan, Europe, and the United States. She was awarded the Ernst von Siemens Composer Prize in 2003.
      From 1997 to 2006, she was professor of composition at UCSD, and between 2006 and 2009 she was professor of composition at the University of Music and Performing Arts, Vienna.


      Musical works


      Source:


      = Early works

      =
      Dam Sheom Hachol


      = Operas

      =
      "opera without words," PNIMA...ins innere. (2000), premiered at the Munich Biennale
      A companion to Mozart's fragment, Adama/Zäide (2006)
      "Infinite Now" (2017), opera in six acts, premiered at the Vlaamse Opera in Ghent
      Heart Chamber, 2019, premiered at the Deutsche Oper Berlin.


      = Orchestra

      =
      Birds for string orchestra (1984), 11'
      The hour glass bleeds still for string orchestra (1992, rev. 2002)
      Amber for large orchestra (1993), 18'
      Afatsim for mixed ensemble (1996), 10'
      Shu Hai in an orchestral setting for orchestra, female voice, and live electronics (2001), 30'
      Dam Sheon Hachol (the hourglass bleeds still) version for string orchestra (2002), 19'
      Maim (strange water, stolen water), triptych for large orchestra, tubax recorded and a quintet of soloists (oboe, tubax, electric guitar, piano, viola) (2001/2002), 18';
      I: maim zarim maim gnuvim (strange water stolen water) (2002);
      II: The memory of water (2006);
      III: mei mechaa (water of disent) (2005–2006)


      = Ensemble

      =
      Afatsim for mixed ensemble (1996). Appears twice (see orchestra)
      Winter Songs I: Pending Light for live electronics and seven instruments (2002/2003), 12'
      Winter Songs II: Stones for seven instruments and three percussionists (2003), 12'
      Winter Songs III: Roots for live electronics, seven instruments and three percussionists (2003), 14'
      Excavated Dialogues Fragments for a mixed ensemble of Eastern and Western instruments (2003), 8‘
      Excavated Dialogues Fragments – Second version for a mixed ensemble of modern and Renaissance/Baroque instruments (2003, rev. 2005)
      Anea Crystal for Two String Quartets and an Octet (2008)
      Sheva for seven players, for tpt b trb 2 percussionists pno contra guitar and vcl (2008)


      = Concerto

      =
      While Liquid Amber for three amplified piccolos (solo) and large orchestra (2000), 18'


      = Chamber music

      =
      Ina for bass flute and pre-recorded flutes (1989), 12' – ED 9680
      LeArye for violin and 15 pre-recorded violins and violas (1990), 14'
      Dam Sheon Hachol (the hourglass bleeds still) for string sextet (1992), 18' – ED 9663
      A map of a recurrent dream for sho, u, live and pre-recorded Tape (1994), 17'
      Tris for percussion and pre recorded percussion (1993), 13'
      Die Kreuzung for accordion, alt saxsophone and bass (1994), 10' – ED 9684
      String Quartet (1995), 14'
      Drift (Sahaf) for saxophone (baritone and sopranino) or clarinet (Eb clarinet and bass clarinet), E-guitar, piano and percussion (timpano, marimba, 2 plastic triangle liners, bamboo wind chime, ocean drum, ratchet, snare drum) (2008)


      = Vocal music

      =
      Manoalchadiya for bass flute and two female voices (1988), 13'
      Shu Hai Mitamen Behatalat Kidon (Shu Hai Practices Javalin) for solo female voice and recorded nine voices with live electronics (1996/1997), 30' – ED 9672
      Six Miniatures and a Simultaneous Song for mixed ensemble and a singer (1998), 13'
      Pilgerfahrten for narrator, boy's choir, and instrumental ensemble (2005/2006, rev. 2007)


      = Recent works

      =
      Winter Songs, Maim Zarim, Main Gnuvim


      Discography




      = Portrait CDs

      =


      References




      Bibliography


      Gur, Golan. Czernowin, Chaya. In: Bayerisches Musiker-Lexikon Online..
      Seter, Ronit: Czernowin, Chaya. In: The New Grove Dictionary of Music and Musicians. vol. 6, 2nd. ed. Stanley Sadie, London 2001, pp. 823f. Also available through Grove Music Online


      External links


      Official website
      Ivry, Benjamin (20 October 2010). "Separate Universes Coexisting: Chaya Czernowin's Musical Artistry". The Forward. Retrieved 14 August 2024.
      Either/Or: Chaya Czernowin – Die Kreuzung on YouTube (Crossroads)
      In the Mediterranean Mode: Israeli Women Composers - Dr Ronit Seter discusses Israeli women composers (Shulamit Ran, Betty Olivero and Chaya Czernowin). Lecture at the Library of Congress, Washington DC, recorded June 3, 2012. Full transcript also available
      Bibliography on Chaya Czernowin, in Ronit Seter, "Israeli Art Music", on Oxford Bibliographies (accessed 23 March, 2024)

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